Abu Nuwas

For the crater, see Abu Nuwas (crater).

"Nuwas" redirects here. For the 6th-century king, see Dhu Nuwas.

Abu Nuwas
Abu Nuwas drawn by Khalil Gibran in 1916
Born	Abū Nuwās al-Ḥasan ibn Hānī al-Ḥakamī c. 756 Ahvaz, Abbasid Caliphate
Died	c. 814 (aged 57–58) Baghdad, Abbasid Caliphate
Occupation	Poet

Abū Nuwās al-Ḥasan ibn Hānī al-Ḥakamī (variant: Al-Ḥasan ibn Hānī 'Abd al-Awal al-Ṣabāḥ, Abū 'Alī ( الحسن بن هانئ بن عبد الأول بن الصباح ،ِابو علي), known as Abū Nuwās al-Salamī (أبو نواس السلمي) or just Abū Nuwās (أبو نواس Abū Novās); c. 756 – c. 814) was a classical Arabic poet, and the foremost representative of the modern (muhdath) poetry that developed during the first years of Abbasid Caliphate. He also entered the folkloric tradition, appearing several times in One Thousand and One Nights.

Early life

Abu Nuwas was born in the province of Ahvaz (modern Khuzestan Province) of the Abbasid Caliphate, either in the city of Ahvaz or one of its adjacent districts. His date of birth is uncertain, he was born sometime between 756 and 758. His father was Hani, a Syrian or Persian who had served in the army of the last Umayyad caliph Marwan II (r. 744–750). His mother was a Persian named Gulban, whom Hani had met whilst serving in the police force of Ahvaz. When Abu Nuwas was 10 years old, his father died.

In his early childhood Abu Nuwas followed his mother to Basra in lower Iraq where he attended Qur’an school and became a Hafiz at a young age. His youthful good looks and innate charisma attracted the attention of the Kufan poet, Abu Usama Waliba ibn al-Hubab al-Asadi, who took Abu Nuwas to Kufa as a young apprentice. Waliba recognized in Abu Nuwas his talent as a poet and encouraged him toward this vocation, but was also attracted sexually to the young man and may have had erotic relations with him. Abu Nuwas's relationships with adolescent boys when he had matured as a man seem to mirror his own experience with Waliba.

Work

Abu Nuwas wrote poetry in multiple genres; his great talent was most recognized in his wine poems and in his hunting poems. His erotic lyric poetry, which is often homoerotic, is known from over 500 poems and fragments. He also participated in the well-established Arabic tradition of satirical poetry, which included duels between poets involving vicious exchanges of poetic lampoons and insults. Ismail bin Nubakht, one of Nuwas's contemporaries, said:

"I never saw a man of more extensive learning than Abu Nuwas, nor one who, with a memory so richly furnished, possessed so few books. After his death we searched his house, and could only find one book-cover containing a quire of paper, in which was a collection of rare expressions and grammatical observations."

The earliest anthologies of his poetry and his biography were produced by:

• Yaḥyā ibn al-Faḍl and Ya‘qūb ibn al-Sikkīt arranged his poetry under ten subject categories, rather than in alphabetical order. Al-Sikkīt wrote an 800-page commentary.
• Abū Sa’īd al-Sukkarī edited his poetry, providing commentary and linguistic notes; he completed editing approximately two thirds of the corpus of one thousand folios.
• Abū Bakr ibn Yaḥyā aI-Ṣūlī edited his work, organizing poems alphabetically, and corrected some false attributions.
• ‘Alī ibn Ḥamzah al-Iṣbahānī also edited his writings, compiling works alphabetically.
• Yūsuf ibn al-Dāyah
• Abū Hiffān
• Ibn al-Washshā’ Abū Ṭayyib, scholar of Baghdād
• Ibn ‘Ammār wrote a critique of Nuwas's work, including citing instances of alleged plagiarism.
• Al-Munajjim family: Abū Manṣūr; Yaḥyā ibn Abī Manṣūr; Muḥammad ibn Yaḥyā; ‘Alī ibn Yaḥyā; Yaḥyā ibn ‘Alī; Aḥmad ibn Yaḥyā; Hārūn ibn ‘Alī; ‘Alī ibn Hārūn; Aḥmad ibn ‘Alī; Hārūn ibn ‘Alī ibn Hārūn.
• Abū al-Ḥasan al-Sumaysāṭī also wrote in praise of Nuwas.

Imprisonment and death

He died during the Great Abbasid Civil War before al-Ma’mūn advanced from Khurāsān in either 199 or 200 AH (814–816 AD). Because he frequently indulged in drunken exploits, Nuwas was imprisoned during the reign of Al-Amin, shortly before his death.

The cause of his death is disputed: four different accounts of Abu Nuwas’s death survive. 1. He was poisoned by the Nawbakht family, having been framed with a poem satirizing them. 2. He died in a tavern drinking right up to his death. 3. He was beaten by the Nawbakht for the satire falsely attributed to him; wine appears to have had a role in the flailing emotions of his final hours - this seems to be a combination of accounts one and two. 4. He died in prison, a version which contradicts the many anecdotes stating that in the advent of his death he suffered illness and was visited by friends (though not in prison). He most probably died of ill health, and equally probably in the house of the Nawbakht family, whence came the myth that they poisoned him. Nuwas was buried in Shunizi cemetery in Baghdad.

Legacy

File:Verses of Abu Nawas, copied by Mirza Kuchik Visal, Qajar Iran, 10 May 1824.jpg

Manuscript of Abu Nawas's verses. Copied by Mirza Kuchik Visal, Qajar Iran, dated 10 May 1824

Influences

Nuwas is one of a number of writers credited with inventing the literary form of the mu‘ammā (literally "blinded" or "obscured"), a riddle which is solved "by combining the constituent letters of the word or name to be found". He also perfected two Arabic genres: Khamriyya (wine poetry) and Tardiyya (hunting poetry). Ibn Quzman, who was writing in Al-Andalus in the 12th century, admired him deeply and has been compared to him.

Commemoration

The city of Baghdad has several places named for the poet. Abū Nuwās Street runs along the east bank of the Tigris River, in a neighbourhood that was once the city's showpiece. Abu Nuwas Park is located on the 2.5-kilometer stretch between the Jumhouriya Bridge and a park that extends out to the river in Karada near the 14th of July Bridge.

In 1976, a crater on the planet Mercury was named in honor of Abu Nuwas.

The Abu Nawas Association, founded in 2007 in Algeria, was named after the poet. The primary aim of the organisation is to decriminalise homosexuality in Algeria, seeking the abolition of article 333 and 338 of the Algerian penal code which still considers homosexuality a crime punishable by imprisonment and accompanied by a fine.

Censorship

While his works were in circulation freely until the early years of the twentieth century, the first modern censored edition of his works was published in Cairo in 1932. In January 2001, the Egyptian Ministry of Culture ordered the burning of some 6,000 copies of books of Nuwas's homoerotic poetry. In the Saudi Global Arabic Encyclopedia entry for Abu Nuwas, all mentions of pederasty were omitted.

In popular culture

He features as a character in a number of stories in One Thousand and One Nights, where he is cast as a boon companion of Harun al-Rashid.

A heavily fictionalised Abu Nuwas is the protagonist of the novels The Father of Locks (Dedalus Books, 2009) and The Khalifah's Mirror (2012) by Andrew Killeen, in which he is depicted as a spy working for Ja'far al-Barmaki.

In the Sudanese novel Season of Migration to the North (1966) by Tayeb Salih, Abu Nuwas's love poetry is cited extensively by one of the novel's protagonists, the Sudanese Mustafa Sa'eed, as a means of seducing a young English woman in London: "Does it not please you that the earth is awaking,/ That old virgin wine is there for the taking?"

The Tanzanian artist Godfrey Mwampembwa (Gado) created a Swahili comic book called Abunuwasi which was published in 1996. It features a trickster figure named Abunuwasi as the protagonist in three stories draw inspiration from East African folklore as well as the fictional Abu Nuwasi of One Thousand and One Nights.

In Pasolini's Arabian Nights, the Sium story is based on Abu Nuwas' erotic poetry. The original poems are used throughout the scene.

Editions and translations

• Dīwān Abū Nu’ās, khamriyyāt Abū Nu’ās, ed. by ‘Alī Najīb ‘Aṭwi (Beirut 1986).
• O Tribe That Loves Boys. Hakim Bey (Entimos Press / Abu Nuwas Society, 1993). With a scholarly biographical essay on Abu Nuwas, largely taken from Ewald Wagner's biographical entry in The Encyclopedia of Islam.
• Carousing with Gazelles, Homoerotic Songs of Old Baghdad. Seventeen poems by Abu Nuwas translated by Jaafar Abu Tarab. (iUniverse, Inc., 2005).
• Jim Colville. Poems of Wine and Revelry: The Khamriyyat of Abu Nuwas. (Kegan Paul, 2005).
• The Khamriyyāt of Abū Nuwās: Medieval Bacchic Poetry, trans. by Fuad Matthew Caswell (Kibworth Beauchamp: Matador, 2015). Trans. from ‘Aṭwi 1986.

Sources

• Esat Ayyıldız. "Ebû Nuvâs’ın Şarap (Hamriyyât) Şiirleri". Bozok Üniversitesi İlahiyat Fakültesi Dergisi 18 / 18 (2020): 147–173.

Further reading

• Esat Ayyıldız. "Ebû Nuvâs’ın Şarap (Hamriyyât) Şiirleri". Bozok Üniversitesi İlahiyat Fakültesi Dergisi 18 / 18 (2020): 147–173.

External links

• The Knitting Circle – Abu Nuwas
• Al-Funu.Org: Abu Nuwas
• Horse, Hawk, and Cheetah: Three Arabic Hunting Poems of Abū Nuwās Cordite Poetry Review