Beat reporting

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Beat reporting, also known as specialized reporting, is a genre of journalism that can be described as the craft of in-depth reporting on a particular issue, sector, organization or institution over time. Beat reporters build up a base of knowledge on and gain familiarity with the topic, allowing them to provide insight and commentary in addition to reporting straight facts. Generally, beat reporters will also build up a rapport with sources that they visit again and again, allowing for trust to build between the journalist and his/her source of information. This distinguishes them from other journalists who might cover similar stories from time to time.[1]

Journalists become invested in the beats they are reporting for, and become passionate about mastering that beat.[2] Beat reporters often deal with the same sources day after day, and must return to those sources regardless of their relationship with them.[3] Those sources may or may not be pleased with the reporting of the reporters.[3] It is pertinent that beat reporters contact their sources quickly, obtain all necessary information, and write on deadline.[3]

Daily beat reporting, in contrast to investigative writing, presents credible information from reliable sources.[4] Often, investigative writing is attributed to unofficial sources (Karrirer). According to media sociologists, beat reporting occurs because of the limited time reporters are given to cover stories.[5] For big scoops, beats are not necessarily as useful as other journalism types.[5] Some of the best inside stories, for example Bay of Pigs and Watergate, did not come from beat reporting.[5]

Beat reporters collect information from each person they meet while reporting.[6] They routinely call, visit, and e-mail sources to obtain any new information for articles.[6] When reporters have experience on a specific beat, they are able to gain both knowledge and sources to lead them to new stories relating to that beat.[6] Beats are able to help reporters define their roles as journalists, and also avoid overlap of stories within the newsroom.[6]

Etymology

The term comes from the noun beat in the sense of an assigned regular route or habitual path, as for a policeman. By analogy, the beat of a reporter is the topic they have been assigned for reporting.[7] Similarly, a beat reporter will follow the same routes or habitual paths in collecting new information on a specified topic.

Prizes

Several organizations award prizes for beat reporting, of which the Pulitzer Prize for Beat Reporting, discontinued in 2007, is possibly the best known. Other awards that have a category for beat reporting include the Gerald Loeb Awards,[8] the Canadian National Newspaper Awards,[9] and the SEJ Awards.[10]

External links

  • Deadbeats - On the Media radio program, 12 September 2014
  • Wikisource Lua error in package.lua at line 80: module 'strict' not found.

References

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  2. Ryfe, D. M. (2009)Structure, agency, and change in an American newsroom. 665-683
  3. 3.0 3.1 3.2 Scanlan, C. (2011). Beat reporting: what does it take to be the best. Poynter Institute.
  4. Kassirer, J. (2006). Editorial Autonomy of CMAJ. Canadian Medical Association Journal174.7, 945-50
  5. 5.0 5.1 5.2 Berkowitz, Daniel A. (1997) Social Meanings of News: A Text-reader. Thousand Oaks, CA: Sage Publications
  6. 6.0 6.1 6.2 6.3 Galbraith, K. (2010) The Capriciousness of Beats. Nieman Reports, 64(4), 5-6.
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