Caspar Neher
Caspar Neher (born Rudolf Ludwig Caspar Neher; 11 April 1897 – 30 June 1962) was an Austrian-German scenographer and librettist, known principally for his career-long working relationship with Bertolt Brecht.
Neher was born in Augsburg. He and Brecht were school friends who were separated for a time by the First World War, during which Neher was awarded the Iron Cross, Second Class (on 2 February 1918). In 1919, he studied under Angelo Jank at the Academy of Fine Arts, Munich.[1] He was first engaged professionally by the Munich Kammerspiele in 1922, although his designs for its production of Brecht's Drums in the Night were rejected.[2] On 18 August 1923, Neher married Erika Tornquist in Graz.[2] Their son, Georg, was born on 14 October 1924.[3] In autumn 1926, Neher became the staff designer at the Berlin Staatstheater.[3] A year later, he became head of design at the Grillo-Theater in Essen, Germany, where he designed 8 operas and 11 plays.[3] He died in Vienna.
Scenographic work
(All plays by Bertolt Brecht unless otherwise stated.)
- 1923. Das Käthchen von Heilbronn by Heinrich von Kleist at the Berlin Staatstheater; dir. Jürgen Fehling
- 1923. In the Jungle at the Residenztheater in Munich
- 1924. The Life of Edward II of England at the Munich Kammerspiele; dir. Brecht
- 1924. Jungle: Decline of a Family at the Deutsches Theater in Berlin; dir. Erich Engel
- 1925. Coriolanus by William Shakespeare at the Lessing-Theater in Berlin; dir. Erich Engel[4]
- 1925. Circle of Chalk in a version by Klabund at the Deutsches Theater; dir. Max Reinhardt
- 1926. Lysistrata by Aristophanes at the Deutsches Theater; dir. Erich Engel
- 1926. Baal at the Deutsches Theater in Berlin
- 1926. Man Equals Man at the Landestheater Darmstadt; dir. Jacob Geis
- 1926. Earth Spirit and Pandora's Box by Frank Wedekind at the Berlin Staatstheater; dir. Erich Engel
- 1927. The Little Mahagonny at the Deutsche Kammermusik Festival at Baden-Baden; dir. Brecht
- 1927. Die Wupper by Else Lasker-Schüler at the Berllin Staatstheater; dir. Carl Ebert
- 1928. Man Equals Man at the Berlin Volksbühne; dir. Erich Engel
- 1928. Kalkutta, 4. Mai by Lion Feuchtwanger at the Berlin Staatstheater; dir. Erich Engel
- 1928. The Threepenny Opera at the Theater am Schiffbauerdamm in Berlin, music by Kurt Weill
- 1928. Carmen by Georges Bizet at the Kroll Opera House in Berlin
- 1929. Pioneers in Ingolstadt by Marieluise Fleißer at the Theater am Schiffbauerdamm in Berlin; dir. Brecht and Jacob Geis
- 1929. Moritat, Moschopoulos, and Sganarelle by Rudolf Wagner-Régeny at the Grillo-Theater, Essen
- 1929. Wozzeck by Alban Berg
- 1930. Rise and Fall of the City of Mahagonny at the de in Leipzig; music by Kurt Weill; dir. Walter Brugmann
- 1931. Man Equals Man at the Berlin Staatstheater; dir. Brecht
- 1931. The Threepenny Opera, costume design for the cinematic adaptation directed by Georg Wilhelm Pabst
- 1931. From the House of the Dead by Leoš Janáček at the Kroll Opera House in Berlin
- 1932. Die Bürgschaft, libretto and design by Neher, music by Kurt Weill, at the Deutsche Oper Berlin; dir. Ebert
- 1932. Un ballo in maschera by Giuseppe Verdi at the Deutsche Oper Berlin; dir. Ebert
- 1932. Rise and Fall of the City of Mahagonny at the Salle Gaveau in Paris; dir. Hans Curjel
- 1932. Oliver Cromwells Sendung by Walter Gilbricht at the Volksbühne; dir. Hilpert
- 1938. Macbeth by Giuseppe Verdi at the Glyndebourne Festival Opera; dir. Ebert
- 1949. Mr Puntila and his Man Matti at the Berliner Ensemble in East Berlin.
References
Sources
- Sacks, Glendyr. 1994. "A Brecht Calendar." In The Cambridge Companion to Brecht. Ed. Peter Thomson and Glendyr Sacks. Cambridge Companions to Literature Ser. Cambridge: Cambridge University Press. ISBN 0-521-41446-6. p. xvii–xxvii.
- Willett, John. 1967. The Theatre of Bertolt Brecht: A Study from Eight Aspects. Third rev. ed. London: Methuen, 1977. ISBN 0-413-34360-X.
- Willett, John. 1986. Caspar Neher: Brecht's Designer. London and New York: Methuen. ISBN 0-413-41240-7.
