Love Letters (1945 film)

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Love Letters
Loveletters1.jpg
Promotional poster
Directed by William Dieterle
Produced by Hal B. Wallis
Written by Ayn Rand
Starring Jennifer Jones
Joseph Cotten
Ann Richards
Cecil Kellaway
Gladys Cooper
Anita Louise
Music by Victor Young
Cinematography Lee Garmes
Edited by Anne Bauchens
Distributed by Paramount Pictures
Release dates
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  • August 17, 1945 (1945-08-17)
Running time
101 minutes
Country United States
Language English

Love Letters is a 1945 film adapted by Ayn Rand from the novel Pity My Simplicity by Christopher Massie. It was directed by William Dieterle and stars Jennifer Jones, Joseph Cotten, Ann Richards, Cecil Kellaway, Gladys Cooper and Anita Louise. The plot tells the story of a man falling in love with an amnesiatic woman with two personalities who killed his soldier friend.

The film was nominated for four Academy Awards, including a Best Actress in a Leading Role nomination for Jones.

Plot

Alan Quinton (Joseph Cotten), an American soldier in Italy during World War II, has been writing letters for his friend, Roger Morland (Robert Sully), a man who admits he "never had any standards, manners or taste." Alan has never met Victoria Remington, but regards her as a "pin-up girl of the spirit," to whom he can express feelings he has never expressed in person. He realizes that Victoria has fallen in love with the letters and is concerned that she will be disappointed by the real Roger. However, Roger abruptly leaves for paratrooper training in England.

Alan is subsequently injured on the Italian front and finds out that both Roger and Victoria are dead. He is having trouble readjusting to civilian life and spending time with his fiance, Helen Wentworth (Anita Louise). He decides to live for a while at his aunt's farm in Essex. In London, his brother takes him to a party at which he meets Dilly Carson (Ann Richards) and Singleton (Jennifer Jones). He drunkenly tells them the story about falling in love with a woman he's never met, and Dilly realizes he is referring to Roger and Victoria. She tells Alan that a murder was committed and the letters were somehow involved.

While in Essex, Alan visits Longreach—the road to which he addressed all the letters—and finds out that Victoria died over a year ago. He also finds out that Roger was murdered by his wife, and Alan feels somewhat guilty. Back in London, Dilly informs him that Singleton is suffering from amnesia and is actually the real Victoria. She begs him not to tell Singleton that he was the one who wrote the letters because Victoria fell in love with Roger through the letters and married him solely based on them.

Dilly recounts that one day, she found Roger stabbed to death in the country house on Longreach, but Victoria was completely unable to remember what happened, even though she was holding the murder weapon right beside him. After a trial during which she cannot remember anything, she is sent to a prison psychiatric hospital for a year and then released into the care of Dilly. Victoria never regained her memory, and continues to now live as Singleton. Singleton realizes that Alan is in love with Victoria, but does not realize Victoria is actually herself. Regardless, Alan and Singleton marry after he gets permission from her adopted mother, Beatrice Remington (Gladys Cooper). However, their marriage is constantly scarred by Alan's love of the "other woman."

Beatrice returns to the farm and while conversing with Singleton, Singleton begins to remember the events of that fateful night: As Roger begins to drink, Victoria rereads the letters to remind herself of the man she loves and not the bitter man she sees in front of her. Roger confesses that he is not the one who wrote the letters, and he becomes abusive. Beatrice takes a knife and is the one to stab him to death as Victoria attempts to save the letters he had thrown into the fireplace.

As Alan arrives at the house, Victoria recalls her true identity and they fall into each other's arms.

Cast

Adaptation and production

Rand's screenplay of Massie's book converted his story into an adaptation of Edmond Rostand's famous play Cyrano de Bergerac. Rand had admired the work since reading it in the original French in her youth. As in Rostand's play, the heroine falls in love with a soldier believing him to be the author of certain love letters that had been written for him by another soldier, including a moving note sent from the front. In Rand's version, a dimension of psychological mystery is added, and the heroine discovers the identity of the true author in time for the protagonists to experience a "happy ending."[1]

The film was one of the four which paired Jones and Cotton as romanic leads. The others were Since You Went Away, 1944, Duel in the Sun, 1946, and Portrait of Jennie, 1948.

Music

The musical score by Victor Young was also nominated for an Oscar, and featured the melody of the hit song "Love Letters," which has been recorded by numerous artists since 1945, including Rosemary Clooney, Dick Haymes, Nat King Cole, Elvis Presley, Jack Jones, Engelbert Humperdinck, Shelley Fabares, Elton John and Sinéad O'Connor. The melody or song has been reused in other films, including the Blue Velvet (1986), directed by David Lynch.[2]

Reception

Although critical reviews were mostly negative, Love Letters succeeded at the box office.[1] New York Times reviewer Bosley Crowther berated it as "sentimental twaddle", calling Jones' performance "fatuous", Rand's writing "a mucky muddle", and Dieterle's direction "mushy and pretentious".[3]

Academy Awards

Nominations[4]

References

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  4. "Oscars.org -- Love Letters". Academy of Motion Picture Arts and Sciences. Retrieved January 7, 2014.

External links