Trikaya

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Three buddha statues symbolizing the Three Bodies. Dharma Flower Temple, Huzhou, Zhejiang province, China

Lua error in package.lua at line 80: module 'strict' not found. The Trikāya doctrine (Sanskrit, literally "Three bodies"; 三身 Chinese: Sānshēn Vietnamese: Tam thân, Japanese: Sanjin or Sanshin, Tibetan: སྐུ་གསུམ, Wylie: sku gsum) is a Mahayana Buddhist teaching on both the nature of reality and the nature of Buddhahood.

Definition

The doctrine says that a Buddha has three kāyas or bodies:

  1. The Dharmakāya or Truth body which embodies the very principle of enlightenment and knows no limits or boundaries;
  2. The Sambhogakāya or body of mutual enjoyment which is a body of bliss or clear light manifestation;
  3. The Nirmāṇakāya or created body which manifests in time and space.[1]

Origins

Pāli Canon

Even before the Buddha's parinirvāṇa, the term Dhammakāya was current. Dhammakāya literally means Truth body.

In the Pāli Canon the Buddha tells Vasettha that the Tathāgata (the Buddha) was Dhammakāya, the 'Truth-body' or the 'Embodiment of Truth', as well as Dhammabhuta, 'Truth-become', 'One who has become Truth' [2][3]

The Buddha is equated with the Dhamma:

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... and the Buddha comforts him, "Enough, Vakkali. Why do you want to see this filthy body? Whoever sees the Dhamma sees me; whoever sees me sees the Dhamma."[4]

In the Aggañña Sutta the Buddha advises Vasettha that whoever has strong, deep rooted, and established belief in the Tathagatha, he can declare that he is the child of Bhagavan, born from the mouth of Dhamma, created from Dhamma, and the heir of Dhamma. Because the titles of the Tathagatha are: The Body of Dhamma, The Body of Brahma, the Manifestation of Dhamma, and the Manifestation of Brahma.

Mahāyāna

The Dharmakāya doctrine was possibly first expounded in the Aṣṭasāhasrikā Prajñāpāramitā "The Perfection of Wisdom In Eight Thousand Verses", composed in the 1st century BCE.

Mahayana Buddhism introduced the Sambhogakāya, which conceptually fits between the Nirmāṇakāya (the manifestations of enlightenment in the physical world)[note 1] and the Dharmakaya. The Sambhogakaya is that aspect of the Buddha, or the Dharma, that one meets in visions and in deep meditation. It could be considered an interface with the Dharmakaya.

The Trikaya-doctrine and the Buddha-nature bring the transcendental within reach, by placing the transcendental within the plane of immanence.

Around 300 CE, the Yogacara school systematized the prevalent ideas on the nature of the Buddha in the Trikaya or three-body doctrine.[5]

Interpretation in Buddhist traditions

Schools have different ideas about what the three bodies are.[6][7]

Chinese Mahayana

Pure Land

The Three Bodies of the Buddha from the point of view of Pure Land Buddhist thought can be broken down like so:[8]

  • The Nirmaṇakāya is a physical/manifest body of a Buddha. An example would be Gautama Buddha's body.
  • The Sambhogakāya is the reward/enjoyment body, whereby a bodhisattva completes his vows and becomes a Buddha. Amitābha, Vajrasattva and Manjushri are examples of Buddhas with the Sambhogakaya body.
  • The Dharmakāya is the embodiment of the truth itself, and it is commonly seen as transcending the forms of physical and spiritual bodies. Vairocana Buddha is often depicted as the Dharmakāya, particularly in esoteric Buddhist schools such as Shingon, Tendai and Kegon in Japan.

As with earlier Buddhist thought, all three forms of the Buddha teach the same Dharma, but take on different forms to expound the truth.

Chan Buddhism

According to Schloegl, in the Zhenzhou Linji Huizhao Chansi Yulu, the Three Bodies of the Buddha are not taken as absolute. They would be "mental configurations" that "are merely names or props" and would only perform a role of light and shadow of the mind.[9][note 2]

The Zhenzhou Linji Huizhao Chansi Yulu advises:

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Do you wish to be not different from the Buddhas and patriarchs? Then just do not look for anything outside. The pure light of your own heart [i.e., 心, mind] at this instant is the Dharmakaya Buddha in your own house. The non-differentiating light of your heart at this instant is the Sambhogakaya Buddha in your own house. The non-discriminating light of your own heart at this instant is the Nirmanakaya Buddha in your own house. This trinity of the Buddha's body is none other than he here before your eyes, listening to my expounding the Dharma.[11]

Tibetan Buddhism

Fourth and Fifth Bodies - Svābhāvikakāya and Mahasukhakaya

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See also: Kosha

Vajrayana sometimes refers to a fourth body called the svābhāvikakāya (Tibetan: ངོ་བོ་ཉིད་ཀྱི་སྐུ, Wylie: ngo bo nyid kyi sku) "essential body",[12][13][14] and to a fifth body, called the mahāsūkhakāya (Wylie: bde ba chen po'i sku, "great bliss body").[15] The svābhāvikakāya is simply the unity or non-separateness of the three kayas.[16]

The term is also known in Gelug teachings, where it is one of the assumed two aspects of the dharmakāya: svābhāvikakāya "essence body" and jñānakāya "body of wisdom".[17]

Haribhadra claims that the Abhisamayalankara describes Buddhahood through four kāyas in chapter 8: svābhāvikakāya, [jñāna]dharmakāya, sambhogakāya and nirmāṇakāya.[18]

Dzogchen

In dzogchen teachings, "dharmakaya" means the buddha-nature's absence of self-nature, that is, its emptiness of a conceptualizable essence, its cognizance or clarity is the sambhogakaya, and the fact that its capacity is 'suffused with self-existing awareness' is the nirmanakaya.[19]

Mahamudra

The interpretation in Mahamudra is similar: When the mahamudra practices come to fruition, one sees that the mind and all phenomena are fundamentally empty of any identity; this emptiness is called dharmakāya. One perceives that the essence of mind is empty, but that it also has a potentiality that takes the form of luminosity.[clarification needed] In Mahamudra thought, Sambhogakāya is understood to be this luminosity. Nirmanakāya is understood to be the powerful force with which the potentiality affects living beings.[20]

Anuyoga

In the view of Anuyoga, the 'Mindstream' (Sanskrit: citta santana) is the 'continuity' (Sanskrit: santana; Wylie: rgyud) that links the Trikaya.[1] The Trikāya, as a triune, is symbolised by the Gankyil.

Dakinis

A ḍākinī (Tibetan: མཁའ་འགྲོ་[མ་], Wylie: mkha' 'gro [ma] khandro[ma]) is a tantric deity described as a female embodiment of enlightened energy. The Sanskrit term is likely related to the term for drumming, while the Tibetan term means "sky goer" and may have originated in the Sanskrit khecara, a term from the Cakrasaṃvara Tantra.[21]

Ḍākinīs can also be classified according to the trikāya theory. The dharmakāya ḍākinī, which is Samantabhadrī, represents the dharmadhatu where all phenomena appear. The sambhogakāya ḍākinī are the yidams used as meditational deities for tantric practice. The nirmanakaya ḍākinīs are human women born with special potentialities; these are realized yogini, the consorts of the gurus, or even all women in general as they may be classified into the five Buddha-families.[22]

Western Buddhism

Theosophy

In the 19th century Theosophy took an interest in Buddhism. It regarded Buddhism to contain esoteric teachings. In those supposed esoteric teachings of Buddhism, "exoteric Buddhism" believes that Nirmanakaya simple means the physical body of Buddha. According to the esoteric interpretation, when the Buddha dies he assumes the Nirmanakaya, instead of going into Nirvana. He remains in that glorious body he has woven for himself, invisible to uninitiated mankind, to watch over and protect it.[23]

See also

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Notes

  1. ↑ Formerly called Rupakaya
  2. ↑ Lin-ji yu-lu: "The scholars of the Sutras and Treatises take the Three Bodies as absolute. As I see it, this is not so. These Three Bodies are merely names, or props. An old master said: "The (Buddha's) Bodies are set up with reference to meaning; the (Buddha) Fields are distinguished with reference to substance." However, understood clearly, the Dharma Nature Bodies and the Dharma Nature Fields are only mental configurations."[10]

References

  1. ↑ 1.0 1.1 Welwood, John (2000). The Play of the Mind: Form, Emptiness, and Beyond, accessed January 13, 2007
  2. ↑ Dīgha Nikāya 27.9
  3. ↑ See Walsh, Maurice. 1995. The Long Discourses of the Buddha: A Translation of the Dīgha Nikāya. Boston: Wisdom Publications, “Aggañña Sutta: On Knowledge of Beginnings,” p. 409.
  4. ↑ Samyutta Nikaya (SN 22.87) See footnote #3
  5. ↑ Snelling 1987, p. 126.
  6. ↑ 佛三身觀之研究－以漢譯經論為主要研究對象
  7. ↑ 佛陀的三身觀
  8. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  9. ↑ Schloegl 1976, p. 19.
  10. ↑ Schloegl 1976, p. 21.
  11. ↑ Schloegl 1976, p. 18.
  12. ↑ remarks on Svabhavikakaya by khandro.net
  13. ↑ In the book Embodiment of Buddhahood Chapter 4 the subject is: Embodiment of Buddhahood in its Own Realization: Yogacara Svabhavikakaya as Projection of Praxis and Gnoseology.
  14. ↑ explanation of meaning
  15. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  16. ↑ khandro.net citing H.E. Tai Situpa
  17. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  18. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  19. ↑ Reginald Ray, Secret of the Vajra World. Shambhala 2001, page 315.
  20. ↑ Reginald Ray, Secret of the Vajra World. Shambhala 2001, pages 284-285.
  21. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  22. ↑ Cf. Capriles, Elías (2003/2007). Buddhism and Dzogchen [1]', and Capriles, Elías (2006/2007). Beyond Being, Beyond Mind, Beyond History, vol. I, Beyond Being[2]
  23. ↑ Helena Blavatsky, The Voice of the Silence Theosophical Publishing Co., pages 75-77.

Sources

  • John J. Makransky: (August 1997) Buddhahood Embodied: Sources of Controversy in India and Tibet, Publisher: State University of New York Press, ISBN 0-7914-3432-X (10), ISBN 978-0-7914-3432-1 (13), [3]
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External links

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