Portal:Arts
Sociology portals: Arts · Anthropology · Community · Culture · Economics · Education · Geography · Gender studies · Globalization · History · Human rights · Internet · Law · Philosophy · Social movements · Social sciences · Social welfare and social work · Society
|
The arts is a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art", which, as a description of a field, usually means only the visual arts. The arts encompass the visual arts, the literary arts and the performing arts – music, theatre, dance and film, among others. This list is by no means comprehensive, but only meant to introduce the concept of the arts. For all intents and purposes, the history of the arts begins with the history of art. The arts might have origins in early human evolutionary prehistory. Ancient Greek art saw the veneration of the animal form and the development of equivalent skills to show musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (e.g. Jupiter's thunderbolt). In Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has generally worked in a style akin to Western medieval art, namely a concentration on surface patterning and local colour (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an outline (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan. Religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The physical and rational certainties depicted by the 19th-century Enlightenment were shattered not only by new discoveries of relativity by Einstein and of unseen psychology by Freud, but also by unprecedented technological development. Paradoxically the expressions of new technologies were greatly influenced by the ancient tribal arts of Africa and Oceania, through the works of Paul Gauguin and the Post-Impressionists, Pablo Picasso and the Cubists, as well as the Futurists and others.
Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found. Four Times of the Day is a series of four paintings by William Hogarth from 1736, reproduced as a series of four engravings published in 1738. They are humorous depictions of life in the streets of London, the vagaries of fashion, and the interactions between the rich and poor of the capital. Unlike many of Hogarth's other series, such as A Harlot's Progress, A Rake's Progress, Industry and Idleness and The Four Stages of Cruelty, it does not depict the story of an individual, but instead focuses on the society of the city. Hogarth intended the series to be humorous rather than instructional; the pictures do not offer a judgement on whether the rich or poor are more deserving of our sympathies: while the upper and middle classes tend to provide the focus for each scene there are fewer of the moral comparisons seen in some other of his works. The four pictures depict scenes of daily life in various locations in London as the day progresses. Morning shows a prudish spinster making her way to church in Covent Garden past the revellers of the night before; Noon shows two cultures on opposite sides of the street in St Giles; Evening depicts a dyer's family returning hot and bothered from a trip to Sadler's Wells; and Night shows a drunken Freemason staggering home from a night of celebration.Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.  An ink-and-wash illustration of a stucco relief on a building in Palenque, a Maya city in southern Mexico that flourished in the 7th century, but was abandoned around 800. It was first discovered by European explorers in the 16th century, but remained mostly unexplored until 1773. This particular piece was likely constructed during the long reign of K'inich Janaab' Pakal (mid-7th century), and is thought to depict Mayan ancestral rulers or the parents thereof. The standing figure holds a sceptre in the left hand, and in the right, a length of material. The seated figures adopt a posture of submission or deference, with hands placed on opposite shoulders. Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.
Template:/box-header Template:/Selected anniversaries/April 
Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.  Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.
What are WikiProjects?
Lua error in package.lua at line 80: module 'Module:Box-header/colours' not found.
|
