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The arts is a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art", which, as a description of a field, usually means only the visual arts. The arts encompass the visual arts, the literary arts and the performing arts – music, theatre, dance and film, among others. This list is by no means comprehensive, but only meant to introduce the concept of the arts. For all intents and purposes, the history of the arts begins with the history of art. The arts might have origins in early human evolutionary prehistory.
Ancient Greek art saw the veneration of the animal form and the development of equivalent skills to show musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (e.g. Jupiter's thunderbolt). In Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has generally worked in a style akin to Western medieval art, namely a concentration on surface patterning and local colour (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an outline (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan. Religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The physical and rational certainties depicted by the 19th-century Enlightenment were shattered not only by new discoveries of relativity by Einstein and of unseen psychology by Freud, but also by unprecedented technological development. Paradoxically the expressions of new technologies were greatly influenced by the ancient tribal arts of Africa and Oceania, through the works of Paul Gauguin and the Post-Impressionists, Pablo Picasso and the Cubists, as well as the Futurists and others.
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Ancient Egyptian literature was written in the Egyptian language from Ancient Egypt's pharaonic period until the end of Roman domination. Along with Sumerian literature, it is considered the world's earliest literature. Writing in Ancient Egypt first appeared in the late 4th millennium BC. By the Old Kingdom, literary works included funerary texts, epistles and letters, religious hymns and poems, and commemorative autobiographical texts. It was not until the early Middle Kingdom that a narrative Egyptian literature was created. Middle Egyptian, the spoken language of the Middle Kingdom, became a classical language during the New Kingdom, when the vernacular language known as Late Egyptian first appeared in writing. Scribes of the New Kingdom canonized and copied many literary texts written in Middle Egyptian, which remained the language used for oral readings of sacred hieroglyphic texts. Ancient Egyptian literature has been preserved on a wide variety of media, including papyrus scrolls and packets, limestone or ceramic ostraca, wooden writing boards, monumental stone edifices and coffins. Hidden caches of literature, buried for thousands of years, have been discovered in settlements on the dry desert margins of Egyptian civilization.
"After the war, a medal and maybe a job", an anti-World War I editorial cartoon showing a soldier who is missing the lower half of his body dragging himself along with his hands, with his intestines trailing behind him. A fat capitalist sitting in a chair offers him a medal for his service.
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Henry Moore was a British artist and sculptor. Born into a poor mining family in the Yorkshire town of Castleford, he became well-known for his large-scale abstract cast bronze and carved marble sculptures; substantially supported by the British art establishment, Moore helped to introduce a particular form of modernism into Britain. His ability to satisfy large-scale commissions made him exceptionally wealthy towards the end of his life. However, he lived frugally and most of his wealth went to endow the Henry Moore Foundation, which continues to support education and promotion of the arts. His signature form is a pierced reclining figure, first influenced by a Toltec- Maya sculpture known as " Chac Mool", which he had seen as a plaster cast in Paris in 1925. Early versions are pierced conventionally as a bent arm reconnects with the body. Later, more abstract versions, are pierced directly through the body in order to explore the concave and convex shapes. These more extreme piercings developed in parallel with Barbara Hepworth's sculptures. Hepworth first pierced a torso after misreading a review of one of Henry Moore's early shows.
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Observe the accommodation of the most common artificer or daylabourer in a civilized and thriving country, and you will perceive that the number of people, of whose industry a part, though but a small part, has been employed in procuring him this accommodation, exceeds all computation. The woollen coat, for example, which covers the day-labourer, as coarse and rough as it may appear, is the produce of the joint labour of a great multitude of workmen. The shepherd, the sorter of the wool, the wool-comber or carder, the dyer, the scribbler, the spinner, the weaver, the fuller, the dresser, with many others, must all join their different arts in order to complete even this homely production. How many merchants and carriers, besides, must have been employed in transporting the materials from some of those workmen to others who often live in a very distant part of the country? How much commerce and navigation in particular, how many ship-builders, sailors, sail-makers, rope-makers, must have been employed in order to bring together the different drugs made use of by the dyer, which often come from the remotest corners of the world? What a variety of labour, too, is necessary in order to produce the tools of the meanest of those workmen! To say nothing of such complicated machines as the ship of the sailor, the mill of the fuller, or even the loom of the weaver, let us consider only what a variety of labour is requisite in order to form that very simple machine, the shears with which the shepherd clips the wool. The miner, the builder of the furnace for smelting the ore the feller of the timber, the burner of the charcoal to be made use of in the smelting-house, the brickmaker, the bricklayer, the workmen who attend the furnace, the millwright, the forger, the smith, must all of them join their different arts in order to produce them. |
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