Portal:Literature/Selected work

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Malcolm X in 1964

The Autobiography of Malcolm X was published in 1965, the result of a collaboration between human rights activist Malcolm X and journalist Alex Haley. Haley coauthored the autobiography based on a series of in-depth interviews he conducted between 1963 and Malcolm X's 1965 assassination. The Autobiography is a spiritual conversion narrative that outlines Malcolm X's philosophy of black pride, black nationalism, and pan-Africanism. After the death of his subject Haley authored the book's epilogue, which describes their collaboration and summarizes the end of Malcolm X's life.

While Malcolm X and scholars contemporary to the book's publication regarded Haley as the book's ghostwriter, modern scholars tend to regard him as an essential collaborator who intentionally muted his authorial voice to allow readers to feel as though Malcolm X were speaking directly to them. Haley also influenced some of Malcolm X's literary choices; for example, when Malcolm X left the Nation of Islam during the composition of the book, Haley persuaded him to favor a style of "suspense and drama" rather than rewriting earlier chapters into a polemic against the Nation. Furthermore, Haley's proactive censorship of the manuscript's antisemitic material significantly influenced the ideological tone of the Autobiography, increasing its commercial success and popularity although distorting Malcolm X's public persona.

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Illustration of Henry Fielding

The Author's Farce and the Pleasures of the Town is a play by the English playwright and novelist Henry Fielding, first performed on 30 March 1730 at the Little Theatre, Haymarket. Written in response to the Theatre Royal's rejection of his earlier plays, The Author's Farce was Fielding's first theatrical success. The Little Theatre allowed Fielding the freedom to experiment, and to alter the traditional comedy genre. The play ran during the early 1730s and was altered for its run starting 21 April 1730 and again in response to the Actor Rebellion of 1733. Throughout its life, the play was coupled with several different plays.

The first and second acts deal with the attempts of the central character, Harry Luckless, to woo his landlady's daughter, and his efforts to make money by writing plays. In the second act, he finishes a puppet theatre play titled The Pleasures of the Town, about the Goddess Nonsense's choice of a husband from allegorical representatives of theatre and other literary genres. After its rejection by one theatre, Luckless's play is staged at another. The third act becomes a play within a play, in which the characters in the puppet play are portrayed by humans. The Author's Farce ends with a merging of the play's and the puppet show's realities.

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Ernest Hemingway in military uniform in 1918

"Big Two-Hearted River" is a two-part short story written by American author Ernest Hemingway, published in the 1925 Boni & Liveright edition of In Our Time, the first American volume of Hemingway's short stories. It features a single protagonist, Hemingway's recurrent autobiographical character Nick Adams, whose speaking voice is heard just twice. The story explores the destructive qualities of war which is countered by the healing and regenerative powers of nature. When it was published, critics praised Hemingway's sparse writing style and it became an important work in his canon.

The story is one of Hemingway's earliest pieces to employ his Iceberg Theory of writing; a modernist approach to prose in which the underlying meaning is hinted at, rather than explicitly stated. "Big Two-Hearted River" is almost exclusively descriptive and intentionally devoid of plot. Hemingway was influenced by the visual innovations of Cézanne's paintings and adapted the painter's idea of presenting background minutiae in lower focus than the main image. In this story, the small details of a fishing trip are explored in great depth, while the landscape setting, and most obviously the swamp, are given cursory attention.

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Gordimer in 2010

Burger's Daughter is an historical and political novel by the South African Nobel Prize in Literature-winner Nadine Gordimer, first published in the United Kingdom in June 1979 by Jonathan Cape. The book was expected to be banned in South Africa, and a month after publication in London the import and sale of the book in South Africa was prohibited by the Publications Control Board. Three months later, the Publications Appeal Board overturned the banning and the restrictions were lifted.

Burger's Daughter details a group of white anti-apartheid activists in South Africa seeking to overthrow the South African government. It is set in the mid-1970s, and follows the life of Rosa, the title character, as she comes to terms with her father Lionel Burger's legacy as an activist in the South African Communist Party (SACP). The perspective shifts between Rosa's internal monologue (often directed towards her father or her lover Conrad), and the omniscient narrator. The novel is rooted in the history of the anti-apartheid struggle and references to actual events and people from that period, including Nelson Mandela and the 1976 Soweto uprising. While banned in South Africa, a copy of the book was smuggled into Mandela's prison cell on Robben Island, and he reported that he "thought well of it".

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Illustration from Candide depicting the scene where Candide and Cacambo meet a maimed slave of a sugar mill near Surinam

Candide, ou l'Optimisme is a French satire first published in 1759 by Voltaire, a philosopher of the Age of Enlightenment. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply Optimism) by his mentor, Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best in the best of all possible worlds".

Candide is characterised by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel with a story similar to that of a more serious bildungsroman, it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism.

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Cover of Coral Island form an 1893 printing

The Coral Island: A Tale of the Pacific Ocean is a novel written in 1858 by Scottish author R. M. Ballantyne. One of the first works of juvenile fiction to feature exclusively juvenile heroes, the story relates the adventures of three boys marooned on a South Pacific island, the only survivors of a shipwreck.

A typical Robinsonade – a genre of fiction inspired by Daniel Defoe's Robinson Crusoe – and one of the most popular of its type, the book first went on sale in late 1857 and has never been out of print. Among the novel's major themes are the civilising effect of Christianity, 19th-century British imperialism in the South Pacific, and the importance of hierarchy and leadership. It was the inspiration for William Golding's 1954 dystopian novel Lord of the Flies, which inverted the morality of The Coral Island; in Ballantyne's story the children encounter evil, but in Lord of the Flies evil is within them.

The novel was considered a classic for elementary-school children of the early 20th century in Britain, and in the United States it was a staple of suggested reading lists for high-school students. Modern critics consider The Coral Island to feature a dated imperialist view of the world, but although it is less popular today than it once was, it was adapted into a four-part children's television drama broadcast by ITV in 2000.

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The title page of an 1897 printing of La Cousine Bette

La Cousine Bette is an 1846 novel by French author Honoré de Balzac. Set in mid-19th century Paris, it tells the story of an unmarried middle-aged woman who plots the destruction of her extended family. Bette works with Valérie Marneffe, an unhappily married young lady, to seduce and torment a series of men. One of these is Baron Hector Hulot, husband to Bette's cousin Adeline. He sacrifices his family's fortune and good name to please Valérie, who leaves him for a tradesman named Crevel. The book is part of the Scènes de la vie parisienne section of Balzac's novel sequence La Comédie humaine ("The Human Comedy").

The novel's characters represent polarities of contrasting morality. The vengeful Bette and disingenuous Valérie stand on one side, with the merciful Adeline and her patient daughter Hortense on the other. The patriarch of the Hulot family, meanwhile, is consumed by his own sexual desire. Hortense's husband, the Polish exile Wenceslas Steinbock, represents artistic genius, though he succumbs to uncertainty and lack of motivation. Balzac based the character of Bette in part on his mother and the poet Marceline Desbordes-Valmore. At least one scene involving Baron Hulot was likely based on an event in the life of Balzac's friend, the novelist Victor Hugo.

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Cover of the first book edition

The Diary of a Nobody is an English comic novel written by the brothers George and Weedon Grossmith, with illustrations by the latter. It originated as an intermittent serial in Punch magazine in 1888–89 and first appeared in book form, with extended text and added illustrations, in 1892. The Diary records the daily events in the lives of a London clerk, Charles Pooter, his wife Carrie, his son Lupin, and numerous friends and acquaintances over a period of 15 months.

Although its initial public reception was muted, the Diary came to be recognised by critics as a classic work of humour, and it has never been out of print. It helped to establish a genre of humorous popular fiction based on lower or lower-middle class aspirations, and was the forerunner of numerous fictitious diary novels in the later 20th century. The Diary has been the subject of several stage and screen adaptations, including Ken Russell's "silent film" treatment of 1964, a four-part TV film scripted by Andrew Davies in 2007, and a widely praised stage version in 2011, in which an all-male cast of three played all the parts.

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A sketch of Rainer Maria Rilke by Leonid Pasternak

The Duino Elegies are a collection of ten elegies written by the Bohemian-Austrian poet Rainer Maria Rilke (1875–1926). Rilke, who is "widely recognized as one of the most lyrically intense German-language poets," began writing the elegies in 1912 while a guest of Princess Marie von Thurn und Taxis (1855–1934) at Duino Castle, near Trieste on the Adriatic Sea. The poems, 859 lines long in total, were dedicated to the Princess upon their publication in 1923. During this ten-year period, the elegies languished incomplete for long stretches of time as Rilke suffered frequently from severe depression—some of which was caused by the events of World War I and being conscripted into military service. Aside from brief episodes of writing in 1913 and 1915, Rilke did not return to the work until a few years after the war ended. With a sudden, renewed inspiration—writing in a frantic pace he described as a "boundless storm, a hurricane of the spirit"—he completed the collection in February 1922 while staying at Château de Muzot in Veyras, in Switzerland's Rhone Valley. After their publication in 1923 and Rilke's death in 1926, the Duino Elegies were quickly recognized by critics and scholars as his most important work.

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Gabriel García Márquez in 2002

The General in His Labyrinth is a novel by the Colombian writer and Nobel laureate Gabriel García Márquez. It is a fictionalized account of the last days of Simón Bolívar, liberator and leader of Gran Colombia. First published in 1989, the book traces Bolívar's final journey from Bogotá to the Caribbean coastline of Colombia in his attempt to leave South America for exile in Europe. In this dictator novel about a continental hero, "despair, sickness, and death inevitably win out over love, health, and life". Breaking with the traditional heroic portrayal of Bolívar El Libertador, García Márquez depicts a pathetic protagonist, a prematurely aged man who is physically ill and mentally exhausted. The story explores the labyrinth of Bolívar's life through the narrative of his memories.

García Márquez's insertion of interpretive and fictionalized elements—some dealing with Bolívar's most intimate moments—caused outrage in parts of Latin America when the book was released. Many prominent Latin American figures believed that the novel damaged the reputation of one of the region's most important historic figures and portrayed a negative image to the outside world. Others saw The General in His Labyrinth as a tonic for Latin American culture and a challenge to the region to deal with its problems.

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American actor Edwin Booth as Prince Hamlet, circa 1870

The Tragedy of Hamlet, Prince of Denmark is a tragedy written by William Shakespeare between 1599 and 1602. Set in the Kingdom of Denmark, the play dramatizes the revenge Prince Hamlet exacts on his uncle Claudius for murdering King Hamlet, who is Claudius's brother and Prince Hamlet's father, and then succeeding to the throne and taking as his wife Gertrude, the old king's widow and Prince Hamlet's mother. The play vividly portrays both true and feigned madness—from overwhelming grief to seething rage—and explores themes of treachery, revenge, incest, and moral corruption.

Shakespeare based Hamlet on the legend of Amleth, preserved by 13th-century chronicler Saxo Grammaticus in his Gesta Danorum as subsequently retold by 16th-century scholar François de Belleforest. He may also have drawn on or perhaps written an earlier (hypothetical) Elizabethan play known today as the Ur-Hamlet.

Hamlet is Shakespeare's longest play and among the most powerful and influential tragedies in English literature, with a story capable of "seemingly endless retelling and adaptation by others." The play was one of Shakespeare's most popular works during his lifetime and still ranks among his most-performed, topping the Royal Shakespeare Company's performance list since 1879. It has been described as "the world's most filmed story after Cinderella".

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1819 portrait of Percy Bysshe Shelley by Alfred Clint

History of a Six Weeks' Tour through a part of France, Switzerland, Germany, and Holland; with Letters Descriptive of a Sail Round the Lake of Geneva and of the Glaciers of Chamouni is a travel narrative by the British Romantic authors Mary Shelley and Percy Bysshe Shelley. Published in 1817, it describes two trips taken by Mary, Percy, and Mary's stepsister, Claire Clairmont: one across Europe in 1814, and one to Lake Geneva in 1816. Divided into three sections, the text consists of a journal, four letters, and Percy Shelley's poem "Mont Blanc". Apart from the poem, the text was primarily written and organised by Mary Shelley. In 1840 she revised the journal and the letters, republishing them in a collection of Percy Shelley's writings.

Part of the new genre of the Romantic travel narrative, History of a Six Weeks' Tour exudes spontaneity and enthusiasm; the authors demonstrate their desire to develop a sense of taste and distinguish themselves from those around them. The romantic elements of the work would have hinted at the text's radical politics to nineteenth-century readers. However, the text's frank discussion of politics, including positive references to the French Revolution and praise of Enlightenment philosopher Jean-Jacques Rousseau, was unusual for a travel narrative at the time, particularly one authored primarily by a woman.

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Suzanne Collins in 2010

The Hunger Games is a 2008 science fiction novel by the American writer Suzanne Collins. It is written in the voice of 16-year-old Katniss Everdeen, who lives in the dystopian, post-apocalyptic nation of Panem in North America. The Capitol, a highly advanced metropolis, exercises political control over the rest of the nation. The Hunger Games are an annual event in which one boy and one girl aged 12–18 from each of the twelve districts surrounding the Capitol are selected by lottery to compete in a televised battle to the death.

The book received mostly positive feedback from major reviewers and authors. It was praised for its storyline and character development, though some reviewers have noted similarities between Collins' book and Koushun Takami's Battle Royale (1999). In writing The Hunger Games, Collins drew upon Greek mythology, Roman gladiatorial games, and contemporary reality television for thematic content. The novel won many awards, including the California Young Reader Medal, and was named one of Publishers Weekly's "Best Books of the Year" in 2008. The novel is the first in The Hunger Games trilogy, followed by Catching Fire (2009) and Mockingjay (2010). A film adaptation, directed by Gary Ross and co-written and co-produced by Collins herself, was released in 2012.

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Maya Angelou in 2013

I Know Why the Caged Bird Sings is the 1969 autobiography about the early years of African-American writer and poet Maya Angelou. The first in a seven-volume series, it is a coming-of-age story that illustrates how strength of character and a love of literature can help overcome racism and trauma. The book begins when three-year-old Maya and her older brother are sent to Stamps, Arkansas, to live with their grandmother and ends when Maya becomes a mother at the age of 17. In the course of Caged Bird, Maya transforms from a victim of racism with an inferiority complex into a self-possessed, dignified young woman capable of responding to prejudice.

Angelou uses her autobiography to explore subjects such as identity, rape, racism, and literacy. She also writes in new ways about women's lives in a male-dominated society. Maya, the younger version of Angelou and the book's central character, has been called "a symbolic character for every black girl growing up in America". Angelou's description of being raped as an eight-year-old child overwhelms the book, although it is presented briefly in the text. Rape is used as a metaphor for the suffering of her race. Another metaphor, that of a bird struggling to escape its cage, is a central image throughout the work.

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Susanna Clarke in 2006

Jonathan Strange & Mr Norrell is the 2004 first novel by British writer Susanna Clarke. An alternative history set in 19th-century England around the time of the Napoleonic Wars, it is based on the premise that magic once existed in England and has returned with two men: Gilbert Norrell and Jonathan Strange. Centring on the relationship between these two men, the novel investigates the nature of "Englishness" and the boundaries between reason and unreason, Anglo-Saxon and Anglo-Dane, and Northern and Southern English cultural tropes/stereotypes. It has been described as a fantasy novel, an alternative history, and a historical novel. It inverts the Industrial Revolution conception of the North/South divide in England: in this book the North is romantic and magical, rather than rational and concrete.

The narrative draws on various Romantic literary traditions, such as the comedy of manners, the Gothic tale, and the Byronic hero. The novel's language is a pastiche of 19th-century writing styles, such as those of Jane Austen and Charles Dickens. Clarke describes the supernatural with mundane details. She supplements the text with almost 200 footnotes, outlining the backstory and an entire fictional corpus of magical scholarship. The novel was well received by critics and reached number three on the New York Times best-seller list. It was longlisted for the 2004 Man Booker Prize and won the 2005 Hugo Award for Best Novel.

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Original dust jacket for the book

Lad, A Dog is a 1919 American novel written by Albert Payson Terhune and published by E. P. Dutton. Composed of twelve short stories first published in magazines, the novel is based on the life of Terhune's real-life rough collie, Lad. Born in 1902, the real-life Lad was an unregistered collie of unknown lineage originally owned by Terhune's father. Lad's death in 1918 was mourned by many of the story's fans, particularly children.

Through the stories of Lad's adventures, Terhune expresses his views on parenting, obtaining perfect obedience without force, and the nature and rights of the "well-bred". Terhune began writing the stories in 1915 at the suggestion of his Red Book Magazine editor. They gained in popularity and, as Terhune was under contractual obligation to submit something to Doubleday-Page, he collected them into novel form. After Doubleday rejected the novel, he solicited other publishers until it was picked up by Dutton. After a slow start, the novel became a best seller in the adult fiction and children's fiction markets, having been repositioned as a young adult novel by Grosset and Dunlap in the 1960s and 1970s. Selling over one million copies, it is Terhune's best-selling work and the one that propelled him to fame.

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1897 illustration of La Peau de chagrin drawn by Adrien Moreau

La Peau de chagrin (The Magic Skin or The Wild Ass's Skin) is an 1831 novel by French novelist and playwright Honoré de Balzac (1799–1850). Set in early 19th-century Paris, it tells the story of a young man who finds a magic piece of shagreen that fulfills his every desire. For each wish granted, however, the skin shrinks and consumes a portion of his physical energy. La Peau de chagrin belongs to the Études philosophiques group of Balzac's sequence of novels, La Comédie humaine.

Although the novel uses fantastic elements, its main focus is a realistic portrayal of the excesses of bourgeois materialism. Balzac's renowned attention to detail is used to describe a gambling house, an antique shop, a royal banquet, and other locales. He also includes details from his own life as a struggling writer, placing the main character in a home similar to the one he occupied at the start of his literary career. The central theme of La Peau de chagrin is the conflict between desire and longevity. The magic skin represents the owner's life-force, which is depleted through every expression of will, especially when it is employed for the acquisition of power. Ignoring a caution from the shopkeeper who offers him the skin, the protagonist greedily surrounds himself with wealth, only to find himself miserable and decrepit at the story's end.

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1790 or 1791 painting of Wollstonecraft by John Opie

Letters Written During a Short Residence in Sweden, Norway, and Denmark (1796) is a personal travel narrative by the eighteenth-century British feminist writer Mary Wollstonecraft. The twenty-five letters cover a wide range of topics, from sociological reflections on Scandinavia and its peoples to philosophical questions regarding identity. Published by Wollstonecraft's career-long publisher, Joseph Johnson, it was the last work issued during her lifetime.

Wollstonecraft undertook her tour of Sweden, Norway, and Denmark in order to retrieve a stolen treasure ship for her lover, Gilbert Imlay. Believing that the journey would restore their strained relationship, she eagerly set off. However, over the course of the three months she spent in Scandinavia, she realized that Imlay had no intention of renewing the relationship. The letters, which constitute the text, drawn from her journal and from missives she sent to Imlay, reflect her anger and melancholy over his repeated betrayals. Letters Written in Sweden, Norway, and Denmark is therefore both a travel narrative and an autobiographical memoir.

Using the rhetoric of the sublime, Wollstonecraft explores the relationship between self and society in the text. She values subjective experience, particularly in relation to nature; champions the liberation and education of women; and illustrates the detrimental effects of commerce on society.

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Frontispiece of a 1659 German translation

The Man in the Moone is a book by the English divine and Church of England bishop Francis Godwin (1562–1633), describing a "voyage of utopian discovery". Initially considered to be one of his early works, it is now generally thought to have been written in the late 1620s. It was first published posthumously in 1638 under the pseudonym of Domingo Gonsales. The work is notable for its role in what was called the "new astronomy," the branch of astronomy influenced especially by Nicolaus Copernicus, the only astronomer mentioned by name, although the book also draws on the theories of Johannes Kepler, William Gilbert, and Galileo Galilei.

The work tells the story of Gonsales, a Spaniard who discovers a species of wild swan able to carry substantial loads, the gansa, and contrives a device that allows him to harness many of them together and fly around an island, and eventually, to the moon and back.

Some critics consider The Man in the Moone, along with Kepler's Somnium, to be one of the first works of science fiction. Although the book was well known in the 17th century, and even inspired parodies by Cyrano de Bergerac and Aphra Behn, modern literary critics do not consider it to be very important.

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Tracing of an engraving of the Sosibios vase by Keats

"Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819 and published anonymously in the January 1820, Number 15 issue of the magazine Annals of the Fine Arts. The poem is one of several "Great Odes of 1819", which include "Ode on Indolence", "Ode on Melancholy", "Ode to a Nightingale", and "Ode to Psyche". Keats found earlier forms of poetry unsatisfactory for his purpose, and the collection represented a new development of the ode form. He was inspired to write the poem after reading two articles by English artist and writer Benjamin Haydon. Keats was aware of other works on classical Greek art, and had first-hand exposure to the Elgin Marbles, all of which reinforced his belief that classical Greek art was idealistic and captured Greek virtues, which forms the basis of the poem.

"Ode on a Grecian Urn" was not well received by contemporary critics. It was only by the mid-19th century that it began to be praised, although it is now considered to be one of the greatest odes in the English language. A long debate over the poem's final statement divided 20th-century critics, but most agreed on the beauty of the work, despite various perceived inadequacies.

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First American edition of The Open Boat, illustrated by Will H. Bradley

"The Open Boat" is a short story by American author Stephen Crane (1871–1900). First published in 1897, it was based on Crane's experience of surviving a shipwreck off the coast of Florida earlier that year while traveling to Cuba to work as a newspaper correspondent. Crane was stranded at sea for thirty hours when his ship, the SS Commodore, sank after hitting a sandbar. He and three other men were forced to navigate their way to shore in a small boat; one of the men, an oiler named Billie Higgins, drowned after the boat overturned. Crane's personal account of the shipwreck and the men's survival, titled "Stephen Crane's Own Story", was first published a few days after his rescue.

Crane subsequently adapted his report into narrative form, and the resulting short story "The Open Boat" was published in Scribner's Magazine. The story is told from the point of view of an anonymous correspondent, with Crane as the implied author, the action closely resembles the author's experiences after the shipwreck. Praised for its innovation by contemporary critics, the story is considered an exemplary work of literary Naturalism, and is one of the most frequently discussed works in Crane's canon.

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William Gibson in 2007

Pattern Recognition is a novel by science fiction writer William Gibson published in 2003. Set in August and September 2002, the story follows Cayce Pollard, a 32-year-old marketing consultant who has a psychological sensitivity to corporate symbols. The action takes place in London, Tokyo, and Moscow as Cayce judges the effectiveness of a proposed corporate symbol and is hired to seek the creators of film clips anonymously posted to the internet.

The novel's central theme involves the examination of the human desire to detect patterns or meaning and the risks of finding patterns in meaningless data. Other themes include methods of interpretation of history, cultural familiarity with brand names, and tensions between art and commercialization.

Pattern Recognition is Gibson's eighth novel and his first one to be set in the contemporary world. Like his previous work, it has been classified as a science fiction and postmodern novel, with the action unfolding along a thriller plot line. Critics approved of the writing but found the plot unoriginal and some of the language distracting. The book peaked at number four on the New York Times Best Seller list, was nominated for the 2003 British Science Fiction Association Award, and was shortlisted for the 2004 Arthur C. Clarke Award and Locus Awards.

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Margaret Atwood in 2006

The Penelopiad is a novella by Margaret Atwood. It was published in 2005 as part of the first set of books in the Canongate Myth Series where contemporary authors rewrite ancient myths. In The Penelopiad, Penelope reminisces on the events during the Odyssey, life in Hades, Odysseus, Helen, and her relationships with her parents. A chorus of the twelve maids, whom Odysseus believed were disloyal and whom Telemachus hanged, interrupt Penelope's narrative to express their view on events. The maids' interludes use a new genre each time, including a jump-rope rhyme, a lament, an idyll, a ballad, a lecture, a court trial and several types of songs.

The novella's central themes include the effects of story-telling perspectives, double standards between the sexes and the classes, and the fairness of justice. Atwood had previously used characters and storylines from Greek mythology in fiction such as her novel The Robber Bride, short story The Elysium Lifestyle Mansions and poems "Circe: Mud Poems" and "Helen of Troy Does Counter Dancing" but used Robert Graves' The Greek Myths and E. V. Rieu and D. C. H. Rieu's version of the Odyssey to prepare for this novella.

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Annie Dillard in 2011

Pilgrim at Tinker Creek is a 1974 nonfiction narrative book by American author Annie Dillard. Told from a first-person point of view, the book details an unnamed narrator's explorations near her home, and various contemplations on nature and life. The title refers to Tinker Creek, which is outside Roanoke in Virginia's Blue Ridge Mountains. Dillard began writing Pilgrim in the spring of 1973, using her personal journals as inspiration. Separated into four sections that signify each of the seasons, the narrative takes place over the period of one year.

The book records the narrator's thoughts on solitude, writing, and religion, as well as scientific observations on the flora and fauna she encounters. Touching upon themes of faith, nature, and awareness, Pilgrim is also noted for its study of theodicy and the inherent cruelty of the natural world. The author has described it as a "book of theology", and she rejects the label of nature writer. Dillard considers the story a "single sustained nonfiction narrative", although several chapters have been anthologized separately in magazines and other publications. The book is analogous in design and genre to Henry David Thoreau's Walden (1854), the subject of Dillard's master's thesis at Hollins College. Critics often compare Dillard to authors from the Transcendentalist movement; Edward Abbey in particular deemed her Thoreau's "true heir".

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Gustave Doré's illustration of the final lines of the poem.

"The Raven" is a narrative poem by American writer Edgar Allan Poe. Its publication made Poe widely popular in his lifetime. Although it did not bring him much financial success it was soon reprinted, parodied, and it nevertheless remains one of the most famous poems ever written.

First published in January 1845, the poem is often noted for its musicality, stylized language, and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover, tracing the man's slow fall into madness. The lover, often identified as being a student, is lamenting the loss of his love, Lenore. Sitting on a bust of Pallas, the raven seems to further instigate his distress with its constant repetition of the word "Nevermore". The poem makes use of a number of folk and classical references.

Poe claimed to have written the poem very logically and methodically, intending to create a poem that would appeal to both critical and popular tastes, as he explained in his 1846 follow-up essay "The Philosophy of Composition". The poem was inspired in part by a talking raven in the novel Barnaby Rudge: A Tale of the Riots of 'Eighty by Charles Dickens. Poe borrows the complex rhythm and meter of Elizabeth Barrett's poem "Lady Geraldine's Courtship", and makes use of internal rhyme as well as alliteration throughout.

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First edition cover of The Red Badge of Courage

The Red Badge of Courage is a war novel by American author Stephen Crane. Taking place during the American Civil War, which concluded before Crane was born, the story is about a young private of the Union Army, Henry Fleming, who flees from the field of battle. Overcome with shame, he longs for a wound—a "red badge of courage"—to counteract his cowardice. When his regiment once again faces the enemy, Henry acts as standard-bearer.

The novel is known for its distinctive style, which includes realistic battle sequences as well as the repeated use of color imagery, and ironic tone. Separating itself from a traditional war narrative, Crane's story reflects the inner experience of its protagonist—a soldier fleeing from combat—rather than the external world around him. Also notable for its use of what Crane called a "psychological portrayal of fear", the novel's allegorical and symbolic qualities are often debated by critics. Several of the themes that the story explores are maturation, heroism, cowardice, and the indifference of nature. The Red Badge of Courage garnered widespread acclaim—what H. G. Wells called "an orgy of praise"—shortly after its publication, making Crane an instant celebrity at the age of twenty-four.

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An 1870 oil painting by Ford Madox Brown depicting Romeo and Juliet's famous balcony scene

Romeo and Juliet is a tragedy written by William Shakespeare early in his career about two young star-crossed lovers whose deaths ultimately reconcile their feuding families. It was among Shakespeare's most popular plays during his lifetime and, along with Hamlet, is one of his most frequently performed plays.

Romeo and Juliet belongs to a tradition of tragic romances stretching back to antiquity. Its plot is based on an Italian tale, translated into verse as The Tragical History of Romeus and Juliet by Arthur Brooke in 1562 and retold in prose in Palace of Pleasure by William Painter in 1567. Shakespeare borrowed heavily from both but, to expand the plot, developed supporting characters, particularly Mercutio and Paris. Believed to have been written between 1591 and 1595, the play was first published in a quarto version in 1597.

Shakespeare's use of his poetic dramatic structure, especially effects such as switching between comedy and tragedy to heighten tension, his expansion of minor characters, and his use of sub-plots to embellish the story, has been praised as an early sign of his dramatic skill. The play ascribes different poetic forms to different characters, sometimes changing the form as the character develops. Romeo, for example, grows more adept at the sonnet over the course of the play.

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Cover of the 1922 third printing of the poem

Sair Tjerita Siti Akbari (Malay for Poem on the Story of Siti Akbari) is an 1884 Malay-language syair (poem) by Lie Kim Hok. Adapted indirectly from the Sjair Abdoel Moeloek, it tells of a woman who passes as a man to free her husband from the Sultan of Hindustan, who had captured him in an assault on their kingdom.

Written over a period of several years and influenced by European literature, Siti Akbari differs from earlier syairs in its use of suspense and emphasis on prose rather than form. It also incorporates European realist views to expand upon the genre, although it maintains several of the hallmarks of traditional syairs. Critical views have emphasised various aspects of its story, finding in the work an increased empathy for women's thoughts and feelings, a call for a unifying language in the Dutch East Indies (now Indonesia), and a polemic regarding the relation between tradition and modernity.

Siti Akbari was a commercial and critical success, seeing two reprints and a film adaptation in 1940. When Sjair Abdoel Moeloek's influence became clear in the 1920s, Lie was criticised as unoriginal. However, Siti Akbari remains one of the better known syairs written by an ethnic Chinese author. Lie was later styled as the "father of Chinese Malay literature".

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Miguel Ángel Asturias in 1970

El Señor Presidente (Mister President) is a 1946 novel written in Spanish by Nobel Prize–winning Guatemalan writer and diplomat Miguel Ángel Asturias (1899–1974). A landmark text in Latin American literature, El Señor Presidente explores the nature of political dictatorship and its effects on society. Asturias makes early use of a literary technique now known as magic realism. One of the most notable works of the dictator novel genre, El Señor Presidente developed from an earlier Asturias short story, written to protest social injustice in the aftermath of a devastating earthquake in the author's home town.

Although El Señor Presidente does not explicitly identify its setting as early twentieth-century Guatemala, the novel's title character was inspired by the 1898–1920 presidency of Manuel Estrada Cabrera. Asturias began writing the novel in the 1920s and finished it in 1933, but the strict censorship policies of Guatemalan dictatorial governments delayed its publication for thirteen years.

On its eventual publication in Mexico in 1946, El Señor Presidente quickly met with critical acclaim. In 1967, Asturias received the Nobel Prize in Literature for his entire body of work. This international acknowledgment was celebrated throughout Latin America, where it was seen as a recognition of the region's literature as a whole.

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Sir Gawain and the Green Knight from the original manuscript

Sir Gawain and the Green Knight (Middle English: Sir Gawayne and the Grene Knight) is a late 14th-century Middle English alliterative romance. It is one of the better-known Arthurian stories, of an established type known as the "beheading game". Written in bob and wheel stanzas, it emerges from Welsh, Irish and English tradition and highlights the importance of honour and chivalry. It is an important poem in the romance genre, which typically involves a hero who goes on a quest that tests his prowess, and it remains popular to this day in modern English renderings from J. R. R. Tolkien, Simon Armitage and others, as well as through film and stage adaptations.

It describes how Sir Gawain, a knight of King Arthur's Round Table, accepts a challenge from a mysterious "Green Knight" who challenges any knight to strike him with his axe if he will take a return blow in a year and a day. Gawain accepts and beheads him with his blow, at which the Green Knight stands up, picks up his head and reminds Gawain of the appointed time. In his struggles to keep his bargain Gawain demonstrates chivalry and loyalty until his honour is called into question by a test involving Lady Bertilak, the lady of the Green Knight's castle.

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T. S. Eliot in 1934

"A Song for Simeon" is a 37-line poem written in 1928 by American-English poet T. S. Eliot. It is one of five poems that Eliot contributed to the Ariel poems series of 38 pamphlets by several authors published by Faber and Gwyer. "A Song for Simeon" was the sixteenth in the series and included an illustration by avant garde artist Edward McKnight Kauffer. The poems, including "A Song for Simeon", were later published in both the 1936 and 1963 editions of Eliot's collected poems.

In 1927, Eliot had converted to Anglo-Catholicism and his poetry, starting with the Ariel Poems, took on a decidedly religious character. "A Song for Simeon" is seen by many critics and scholars as a discussion of the conversion experience. In the poem, Eliot retells the story of Simeon from the second chapter of the Gospel of Luke, a just and devout Jew who encounters Mary, Joseph and the infant Jesus entering the Temple of Jerusalem. Promised by the Holy Ghost that he would not die until he had seen the Saviour, Simeon sees in the infant Jesus the Messiah promised by the Lord and asks God to permit him to "depart in peace" (Luke 2:25–35). Several critics have debated whether Eliot's depiction of Simeon is a negative portrayal of a Jewish figure and evidence of anti-Semitism on Eliot's part.

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An illustration of the mouse dancing on the cupboard at the end of the story

The Story of Miss Moppet is a tale about teasing, featuring a kitten and a mouse, that was written and illustrated by Beatrix Potter. It was published by Frederick Warne & Co for the 1906 Christmas season. Potter was born in London in 1866, and between 1902 and 1905 published a series of small format children's books with Warne. In 1906, she experimented with an atypical panorama design for Miss Moppet, which booksellers disliked; the story was reprinted in 1916 in small book format

Miss Moppet, the story's eponymous main character, is a kitten teased by a mouse. While pursuing him she bumps her head on a cupboard. She then wraps a duster about her head, and sits before the fire "looking very ill". The curious mouse creeps closer, is captured, "and because the Mouse has teased Miss Moppet—Miss Moppet thinks she will tease the Mouse; which is not at all nice of Miss Moppet". She ties him up in the duster and tosses him about. However, the mouse makes his escape, and once safely out of reach, dances a jig atop the cupboard.

Although, critically, The Story of Miss Moppet is considered one of Potter's lesser efforts, for young children it is valued as an introduction to books in general, and to the world of Peter Rabbit.

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Hemingway in 1923

The Sun Also Rises is a 1926 novel written by American author Ernest Hemingway about a group of American and British expatriates who travel from Paris to the Festival of San Fermín in Pamplona to watch the running of the bulls and the bullfights. An early and enduring modernist novel, it received mixed reviews upon publication, but has since been considered his greatest work. The novel was published in the United States in October 1926 by the publishing house Scribner's.

On the surface the novel is a love story between the protagonist Jake Barnes—a man whose war wound has made him impotent—and the promiscuous divorcée Lady Brett Ashley. Brett's affair with Robert Cohn causes Jake to be upset and break off his friendship with Cohn; her seduction of the 19-year-old matador Romero causes Jake to lose his good reputation among the Spaniards in Pamplona. The novel is a roman à clef; the characters are based on real people and the action is based on real events. In the novel, Hemingway presents his notion that the "Lost Generation", considered to have been decadent, dissolute and irretrievably damaged by World War I, was resilient and strong. Additionally, Hemingway investigates the themes of love, death, renewal in nature, and the nature of masculinity.

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Audrey Niffenegger in 2009

The Time Traveler's Wife is the debut novel of American author Audrey Niffenegger, published in 2003. It is a love story about a man with a genetic disorder that causes him to time travel unpredictably, and about his wife, an artist, who has to cope with his frequent absences and dangerous experiences. Niffenegger, frustrated in love when she began the work, wrote the story as a metaphor for her failed relationships. The tale's central relationship came to her suddenly and subsequently supplied the novel's title. The novel, which has been classified as both science fiction and romance, examines issues of love, loss, and free will. In particular, it uses time travel to explore miscommunication and distance in relationships, while also investigating deeper existential questions.

As a first-time novelist, Niffenegger had trouble finding a literary agent. She eventually sent the novel to MacAdam/Cage unsolicited and, after an auction took place for the rights, Niffenegger selected them as her publishers. The book became a bestseller after an endorsement from author and family friend Scott Turow on The Today Show, and as of March 2009 had sold nearly 2.5 million copies in the United States and the United Kingdom. The novel won the Exclusive Books Boeke Prize and a British Book Award.

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1899 illustration for "To Autumn" by William James Neatby

"To Autumn" is a poem by English Romantic poet John Keats. The work was composed on 19 September 1819 and published in 1820 in a volume of Keats's poetry that included Lamia and The Eve of St. Agnes. "To Autumn" is the final work in a group of poems known as Keats's "1819 odes". Although personal problems left him little time to devote to poetry in 1819, he composed "To Autumn" after a walk near Winchester one autumnal evening. The work marks the end of his poetic career, as he needed to earn money and could no longer devote himself to the lifestyle of a poet. A little over a year following the publication of "To Autumn", Keats died in Rome.

The poem has three eleven-line stanzas which describe a progression through the season, from the late maturation of the crops to the harvest and to the last days of autumn when winter is nearing. The imagery is richly achieved through the personification of Autumn, and the description of its bounty, its sights and sounds. The work has been interpreted as a meditation on death; as an allegory of artistic creation; as Keats's response to the Peterloo Massacre, which took place in the same year; and as an expression of nationalist sentiment. One of the most anthologised English lyric poems, "To Autumn" has been regarded by critics as one of the most perfect short poems in the English language.

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Alfred Lord Tennyson in 1869

"Ulysses" is a poem in blank verse by the Victorian poet Alfred, Lord Tennyson (1809–1892), written in 1833 and published in 1842 in his well-received second volume of poetry. An oft-quoted poem, it is popularly used to illustrate the dramatic monologue form. Ulysses describes, to an unspecified audience, his discontent and restlessness upon returning to his kingdom, Ithaca, after his far-ranging travels. Facing old age, Ulysses yearns to explore again, despite his reunion with his wife Penelope and son Telemachus.

The character of Ulysses (in Greek, Odysseus) has been explored widely in literature. The adventures of Odysseus were first recorded in Homer's Iliad and Odyssey (c. 800–700 BC), and Tennyson draws on Homer's narrative in the poem. Most critics, however, find that Tennyson's Ulysses recalls Dante's Ulisse in his Inferno (c. 1320). In Dante's re-telling, Ulisse is condemned to hell among the false counsellors, both for his pursuit of knowledge beyond human bounds and for his adventures in disregard of his family.

For much of this poem's history, readers viewed Ulysses as resolute and heroic, admiring him for his determination "To strive, to seek, to find, and not to yield". The view that Tennyson intended a heroic character is supported by his statements about the poem, and by the events in his life—the death of his closest friend—that prompted him to write it. In the twentieth century, some new interpretations of "Ulysses" highlighted potential ironies in the poem. They argued, for example, that Ulysses wishes to selfishly abandon his kingdom and family, and they questioned more positive assessments of Ulysses' character by demonstrating how he resembles flawed protagonists in earlier literature.

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Cover page of the 1852 Boston edition

Uncle Tom's Cabin; or, Life Among the Lowly, is an anti-slavery novel by American author Harriet Beecher Stowe. Published in 1852, the novel "helped lay the groundwork for the Civil War".

Stowe, a Connecticut-born teacher at the Hartford Female Seminary and an active abolitionist, featured the character of Uncle Tom, a long-suffering black slave around whom the stories of other characters revolve. The sentimental novel depicts the reality of slavery while also asserting that Christian love can overcome something as destructive as enslavement of fellow human beings.

Uncle Tom's Cabin was the best-selling novel of the 19th century, and the second best-selling book of that century, following the Bible. It is credited with helping fuel the abolitionist cause in the 1850s. In the first year after it was published, 300,000 copies of the book were sold in the United States; one million copies were sold in Great Britain. In 1855, three years after it was published, it was called "the most popular novel of our day." In recent years, however, negative associations with Uncle Tom's Cabin have, to an extent, overshadowed the historical impact of the book as a "vital antislavery tool."

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1899 portrait of Honore de Balzac

Z. Marcas is a novelette by French author Honoré de Balzac first published in 1840. Set in contemporary Paris, it describes the rise and fall of a brilliant political strategist who is abandoned by the politicians he helps into power. Destitute and forgotten, he befriends a pair of students who live next door to him in a boarding-house. The story follows their many discussions about the political situation in France.

Although Z. Marcas features characters from other Balzac stories and elements of literary realism – both hallmarks of Balzac's style – it is remembered primarily for its political themes. Balzac, a legitimist, believed that France's lack of bold leadership had led to mediocrity and ruin, and that men of quality were being ignored or worse. He maintained that the youth of France were in danger of being abandoned by the government, and predicted unrest in the years to come.

The story also explores Balzac's conviction that a person's name is a powerful indicator of his or her destiny, an idea he drew from the work of Laurence Sterne. The title character, with his keen intellect, is based on Balzac's conception of himself: a visionary genius who fails to achieve his true potential because of less talented individuals with more social power.

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