Rogue One

This article is about the film. For the Star Wars squadron, see Rogue Squadron. For other uses, see Rogue Leader.

Rogue One: A Star Wars Story
Theatrical release poster
Directed by	Gareth Edwards
Produced by	Kathleen Kennedy Allison Shearmur Simon Emanuel
Screenplay by	Chris Weitz Tony Gilroy
Story by	John Knoll Gary Whitta
Based on	Characters by George Lucas
Starring	Felicity Jones Diego Luna Ben Mendelsohn Donnie Yen Mads Mikkelsen Alan Tudyk Jiang Wen Forest Whitaker
Music by	Michael Giacchino (Original Star Wars themes composed by John Williams)
Cinematography	Greig Fraser
Edited by	John Gilroy Colin Goudie Jabez Olssen
Production company	Lucasfilm Ltd.
Distributed by	Walt Disney Studios Motion Pictures
Release dates	December 10, 2016 (2016-12-10) (Pantages Theatre) December 16, 2016 (2016-12-16) (United States)
Running time	133 minutes
Country	United States
Language	English
Budget	$200 million
Box office	$918.8 million

Rogue One: A Star Wars Story (or simply Rogue One) is a 2016 American epic space opera film directed by Gareth Edwards and written by Chris Weitz and Tony Gilroy, from a story by John Knoll and Gary Whitta. The film, a Lucasfilm production and distributed by Walt Disney Studios Motion Pictures, stars Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Jiang Wen, and Forest Whitaker. The story follows Jyn Erso, daughter of the unwilling designer of the Galactic Empire's superweapon the Death Star, and her mission to retrieve the schematics so the Death Star can be destroyed.

The first film in the Star Wars Anthology series, Rogue One is set immediately before the events of A New Hope and is the first live-action Star Wars film to not feature an opening crawl. Principal photography began at Elstree Studios near London during early August 2015 and wrapped in February 2016, with reshoots and additional filming taking place in mid-June 2016. The film premiered in Los Angeles on December 10, 2016 and was released in the United States on December 16, 2016.

Rogue One received generally positive reviews, with praise for its acting, action sequences, musical score, and darker tone, although some criticism was directed at its use of computer-generated imagery to revive certain characters. It has grossed over $918 million worldwide, making it the fifth highest-grossing film of 2016.

Plot

Research scientist Galen Erso is in hiding on the planet Lah'mu when Imperial weapons developer Orson Krennic arrives to press him into completing the unfinished Death Star, a space station-based superweapon capable of destroying an entire planet. Erso's wife Lyra is killed in the confrontation, but their daughter Jyn escapes and is taken to safety by Rebel extremist Saw Gerrera.

Fifteen years later, cargo pilot Bodhi Rook defects from the Empire, smuggling a holographic message from Galen to Gerrera on the desert moon of Jedha. After learning about Rook's defection, Rebel intelligence officer Cassian Andor frees Jyn from Imperial captivity and brings her to the Rebels, who plan to use her to extract Galen and learn more about the Death Star. Unbeknownst to Jyn, however, Cassian is covertly ordered to kill Galen rather than extract him.

Jyn, Cassian, and reprogrammed Imperial droid K-2SO travel to Jedha, where the Empire is mining kyber crystals to power the Death Star while Gerrera and his partisans are engaged in an armed insurgency against them. With the aid of blind spiritual warrior Chirrut Îmwe and his mercenary friend Baze Malbus, Jyn makes contact with Gerrera, who has been holding Rook captive. Gerrera shows her the message, in which Galen reveals he has secretly built a vulnerability into the Death Star and directs them to retrieve the schematics from a high-security Imperial data bank on the planet Scarif.

On the Death Star, Krennic orders a low-powered shot from the superlaser to destroy Jedha's capital, causing Jyn and her group to take Rook and flee the planet, but Gerrera chooses to remain and die. Grand Moff Tarkin congratulates Krennic before using Rook's defection and security leak as a pretext to take control of the project.

Rook leads the group to Galen's Imperial research facility on the planet Eadu, where Cassian chooses not to kill Galen. When Krennic directs that Galen's main team be killed for causing the security leak, Galen confesses that he is responsible. Jyn makes her presence known moments before Rebel bombers attack the facility, resulting in Galen being wounded. Jyn reunites with her father, only to have him die in her arms, before she escapes with her group on board a stolen Imperial cargo shuttle. Krennic visits Darth Vader, seeking his support and an audience with the Emperor, but Vader dismisses his appeal for recognition.

Jyn proposes a plan to steal the Death Star schematics using the Rebel fleet but fails to get approval from the Alliance Council. Frustrated at their inaction, Jyn's group is supported by a small squad of Rebels volunteers intent on raiding the databank themselves. Arriving at Scarif via the stolen Imperial ship, which Rook dubs "Rogue One", a disguised Jyn and Cassian enter the base with K-2SO while volunteers attack the resident Imperial garrison as a distraction. The Rebel fleet learns about the raid from intercepted Imperial communications and deploy in support. K-2SO sacrifices himself so Jyn and Cassian can retrieve the data. Îmwe is killed after activating the master switch to allow communication with the Rebel fleet. Rook's ship is blown up by a grenade just after informing the Rebel fleet that it must deactivate the shield surrounding the planet to allow the transmission of the schematics. Malbus dies in battle shortly after. Jyn and Cassian seize the schematics, but they are ambushed by Krennic, who shoots Cassian.

Krennic corners Jyn, declaring the Empire's victory, but Cassian, who has survived, shoots and wounds Krennic. Jyn transmits the schematics to the Rebel command ship. The Death Star enters Scarif's orbit, where Tarkin uses the weapon to destroy the Empire's base. Krennic dies in the resulting explosion, while Jyn and Cassian embrace on a beach before dying in the ensuing shockwave.

The Rebel fleet prepares to jump to hyperspace only to be attacked by Vader's flagship. Vader boards the command ship and kills several soldiers in his pursuit of the schematics, but a small starship escapes with them on board. Aboard the fleeing ship, Princess Leia declares that the schematics will provide hope for the Rebellion.

Cast

Main articles: List of Star Wars characters and List of Star Wars cast members

• Felicity Jones as Jyn Erso, a young renegade woman who is detained by the Empire for her crimes against them until freed by the Rebels. She has used many aliases during her life such as Lianna Hallik, Tanith Pontha, and Kestrel Dawn, while her father affectionately calls her "Stardust".
• Diego Luna as Cassian Andor, a Rebel Alliance Captain and Intelligence officer.
• Ben Mendelsohn as Orson Krennic, the Director of Advanced Weapons Research for the Imperial Military.
• Donnie Yen as Chirrut Îmwe, a Zatoichi-esque blind warrior who believes in the Force. He is said to be one of the Guardians of the Whills.
• Mads Mikkelsen as Galen Erso, Jyn's father and a research scientist.
• Alan Tudyk as K-2SO, a Rebel-owned Imperial enforcer droid who was reprogrammed by Cassian Andor.
• Riz Ahmed as Bodhi Rook, a former Imperial cargo pilot who defects to the Rebels under the influence of Galen.
• Jiang Wen as Baze Malbus, a Rebel warrior, mercenary and best friend of Chirrut Îmwe.
• Forest Whitaker as Saw Gerrera, a veteran of the Clone Wars and a friend of the Erso family who had mentored Jyn in her later childhood years.

Jimmy Smits, Genevieve O'Reilly, and Anthony Daniels reprise their roles from previous films as Bail Organa, Mon Mothma, and C-3PO, respectively.

James Earl Jones also reprises his role from previous films as the voice of Darth Vader, who is physically portrayed by Spencer Wilding and Daniel Naprous, replacing David Prowse who played the role in the original films. Grand Moff Tarkin and Princess Leia Organa are played by Guy Henry and Ingvild Deila, respectively, with the digital likenesses of Peter Cushing and Carrie Fisher superimposed. Henry also provides the voice for Tarkin, while archival audio of Fisher is used for Leia. Angus MacInnes and Drewe Henley are featured as Gold Leader Dutch Vander and Red Leader Garven Dreis, respectively, via unused footage from A New Hope; MacInnes returned to record new dialogue for Vander and Henley's new dialogue was assembled from archival material as Henley had died.

David Ankrum, who voiced Wedge Antilles in A New Hope, reprises his role in a vocal cameo. Ian McElhinney, Michael Smiley, Andy de la Tour and Tim Beckmann play General Jan Dodonna, Dr. Evazan, General Hurst Romodi and Raymus Antilles, respectively. Warwick Davis plays Weeteef Cyubee, a member of Saw Gerrera's Partisans.

Additionally, Alistair Petrie plays General Davits Draven, Ben Daniels plays General Antoc Merrick, and Valene Kane plays Lyra Erso, Jyn's mother. Jonathan Aris, Fares Fares and Sharon Duncan-Brewster appear as Senators Nower Jebel, Vasp Vaspar and Tynnra Pamlo, respectively. Simon Farnaby plays a member of Blue Squadron. Jonathan Stephens appears as Rebel Alliance member Corporal Tonc. Nick Kellington portrays Bistan, the door gunner on a U-wing during the battle on Scarif. Ian Whyte plays Moroff, a member of Saw Gerrera's Partisans. Rian Johnson and Ram Bergman, director and producer of Star Wars: Episode VIII, respectively, cameo as two Death Star technicians. Richard Franklin plays one of the Death Star engineers.

Production

Development

Rogue One was planned to be the first in the Star Wars Anthology series, a series of standalone spin-off films in the Star Wars series. Future films are expected to focus on Han Solo and Boba Fett. Kathleen Kennedy explained that the stand-alone films would not cross over with the films of the sequel trilogy, stating:

George [Lucas] was so clear as to how that works. The canon that he created was the Star Wars saga. Right now, Episode VII falls within that canon. The spin-off movies, or we may come up with some other way to call those films, they exist within that vast universe that he created. There is no attempt being made to carry characters (from the stand-alone films) in and out of the saga episodes. Consequently, from the creative standpoint, it's a roadmap that George made pretty clear.

John Knoll, visual effects supervisor for the Star Wars prequel trilogy, pitched the idea for the film 10 years before its development; after the Disney acquisition he felt as if he had to pitch it again or forever wonder "what might've happened if I had." In May 2014, Disney announced that Gareth Edwards would direct the film and Gary Whitta would write the script. That October, cinematographer Greig Fraser revealed that he would work on the film. In January 2015, it was revealed that Whitta had completed his work on the script, and would no longer be with the project. Simon Kinberg was considered as a replacement. Later in the month, it was announced that Chris Weitz had signed to write the script for the film. In March 2015, the title was announced.

In July 2016, discussing whether the film would feature an opening crawl, Kennedy said, "we're in the midst of talking about it, but I don't think these [Anthology] films will have an opening crawl." Edwards said: "The idea is this film is supposed to be different than the saga films... [however,] this film is born out of a crawl. The thing that inspired this movie was a crawl and what was written in that. There's this feeling that if we did a crawl, then it'll create another movie. And so the honest answer is you'll have to wait and see." That same month, at the 2016 Star Wars Celebration, Edwards said the title had three meanings: "a military sign", referring to the Red Squadron from A New Hope; "the 'rogue' one" of the franchise, given that it is the first film to not be part of the main saga; and a description of Jyn Erso's personality. In November 2016, Kennedy confirmed that the film would not feature an opening crawl, instead beginning in "a way that is traditional, with just the title."

Edwards stated that the style of the film would be similar to that of a war film, stating, "It's the reality of war. Good guys are bad. Bad guys are good. It's complicated, layered; a very rich scenario in which to set a movie."

Casting

In January 2015, The Hollywood Reporter stated that numerous actresses, including Tatiana Maslany, Rooney Mara, and Felicity Jones were being tested for the film's lead. In February 2015, it was announced that Jones was in final talks to star in the film, while Aaron Paul and Édgar Ramírez were being eyed for the male lead role. In March 2015, Jones was officially cast. In March 2015, Deadline.com reported a rumor that Ben Mendelsohn was being considered for a lead role. The next month, TheWrap reported that Sam Claflin was being eyed for a role, while Riz Ahmed was in negotiations to join the film. In May, Mendelsohn, Ahmed, and Diego Luna were added to the cast of the film, in the lead roles. Forest Whitaker was added to the cast in June 2015. In July 2015, Jonathan Aris was cast to play Senator Jebel, and in February 2016, model Eunice Olumide revealed she had a part in the film. Genevieve O'Reilly was cast as Mon Mothma, reprising her role from Star Wars: Episode III – Revenge of the Sith. James Earl Jones was confirmed to return as the voice of Darth Vader in June 2016.

Filming

File:North east hadhunmathi maldives.JPG

Laamu Atoll in the Maldives, used as a filming location for the planet Scarif

Principal photography on the film began at Elstree Studios, in Hertfordshire, on August 8, 2015. Much of the other photography was completed at or near Pinewood Studios at Buckinghamshire, England where huge sets were built to complement scenes filmed elsewhere in the world. The film was shot using Ultra Panavision 70 lenses with Arri Alexa 65 large format digital 6K cameras.

Filming locations were used around the world. In Iceland, the crew shot in Reynisfjara, and around the mountains of Hjörleifshöfði and Hafursey at Mýrdalssandur, which were used to represent Lah'mu and Eadu. Also used were the Krafla area with its volcanic crater and around Lake Mývatn's rock formations. The islands of Gan and Berasdhoo of the Laamu Atoll in the Maldives, as well as RAF Bovingdon, were used to represent Scarif. Wadi Rum in Jordan was used to represent Jedha. Pymmes Park in Edmonton, London was also used for location filming, and scenes set on Yavin 4 were filmed at RAF Cardington. Gareth Edwards selected Canary Wharf tube station as a location for a chase scene in an Imperial base; the location shoot took place between midnight and 4 am, when the station was closed to the public.

Canary Wharf tube station, used as a location for interior shots of the Imperial security complex on Scarif

Post-production

On February 11, 2016, Disney executives stated that the film was "virtually completed". Several weeks of pre-scheduled reshoots began in mid-June 2016. In August 2016, The Hollywood Reporter wrote that Tony Gilroy had spearheaded the reshoots, in lieu of Edwards, and that Gilroy would have just as much say in the final cut of the film as Edwards. Gilroy was initially brought on in order to retool the ending of the film, which was not coming together as hoped, under Edwards' direction. A few small scenes had been filmed that would lead to a happy ending for the characters Jyn and Cassian; this was the ending in the original script. (Some clips of these scenes had appeared in early trailers.) When it became apparent that Disney would accept the deaths of those characters – which had also been filmed – scenes shot for the previously planned happy ending were not used in the final film.

Industrial Light & Magic (ILM) produced the film's visual effects. ILM used CGI and digitally altered archive footage to insert Cushing's likeness over the body of actor Guy Henry. Lucasfilm secured permission from the late actor's estate to include him in the film. The team reportedly searched through countless hours of Cushing footage in order to find suitable material to build from, then Henry provided the motion capture and voice work with the reference material augmented and mapped over his performance like a digital body mask. Cushing's family were heavily involved with the creation and had input right down to "small, subtle adjustments". Cushing's mannerisms, including his manner of speaking and facial tics, were studied by the visual effects artists and applied to the digital Tarkin. A similar process was used in the portrayal of Princess Leia; Fisher's appearance as Leia in the first film was superimposed over Norwegian actress Ingvild Deila's face and archival audio of Fisher saying "Hope" was used to voice the character.

Post-production wrapped on November 28, 2016.

Music

It does borrow from traditions that both John Williams and George Lucas borrowed from when they made the original Star Wars, you know. George was looking at Flash Gordon, the old serials, and John was looking at Gustav Holst and different composers along the way to get a baseline for what he wanted to communicate. There is a wonderful musical language that John put together for the original films. I wanted to honor that vernacular but still do something new with it, something that was still me in a way.

—Michael Giacchino on balancing the musical traditions of Star Wars with his original music for Rogue One.

In March 2015, it was reported that Alexandre Desplat, who had worked with Edwards on the Godzilla reboot, would compose the score for Rogue One. Despite rumors that a contract had not been initially set in place by Lucasfilm, Desplat confirmed in an April 2016 interview that he would serve as composer for the film. Concerning the film, Desplat commented that "[Edwards and I] had a great partnership on Godzilla, and I can't wait to be starting with him. It will be in a few weeks from now, and it is very exciting and frightening at the same time because it's such a legendary project. To be called to come after John Williams... it's a great challenge for me." However, in September 2016, it was announced that Michael Giacchino would be replacing Desplat as composer, after the film's reshoots altered the post-production schedule, and reportedly left Desplat no longer available.

Giacchino only had four and a half weeks to compose the music for the film, beginning almost immediately after finishing production on Doctor Strange. In an interview with Entertainment Weekly in November 2016, Giacchino stated: "It is a film that is in many ways a really great World War II movie, and I loved that about it. But it also has this huge, huge heart at the center of it, and that was the one thing I just didn't want to discount. Yes, it's an action movie, and it's a Star Wars film, and it has all the things that you would come to expect and love about that, but I didn't want to forget that it was also an incredibly emotional movie as well. That was what really pulled me in."

Giacchino incorporated John Williams' themes from previous films into the score. The official soundtrack was released by Walt Disney Records on December 16, 2016.

All music was composed by Michael Giacchino except where noted. Giacchino, who has a history of using track titles that contain wordplay, shared his alternate list in the liner notes of the soundtrack release. These names are listed in parenthesis next to the official track titles.

Rogue One: A Star Wars Story – Original Motion Picture Soundtrack
Film score by Michael Giacchino
Released	December 16, 2016 (2016-12-16)
Studio	Sony Scoring Stage
Genre	Soundtrack
Length	1:09:18
Label	Walt Disney
Producer	Michael Giacchino
Michael Giacchino chronology
Doctor Strange (2016)Doctor Strange2016 Rogue One: A Star Wars Story (2016) Spider-Man: Homecoming (2017)Spider-Man: Homecoming2017
Star Wars soundtrack chronology
Episode VII: The Force Awakens (2015) Rogue One: A Star Wars Story (2016) Episode VIII (2017)

No.	Title	Length
1.	"He's Here for Us (A Krennic Condition)"	3:20
2.	"A Long Ride Ahead (Jyn and Scare It)"	3:56
3.	"Wobani Imperial Labor Camp (Jyncarcerated)"	0:54
4.	"Trust Goes Both Ways (Going to See Saw)" (includes "The Force Theme" by John Williams)	2:45
5.	"When Has Become Now (That New Death Star Smell)" (includes "Death Star Motif" by John Williams)	1:59
6.	"Jedha Arrival (Jedha Call Saw)"	2:48
7.	"Jedha City Ambush (When Ambush Comes to Shove)"	2:19
8.	"Star-Dust (Erso Facto)"	3:47
9.	"Confrontation on Eadu (Go Do, That Eadu, That You Do, So Well)" (includes "Death Star Motif" by John Williams)	8:05
10.	"Krennic's Aspirations (Have a Choke and a Smile)" (includes "Imperial Motif" and "The Imperial March" by John Williams)	4:16
11.	"Rebellions Are Built on Hope (Erso in Vain)"	2:56
12.	"Rogue One (Takes One to Rogue One)" (includes "The Force Theme" by John Williams)	2:04
13.	"Cargo Shuttle SW-0608 (World's Worst Vacation Destination)"	3:59
14.	"Scrambling the Rebel Fleet (Scarif Tactics)" (includes "The Force Theme" and "Star Wars Main Theme" by John Williams)	1:33
15.	"AT-ACT Assault (Bazed and Confused)" (includes "Rebel Fanfare" and "Imperial Walkers" by John Williams)	2:55
16.	"The Master Switch (Switch Hunt)"	4:02
17.	"Your Father Would Be Proud (Transmission Impossible)"	4:51
18.	"Hope (Live and Let Jedi)" (includes "The Imperial March", "Rebel Blockade Runner", and "The Force Theme" by John Williams)	1:37
19.	"Jyn Erso and Hope Suite"	5:51
20.	"The Imperial Suite"	2:29
21.	"Guardians of the Whills Suite"	2:52
Total length:		69:18

Release

Rogue One premiered at the Pantages Theatre in Los Angeles on December 10, 2016. The film was released in certain European countries on December 14, 2016, and was released in North America on December 16, with China getting the film on January 6, 2017.

Marketing

Promotion of Rogue One was initially delayed due to the release of the film Mission: Impossible – Rogue Nation in July 2015, due to the similarities between the titles of Rogue One and Rogue Nation. Paramount Pictures registered and cleared the title with the Motion Picture Association of America in January 2015, well before Disney announced the title of its forthcoming Star Wars spinoff. Disney and Lucasfilm had to reach an agreement with Paramount over promotion in order to avoid any confusion in the public mind. Disney agreed to embargo promotion on Rogue One until after mid-2015, with the exception of a very short teaser which was screened at Star Wars Celebration in Anaheim that year.

A teaser trailer for Rogue One, released by Lucasfilm on April 7, 2016, was praised by reviewers for its portrayal of strong female characters. The Daily Telegraph described Jyn Erso's character as "a roguish, Han Solo-style heroine", calling the film "progressive", while noting its painstaking faithfulness to the production design style of the original Star Wars trilogy. The Hollywood Reporter also noted the visual nods to the original trilogy, and examined the film's possible narrative direction, considering that the outcome is to some extent already revealed in the opening crawl of A New Hope. The Atlantic writer David Sims stated that the trailer brought "back some memorable pieces of architecture, from the lumbering AT-AT walkers to the Death Star itself, not to mention the glorious 70s costuming of Star Wars." He added that the trailer has "the look", blending the old with the new. The trailer was viewed close to 30 million times in its first 29 hours, at a rate of 800,000 views per hour, from Facebook and YouTube, which is 200,000 views shy of what the first teaser trailer for Star Wars: The Force Awakens was receiving in November 2014.

In June 2016, Rogue One was promoted at the Star Wars Celebration Europe III event in London. During the event, a new official poster was unveiled, which depicts a battle taking place on the tropical planet Scarif, with the Death Star looming large in a blue sky, above which is printed the tagline "A Rebellion Built on Hope". A second teaser trailer was also unveiled, screened exclusively for the Celebration audience, and not streamed online. This new trailer was reviewed favorably by critics; The Daily Telegraph noted that the trailer revealed new locations such as the planets Jedha and Scarif, and that its most significant revelation came in the final seconds of the teaser, with the appearance of Darth Vader, reflected in a computer screen and accompanied by his classic breathing sound effect. Variety also hailed the Vader reveal, and noted that the emphasis of the production was much more on the kinetic depiction of large battle sequences and full-on warfare, comparing it to Francis Ford Coppola's 1979 Vietnam War epic Apocalypse Now. A showreel was also shown during the event, which featured footage from the film, cut with behind-the-scenes shots and interviews with the director and cast members. The second trailer was shown publicly during a broadcast of the 2016 Summer Olympics and received favourable media reviews; Wired stated that the trailer was "littered with nostalgic throwbacks to the original trilogy", while Rolling Stone described the CGI landscape shots seen in the footage as "eye-poppingly gorgeous".

A further trailer released in October 2016 prompted the Hollywood Reporter to comment that the newly revealed footage looked like "a trailer to a different movie than the one advertised earlier", remarking that Jyn Erso appeared to be portrayed as a more vulnerable character, and highlighting the appearance of Galen Erso as a protective father figure. Vanity Fair also commented on the emphasis given to Jyn's relationship with her father, suggesting that Rogue One was drawing on "the Star Wars franchise's greatest natural resource: daddy issues".

The film's publicity tour began in Mexico on November 23, 2016.

A downloadable expansion pack will be released for the video game Star Wars Battlefront, titled Rogue One: Scarif, that will allow players the ability to play through the various locations, characters and set pieces of Rogue One. A virtual reality mission is also set for release.

Tie-in novels

A tie-in novel to the film, Catalyst: A Rogue One Novel, was released on November 15, 2016. Written by veteran Star Wars novelist James Luceno, the story is set some years before the events of Rogue One, and provides a backstory to the 2016 film. The film's novelization was written by Alexander Freed, and was released on December 16, 2016.

Reception

Box office

As of January 10, 2017, Rogue One has grossed $481.7 million in the United States and Canada and $437.1 million in other territories for a worldwide total of $918.8 million, against a production budget of $200 million. On January 8, 2017, it became the fifth film of 2016 to earn $900 million in ticket sales, joining Zootopia, The Jungle Book, Captain America: Civil War and Finding Dory.

In late November 2016, box office projections for the United States and Canada had the film grossing $100–150 million during its opening weekend. Disney chairman Bob Iger noted that Disney and Lucasfilm did not expect Rogue One to match The Force Awakens' total gross of $2.1 billion, nor its $248 million opening. Pre-sale tickets for the film went on sale at 12:01 am EST on November 28, 2016, and within 10 minutes crashed ticket sale sites such as Fandango, much like The Force Awakens had the year prior. In its first 24 hours, the film had the second-highest ever amount of pre-sale tickets sold, behind only The Force Awakens. Worldwide, the film was expected to gross $280–350 million in its opening weekend.

In the United States, the film made $29 million from its Thursday night previews, making it the highest Thursday gross of 2016, and $71.1 million on Friday, the 12th highest grossing opening day of all-time. The film grossed $46.3 million on Saturday, securing a total of $155.1 million in its opening weekend, the third biggest debut of 2016. It topped the box office once again in its second weekend, grossing $64 million (down 58.7%) over the three day weekend, and $96.1 million over the four day weekend. On Christmas Day, it grossed $25.9 million. It finished first at the box office again in its third weekend, grossing $49.6 million (-22.5%) over the three day weekend and $65.5 million over the four day weekend, becoming the seventh film of 2016 to top the box office three times, following Deadpool, Zootopia, The Jungle Book, Finding Dory,Suicide Squad and Moana. In its fourth weekend, projections had the film grossing $22 million, besting newcomer Hidden Figures' $21.8 million. However, actual figures for the film tallied a weekend total of $21.9 million, falling to second at the box office behind Hidden Figures' $22.8 million.

Critical response

Rogue One received generally positive reviews from critics. On Rotten Tomatoes, the film has an approval rating of 85% based on 326 reviews with an average rating of 7.5/10. The site's critical consensus reads, "Rogue One draws deep on Star Wars mythology while breaking new narrative and aesthetic ground – and suggesting a bright blockbuster future for the franchise." On Metacritic, the film has a score 65 out of 100 based on 51 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.

IGN reviewer Eric Goldman gave the film 9/10, saying, "Rogue One is a movie crammed with fan service, but when fan service is done this well, there's little to complain about and much to adore." Peter Travers of Rolling Stone gave the film 3.5 out of 4 stars, writing, "this spin-off/prequel has the same primitive, lived-in, emotional, loopy, let's-put-on-a-show spirit that made us fall in love with the original trilogy." /Film gave Rogue One 8/10, writing that the film is enjoyable but does not have the emotional weight of The Force Awakens, because "no character in Rogue One was strongly compelling". PopMatters wrote, "Rogue One seems to enjoy spending time on a whole new batch of moons and planets we haven't seen before, reveling in the clutter and clamor of far-flung settlements where anti-Imperial sentiments fester. But the film is bogged down in engineering the complex maneuverings of spy games, dogfights, and the most sprawling Rebel-versus-Empire land battle scene since the opening of The Empire Strikes Back." Justin Chang, writing for the Los Angeles Times, called Rogue One "a swiftly paced, rough-and-ready entertainment."

The New York Times wrote, "All the pieces are there, in other words, like Lego figures in a box. The problem is that the filmmakers haven't really bothered to think of anything very interesting to do with them. A couple of 9-year-olds on a screen-free rainy afternoon would come up with better adventures, and probably also better dialogue." Richard Brody of The New Yorker called the film "lobotomized and "depersonalized", and wrote it "isn't so much a movie as a feature-length promotional film for itself; it's a movie that is still waiting to be made." The Washington Post wrote "Rogue One represents an unobjectionable exercise in franchise extension. It's fine. It'll do. For now."

IndieWire's David Ehrlich gave the film a C+ rating, calling it "a spirited but agonizingly safe attempt to expand cinema's most holy blockbuster franchise and keep the wheels greased between proper installments […] just a glorified excuse to retcon some sense into one of the silliest things about the original." While he praised the set design and visuals, calling them "gorgeous", he criticized a lack of interesting character development and a script that felt "completely constricted by its purpose."

Peter Bradshaw, film critic of The Guardian says "Rogue One doesn't really go rogue at any stage, and it isn't a pop culture event like The Force Awakens, in whose slipstream this appears; part of its charm resides in the eerie, almost dreamlike effect of continually producing familiar elements, reshuffled and reconfigured, a reaching back to the past and hinting at a preordained future. There are some truly spectacular cameos from much-loved personae, involving next-level digital effects — almost creepily exact, so that watching feels at various stages like going into a time machine, back to the 80s and 70s".

Views on computer-generated imagery

While much of the computer-generated imagery (CGI) received plaudits, some news organizations published criticism about certain aspects, including the visual effects (VFX) that were used to revive Peter Cushing, who died in 1994, as Grand Moff Tarkin. The Guardian's Catherine Shoard, described the "resurrection" as a "digital indignity". Joseph Walsh of The Guardian raised legal and ethical issues about bringing a long-dead actor to life. However, Lucasfilm had obtained permission from Peter Cushing's estate before deciding to use his likeness. The Washington Times's Eric Althoff rejected the entire concept of using CGI to recreate a deceased actor: "Alas, what we get is, basically, not a simulation, but an approximation of a simulation — a dead character portrayed by a living actor inhabiting not the character, but imitating the dead actor."

Some journalists also criticized the quality of the CGI that was to represent a younger Carrie Fisher in order to portray Princess Leia at an earlier time as well as its suitability in movie-making. Eliana Dockterman of Time wrote that "there was something particularly plastic about this version of the young Carrie Fisher–so smooth and so perfect it couldn't be real – that pulled me out of the moment." Kelly Lawler of USA Today said: "... while Tarkin is merely unnerving, the Leia cameo is so jarring as to take the audience completely out of the film at its most emotional moment. Leia's appearance was meant to help the film end on a hopeful note (quite literally, as 'hope' is her line), but instead it ends on a weird and unsettling one." Michael Cavna of The Washington Post described the facial effect as feeling "distractingly artificial and nearly alien, like a plastered death mask robbed of authentic actorly effect, well beyond the usual artifice of Botox."

Accolades

Award / Film Festival	Date of ceremony	Category	Recipient(s)/Nominee(s)	Result	Ref(s)
British Academy Film Awards	February 12, 2017	Best Makeup and Hair	TBD	Pending
		Best Special Visual Effects	Neil Corbould, Hal Hickel, Mohen Leo, John Knoll, Nigel Sumner
Visual Effects Society Awards	February 7, 2017	Outstanding Visual Effects in a Photoreal Feature	John Knoll, Erin Dusseault, Hal Hickel, Nigel Sumner, Neil Corbould	Pending
		Outstanding Animated Performance in a Photoreal Feature	"Grand Moff Tarkin" – Sven Jensen, Jee Young Park, Steve Walton, Cyrus Jam
		Outstanding Created Environment in a Photoreal Feature	"Scarif Complex" – Enrico Damm, Kevin George, Olivier Vernay-Kim, Yanick Dusseault
		Outstanding Virtual Cinematography in a Photoreal Project	"Space Battle" – John Levin, Euising Lee, Steve Ellis, Barry Howell
		Outstanding Model in a Photoreal or Animated Project	"Princess Leia" –Paul Giacoppo, Gareth Jensen, Todd Vaziri, James Tooley
			"Star Destroyer" – Jay Machado, Marko Chulev, Akira Orikasa, Steven Knipping
		Outstanding Effects Simulations in a Photoreal Feature	"Jedha Destruction" – Miguel Perez Senent, Matt Puchala, Ciaran Moloney, Luca Mignardi

See also

• 2016 in science fiction
• List of films featuring extraterrestrials
• List of films featuring space stations
• List of Star Wars films and television series

External links

• Official website
• Rogue One at IMDb
• Rogue One at AllMovieTemplate:Rogue One