Billion Dollar Babies

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Billion Dollar Babies
Alice Cooper - Billion Dollar Babies.jpg
Studio album by Alice Cooper
Released February 25, 1973
Recorded The Galecie Estate, Greenwich, CT, The Record Plant, New York City, and Morgan Studios in London,
August 1972 - January 1973
Genre Hard rock, glam rock
Length 40:51
Label Warner Bros.
Producer Bob Ezrin
Alice Cooper chronology
School's Out
(1972)School's OutString Module Error: Match not found
Billion Dollar Babies
(1973)
Muscle of Love
(1973)Muscle of LoveString Module Error: Match not found

Billion Dollar Babies is the sixth studio album by American band Alice Cooper, released in 1973.[1][2] The album became the best selling Alice Cooper record at the time of its release, hit number one on the album charts in both the United States and the United Kingdom, and went on to be certified platinum by the Recording Industry Association of America. The album was well received by such critics as Robert Christgau, Greg Prato of AllMusic, and Jason Thompson of popmatters, but Rolling Stone gave the album only two and a half stars.

Songs were recorded in both the state of Connecticut and London, England. Lyrics cover topics and themes such as necrophilia, the fear of dentists, horror, and sexual harassment.

Recording and production

Drummer Neal Smith has said that the album can be traced back to the song "Caught in a Dream" from the album Love It to Death. The first recording sessions for the album took place in Greenwich, Connecticut in a mansion called the Galecie Estate. To achieve certain vocal sounds and echos, microphones were run through rooms of various sizes and a greenhouse. Others sessions were held at Morgan Studios in London, where singer Donovan contributed to the album by singing on its title track. The album was produced by Bob Ezrin with Gerry Lyon as assistant in New York, Connecticut and London.[3]

Guitarists Glen Buxton and Michael Bruce both used Gibson SGs for the album.[3] Two more guitarists, Dick Wagner and Steve Hunter, were also featured on the album to help cover for Buxton who at the time was suffering from pancreatitis.[4]

A Quadraphonic mix of the album was released on both 8-Track and reel-to-reel format, as well as vinyl. This features radically different mixes of all of the songs, including different vocal tracks ("Raped And Freezin'"), unfaded endings ("Generation Landslide"), and editing ("I Love The Dead"). Alice's lead vocals are more upfront in the mix than the stereo mix. This mix of the album has remained unreleased in any digital format; much to the chagrin of die-hard Alice Cooper Group fans.

Lyrical themes and subjects

The album's title comes from the fact that Alice Cooper and the band were surprised about their success. Cooper related: "How could we, this band that two years ago was living in the Chambers Brothers' basement in Watts, be the Number one band in the world, with people throwing money at us."[5] The title was also later used as the name of the group Neal Smith, Dennis Dunaway, and Michael Bruce formed after Alice Cooper band had split up.[6] Cooper says "The whole idea behind the Billion Dollar Babies album was exploiting the idea that people do have sick perversions."[7]

Alice Cooper, who wrote the majority of the album's lyrics, cited Chuck Berry as a key influence on his writing.[3] "Hello Hooray", the album's opening track, was written by Canadian singer/songwriter Rolf Kempf and was previously recorded by Judy Collins. The band wanted their version of the song to sound like "Alice Cooper meets Cabaret."[8] The album's third track, "Elected", is a rewrite of an earlier song by the band entitled "Reflected".[1] "Raped and Freezin'" has been called a "hilarious and gorgeously catchy" take on the idea of sexual harassment by PopMatters's Jason Thompson[9] "Unfinished Sweet" is about visiting a dentist with sound effects recorded by Gerry Lyon.[9] The title track was co-written by Reggie Vinson (credited on original pressings of the album as "R. Reggie," i.e., "Rockin' Reggie Vinson"), who had played guitar on and performed vocals for School's Out.[10] Donovan described the song as a "horror story song".[11] The album's closing track, "I Love the Dead", is a tongue-in-cheek song about necrophilia.[12]

Touring

Alice Cooper performing live during the Billion Dollar Babies tour.

After the album was released, the band embarked on a tour which broke the United States box office records previously held by the Rolling Stones and included a scheduled 64 concerts in 59 cities in 90 days. The gross revenue of the tour was anticipated to be close to $20 million,[13] but only about $4 million was achieved.[3]

Cooper hired magician James Randi to design effects for the show, and Randi traveled with the tour to supervise and coordinate the effects. Randi even played a role in the stage show as "The Executioner".[14]

The live performances featured Cooper wearing a costume with fake blood stains at the crotch, tearing apart baby dolls, attacking mannequins, and being decapitated by a guillotine.[15] Cooper has said that the mutilation of the dolls symbolize child neglect.[16] Between 40 and 50 people were employed and 26,000 pounds of equipment were used.[17] In preparation for the tour, two semi-trailer trucks carried a wide variety of props including a dentists drill, four whips, a surgical table, six hatchets, 33,000 program books, 300 baby dolls, 22,000 sparklers, 58 mannequins, 280 spare light bulbs, 1,000 patches, 6,000 mirror parts, 14 bubble machines, 28 gallons of bubble juice, and 250,000 packages of bubble bath.[6]

Reception and influence

Professional ratings
Review scores
Source Rating
AllMusic 4.5/5 stars[1]
Creem B+[18]
PopMatters (Favorable)[9]
The Rolling Stone Album Guide 2.5/5 stars[19]

Billion Dollar Babies was commercially more successful than Cooper's previous albums; it went to No. 1 in both the United Kingdom and United States.[13] The album's singles "Elected", "Hello Hooray", "Billion Dollar Babies", and "No More Mr. Nice Guy", all became hits on the Billboard Hot 100.[20] In March 1973 the album was certified gold by the Recording Industry Association of America and in 1986, it went platinum.[21]

In a contemporary review for Creem magazine, Robert Christgau said that Billion Dollar Babies is Cooper's "most consistent album", even though it lacks a song as strong as "School's Out".[18] In a retrospective review, AllMusic's Greg Prato awarded the album four and a half out of five stars and called it "one of Cooper's very best; it remains one of rock's all-time, quintessential classics."[1] Jason Thompson of popmatters praised the album, saying it was "arguably the original Alice Cooper Group's best album."[9] However, The Rolling Stone Album Guide (2004) was less positive about the album, giving it two and a half stars and criticizing songs like "I Love the Dead" for being "predictable".[19] Daniel Bukszpan, the author of The Encyclopedia of Heavy Metal, called it a "classic" and "arguably the original band's finest offering."[22] In 2005, Billion Dollar Babies was ranked number 283 in Rock Hard magazine's book of The 500 Greatest Rock & Metal Albums of All Time.[23]

Chris Cornell of Soundgarden stated that it was one of his favorite records. In an interview with SPIN Magazine in 1989, he commented that: “When I was in junior high, every Friday the teachers would let the kids play their favorite records. I brought in Billion Dollar Babies [Alice Cooper, 1973] and they wouldn’t let me play it. They never vetoed anyone’s choice before. It was then I knew that rock’n’roll could scare the fuck out of certain people.”[24] The Norwegian group Turbonegro made a song called "Zillion Dollar Sadist" as a tribute to Billion Dollar Babies.[25] David Byrne of Talking Heads has said that the album inspired him to write the song, "Psycho Killer".[26]

Swiss industrial black metal group Samael did a cover of the song "I Love the Dead" on their Rebellion EP.

Track listing

LP

Side one
No. Title Writer(s) Length
1. "Hello Hooray"   Rolf Kempf 4:15
2. "Raped and Freezin'"   Alice Cooper, Michael Bruce 3:19
3. "Elected"   Cooper, Glen Buxton, Bruce, Dennis Dunaway, Neal Smith 4:05
4. "Billion Dollar Babies"   Cooper, Bruce, Reggie Vinson 3:43
5. "Unfinished Sweet"   Cooper, Bruce, Smith 6:18
Side two
No. Title Writer(s) Length
6. "No More Mr. Nice Guy"   Cooper, Bruce 3:06
7. "Generation Landslide"   Cooper, Buxton, Bruce, Dunaway, Smith 4:31
8. "Sick Things"   Cooper, Bruce, Bob Ezrin 4:18
9. "Mary Ann"   Cooper, Bruce 2:21
10. "I Love the Dead"   Cooper, Ezrin 5:09

Deluxe Edition CD bonus tracks

The 2001 CD reissue includes these additional tracks on a second disc:[27]

No. Title Music Length
1. "Hello Hooray (Live)"   Kempf  
2. "Billion Dollar Babies (Live)"   Bruce, Cooper, Smith, Vinson  
3. "Elected (Live)"   Bruce, Buxton, Cooper, Dunaway, Smith  
4. "I'm Eighteen (Live)"   Bruce, Buxton, Cooper, Dunaway, Smith  
5. "Raped and Freezin' (Live)"   Bruce, Cooper  
6. "No More Mr. Nice Guy (Live)"   Bruce, Cooper  
7. "My Stars (Live)"   Cooper, Ezrin  
8. "Unfinished Sweet (Live)"   Bruce, Cooper, Smith  
9. "Sick Things (Live)"   Bruce, Cooper, Ezrin  
10. "Dead Babies (Live)"   Bruce, Buxton, Cooper, Dunaway, Smith  
11. "I Love the Dead (Live)"   Cooper, Ezrin  
12. "Coal Black Model T (outtake of Slick Black Limousine)"      
13. "Son of Billion Dollar Babies (outtake of Generation Landslide)"      
14. "Slick Black Limousine"   Cooper, Dunaway  

Personnel

Credits[28]

Chart positions

Album

Year Chart Position
1973 US Billboard 200[13] 1
1973 UK Albums Chart[13] 1
1973 German Album Charts[29] 9

Singles

Year Chart Position Peak
1972 "Elected" Billboard Hot 100[20] 26
1973 "Hello Hooray" Billboard Hot 100[20] 35
1973 "No More Mr. Nice Guy" Billboard Hot 100[20] 25
1973 "Billion Dollar Babies" Billboard Hot 100[20] 57

Certifications

Region Certification Sales/shipments
Australia (ARIA)[30] Gold 35,000
Canada (Music Canada)[31] Gold 50,000
United States (RIAA)[32] Platinum 1,000,000

^shipments figures based on certification alone

References

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  14. Pevere, Geoff (August 8, 2014). "An Honest Liar: An expose of trickery". The Globe and Mail.
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External links

Preceded by UK number-one albums
24 March 1973
Succeeded by
20 Flashback Greats of the 60s
by Various Artists
Preceded by Billboard 200 number-one album
April 21–27, 1973
Succeeded by
The Dark Side of the Moon by Pink Floyd