Wachet auf, ruft uns die Stimme

From Infogalactic: the planetary knowledge core
Jump to: navigation, search

<templatestyles src="Module:Hatnote/styles.css"></templatestyles>

"Sleepers Awake" redirects here. For other uses of Sleepers Awake, see Sleepers Awake (disambiguation).
"Wachet auf, ruft uns die Stimme"
Hymn by Philipp Nicolai
Freudenspiegel deß ewigen Lebens 412.jpg
First publication in Nicolai's 1599 Frewdenspiegel deß ewigen Lebens
English "Wake, Awake, for Night Is Flying"
Other name Sleepers Awake
Related Chorale cantata by Bach
Text by Philipp Nicolai
Language German
Published 1599 (1599)
File:Philipp Nicolai.jpg
Philipp Nicolai, the hymn writer

"Wachet auf, ruft uns die Stimme" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "Wie schön leuchtet der Morgenstern". It appears in German hymnals and in several English hymnals in translations such as "Wake, Awake, for Night Is Flying". The hymn is known as the foundation of Johann Sebastian Bach's chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, as well as being the foundation of settings by other composers.

Nicolai

Philipp Nicolai wrote the hymn in 1598, a time when the plague had hit Unna[1] where he lived as a preacher after studies in theology at the University of Wittenberg, for six months.[2] The text is based on the Parable of the Ten Virgins (Matthew 25:1–13). Nicolai refers to other biblical ideas, such as from the Revelation the mentioning of marriage (Revelation 19:6–9) and the twelve gates, every one of pearl (Revelation 21:21), and from the First Letter to the Corinthians the phrase "eye hath not seen, nor ear heard" (1 Corinthians 2:9).[3] Portions of the melody are similar to the older hymn tune In dulci jubilo ("In sweet rejoicing") and to Silberweise ("Silver Air") by Hans Sachs.[4][5]

In the first publication in FrewdenSpiegel deß ewigen Lebens ("Mirror of Joy of the Life Everlasting"), the text was introduced: "Ein anders von der Stimm zu Mitternacht / vnd von den klugen Jungfrauwen / die jhrem himmlischen Bräutigam begegnen / Matth. 25. / D. Philippus Nicolai." (Another [call] of the voice at midnight and of the wise maidens who meet their celestial Bridegroom / Matthew 25 / D. Philippus Nicolai). The author wrote in his preface, dated 10 August 1598: <templatestyles src="Template:Blockquote/styles.css" />

"Day by day I wrote out my meditations, found myself, thank God, wonderfully well, comforted in heart, joyful in spirit, and truly content; gave to my manuscript the name and title of a Mirror of Joy... to leave behind me (if God should call me from this world) as a token of my peaceful, joyful, Christian departure, or (if God should spare me in health) to comfort other sufferers whom He should also visit with the pestilence."[5]

Nicolai's former student, Wilhelm Ernst, Count of Waldeck, had died of the plague at the age of fifteen, and Nicolai used the initials of "Graf zu Waldeck" in reverse order as an acrostic to begin the three stanzas: "Wachet auf", "Zion hört die Wächter singen", "Gloria sei dir gesungen".[1]

Musical settings

File:Wachet auf 2.jpg
The third verse in Johann Sebastian Bach's cantata, BWV 140

The beginning of the melody, three notes of the triad, have been used in bell tuning. Several composers were inspired to vocal and instrumental settings.

Dieterich Buxtehude composed two cantatas based on the hymn, BuxWV 100 and BuxWV 101. Johann Sebastian Bach based his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, on the hymn[6] and derived one of the Schübler Chorales, BWV 645, from the cantata's central movement. His son Johann Christoph Friedrich Bach wrote a cantata for a four-part choir, Wachet auf, ruft uns die Stimme.

In Felix Mendelssohn's monumental St. Paul oratorio, Wachet auf features prominently as a chorale and also as the main theme of the Overture.[7]

In 1900, Max Reger composed a fantasia for organ on "Wachet auf, ruft uns die Stimme" as the second of Three chorale fantasias, Op. 52. Herbert Blendinger also wrote a chorale fantasia on the hymn, Op. 49.

Hugo Distler composed an organ partita based on the hymn in 1935 (Op. 8/2).

In English

According to the Hymnary web site, the hymn appears in 68 hymnals in English.[2] In 1908, it was reported that "the favourite rendering" was either that of Catherine Winkworth or that of William Cooke. Both translators use the title "Wake, Awake, for Night is Flying".[8][9]

References

  1. ↑ 1.0 1.1 Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ 2.0 2.1 Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  4. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  5. ↑ 5.0 5.1 Lua error in package.lua at line 80: module 'strict' not found.
  6. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  7. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  8. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  9. ↑ Lua error in package.lua at line 80: module 'strict' not found.

Literature

  • Christian Möllers (ed.): Kirchenlied und Gesangbuch. Quellen zur Geschichte. A. Francke Verlag, Tübingen 2000, pp. 148–149.
  • Barbara Stühlmeyer, Ludger Stühlmeyer: Wachsam – Achtsam. Wachet auf ruft uns die Stimme. In: Das Leben singen. Christliche Lieder und ihr Ursprung. Verlag DeBehr, Radeberg 2011, pp. 11–18, ISBN 978-3-939241-24-9.

External links

Retrieved from "https://infogalactic.com/w/index.php?title=Wachet_auf,_ruft_uns_die_Stimme&oldid=716279079"