After Blenheim

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File:Man and Children Page 565.jpg
"'Tis some poor fellow's skull', said he (line 17–18) Who fell in that great victory". Illustration from The Children's Encyclopædia.

"After Blenheim" is an anti-war poem written by English Romantic poet laureate Robert Southey in 1796 (see 1796 in poetry). The poem is set at the site of the Battle of Blenheim (1704), with the questions of small children about a skull one of them has found. An old man tells two small children of burned homes, civilian casualties, and rotting corpses, while repeatedly calling it "a famous victory".

Characters

Old Kaspar, whose father lived nearby the battlefield, and had to flee with his wife.
Wilhelmine, his granddaughter
Peterkin, her brother

Story

Old Kaspar has finished his work and is sitting in the sun in front of the cottage, watching his little granddaughter at play. Peterkin, his grandson, has been rolling a hard round object he found near the stream. He brings it to the old man, who explains " 'Tis some poor fellow's skull," said he (line 17–18). He admits that he often finds them while ploughing in the garden (line 22–18). The children anticipate a story—"And little Wilhelmine looks up/with wonder-waiting eyes" (ln 26–27). Kaspar explains to the children the story of the battle, that the Duke of Marlborough routed the French, although he admits he never understood the reason for the war himself.

He also mentions that his father had a cottage by the rivulet—"My father lived at Blenheim then"—where Peterkin found the skull. The soldiers burned it to the ground, and his father and mother had fled, with their child. The following verse refers to a childing mother, or a mother with child (ln 45–46) and many of them died with their newborns, possibly alluding to his own mother.

Thousands of corpses lay rotting in the fields, but he shrugs it off, as part of the cost of war (ln 53—54). Wilhelmine says it was a wicked thing, but he contradicts her, no, he says, it was a great victory.

Criticism

While Southey's verse, After Blenheim, is considered an anti-war poem, arguably Southey was not himself anti-war: Byron himself considered Southey a puzzle: on the one hand, he denigrated the English victory at Blenheim, but praised the Battle of Waterloo in The Poet's Pilgrimage to Waterloo, a popular poem that generated £215 in two months of publication.[1]

It is one of Southey's most famous poems.[2] The internal repetition of but 'twas a famous victory juxtaposed with the initial five lines of each stanza, establish that the narrator does not know why the battle was fought, why thousands died, why his father's cottage was burned. The often-quoted[3] closing lines are:

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"But what good came of it at last?"

    Quoth little Peterkin.
"Why that I cannot tell," said he,

    "But 'twas a famous victory."

After Blenheim, also called Battle of Blenheim, was written during Southey's Jacobin years (roughly 1790 – 1800). In a letter to Charles Collins, Esquire, he wrote of traveling through Woodstock in the summer of 1793, and of refusing to even turn his head to look at the walls of the palace, built by Marlborough, and named for the battle.[4] He wrote the poem, sometimes considered by critics as the most celebrated of British anti-war poems, while living at Westbury with his mother and his cousin (Peggy) in a renovated ale-house, which he shared also with a "great carroty cat".[5] It appeared in publication with several others, in the category of Ballads and metrical tales,[6] with the revenge tale of Lord William, and the narrative Queen Oracca.[7]

After thousands of casualties, and vast civilian destruction, the battle ended. The English and Habsburg victory insured that Vienna would not be captured by the French. It was arguably among the most important battles of the 18th century, and the turning point of the War of the Spanish Succession.

By 1820, however, Southey had changed his mind about the Battle, describing it instead as the most brilliant moment in British arms. The fate of Germany, had it not been won, he calculated, might have over set the Protestant Succession in Britain.[8]

References

  1. Lionel Madden. Robert Southey: the critical heritage. Taylor and Francis, 1996, ISBN 0-415-13444-7, p. 21, p. 267.
  2. William Arthur Speck. Robert Southey: entire man of letters. New Haven: Yale University Press, 2006, ISBN 0-300-11681-0, p. 74.
  3. e.g. included in Bartlett's Familiar Quotations
  4. Robert Southey. The life and correspondence of Robert Southey. New York, Harper & brothers, 1855, p. 64.
  5. Speck, p. 74.
  6. Robert Southey, Poems. London, New York, Macmillan and Co., 1895, pp. 54–57.
  7. Southey, pp. 50–62.
  8. Speck, p. 180.

External links