All fifths tuning
| All fifths | |
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The consecutive open-notes of all-fifths tuning are each spaced seven semitones apart on the chromatic circle.
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| Basic information | |
| Aliases | Perfect-fifths tuning |
| Interval | Perfect fifth |
| Semitones | 7 |
| Example(s) | C-G-d-a-e'-b' or G'-D-A-e-b-f♯' |
| Advanced information | |
| Other instruments | violin, cello, mandolin, tenor banjo |
| Repetition | No |
| Advantages | Wide range; natural for concert stringed-instrument music |
| Disadvantages | Difficult to play standard-guitar music |
| Left-handed tuning | All-fourths tuning |
| Associated musician | |
| Guitarist | Carl Kress |
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| Carl Kress played jazz with all-fifths tuning. | |
| Regular tunings (semitones) | |
| Trivial (0) | |
| Minor thirds (3) | |
| Major thirds (4) | |
| All fourths (5) | |
| Augmented fourths (6) | |
| New standard (7, 3) | |
| All fifths (7) | |
| Minor sixths (8) | |
| Guitar tunings | |
Among guitar tunings, all-fifths tuning refers to the set of tunings in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar.[1] The conventional "standard tuning" consists of perfect fourths and a single major third between the g and b strings:
- E-A-d-g-b-e'
All-fifths tuning has the set of open strings
- C-G-d-a-e'-b' or G'-D-A-e-b-f♯',
which have intervals of 3 octaves minus a half-step between the lowest and highest string. The conventional tuning has an interval of 2 octaves between lowest and highest string.
All-fifths tuning is a tuning in intervals of perfect fifths like that of a mandolin or a violin. It has a wide range. It was used by jazz guitarist Carl Kress in the form
- B♭'-F-c-g-d'-a'.[2]
Contents
An approximation: New standard tuning
All-fifths tuning has been approximated with tunings that avoid the high b' replacing it with a g' in the New Standard Tuning of King Crimson's Robert Fripp, which has been taught in Guitar Craft courses.[3][4] Guitar Craft, which has been succeeded by Guitar Circle, has taught Fripp's tuning to 3,000 students.[5]
Relation with all-fourths tuning
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All-fifths tuning is closely related to all-fourths tuning. All-fifths tuning is based on the perfect fifth (the interval with seven semitones), and all-fourths tuning is based on the perfect fourth (five semitones). The perfect-fifth and perfect-fourth intervals are termed "inverse" intervals in music theory, and the chords of all-fourth and all-fifths are paired as inverted chords. Consequently, chord charts for all-fourths tunings may be used for left-handed all-fifths tuning.[6]
See also
Notes
- ↑ Sethares (2001, "The mandoguitar tuning" 62–63): Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Page 92. Richard Lieberson, "Swing guitar: The acoustic chordal style", pages 89-112. The Guitar in Jazz: An Anthology, Edited by James Sallis. 1996. 978-0-8032-4250-0
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Fripp (2011, p. 3): Lua error in package.lua at line 80: module 'strict' not found.
- ↑ Sethares (2001, p. 53)
References
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Further reading
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