Beau Brummell (1954 film)

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This article is about the 1954 film. For the earlier silent film, see Beau Brummel (1924 film).
Beau Brummell
Beau brummell.jpeg
Original French film poster
Directed by Curtis Bernhardt
Produced by Sam Zimbalist
Written by Karl Tunberg
Based on Beau Brummel
1890 play
by Clyde Fitch
Starring Stewart Granger
Peter Ustinov
Elizabeth Taylor
Robert Morley
Music by Richard Addinsell
Miklós Rózsa
Cinematography Oswald Morris
Edited by Frank Clarke
Production
company
Distributed by Loew's, Inc
Release dates
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  • 1 October 1954 (1954-10-01)
Running time
 113 minutes
Country United Kingdom
Language English
Budget $1.8 million[1]
Box office $2.7 million[1]

Beau Brummell is a 1954 British historical film released by Metro-Goldwyn-Mayer. It was directed by Curtis Bernhardt and produced by Sam Zimbalist from a screenplay by Karl Tunberg, based on the 1890 play Beau Brummell by Clyde Fitch. The play was previously adapted as a silent film made in 1924 and starring John Barrymore as Beau Brummell, Mary Astor, and Willard Louis as the Prince of Wales.

The music score was by Richard Addinsell with Miklós Rózsa. The film stars Stewart Granger as Beau Brummell, Elizabeth Taylor, and Peter Ustinov as the Prince of Wales.

Plot

George Bryan “Beau” Brummell is a fashionable man in London society circles during the reign of King George III. Brummell is known for his exquisite taste and sets fashion trends among the elite. However, despite his lavish lifestyle, he is actually of modest means and is growing increasingly in debt.

He befriends the Prince of Wales, the future King George IV, and becomes a trusted — albeit unpaid — advisor. Brummell initially sees the friendship as the path to a highly placed position, and the prince does, in fact, promise to make Brummell an earl. Eventually, however, the two have a public falling out. The prince accuses Brummell of offering poor advice and of only being interested in the promised titled; in return, Brummell insults the prince at a large public gathering by calling him fat.

Brummell, out of the prince’s favor and deeply in debt, flees to France. To earn money, he writes his memoirs, but once he realizes that the writings will embarrass the prince (who has since been elevated to king)Brummell destroys them, as he come to see that his feelings of friendship were genuine all along.

Likewise, the new king comes to regret the rift, and tries to set things right. On a visit to France, he seeks out the ailing Brummell, and they have a heartfelt reconciliation while Brummell lay dying.

Cast

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Production

Development

Clyde Fitch's play was written in 1890 as a vehicle for Richard Mansfield.

In 1934, there were two Beau Brummel projects announced. One was based on Fitch's play, to be made by Warner Bros., starring Leslie Howard. The other was produced by Edward Small starring Robert Donat.[2] Neither film materialized.

Rights in the play went to MGM. In March 1939, they announced that Robert Donat would star in Beau Brummel to be made in London. Joseph Mankiewicz would produce.[3][4] Filming was postponed due to the war. In March 1941, MGM said Clarence Brown would direct an adaptation of Fitch's play in London, starring Donat.[5] However this film was never made.

In 1946, there was plans to make a British film about Brummel, which never materialized.[6]

Casting

In March 1951, MGM announced they would make a film from Fitch's play as a vehicle for Stewart Granger, who had starred in King Solomon's Mines (1950) for the studio and been signed to a long-term contract. The producer would be Sam Zimbalist, who produced Mines. It was the follow the filming of The Light Touch.[7] In June John Lee Mahin was assigned to write the script.[8]

Filming was pushed back to enable Granger to make other films including Scaramouche, The Prisoner of Zenda (both 1952), All the Brothers Were Valiant, Young Bess (both 1953), and Robinson Crusoe. (The last project was not made).[9]

In January 1953, Hedda Hopper announced the film would star Granger and Eleanor Parker who had just teamed successfully on Scaramouche.[10] In April, Deborah Kerr was announced.[11]

As late as May 1953, Granger was still expected to make Robinson Crusoe before Beau Brummell.[12] The same month, Gottfried Reinhardt was assigned to direct.[13] Robinson Crusoe was postponed due to the release of the Mexican film based on the novel. In July, Parker was still to be the co-star.[14]

In July 1953, Kirk Douglas announced he would star as Brummell in his own Brummell project, to be called The Beau.[15] However, it was not made.

In September 1953, Dore Schary, head of MGM, gave the job of directing to Curtis Bernhardt.[16] By November 1953, Karl Tunberg was working on the script and he would receive sole credit.[17]

Shooting

Filming began in London on 15 November 1953.[18]

Reception

Premiere

The film was given a Royal Command Film Performance in London in November 1954 where it was shown to an audience of 10,000 including Queen Elizabeth II and the Duke of Edinburgh.[19] Some criticized this as being in bad taste as the film featured scenes depicting George III, an ancestor of the Queen, being insane.[20] Granger did not like the film.[21]

Box-office

According to MGM records the film earned $1,049,000 in the US and $1,652,000 elsewhere. In France, it recorded admissions of 634,778.[22]

The film recorded a loss of $383,000.[1]

Historical accuracy

The film ends with a deathbed reconciliation between a dying Brummell and the Prince, who as George IV is passing through Le Havre between his British and Hanoverian kingdoms. There is no record the king met Brummell again after the latter fled, in debt, to France in 1816 and in any case the scene is an anachronism; Brummell died at Caen in 1840 having survived George by almost ten years.

Elizabeth Taylor's character was a combination of several women in Brummell's life.[18]

References

  1. ↑ 1.0 1.1 1.2 "The Eddie Mannix Ledger", Margaret Herrick Library, Center for Motion Picture Study, Los Angeles
  2. ↑ Winfield Sheehan, Columbus of Film Talent, Announces New "Find Schallert, Edwin. Los Angeles Times 17 Oct 1934: 11.
  3. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  4. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  5. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  6. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  7. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  8. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  9. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  10. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  11. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  13. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  14. ↑ 'Mail Order Bride' New Taylor-Parker Project; Roman on Carousel Schallert, Edwin. Los Angeles Times 11 July 1953: A7.
  15. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  16. ↑ 'Dark Watch' Proposed for Crain, Andrews; Ford and Grahame to Reunite Schallert, Edwin. Los Angeles Times 4 Sep 1953: B7.
  17. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  18. ↑ 18.0 18.1 Lua error in package.lua at line 80: module 'strict' not found.
  19. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  20. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  21. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  22. ↑ Box office information for Stewart Granger films in France at Box Office Story

External links

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