Born Again (Black Sabbath album)

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Born Again
File:SabbathBorn.jpg
Studio album by Black Sabbath
Released 7 August 1983
Recorded May 1983 at The Manor Studio, Shipton on Cherwell, Oxfordshire, England
Genre Heavy metal
Length 41:04
Language English
Label Vertigo
Warner Bros. (US/Canada)
Producer Black Sabbath, Robin Black
Black Sabbath chronology
Mob Rules
(1981)Mob Rules1981		 Born Again
(1983)		 Seventh Star
(1986)Seventh Star1986

Born Again is the eleventh studio album by English rock band Black Sabbath, released in August 1983. It is the only album the group recorded with lead vocalist Ian Gillan, best known for his work with Deep Purple. In addition, it is also the last Black Sabbath album to feature original bassist Geezer Butler prior to his departure in November 1984, although he did return to the band in 1992 to record Dehumanizer. The album has received mixed to negative reviews from critics,[1] but it was a commercial success upon its 1983 release, reaching No. 4 in the UK charts.[2] The album as well hit the top 40 in the United States.[3]

With Black Sabbath opting against recording a follow-up to 13,[4] this would be the final studio album with Bill Ward.

Origins

Following the departure of vocalist Ronnie James Dio and drummer Vinny Appice in 1982, Black Sabbath's future was very much in doubt. The band switched management to Don Arden (Sharon Osbourne's father) and it was he who suggested Ian Gillan as the band's new vocalist.[5] "That band was put together on paper," guitarist Tony Iommi revealed in the 1992 documentary Black Sabbath: 1978–1992. "We'd never rehearsed." Initially, the project which became Born Again was intended to be a new supergroup; they did not intend to bill themselves as Black Sabbath[5] but Arden insisted on the group using the recognisable Black Sabbath name.[5] The band considered many possible vocalists such as Robert Plant and David Coverdale before settling on Gillan.[6] The band even received an audition tape from a then-unknown Michael Bolton.[5] Iommi told Hit Parader magazine in 1983 that Gillan was the best available candidate, saying "His shriek is legendary." Gillan was at first reluctant to work on the project, but his manager later convinced him to meet with Iommi and bassist Geezer Butler at The Bear public house in Oxford and, after a night of heavy drinking,[5] Gillan officially committed to the project in February 1983.[7] Born Again also featured the return of founding member Bill Ward on drums, who had left the band in 1980 and was now newly sober.[8] Ward has said that he enjoyed making the album.[9]

Recording

Black Sabbath began recording the album in May 1983 at The Manor Studio owned by Richard Branson in the Oxfordshire countryside.[10] Producer Robin Black had previously worked with the band in the mid-1970s, serving as engineer for the album Sabotage. In his autobiography, Iommi recounts his surprise when Gillan informed him that during the sessions he planned to live outside the house in a marquee tent. "I thought he was joking, but when I arrived at the Manor I saw this marquee outside and I thought, fucking hell, he's serious. Ian had put up this big, huge tent. It had a cooking area and a bedroom and whatever else." Gillan brought an immediacy to the songwriting process that was uncommon for Sabbath. "Ian's lyrics were about sexual things or true facts, even about stuff that happened at The Manor there and then," Iommi recalls in his memoir. "They were good, but quite a departure from Geezer's and Ronnie's lyrics." For example, Gillan returned from a local pub one evening, took a car belonging to drummer Ward, and commenced racing around a go-cart track located on the Manor Studio property. He crashed the car, which burst into flames after he escaped uninjured. He wrote the album's opening track "Trashed" about the experience.[5] In addition, the song "Disturbing the Priest" was written after a rehearsal space set up by Iommi in a small building near a local church received noise complaints from the resident priests.[5]

Although the band got along well, it became apparent to all involved that Gillan's style did not quite mesh with the Sabbath sound. In 1992, Gillan told director Martin Baker, "I was the worst singer Black Sabbath ever had. It was totally, totally incompatible with any music they'd ever done. I didn't wear leathers, I wasn't of that image...I think the fans probably were in a total state of confusion." In 1992, Iommi admitted to Guitar World, "Ian is a great singer, but he's from a completely different background, and it was difficult for him to come in and sing Sabbath material." When the band heard the final product they were horrified at the muffled sound of the mix. In his autobiography, Iommi explains that Gillan inadvertently blew a couple of tweeters in the studio speakers by playing back the tracks too loud and nobody noticed. "We just thought it was a bit of a funny sound, but it went very wrong somewhere between the mix and the mastering and the pressing of that album...the sound was really dull and muffly. I didn't know about it, because we were already out on tour in Europe. By the time we heard the album, it was out and in the charts, but the sound was awful." For all his misgivings, Gillan remembers the period fondly, stating in the Black Sabbath: 1978–1992 documentary, "But by God, we had a good year...And the songs, I think, were quite good."

Album cover

The album's cover was produced cursorily by Steve 'Krusher' Joule, based on a black-and-white photocopy of a baby photo published in a 1968 magazine.[11] Martin Popoff described the creature on the cover as a "garish red devil-baby". Bill Ward has said that he personally hated the album's cover and according to him, Ian Gillan told the press that he vomited when he first saw it. However, Tony Iommi approved the album cover,[12] which has been considered one of the worst ever.[1] Ben Mitchell of Blender called the cover "awful".[13] The British magazine, Kerrang!, ranked the cover in second place, behind only the Scorpions' Lovedrive, on their list of "10 Worst Album Sleeves in Metal/Hard Rock". The list was based on votes from the magazine's readers.[14] NME included the sleeve on their list of the "29 sickest album covers ever".[15] Black Sabbath's manager, Don Arden, was quite hostile towards the band's ex-vocalist Ozzy Osbourne, who had recently married his daughter Sharon,[16] and he was fond of telling Osbourne that his children resembled the Born Again album cover.[16]

Release and reception

Professional ratings
Review scores
Source Rating
Allmusic 1.5/5 stars[1]
Blender 1/5 stars[13]
The Rolling Stone Album Guide 3/5 stars[17]
Metal Forces (8/10)[18]
Martin Popoff 10/10 stars[19]

Born Again was released in October 1983[1] and was a commercial success. It was the highest charting Black Sabbath album in the United Kingdom since Sabbath Bloody Sabbath (1973) and became an American Top 40 hit.[20] Despite this, it became the first Black Sabbath album to not have any RIAA certification in the US. The album received mixed to negative reviews upon its release.[21] Allmusic's Eduardo Rivadavia gave the album one and a half out of five stars and wrote that the album has "gone down as one of heavy metal's all-time greatest disappointments". He also described such songs as "Zero the Hero", "Hot Line", and "Keep It Warm" as "embarrassing".[1] Blender contributor Ben Mitchell gave the album one out of five stars and claimed that the music on Born Again was worse than its cover.[13] Martin Charles Strong, the author of The Essential Rock Discography, wrote that it was "an exercise in heavy-metal cliché".[22] However, Popmatters contributor Adrien Begrand has noted the album as "overlooked".[21] The British magazine Metal Forces defined it "a very good album" even if "Gillan may not be the perfect frontman for the Sabs".[18]

Despite the overall negative reception with critics, the album remains a fan favourite. Author Martin Popoff has written that "if any album in the history of Black Sabbath is getting a new set of horns up from metalheads here deep into the new century, it's Born Again."[7] Death metal band Cannibal Corpse have covered "Zero the Hero" on the Hammer Smashed Face EP, and the group's former singer, Chris Barnes, has called Born Again his favourite Black Sabbath album.[23] "Zero the Hero" has also been cited as the inspiration for the Guns N' Roses hit "Paradise City",[24] and in his autobiography Iommi also suggests the Beastie Boys may have borrowed the riff from "Hot Line" for their hit "(You Gotta) Fight For Your Right (To Party!)". Metallica drummer Lars Ulrich has called Born Again "one of the best Black Sabbath albums".[25] Bill Stevenson, former drummer of Black Flag, stated the band was listening to the album around the time of My War, defining songs like "Trashed" and "Disturbing the Priest" as "ideal".[26]

In 1984, Ozzy Osbourne stated that the album was the "best thing I've heard from Sabbath since the original group broke up".[27] In 1992 Iommi confessed to Guitar World, "To be honest, I didn't like some of the songs on that album—and the production was awful. We never had time to test the pressings after it was recorded, and something happened to it by the time it got released."

A re-mastered 'Deluxe Expanded Edition' of Born Again was released in May 2011, which included several live tracks from the 1983 Reading Festival originally featured on BBC Radio 1's Friday Rock Show.[28] Though the release was remastered, it was not remixed.

Born Again Tour and Stonehenge props

According to Iommi's autobiography, Ward began drinking again near the end of the Born Again recording sessions and returned to Los Angeles for treatment. The band recruited Bev Bevan, who had played with The Move and ELO, for the upcoming tour in support of the new album. Gillan had all the lyrics to the Sabbath songs written out and plastered all over the stage, explaining to Martin Baker in 1992, "I couldn't get into my brain any of these lyrics...I cannot soak in these words. There's no storyline. I can't relate to what they mean." Gillan attempted to overcome the problem by having a cue book with plastic pages on stage, which he would turn with his foot during the show. However, Gillan did not anticipate the "six buckets" of dry ice that engulfed the stage, making it impossible for the singer to see the lyric sheets. "Ian wasn't very sure-footed either," Iommi writes in his memoir. "He once fell over my pedal board. He was waving at the people, stepped back and, bang!, he went arse over head big time." Gillan also told Birch that it was Don Arden's idea to open the show with a crying baby blaring over the speakers and a dwarf made to look exactly like the demonic baby depicted on the Born Again album cover miming to the screaming. "We noticed a dwarf walking around the day before the opening show...And we're saying to Don, 'We think this is in the worst possible taste, this dwarf, you know?' And Don's going, 'Nah, the kids will love it, it'll be great.'"

The tour is most infamous, however, for the gigantic Stonehenge props the band used. Iommi recalls in his autobiography that it was Butler's idea but the designers took his measurements the wrong way and thought it was meant to be life-size. Months later, while rehearsing for the tour at the Birmingham NEC, the stage set arrived. "We were in shock," writes Iommi. "This stuff was coming in and in and in. It had all these huge columns in the back that were as wide as your average bedroom, the columns in front were about 13 feet high, and we had all the monitors and the side fills as well as all this rock. It was made of fiberglass and wood, and bloody heavy." The set would be hilariously lampooned in Rob Reiner's 1984 rock music mockumentary This Is Spinal Tap, with the band having the opposite problem of having to use miniature Stonehenge stage props. Butler has said that he told the associate scriptwriter of the film the story of the band's performances with their "Stonehenge" stage props.[29] In an interview for the documentary Black Sabbath: 1978–1992, Gillan claims Don Arden had the dwarf walk across the top of the Stonehenge props at the start of the show and, as the tape of the screaming baby faded away, fall back "from about thirty-five feet in the air on this big pile of mattresses. And then, 'Dong!' The bells start and the monks come out, the whole thing. Pure Spinal Tap." The band toured Europe first, playing the Reading Festival (a performance that is included on the 2011 deluxe edition of Born Again) and also playing in a bullring in Barcelona in September. Sabbath performed Gillan's hit with Deep Purple, "Smoke on the Water", on the tour, with Iommi explaining in his memoir, "it seemed like a bum deal for him not to do any of his stuff while he was doing all of ours. I don't know if we played it properly but the audience loved it. The critics moaned; it was something out of the bag and they didn't want to know then." In October, the band took the Stonehenge set to America but could only use a portion of it at most gigs because the columns were too high. The set was eventually abandoned. A music video for "Zero the Hero" was also released, featuring performance footage of the band onstage interspersed with scenes involving several grotesque characters performing experiments on a witless young man in a haunted house filled with rats, roosters and even a roaming horse. Like most of the accoutrements associated with the tour, it was more unintentionally funny than scary.

The tour was a breaking point for Butler, who admits in the Black Sabbath: 1978–1992 documentary, "I just got totally disillusioned with the whole thing and I left some time in 1984 after the Born Again tour. I just had enough of it."

Track listing

All songs credited to Tony Iommi, Geezer Butler, Bill Ward, and Ian Gillan, except where noted.

Side one
No. Title Length
1. "Trashed"   4:16
2. "Stonehenge"   1:58
3. "Disturbing the Priest"   5:49
4. "The Dark"   0:45
5. "Zero the Hero"   7:35
Side two
No. Title Length
6. "Digital Bitch"   3:39
7. "Born Again"   6:34
8. "Hot Line" (Iommi/Butler/Gillan) 4:52
9. "Keep it Warm" (Iommi/Butler/Gillan) 5:36

2011 Deluxe Edition Disc 2

All tracks recorded live at the Reading Festival on Saturday, August 27, 1983[30] unless otherwise stated. The live tracks are the entirety of a broadcast on The Friday Rock Show, on BBC Radio 1, which was aired before the album was released.

No. Title Length
1. "The Fallen" (previously unreleased album session outtake)  
2. "Stonehenge" (extended version)  
3. "Hot Line"    
4. "War Pigs" (Butler, Iommi, Ozzy Osbourne, Ward)  
5. "Black Sabbath" (Butler, Iommi, Ozzy Osbourne, Ward)  
6. "The Dark"    
7. "Zero the Hero"    
8. "Digital Bitch"    
9. "Iron Man" (Butler, Iommi, Ozzy Osbourne, Ward)  
10. "Smoke on the Water" (Ritchie Blackmore, Gillan, Roger Glover, Jon Lord and Ian Paice)  
11. "Paranoid" (Butler, Iommi, Ozzy Osbourne, Ward)  

Personnel

Black Sabbath

Additional musician

Credits[31]
  • Steve Barrett – art assistant
  • Black Sabbath – producer
  • Robin Black – producer, engineer
  • Stephen Chase – engineer, assistant engineer
  • Paul Clark – co-ordination
  • Hugh Gilmour – liner notes, design, reissue design, original sleeve design
  • Ross Halfin – photography
  • Steve Joule – artwork, cover design
  • Peter Restey – equipment technician
  • Ray Staff – remastering
  • Chris Walter – photography

Release history

Region Date Label
United Kingdom August 1983 Vertigo Records
United States 4 October 1983 Warner Bros. Records
Canada 1983 Warner Bros. Records
United Kingdom 1996 Castle Communications
United Kingdom 2004 Sanctuary Records

Chart performance

Year Chart Position
1983 United Kingdom 4
Sweden 7
Norway 14
Germany 37
United States 39
New Zealand 44
Australia 53

Certifications

Region Certification Sales/shipments
United Kingdom (BPI)[32] Platinum 300,000

^shipments figures based on certification alone
xunspecified figures based on certification alone

See also

References

  1. ↑ 1.0 1.1 1.2 1.3 1.4 Lua error in package.lua at line 80: module 'strict' not found. Cite error: Invalid <ref> tag; name "Allmusic" defined multiple times with different content Cite error: Invalid <ref> tag; name "Allmusic" defined multiple times with different content
  2. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  4. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  5. ↑ 5.0 5.1 5.2 5.3 5.4 5.5 5.6 Lua error in package.lua at line 80: module 'strict' not found.
  6. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  7. ↑ 7.0 7.1 Lua error in package.lua at line 80: module 'strict' not found.
  8. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  9. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  10. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  11. ↑ Lua error in package.lua at line 80: module 'strict' not found. – Steve Joule interview
  12. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  13. ↑ 13.0 13.1 13.2 Lua error in package.lua at line 80: module 'strict' not found.[dead link]
  14. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  15. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  16. ↑ 16.0 16.1 Lua error in package.lua at line 80: module 'strict' not found.
  17. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  18. ↑ 18.0 18.1 Lua error in package.lua at line 80: module 'strict' not found.
  19. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  20. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  21. ↑ 21.0 21.1 Lua error in package.lua at line 80: module 'strict' not found. Cite error: Invalid <ref> tag; name "PM" defined multiple times with different content
  22. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  23. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  24. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  25. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  26. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  27. ↑ Hogan, Richard. "Is Sabbath turning Purple?" at the Wayback Machine (archived December 18, 2005). Circus Magazine 02-29-84
  28. ↑ http://www.blabbermouth.net/news/black-sabbath-s-born-again-deluxe-expanded-edition-reissue-was-remastered-not-remixed/
  29. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  30. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  31. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  32. ↑ Lua error in package.lua at line 80: module 'strict' not found. Enter Born Again in the field Keywords. Select Title in the field Search by. Select album in the field By Format. Select Platinum in the field By Award. Click Search

External links

  • Gillan the Hero – Fan site with information on the album and subsequent tour.
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