Brigitte Fontaine, born in 1939 in Morlaix in the Brittany region of France, is a singer of avant-garde music. During the course of her career she has employed numerous unusual musical styles such melding rock and roll, folk, jazz, electronica, spoken word poetry and world rhythms. She has collaborated with such celebrated musicians as Stereolab, Michel Colombier, Jean-Claude Vannier, Areski Belkacem, Gotan Project, Sonic Youth, Antoine Duhamel, Grace Jones, Noir Désir, Archie Shepp, Arno and The Art Ensemble of Chicago. She is also a novelist, writer, actress, playwright, and poet.
- 1 Artistic overview
- 2 Albums
- 3 Other records/participations
- 4 Covered by
- 5 Other original lyrics
- 6 Books
- 7 Theater
- 8 Cinema
- 9 Radio
- 10 References
- 11 External links
- 12 Sources
The daughter of two teachers, Brigitte Fontaine developed her taste for writing and drama very early. She spent her childhood in small villages of Finistère, then in Morlaix. At 17 years old, she moved to Paris in order to become an actress.
In 1963, she turned to singing and appeared in several Parisian theatres, interpreting her own works. In 1964, she opened for Barbara and George Brassens’s show at the Bobino. Even so, she did not give up theatre. With Jacques Higelin and actor Rufus, she created the play Maman j'ai peur ("Mom I am afraid"), which played first at the Vieille-Grille theatre, and then at the Théâtre des Champs-Elysées. It met with such a critical and popular success that it stayed in Paris for more than two seasons and toured throughout Europe.
In 1965 and then in 1968, she made two albums, one jazz and one avant-pop, as well as two 45s with Jacques Higelin. In 1969, she began what would be a long collaboration with Kabyle musician Areski Belkacem. With Belkacem and in the company of Higelin, she conceived Niok, an innovative spectacle of theatre and song, for the Lucernaire theatre. Soon after, Fontaine wrote a series of works in free verse and prose which comprised the show Comme à la radio at the Théâtre du Vieux-Colombier before being turned into an album of the same name. Recorded with the Art Ensemble of Chicago, this album marks a clean break with traditional French songs, building the first bridges to world music.
Brigitte Fontaine became a major figure in the French underground. In a half-dozen albums, the majority of which were released through the independent label Saravah, Fontaine explored different poetic worlds. She renounced the use of rhyme, and using talk-over sometimes, she recorded, with very little means and often on two tracks, songs which addressed topics with humour or gravity, according to the mood, as various as death ("Dommage que tu sois mort"), life ("L’été, l’été"), alienation ("Comme à la radio"), madness ("Ragilia"), love ("Je t’aimerai"), social injustice ("C’est normal"), the inequality of the sexes ("Patriarcat") and racism ("Y' a du lard"). However, she also knew how to make light of herself ("L'Auberge (Révolution)").
Because they sail among pop, folk, electro and world music, the albums L'Incendie and Vous et Nous by the Areski-Fontaine duo figure among the most unclassifiable records of the French scene. Almost thirty years later, the international audience of these LPs (since re-edited for CD) is comparable to that of the cult record Histoire de Melody Nelson by Serge Gainsbourg and Jean-Claude Vannier, notably due to the enthusiastic remarks made by members of the band Sonic Youth in the English-speaking press.
The 1980s were a period of silence, musically speaking, for Brigitte Fontaine and her partner Areski Belkacem. Far from the recording studio, she devoted herself to writing and the theatre. Always active, she appeared onstage in Quebec, she performed her play Acte 2 in a grand tour of the French-speaking world, interpreted Les Bonnes by Jean Genet in Paris, and published a novel (Paso doble) as well as a collection of short stories (Nouvelles de l’exil). In 1984, she recorded a single ("Les Filles d’aujourd’hui").
After having given a series of concerts in Tokyo and other large Japanese cities, she had to wait about five years for a French company to distribute her new album French corazon (written and composed in 1984 but released in 1988 in Japan). Having been broadcast notably on French television, the video for the single "Le Nougat", directed by comics artist Olivia Tele Clavel, prepared the public for the big return of the singer to the French stage which commenced with a concert in 1993 at the Bataclan.
In the 1990s, Brigitte Fontaine moved closer to the musical worlds of Björk and Massive Attack by testing new, more electric musical forms and, especially, more electronic forms than before. Her lyrics mark a return to a more classical, versified form. The release of her album Genre humain, in 1995, met with great success (more so on the part of the critics than the general public) with surprising titles like "Conne" (produced by Étienne Daho), lyric titles like "La Femme à barbe" (produced by Les Valentins), and poetic ones like "Il se mêle à tout ça" (produced by Yann Cortella and Areski Belkacem).
In 1997, while she published a new novel (La Limonade bleue), she recorded Les Palaces and its landmark track "Ah que la vie est belle!". The album, very well received by the press, is enriched by the collaboration of Areski Belkacem, Jacques Higelin and Alain Bashung.
Her albums Kékéland (2001) and Rue Saint Louis en l'Île (2004) benefited from prestigious collaborations with artists such as Noir désir (with whom she also co-wrote and recorded the 23-minute track L'Europe on des Visages des Figures), Sonic Youth, Archie Shepp, - M-, Gotan Project, Zebda, etc. In 2005, after having given a series of concerts with her usual band (but also with La Compagnie des musiques à ouïr), she published a new novel, La Bête curieuse, whose erotic ambiance somewhat foretold the tonality of her sixteenth album, Libido (2006). This new album renewed her concerts with a lively energy and gave them a very "baroque 'n' roll" ambiance, in which Teresa of Avila, Sufis, Hollywood films, and Melody Nelson are invoked.
In October 2006, Fontaine appeared at the Barbican Centre in London along with Jarvis Cocker, Badly Drawn Boy and other English artists, for the first public interpretation of the mythic "Histoire de Melody Nelson". In January 2007, she appeared onstage with graphic novelist Blutch at the Angoulême International Comics Festival. On 29 March 2007, she invested in the Olympia music hall, supported by her friends Jacno, Arthur H, Christophe, Anaïs, Jacques Higelin, Maya Barsony and Jean-Claude Vannier. In April, she played at the Printemps de Bourges music festival and participated in her Québécois admirer Pierre Lapointe's concert for a duo of "La Symphonie pastorale". After having given a series of intimate concerts all through September on a barge anchored under the Pont des Arts on the Seine river in Paris, Fontaine toured throughout France. Between two concerts, she went into the studio with Olivia Ruiz to record a new single, "Partir ou rester", for which she wrote the lyrics.
In February 2008, she published a new novel, Travellings, published by Flammarion, while Benoît Mouchart devoted a monograph to her ("Brigitte Fontaine, intérieur/extérieur"), published by Panama. A new album titled Prohibition and produced by Ivor Guest including collaborations with Grace Jones and Philippe Katerine is programmed for a release in the fall of 2009. The lyrics of this new work mark the return of Brigitte Fontaine to an anti-authority political position.
In March 2011 she released her new album, also produced by Ivor Guest. It is called L'un n'empêche pas l'autre, and consists primarily of duets, among others the dance track 'Dancefloor' with Grace Jones, which Polydor uploaded on their official site. In 2013, she released her latest album, named J'ai l'honneur d'être. Its first single "Crazy Horse" is directed by Enki Bilal.
Albums with Jacques Higelin
- 12 chansons d'avant le déluge (arrangements by Jimmy Walter and Michel Colombier), Productions Jacques Canetti, 1966
- 15 chansons d'avant le déluge, suite et fin (arrangements by Jimmy Walter and Michel Colombier), Productions Jacques Canetti, 1976)
- 13 chansons décadentes et fantasmagoriques (arrangements by Jimmy Walter), Productions Jacques Canetti, 1966
- Brigitte Fontaine est... folle ! (arrangements by Jean-Claude Vannier), Saravah, 1968
- Brigitte Fontaine, Saravah, 1972
- French corazon, Midi/EMI, 1988
- Genre humain, Virgin, 1995
- Les Palaces, Virgin, 1997
- Kékéland, Virgin, 2001
- Rue Saint Louis en l'Île, Virgin, 2004
- Libido (arrangements by Jean-Claude Vannier, Dondieu Divin and Areski Belkacem), Polydor, 2006.
- Prohibition, Polydor, 2009
- L'un n'empêche pas l'autre, Polydor, 2011
- J'ai l'honneur d'être (arrangements by Areski Belkacem and Jean-Claude Vannier), Universal, 2013
Albums with Areski Belkacem
- Comme à la radio (with the Art Ensemble of Chicago), Saravah, 1969
- Je ne connais pas cet homme, Saravah, 1973
- L'Incendie, Byg Records, 1974
- Le Bonheur, Saravah, 1975
- Vous et Nous, Saravah, 1977
- Les églantines sont peut-être formidables, RCA-Saravah, 1980
- Morceaux de choix, compilation, Virgin, 1999
- Plans fixes, compilation, Virgin, 2002
- "Le goudron" / "Les beaux animaux", Saravah, 1969
- "Quand tous les ghettos brûleront, ça va faire un hit", with Areski Belkacem and Jean-Claude Vannier, Byg Records, 1974
- "Les filles d'aujourd'hui", Carrère-Celluloïd, 1984 (other version in Kékéland, 2001)
- "Amore 529" in Un Drame Musical Instantané / Opération Blow-up, collective album, 1992
- "Supermarket", single, Virgin, 1995
- "On ne tue pas son prochain" in Route Manset, collective tribute to Gérard Manset, 1996
- "La caravane" (music by Duke Ellington) in Jazz à Saint-Germain, collective album, 1997 (and in Morceaux de choix, 1999)
- "Calimero", single with Stereolab, 1998
- "Dressing", single, Virgin, 1999 (and in Morceaux de choix, 1999)
- "Underture", inédit with Sonic Youth, Virgin, 2000
- "Lady Macbeth", inédit with Sonic Youth, Virgin, 2000
- "L'Europe", with Bertrand Cantat, in Des visages des figures, album by Noir Désir, 2001
- "Comme à la radio" and "J'ai 26 ans" (English versions of the sixties) in Vintage de choix, compilation, Virgin, 2001
- "Âme te souvient-il ?" in Avec Léo, collective tribute to Léo Ferré, 2003
- "L'Homme à la moto" in L'Hymne à la môme, collective tribute to Édith Piaf, 2003 (and in Rue Saint-Louis en l'île, 2004)
- "Fine mouche", with Khan, in Disko-Cabine, collective album, 2005
- "Red Light" in Les tremblements s'immobilisent, album by Karkwa, 2005 (and together, on stage, at the festival Les Vieilles Charrues, Carhaix, 2006)
- "Partir ou rester", duet with Olivia Ruiz, Polydor, 2007
- "La beuglante" in Femme d'extérieur, album by Maya Barsony, 2008
- "Bamako" in B, album by Turzi, 2009
- "Je Vous Salue Marie" in Jacno Future, collective tribute to Jacno, 2011,
- in studio
- Christine Sèvres : "Les dieux sont dingues" in Christine Sèvres, CBS, 1968
- Christine Sèvres : "Maman, j'ai peur", "Le beau cancer" and "Comme Rimbaud", CBS, 1970
- Aut'Chose : "Comme à la radio" in Vancouver, une nuit comme une autre, CBS, 1975
- Étienne Daho : "Dommage que tu sois mort" in Urgence, collective album, Virgin, 1992
- Philippe Katerine : "La vache enragée" in Morceaux Choisis by The Recyclers, Rectangle, 1997
- Jun Togawa : "Comme à la radio" in "20th Jun Togawa Good-bye 20th Century", God Mountain, 2000
- Faun Fables : "Eternal" (English version of "Éternelle") in Family Album, Drag City Records, 2004
- Étienne Daho and Jane Birkin : "La grippe" in Rendez-vous by Jane Birkin, EMI Music, 2004
- Lucien Francoeur et Aut'Chose : "Comme à la radio" in Chansons d'épouvante, Artic, 2005
- Françoise Hardy and Rodolphe Burger : "Cet enfant que je t'avais fait" in Parenthèses by Françoise Hardy, EMI Music, 2006
- Matthieu Chedid : "Mister Mystère" in Mister Mystère, 2009
- Emmanuelle Seigner : "Quand tu n'es pas là" in Dingue, Columbia, 2010
- Stereo Total : "Barbe à papa" in Baby ouh !, 2010
- Aurelia : "Vous et nous" in The Hour Of The Wolf, 2010
- Johnny Hallyday : "Tanagra" in Jamais seul, 2011
- Stefie Shock : "Dévaste-moi" in La Mécanique de l'amour, 2011
- Yacht : "Le Goudron", single by Yacht, DFA, 2012
- Barbara Carlotti : "Blanche-Neige" in La Fille, 2013
- on stage
- Dominique A : "Les étoiles et les cochons"
- Arthur H : "Hollywood"
- Christophe : "Hollywood"
- Pierre Lapointe : "La symphonie pastorale"
- Maya Barsony : "Veuve Clicquot"
- Matthieu Chedid et Johnny Hallyday : « Tanagra »
- Bertrand Cantat : "Les vergers"
- Ludivine Sagnier : "Dommage que tu sois mort"
Other original lyrics
- "Toi et ton sax" for Zizi Jeanmaire
- "Les Encerclés", "Le Roi de la naphtaline", "Je veux des coupables" and "Rififi" (in Paradis païen, 1998) for Jacques Higelin
- "Le brouillard", "Chanson pour sa mère", "À chaque tournant", "Bali", "Le dragon", "Les Borgia", "Les murailles", "La tête bandée", "Un soleil", "Les muzdus", "La vache", "Pif", "Salomé", "Le triomphe de l'amour" (2010) for Areski Belkacem
- "Jungle Pulse" and "Toi, Jamais Toujours" for Étienne Daho (in Reserection, 1995, and L'Invitation, 2007)
- "Barbares attraits" (in Toi du monde, 2000) and "Péplum" (in Fais moi une fleur, 2011) for Maurane
- "Irrésistiblement" for Vanessa Paradis (in Divinidylle, 2007)
- "La beuglante" for Maya Barsony
- "Le solitaire" for Juliette Gréco (in Je me souviens de tout, 2009)
- "Phébus", "Tanagra", "Destroy", "Lettre à Tanagra", "Brigand", "Crise" and "Je les adore" for Matthieu Chedid (in Mister Mystère, Barclay, 2009)
- "Elle est SM" for Axel Bauer (in Peaux de serpent, 2013)
- Chroniques du bonheur, éditions des femmes, 1975
- Madelon : Alchimie et prêt-à-porter, récit, éditions Seghers, 1979
- L'Inconciliabule, éditions Tierce, 1980, and éditions Belles Lettres-Archimbaud, 2009
- Paso doble, novel, éditions Flammarion, 1985
- Nouvelles de l'exil, éditions Imprimerie nationale, 1988, and éditions Flammarion, 2006
- Genre humain, Christian Pirot éditeur, 1996
- La Limonade bleue, novel, l’Écarlate, 1997
- Galerie d'art à Kekeland, portrait gallery, éditions Flammarion, 2002
- La Bête Curieuse, novel, éditions Flammarion, 2005
- Attends-moi sous l'obélisque, éditions Seuil-Archimbaud, 2006
- Travellings, novel, éditions Flammarion, 2008
- Rien suivi de Colère noire, éditions Belles Lettres-Archimbaud, 2009
- Contes de chats, with Jean-Jacques Sempé, éditions Belles Lettres-Archimbaud, 2009
- Le bon peuple du sang, éditions Flammarion, 2010
- Mot pour mot, éditions Belles Lettres-Archimbaud, 2011
- Antonio, éditions Belles Lettres-Archimbaud, 2011
- Le bal des coquettes sales (with Léïla Derradji), éditions Belles Lettres-Archimbaud, 2011
- Les Charmeurs de pierres, éditions Flammarion, 2012
- Portrait de l'artiste en déshabillé de soie, Actes Sud, 2012
- Les hommes préfèrent les hommes - histoires, Flammarion, 2014
- Un vitrail de plus, Riveneuve, 2015
- Maman j'ai peur (with Jacques Higelin and Rufus), Studio des Champs-Elysées, 1966
- Niok, partially improvised show (with Jacques Higelin and Areski Belkacem), Théâtre du Lucernaire, 1969
- Encore, encore et encore, 1969
- Les enfants sont tous fous (with Rufus), 1969
- Acte 2, adaptation of L'Inconciliabule, 1980
- Les marraines de Dieu (with Léïla Derradji), 1986
- Antonio, 1990
- Coup de sang à Fougères (with Thierry Brout), 1993
- Montana-split (with Thierry Brout), 1994
- L'Inconciliabule, Théâtre de Morlaix, 2011 (show canceled)
- Le Grand Soir (Benoît Delépine and Gustave Kervern, 2012)
- Brigitte Fontaine, reflets et crudité (Benoît Mouchart and Thomas Bartel, 2013) : herself
- Les Jeux olympiques de l'orgasme (with Léïla Derradji), 1983
- Gordons, Kim. "Music Avant-Garde—Brigitte Fontaine" Interview 1 October 2001
- Price, Simon. "Only Connect: The spirit of Serge is alive and smoking" 29 October 2006, The Independent.
- L'Europe lyrics, Noir Desir & Brigitte Fontaine
|Wikimedia Commons has media related to Brigitte Fontaine.|
- Brigitte Fontaine on Europopmusic.eu (English)