Cabrillo Festival of Contemporary Music

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Cabrillo Festival of Contemporary Music
Genre Orchestra, new music
Dates late July–August
Location(s) Santa Cruz, California, USA
Years active Annual since 1963
Founded by Lou Harrison
Website
www.cabrillomusic.org

The Cabrillo Festival of Contemporary Music is an annual Festival dedicated to contemporary symphonic music by living composers. The music director since 1992 has been noted conductor Marin Alsop. According to Jesse Rosen, CEO of the League of American Orchestras, the Festival is "distinctive for being focused entirely on contemporary works." [1] Each year, a tenured orchestra gathers in Santa Cruz, California to rehearse five programs of contemporary music, often world, US, or West Coast premieres. Most of the composers whose work is performed each season come to the Festival to be in residence and participate in the rehearsals and performances of their work, as well as to participate in public panel discussions, lectures, and concert introductions. The Festival also presents guest artists and ensembles known for contemporary music performance, such as Kronos Quartet or eighth blackbird.

History

The Festival was founded in 1963 by the composer Lou Harrison and collaborators from the Santa Cruz-area music community, on the campus of the newly opened Cabrillo College just outside Santa Cruz in Aptos, California. The first music director was Gerhard Samuel.[2] The Festival quickly grew to prominence, thanks in part to Harrison's stature and the participation of well-known composers such as John Cage and Aaron Copland. Subsequent music directors included Mexican composer Carlos Chávez, conductor Dennis Russell Davies, and American composer John Adams. By the late 1970s, the Festival had established itself as an independent organization unaffiliated with Cabrillo College. After the devastating Loma Prieta earthquake caused major damage around Santa Cruz in 1989, the Festival established itself in downtown Santa Cruz, and the majority of the Festival's performances since 1989 have taken place at Santa Cruz Civic Auditorium or at Mission San Juan Bautista in San Juan Bautista, California.

In 1992, Marin Alsop was chosen as the Festival's new music director. Alsop rose to significant fame in the 2000s after being the first conductor awarded a MacArthur Genius Grant in 2005 and the first woman named to direct a major American orchestra, the Baltimore Symphony Orchestra, in 2007. In 1992, she was a young up-and-coming musician. She decided to more exclusively focus the Festival on the work of living composers. Since her tenure began, the Festival has promoted the careers of a number of prominent composers, performing their work and offering substantial commissions. Notable examples include Christopher Rouse, Jennifer Higdon, Kevin Puts, and Michael Daugherty. The Festival also frequently features the music of Philip Glass, John Adams, James MacMillan, and Osvaldo Golijov, among others.[3]

Activities

In 2012, the Festival celebrated its 50th anniversary with a series of commissioned world premieres by such composers as Laura Karpman and James MacMillan. This followed celebrations of Marin Alsop's 20th anniversary as music director in 2011, which also included a number of substantial commissions by John Corigliano, Mark Adamo, Philip Glass, and others. The Festival has a commissioning series for young composers identified in collaboration with John Adams that has included new works by Zosha Di Castri, Dylan Mattingly, and Sean Friar. The Festival also runs a "Conductors/Composers Workshop" in collaboration with the Conductors Guild in which young conductors study with Marin Alsop while emerging composers study with a faculty member chosen from among the season's composers-in-residence. Alumni of this program include Aleksandra Vrebalov and Missy Mazzoli.

The Festival also produces a large street fair, the "Church Street Fair," held over two days during the first weekend of August. The Fair spotlights performances and art work by artists local to Santa Cruz County.

Because of its unusual focus on contemporary work, the New York Times has called the Festival a "new music mecca." [1]

References

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External links