Carry On Spying

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Carry On Spying
Carry On Spying.jpg
Original UK quad poster
Directed by Gerald Thomas
Produced by Peter Rogers
Written by Talbot Rothwell
Sid Colin
Starring Kenneth Williams
Barbara Windsor
Bernard Cribbins
Charles Hawtrey
Eric Barker
Dilys Laye
Music by Eric Rogers
Cinematography Alan Hume
Edited by Archie Ludski
Production
company
Peter Rogers Productions/
Anglo-Amalgamated
Distributed by Anglo-Amalgamated/
Warner-Pathé
Release dates
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  • June 1964 (1964-06)
Running time
87 minutes
Country United Kingdom
Language English
Budget £148,000

Carry On Spying is a 1964 film, the ninth in the series of Carry On films to be made.[1] It marks Barbara Windsor's first appearance in the series.[2] Series regulars Kenneth Williams, Charles Hawtrey and Jim Dale are present. Bernard Cribbins makes the second of his three Carry On appearances (although it would be 28 years before he returned in Carry On Columbus). Eric Barker appears for his third entry (his final appearance would be in Carry On Emmannuelle 14 years later). Dilys Laye returns after her debut in Carry On Cruising. Carry On Spying is the last Carry On film shot in black and white.[3]

Plot

A top secret chemical formula has been stolen by STENCH (the Society for the Total Extinction of Non-Conforming Humans). Fearful of what would happen if that formula fell into the wrong hands, the Chief of the Secret Service reluctantly sends the only agent he has left, the bumbling and snide Agent Desmond Simpkins, (Kenneth Williams), and his three trainees, Agent Harold Crump, (Bernard Cribbins), Agent Daphne Honeybutt, (Barbara Windsor), and Agent Charlie Bind (Charles Hawtrey), to find the formula.

The Agents travel separately and in different disguises, to Vienna, where they make contact with Carstairs at the Cafe Mozart. Then they travel on to Algiers. Upon the way, they encounter the STENCH agents, the Fat Man and Milchmann (who stole the formula disguised as a milkman). Unfortunately, the agents' lack of experience results in their contact agent, Carstairs (Jim Dale), being floored in an encounter with the Fat Man.

Daphne and Harold attempt to steal the formula back whilst disguised as dancing girls in Hakim's Fun House, where the Fat Man is relaxing. The agents also encounter the mysterious Lila (Dilys Laye), whom they are uncertain if they can trust.

The three agents end up captives of STENCH; Daphne is interrogated by the evil Dr Crow, head of STENCH, but she fails to succumb. They escape, but are caught up in an underground automated factory process, from which they only escape when Lila pulls a gun on Dr Crow.

The group are transported by lift to the surface, which is revealed to be the office of the Chief of the Secret Service; the headquarters of STENCH are below the streets of London. Lila reveals to Simpkins that she is a double agent, working for SNOG - the Society for Neutralising Of Germs. The STENCH headquarters self-destructs, presumably taking the Secret Service with it.

Cast

Crew

  • Screenplay – Talbot Rothwell & Sid Colin
  • Music – Eric Rogers
  • Songs – "Too Late" by Alex Alstone & Geoffrey Parsons and "The Magic of Love" by Eric Rogers
  • Associate Producer – Frank Bevis
  • Art Director – Alex Vetchinsky
  • Director of Photography – Alan Hume
  • Editor – Archie Ludski
  • Camera Operator – Godfrey Godar
  • Assistant Director – Peter Bolton
  • Unit Manager – Donald Toms
  • Continuity – Penny Daniels
  • Hairdressing – Biddy Chrystal
  • Sound Editor – Christopher Lancaster
  • Sound Recordists – CC Stevens & Bill Daniels
  • Costume Designer – Yvonne Caffin
  • Make-up – WT Partleton
  • Producer – Peter Rogers
  • Director – Gerald Thomas

Production

Albert R. Broccoli, the producer of the James Bond film series, objected to the character name "James Bind agent 006½" (intended for Charles Hawtrey) and threatened legal action. Producer Peter Rogers therefore changed the name to Charlie and the agent's code number to double 0 – ooh! Poster artist Tom Chantrell also had to modify the poster when similar complaints were voiced that the artwork was too similar to From Russia with Love.

The film pokes fun at various spy movies, James Bond being the least of them. They include The Third Man (coincidentally, Eric Pohlmann – who played The Fat Man – also had a minor part in The Third Man), and Casablanca. One or two of Crow's female assistants wear hairstyles similar to that of Modesty Blaise, whose adventures had started in the London Evening Standard the previous year.

Filming and locations

  • Filming dates – 8 February-13 March 1964

Interiors:

Bibliography

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  • Keeping the British End Up: Four Decades of Saucy Cinema by Simon Sheridan (third edition) (2007) (Reynolds & Hearn Books)
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References

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External links