Channel (digital image)
Color digital images are made of pixels, and pixels are made of combinations of primary colors represented by a series of code. A channel in this context is the grayscale image of the same size as a color image, made of just one of these primary colors. For instance, an image from a standard digital camera will have a red, green and blue channel. A grayscale image has just one channel.
In the digital realm, there can be any number of conventional primary colors making up an image; a channel in this case is extended to be the grayscale image based on any such conventional primary color. By extension, a channel is any grayscale image the same size with the "proper" image, and associated with it.
"Channel" is a conventional term used to refer to a certain component of an image. In reality, any image format can use any algorithm internally to store images. For instance, GIF images actually refer to the color in each pixel by an index number, which refers to a table where three color components are stored. However, regardless of how a specific format stores the images, discrete color channels can always be determined, as long as a final color image can be rendered.
The concept of channels is extended beyond the visible spectrum in multispectral and hyperspectral imaging. In that context, each channel corresponds to a range of wavelengths and contains spectroscopic information. The channels can have multiple widths and ranges.
Three main channel types (or color models) exist, and have respective strengths and weaknesses.
If the RGB image is 24-bit (the industry standard as of 2005), each channel has 8 bits, for red, green, and blue—in other words, the image is composed of three images (one for each channel), where each image can store discrete pixels with conventional brightness intensities between 0 and 255. If the RGB image is 48-bit (very high color-depth), each channel is made of 16-bit images.
RGB color sample
Channel digital image RGB color.jpg
A 24-bit RGB image
Channel digital image red.jpg
The RED channel of the original RGB image (converted to greyscale for easier viewing)
Channel digital image green.jpg
The GREEN channel of the original RGB image (converted to greyscale for easier viewing)
Channel digital image blue.jpg
The BLUE channel of the original RGB image (converted to greyscale for easier viewing)
Notice how the grey trees have similar brightness in all channels, the red dress is much brighter in the red channel than in the other two, and how the green part of the picture is shown much brighter in the green channel.
A 32-bit CMYK image (the industry standard as of 2005) is made of four 8-bit channels, one for cyan, one for magenta, one for yellow, and one for key color (typically is black). 64-bit storage for CMYK images (16-bit per channel) is not common, given the fact that CMYK is usually device-dependent, whereas RGB is the generic standard for device-independent storage.
CMYK color sample
- As of 2011[update], the 32-bit CMYK image won't be displayed by some major browsers. The RGB image from above is substituted in its place with the link below it. Try saving the link to disk and opening it in another program if it will not display in your browser.
Channel digital image RGB color.jpg
Channel digital image cyan.jpg
The CYAN channel of the original CMYK image
Channel digital image magenta.jpg
The MAGENTA channel of the original CMYK image
Channel digital image yellow.jpg
The YELLOW channel of the original CMYK image
Channel digital image black.jpg
The KEY (black) channel of the original CMYK image
HSV, or Hue Saturation Value, stores color information in three channels, just like RGB, but one channel is devoted to brightness (Value), and the other two convey colour information. The value channel is exactly the same as the CMYK Black channel, or its negative.
The alpha channel stores transparency information—the higher the value, the more opaque that pixel is. No camera or scanner measures transparency, although physical objects certainly can possess transparency, but the alpha channel is extremely useful for compositing digital images together.
Bluescreen technology involves filming actors in front of a primary color background, then setting that color to transparent, and compositing it with a background.
In digitizing images, the color channels are converted to numbers. Since images contain thousands of pixels, each with multiple channels, channels are usually encoded in as few bits as possible. Typical values are 8 bits per channel or 16 bits per channel. Indexed color effectively gets rid of channels altogether to get, for instance, 3 channels into 8 bits (GIF) or 16 bits.
Optimized channel sizes
Since the brain doesn't necessarily perceive distinctions in each channel to the same degree as in other channels, it is possible that differing the number of bits allocated to each channel will result in more optimal storage; in particular, for RGB images, compressing the blue channel the most and the red channel the least may be better than giving equal space to each. This type of "preferential" compression is the result of studies which show that the human retina actually uses the red channel to distinguish detail, along with the green channel in a lesser measure, and uses the blue channel for background or environmental information.
16-bit HiColor stores red and blue in 5 bits, and green in 6 bits.