Childe Roland to the Dark Tower Came
The title, "Childe Roland to the Dark Tower Came", which forms the last words of the poem, is a line from William Shakespeare's play King Lear (ca. 1607). In the play, Gloucester's son, Edgar, lends credence to his disguise as Tom o' Bedlam by talking nonsense, of which this is a part:
Child Rowland to the dark tower came,
His word was still 'Fie, foh, and fum
I smell the blood of a British man.
— King Lear, Act 3, scene 4
Browning explores Roland's journey to the Dark Tower in 34 six line stanzas with the rhyme form A-B-B-A-A-B and iambic pentameter. It is filled with images from nightmare but the setting is given unusual reality by much fuller descriptions of the landscape than was normal for Browning at any other time in his career. In general, however, the work is one of Browning's most complex. This is, in part, because the hero's story is glimpsed slowly around the edges; it is subsidiary to the creation of an impression of the hero's mental state.
Setting and content
The name Roland, references to his slughorn (a pseudo-medieval instrument which only ever existed in the mind of Thomas Chatterton and Browning himself), general medieval setting and the title childe (a medieval term not for a child but for an untested knight) suggest that the protagonist is the paladin of The Song of Roland, the 11th century anonymous French chanson de geste, among other works.
The poem opens with Roland's speculations about the truthfulness of the man who gives him directions to the Dark Tower. Browning does not retell the Song of Roland; his starting point is Shakespeare. The gloomy, cynical Roland seeks the tower and undergoes various hardships on the way, although most of the obstacles arise from his own imagination. The poem ends abruptly when he reaches the tower, so what he finds there is never revealed.
Judith Weissman has suggested that Browning's aim was to show how the military code of honour and glory "destroys the inner life of the would-be hero, by making us see a world hellishly distorted through Roland's eyes." William Lyon Phelps proposes three different interpretations of the poem: In the first two, the Tower is a symbol of a knightly quest. Success only comes through failure or the end is the realisation of futility. In his third interpretation, the Tower is simply damnation.
For Margaret Atwood, Childe Roland is Browning himself, his quest is to write this poem, and the Dark Tower contains that which Roland/Browning fears most: Roland/Browning "in his poem-writing aspect".
Influences on, and references in, other works
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"Childe Roland" has served as inspiration to a number of popular works of fiction, including:
- American author Stephen King for his The Dark Tower series of stories and novels (1978–2012).
- African-American author Countee Cullen for "From the Dark Tower" poem (1927)
- American author Alexander Theroux based his story "Childe Roland" (in Three Wogs, 1972) on Browning's poem.
- Welsh science fiction author Alastair Reynolds for the "Diamond Dogs" novella (2001).
- Canadian science-fiction author Gordon R. Dickson for his "Childe Cycle" series of novels (1959–2001).
- American science-fiction author Andre Norton for the fourth novel in her "Witch World" series (1967).
- Elidor (1965) by English writer Alan Garner.
- Louise Berridge claims that Childe Roland was the inspiration behind the main character in her Chevalier series of novels.
- The 'Doctor Who' Twentieth Anniversary special 'The Five Doctors' takes much imagery and several key phrases from the poem which has been cited as a source by screenwriter Terrance Dicks.
- British novelist A. S. Byatt for the character Roland Michell (and perhaps his formidable love interest Maud Bailey ("bailey"="tower")) in her novel Possession: A Romance (1990).
- 'The Dark Tower', a radio play written by Louis MacNeice with incidental music by Benjamin Britten which was first broadcast on 21 January 1946 on the BBC's Home Service (now Radio 4). This play follows the basic theme of the original with references to the quest, the dark tower, and the trumpet.
- Willa Cather's The Burglar's Christmas.
- In Anthony Powell's 12-part cycle A Dance to the Music of Time, the eighth novel, The Soldier's Art, takes its title from line 89 of Childe Roland ("Think first, fight afterwards—the soldier's art").
- John Connolly's novel The Book of Lost Things (2006).
- Roger Zelazny's novel Sign of the Unicorn (1975) refers to the song and the poem (part of The Chronicles of Amber series).
- Lawrence Ferlinghetti's poem I Am Waiting refers to Childe Rowland coming 'to the final darkest tower'.
- P.G. Wodehouse's novel The Mating Season: Jeeves uses the phrase 'Childe Roland to the Dark Tower came' to describe Bertie Wooster's arrival at Deverill Hall. Bertie does not understand the reference.
- P.G. Wodehouse's novel The Code of the Woosters: Jeeves also uses the phrase 'Childe Roland to the dark tower came' to describe Bertie Wooster's arrival, in this case, at Totleigh Towers. Bertie does not understand the reference in this case either.
- Neil Gaiman's Sandman character, Charles Rowland, one of the Dead Boy Detectives, is a reference to Childe Roland, particularly in his The Children's Crusade miniseries (1993), which prominently features a dark tower, a motif later picked up by the Books of Magic series.
- Characters of Philip Jose Farmer's series Riverworld quote passages of the poem and make allusions to the dark tower in their quest.
- By Blood We Live, the third book in Glen Duncan's The Last Werewolf series.
- Susan Howe argues in My Emily Dickinson that the poem is critical to Dickinson's "My Life had stood - a Loaded Gun -" (Fr 764)
- In Go Set a Watchman, by Harper Lee, Uncle Jack calls Scout Childe Roland because she is on a quest to understand why Maycomb is so different than it used to be.
- Although Loucks gives the poem as written already in 1852. Loucks, James F., ed. (1979). Robert Browning's Poetry: Authoritative Texts Criticism. New York: Norton. p. 139. ISBN 0-393-09092-2.CS1 maint: extra text: authors list (link)<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Kennedy, Richard; Hair, Donald (2007). The Dramatic Imagination of Robert Browning: A Literary Life. Colombia, Missouri: University of Missouri Press. p. 221. ISBN 978-0-8262-1691-5.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Atwood, Margaret (2002). Negotiating with the Dead. Cambridge, United Kingdom: Cambridge University Press. p. 33. ISBN 0-521-66260-5.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Steven Moore, "Alexander Theroux: An Introduction," Review of Contemporary Fiction 11.1 (Spring 1991): 10-13.
- Berridge, Louise. "André de Roland". A.L.Berridge - Author. Retrieved 6 September 2013.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- "Louis MacNeice Biography". Poetry Foundation. Retrieved 6 September 2013.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- MacNeice, Louis (1947). The Dark Tower and other radio scripts. London: Faber and Faber Ltd.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Wodehouse, P.G. (2008). The Mating Season. London: Arrow Books. p. 49. ISBN 978-0-09-951377-3.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Wodehouse, P.G. (2011) . The Code of the Woosters. London: W.W. Norton & Company. p. 33. ISBN 978-0-393-33981-9.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>