Close-Up (1990 film)

Close-Up
DVD cover
کلوزآپ ، نمای نزدیک
Directed by	Abbas Kiarostami
Produced by	Ali Reza Zarrin
Written by	Abbas Kiarostami
Starring	Hossain Sabzian Mohsen Makhmalbaf
Cinematography	Ali Reza Zarrindast
Edited by	Abbas Kiarostami
Production company	Kanoon
Distributed by	Celluloid Dreams
Release dates	1990
Running time	98 min.
Country	Iran
Language	Persian

Close-Up (Persian: کلوزآپ ، نمای نزدیک‎‎, Klūzāp, nemā-ye nazdīk) is a 1990 Iranian docufiction written, directed and edited by Abbas Kiarostami. The film tells the story of the real-life trial of a man who impersonated film-maker Mohsen Makhmalbaf, conning a family into believing they would star in his new film. It features the people involved, acting as themselves. A film about human identity, it helped to increase recognition of Kiarostami in the West.

Many critics consider Close-Up a masterpiece of world cinema; in the 2012 Sight & Sound poll, it was voted by critics onto "The Top 50 Greatest Films of All Time" list.

Plot

Hossain Sabzian is a cinephile, and in particular a big fan of popular Iranian director Mohsen Makhmalbaf. One day, Sabzian is riding a bus with a copy of the novel The Cyclist; Mrs. Ahankhah sits next to him, revealing she is a fan of the novel's film adaptation. Sabzian tells her that he himself is Makhmalbaf, the maker. She is then surprised that a famous director would ride public transportation; Sabzian explains in response (posing as Makhmalbaf) that he finds his film subjects this way, telling her that art must spring from life. Posing as Makhmalbaf from this point on, Sabzian visits the Ahankhah family several times over the next two weeks. He flatters them by saying he wants to use not only their house in his next film, but also their sons as actors in it. He even obtains a substantial amount of money from them (ostensibly to prepare for the film). Mr. Ahankhah has his suspicions, however, especially when a magazine photo shows a younger Makhmalbaf with darker hair than that of Sabzian. He invites a journalist (Hossain Farazmand) over, who confirms Sabzian is indeed an impostor. The police come to arrest Sabzian, while Farazmand takes several pictures for his upcoming article: "Bogus Makhmalbaf Arrested." Kiarostami intersperses these scenes throughout the film, in which the events described above do not progress chronologically; they are re-enactments.

Cast

• Hossain Sabzian as Himself
• Mohsen Makhmalbaf as Himself
• Abbas Kiarostami as Himself
• Abolfazl Ahankhah as Himself
• Mehrdad Ahankhah as Himself
• Monoochehr Ahankhah as Himself
• Mahrokh Ahankhah as Herself
• Haj Ali Reza Ahmadi as Himself, the Judge
• Nayer Mohseni Zonoozi as Herself
• Ahmad Reza Moayed Mohseni as Himself, a family friend
• Hossain Farazmand as Himself, a reporter
• Hooshang Shamaei as Himself, a Taxi Driver
• Mohammad Ali Barrati as Himself, a Soldier
• Davood Goodarzi as Himself, a Sergeant
• Hassan Komaili as Himself, a Court Recorder
• Davood Mohabbat as Himself, a Court Recorder

Production

Close-Up is based on real events that occurred in Northern Tehran in the late 1980s. Kiarostami first heard about Sabzian in 1989 after reading about the incident in an article in the Iranian magazine Sorush by journalist Hassan Farazmand. Kiarostami immediately suspended work on the film project that he was in pre-production of and began making a documentary on Sabzian. Kiarostami was allowed to film Sabzian's trial and also got Sabzian, the Ahankhahs and Farazmand to agree to participate in the film and to re-enact incidents from the past. Kiarostami also arranged for Mohsen Makhmalbaf to meet Sabzian and help facilitate forgiveness between Sabzian and the Ahankhahs.

Critical reception

Close-Up was named the best Iranian film ever made in the Iranian magazine Film International. It is also ranked #43 in the British Film Institute's critics' poll of the 50 best films ever made. New York Times film critic Stephen Holden called the film "brilliant," noting its "radically drab cinema-verite style that helps blur any difference between what is real and what is reconstructed." Los Angeles Times critic Dennis Lim called the film eloquent and direct and that it provided "a window into the psyche of a complicated man and into the social and cultural reality of Iran."

Influence

Five years after Close-Up, Moslem Mansouri and Mahmoud Chokrollahi wrote and directed the documentary Close-Up Long Shot (Persian: کلوزآپ نمای دور ‎‎, Klūzāp nemā-ye dūr) in which Sabzian talks about his infatuation with cinema, his impersonation of Makhmalbaf and how his life has changed after working with Kiarostami. The film premiered at Turin's 14° Festival internazionale cinema giovani in November 1996 where it won the FIPRESCI Prize – Special Mention.

Nanni Moretti's 1996 Italian short film Opening Day of Close-Up follows a theater owner as he prepares to show Kiarostami's film at his independent cinema.

Marcus Söderlund's 2007 music video for Swedish duo The Tough Alliance's "A New Chance" pays homage to Kiarostami's film with an almost shot-for-shot reproduction of a scene following two characters on a motorcycle.

Awards

• 1990: Montreal International Festival of New Cinema and Video: Quebec Film Critics Award
• 1992: International Istanbul Film Festival: FIPRESCI Prize

See also

• Your Name Here (2015 film) – a 2015 Canadian docufiction film directed by B. P. Paquette featuring dozens of amateur actors and that examines the art and craft of movie acting, and the desire for movie stardom.
• Hello Cinema – a 1995 Iranian docufiction film directed by Mohsen Makhmalbaf that shows various everyday people being auditioned and explaining their reason for wanting to act in a film.
• F for Fake – the last major film completed by Orson Welles, who directed, co-wrote, and starred in the film, which is loosely a documentary that operates in several different genres and has been described as a kind of film essay.
• Docufiction
• List of docufiction films
• Metafilm

Bibliography

• Godfrey Cheshire, Confessions of a Sin-ephile: Close Up, Cinema Scope, no. 2 (Winter 2000), pp. 3–8
• Cristina Vatulescu, "The Face to Face Encounter of Art and Law": Abbas Kiarostami's Close-Up, Law and Literature, vol. 23, no. 2 (Summer 2011), pp. 173–194

External links

• Close-Up at IMDb
• Close-Up at AllMovie
• An 'Islamic' reading of Kiarostami's Close-Up
• Close-Up at the Arts & Faith Top100 Spiritually Significant Films list
• Slant magazine article
• Combustible Celluloid review
• Interview to The Guardian, Thursday 28 April 2005