Elizabeth Carter

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Elizabeth Carter as Minerva, goddess of wisdom, by John Fayram (painted between 1735 and 1741, NPG).

Elizabeth Carter (16 December 1717 – 19 February 1806) was an English poet, classicist, writer and translator, and a member of the Bluestocking Circle.

Biography

Born in Deal, Kent, she was the daughter of a clergyman whose parish was in the town – her redbrick family home can still be seen at the junction of South Street and Middle Street, close to the seafront. Encouraged by her father to study, she mastered several modern and ancient languages (including Latin, Greek, Hebrew, and Arabic) and science. She rendered into English De Crousaz's Examen de l'essai de Monsieur Pope sur l'homme (Examination of Mr Pope's "An Essay on Man", two volumes, 1739); Algarotti's Newtonianismo per le donne (Newtonianism for women); and wrote a small volume of poems. Carter's position in the pantheon of 18th-century women writers was, however, secured by her translation in 1758 of All the Works of Epictetus, Which are Now Extant, the first English translation of all known works by the Greek stoic philosopher. This work made her name and fortune, securing her a spectacular £1000 in subscription money.[1]

Elizabeth Carter (extreme left), in the company of other "Bluestockings"

She was a friend of Samuel Johnson, editing some editions of his periodical The Rambler.[2] He wrote that "[my] old friend, Mrs[3] Carter could make a pudding [just] as well as translate Epictetus... and work a handkerchief [just] as well as compose a poem."[4]) She was friends with many other eminent men, as well as being a close confidant of Elizabeth Montagu, Hannah More, Hester Chapone, and several other members of the Bluestocking circle. Anne Hunter, a minor poet and socialite, and Mary Delany are also noted as close friends.[5]

Carter kept an interest in religious matters. She was influenced by Hester Chapone, and she wrote apologetic treatises of the Christian faith asserting the authority of the Bible over human matters. One of these works is known as Objections against the New Testament with Mrs. Carter's Answers to them and was published in the compilation of writings Memoirs of the Life of Mrs. Elizabeth Carter by Montagu Pennington, which also included her "Notes on the Bible and the Answers to Objections concerning the Christian Religion. Her poems In Diem Natalem and Thoughts at Midnight (also known as A Night Piece) likewise reflect her deep belief in God.

Cultural influence

Elizabeth Gaskell, the 19th-century novelist, refers to Carter as an epistolatory model, bracketing her in Cranford with Hester Chapone, a self-taught Bluestocking.[6]

Notes

  1. Susan Staves, A Literary History of Women's Writing in Britain, 1660-1780 (Cambridge University Press: Cambridge, 2006) pp. 309–315.
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  3. Sic - she remained single until her death.
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  6. Cranford, Chapter V--Old Letters

References

Attribution

External links

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  • Works by Elizabeth Carter at LibriVox (public domain audiobooks)