Elizabethan architecture is the term given to early Renaissance architecture in England, during the reign of Queen Elizabeth I. Historically, the period corresponds to the Cinquecento in Italy, the Early Renaissance in France, and the Plateresque style in Spain. Stylistically, it followed Tudor architecture and was succeeded in the 17th century largely by its stylistic extension, Jacobean architecture, and to a limited degree by Palladian architecture, introduced in a handful of prominent commissions within court circles by Inigo Jones.
The reign of Elizabeth saw growing prosperity, and contemporaries remarked on the pace of secular building among the well-off. The somewhat tentative influence of Renaissance architecture is mainly seen in the great houses of courtiers, but lower down the social scale large numbers of sizeable and increasingly comfortable houses were built in developing vernacular styles by farmers and townspeople. Civic and institutional buildings were also becoming increasingly common.
Renaissance architecture had achieved some influence in England during the reign of, and mainly in the palaces of, Henry VIII, who imported a number of Italian artists. Unlike Henry, Elizabeth built no new palaces, instead encouraging her courtiers to build extravagantly and house her on her summer progresses. The style they adopted was more influenced by the Northern Mannerism of the Low countries than Italy, among other features it used versions of the Dutch gable, and Flemish strapwork in geometric designs. Both of these features can be seen on the towers of Wollaton Hall and again at Montacute House. Flemish craftsmen succeeded the Italians that had influenced Tudor architecture; the original Royal Exchange in London (1566–1570) is one of the first important buildings designed by Henri de Paschen, an architect from Antwerp. However most continental influence came from books, and there were a number of English "master masons" who were in effect architects, and in great demand, so that their work is often widely spread around the country.
Important building that survive include:
- Audley End
- Blickling Hall
- Charterhouse (London)
- Condover Hall (Shropshire)
- Danny House
- Hatfield House
- Longleat House
- Wollaton Hall
- Rainthorpe Hall
In England, the Renaissance first manifested itself mainly in the distinct form of the prodigy house, large, square, and tall houses such as Longleat House, built by courtiers who hoped to attract the queen for a ruinously expensive stay, and so advance their careers. Often these buildings have an elaborate and fanciful roofline, hinting at the evolution from medieval fortified architecture.
It was also at this time that the long gallery became popular in English houses. This was apparently mainly used for walking in, and a growing range of parlours and withdrawing rooms supplemented the main living room for the family, the great chamber. The great hall was now mostly used by the servants, and as an impressive point of entry to the house.
Surveyors (architects) active in this period
- Robert Adams (1540–1595)
- William Arnold (fl. 1595–1637)
- Simon Basil (fl. 1590–1615)
- Robert Lyminge (fl. 1607–1628)
- Robert Smythson (1535–1614)
- John Thorpe or Thorp (c.1565–1655?; fl.1570–1618)
- Airs, Malcolm, The Buildings of Britain, A Guide and Gazetteer, Tudor and Jacobean, 1982, Barrie & Jenkins (London), ISBN 0091478316
- Girouard, Mark, Life in the English Country House: A Social and Architectural History 1978, Yale, Penguin etc.
- Jenkins, Simon, England's Thousand Best Houses, 2003, Allen Lane, ISBN 0713995963
- Summerson (1993), Summerson, John, Architecture in Britain, 1530 to 1830, 1993 edition, Yale University Press Pelican History of Art, Yale University Press, ISBN 0300058861, 9780300058864
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- Shaw, Henry (1839). Details of Elizabethan architecture. London: William Pickering – plates of architectural details