Exaggeration

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Fishing stories are often associated with exaggeration. Rabelais' Pantagruel got a sea serpent when fishing.

Exaggeration is a representation of something in an excessive manner. The exaggerator has been a familiar figure in Western culture since at least Aristotle's discussion of the alazon: 'the boaster is regarded as one who pretends to have distinguished qualities which he possesses either not at all or to a lesser degree than he pretends...exaggerating'.[1]

It is the opposite of minimisation.

Words or expressions associated with exaggeration include:

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Everyday and psycho-pathological contexts

Contexts of exaggeration include:

Manipulation

The boasting and bragging by arrogant or manipulative people has been sent up on stage since the first appearance of the alazon - 'a stock character in Greek comedy'.[2] Inflated praise in the form of flattery and puffery has a similarly lengthy history.[3]

Amplifying achievements, obstacles and problems to seek attention is an everyday occurrence, as 'in exaggerating what one feels by magnifying the emotional expression: this is the ploy used by the six-year-old who dramatically twists her face into a pathetic frown, lips quivering, as she runs to complain to her mother about being teased'.[4]

Exaggerating is also a type of deception,[5] as well as a means of malingering - magnifying small injuries or discomforts as an excuse to avoid responsibilities.[6]

Cognitive distortions

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Cognitive behavioral therapy views magnification (as opposed to minimization) as unconscious, unrealistic mental processing or cognitive distortion, which can take the form of probability overestimation or of catastrophizing. This is better known as 'making a big deal out of nothing.' 'Whereas probability overestimation refers to exaggerating the "likelihood" of an event, catastrophizing refers to exaggerating the "importance" of the event'.[7] Closely related 'is overgeneralizing, where one takes a single negative event and see it as a never-ending pattern of defeat'.[8]

Another form of cognitive exaggeration is inflation of the difficulty of achieving a goal after attaining it, possibly to improve self-esteem.[9]

In depression, exaggerated all-or-nothing thinking can form a self-reinforcing cycle: 'these thoughts might be called emotional amplifiers because, as they go around and around, they become more intense....Here are some typical all-or-nothing thoughts:

  • My efforts are either a success or they are an abject failure
  • I am/other people are either all good or all bad
  • if you're not with us, you're against us'.[10]

Decatastrophizing

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In cognitive therapy, decatastrophizing or decatastrophization is a cognitive restructuring technique to treat cognitive distortions, such as magnification and catastrophizing, commonly seen in psychological disorders like anxiety[11] and psychosis.[12]

Pathology

Psychoanalysis considered that neurotic exaggerations were the products of displacement[13] - overvaluations for example being used to maintain a repression elsewhere. Thus a conflict over ambivalence may be resolved by means of exaggerating one's love for a person so as to keep an unconscious hatred in further check.[14]

The grandiose sense of self-importance observed in narcissists[15] also uses exaggeration to thwart any recognition of a moderate fallibility, seeing any departure from complete success as total and hopeless failure.[16]

"Self-dramatization, theatricality, and exaggerated expression of emotion" can be observed in those with histrionic personality disorder[15] and other Cluster B personality disorders; while "catastrophizing" is associated with depressive, neurotic or paranoid behavior – focusing on the worst possible outcome, however unlikely, or thinking that a situation is unbearable or impossible when it is really just uncomfortable.[17][18]

Münchausen syndrome by proxy

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Münchausen syndrome by proxy is a controversial term that is used to describe a behavior pattern in which a caregiver deliberately exaggerates, fabricates, and/or induces physical, psychological, behavioral, and/or mental health problems in those who are in their care.[19]

Alarmism

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Alarmism is excessive or exaggerated alarm about a real or imagined threat e.g. the increases in deaths from infectious disease.[20] The alarmist person is subject to the cognitive distortion of catastrophizing – of always expecting the worst of possible futures.[21]

Cultural manifestations

Humour

Charicature from 1796, parodizing the fashion of one or two feathers issuing vertically from a woman's headdress, as are also women's neo-classically influenced gown styles (rather new in England in 1796), and men's ultra-tight trousers (or "calf-clingers" in the slang of the period).

'Some theoreticians of the comic consider exaggeration to be a universal comic device'.[22] It may take different forms in different genres, but all rely on the fact that 'the easiest way to make things laughable is to exaggerate to the point of absurdity their salient traits'.[23]

Caricature

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A caricature can refer to a portrait that exaggerates or distorts the essence of a person or thing to create an easily identifiable visual likeness: 'disproportionately increasing and emphasizing the defects of the features'.[24] In literature, a caricature is a description of a person using exaggeration of some characteristics and oversimplification of others.[25]

Slapstick

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Slapstick is the recourse to humor involving exaggerated physical activity which exceeds the boundaries of common sense.[26][27][28] These exaggerated depictions are often found in children's cartoons, and light film comedies aimed at younger audiences.

Paradoxical laughter

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Paradoxical laughter is an exaggerated expression of humor which is unwarranted by external events. It may be uncontrollable laughter which may be recognised as inappropriate by the person involved. Freud considered 'the compulsive laughter which so often occurs on mournful occasions'[29] the by-product of ambivalence.

Miles Gloriosus

The Captain uses bravado and excessive shows of manliness to hide his true cowardly nature.

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The boastful soldier or Miles Gloriosus has for thousands of years formed part of the Western stage. 'The original miles gloriosus in Plautus is a son of Jove and Venus who has killed an elephant with his fist and seven thousand men in one day's fighting. In other words, he is trying to put on a good show: the exuberance of his boasting helps to put the play over'.[30]

Overacting

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Overacting is the exaggeration of gestures and speech when acting. It may be unintentional, particularly in the case of a bad actor, or be required for the role. For the latter, it is commonly used in comical situations or to stress the evil characteristics of a villain. Since the perception of acting quality differs between people the extent of overacting can be subjective.

Shock jock

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A shock jock is a type of radio broadcaster or disc jockey who entertains listeners or attracts attention using humor and/or melodramatic exaggeration that some portion of the listening audience may find offensive.

Tragedy

Hamlet, by William Morris Hunt.

Though the boaster (alazon) is primarily a comic figure, 'the alazon may be one aspect of the tragic hero as well: the touch of miles gloriosus in Tamburlaine, even in Othello, is unmistakable, as is the touch of the obsessed philosopher in Faustus and Hamlet'.[31]

Expressionism

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'"Expressionist art"...attempted to intensify the expression of feeling and attitude by exaggeration'.[32] In its wake, even the 'new and hard realism...kept much of the distortion and exaggeration which had been one of the chief devices of earlier Expressionism'.[33]

Literary analogues

  • In the BookWorld, warnings are issued about ' Poetry Island...any visit longer than a few hours will have an exaggerating effect on the senses. Upbeat poems will tend to have you laughing uncontrollably, while sombre poems will have you questioning your own worth in a most hideously self-obsessed manner'.[34]
  • The Monty Python Dirty Fork sketch demonstrates an absurd level of catastrophization where restaurant staff commit suicide and murder each other because of a customer complaint of a dirty fork. Compare with the scene in the film Monty Python and the Holy Grail involving the Black Knight character which is the opposite extreme of absurdity (minimisation).

Metaphors

See also

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References

  1. Aristotle, Ethics (Penguin 1976) p. 165.
  2. H. J. Rose, A Handbook of Latin Literature (London 1966)p. 49
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  4. Daniel Goleman, Emotional Intelligence (London 1996) p. 113.
  5. Guerrero, L., Anderson, P., Afifi, W. (2007). Close Encounters: Communication in Relationships (2nd ed.). Los Angeles: Sage Publications.
  6. R. Rogers Clinical Assessment of Malingering and Deception 3rd Edition, Guilford, 2008. ISBN 1-59385-699-7
  7. M. M. Antony/P. J. Norton, The Anti-Anxiety Workbook (2008) p. 83.
  8. Paul Gilbert, Overcoming Depression (London 1999) p. 286
  9. Beth Azar All puffed up Monitor on Psychology June 2007, Vol 38, No. 6.
  10. Gilbert, p. 63 and p. 98.
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  13. Otto Fenichel, The Psychoanalytic Theory of Neurosis (London 1994) p. 149
  14. Sigmund Freud, On Psychopathology (PFL 10) p. 317.
  15. 15.0 15.1 Diagnostic and Statistical Manual of Mental Disorders Fourth edition Text Revision (DSM-IV-TR) American Psychiatric Association (2000).
  16. Neville Symington, Narcissism: A New Theory (London 1993) p. 71
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  18. http://www.outofthefog.net/CommonBehaviors/Catastrophizing.html
  19. Lua error in package.lua at line 80: module 'strict' not found.
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  21. P. Gilbert, Overcoming Depression (1999) p. 88-90
  22. Emil Draitser, Techniques of Satire (1994) p. 135
  23. M. Eastman/W. Fry, Enjoyment of Laughter (2008) p. 156.
  24. Filippo Baldinucci, quoted in Harold Osborne ed., The Oxford Companion to Art (Oxford 1992) p. 204.
  25. Caricature in literature
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  29. Sigmund Freud, Case Studies II (PFL 9) p. 74.
  30. Northrop Frye, Anatomy of Criticism (Princeton 1973) p. 165.
  31. Frye, p. 39.
  32. Harold Bloom, Thomas Hardy (2010) p. 93
  33. Harold Osborne ed., The Oxford Companion to Art (Oxford 1992) p. 397.
  34. Jasper Fforde, One of Our Thursdays is Missing (London 2011) p. 249.

Further reading

Books

  • Duttmann, AG; Phillips, J Philosophy of Exaggeration (Continuum Studies in Continental Philosophy) (2007)

Academic papers

  • Clayer, JR; Bookless, C; Ross, MW Neurosis and conscious symptom exaggeration: Its differentiation by the illness behaviour questionnaire Journal of Psychosomatic Research Volume 28, Issue 3, 1984, Pages 237-241
  • Demaree, HA; Schmeichel, BJ; Robinson, JL; Everhart, D. Erik Behavioural, affective, and physiological effects of negative and positive emotional exaggeration. Cognition and Emotion, Volume 18, Number 8, 2004, 1079-1097(19)
  • Masterson, J; Dunworth, R; Williams, N Extreme illness exaggeration in pediatric patients: A variant of Munchausen's by Proxy?. American Journal of Orthopsychiatry. Vol 58(2), Apr 1988, 188-195.
  • McNicholas, F Slonims, V & Cass H Exaggeration of Symptoms or Psychiatric Munchausen's Syndrome by Proxy? Child and Adolescent Mental Health 2003 Volume 5 Issue 2, Pages 69 – 75
  • Mittenberg, W; Patton, C; Canyock, EM; Condit, DC Base rates of malingering and symptom exaggeration. Journal of Clinical and Experimental Neuropsychology. Vol 24(8), Dec 2002, 1094-1102.
  • Mueller, J Simplicity and spook: Terrorism and the dynamics of threat exaggeration International Studies Perspectives, 2005
  • Pieper, WJ Exaggeration, puffery, inferential beliefs and deception in advertising - 1976 - University of South Carolina.
  • Sperling, OE Exaggeration as a Defense. Psychoanal Q., 32:553-548. (1963).

External links