File:Red lacquer tray with gold engraving, Song Dynasty.jpg
Summary
A Chinese red lacquer tray over wood with engraved golden foil, from the Song Dynasty (960–1279 AD), dated 12th to early 13th century. As the Freer and Sackler Galleries museum description states, in China the gold-engraving technique is called qiangjin. The museum caption states that this method has existed since roughly the 3rd century AD, although it was not until the Song Dynasty era that gold engravings were found on luxury lacquerwares. After a wooden tray was covered with multiple layers of cinnabar-colored lacquer, fine lines were then incised into the new surface. These incisions were then filled with an adhesive of clear lacquer, followed by the pressing of gold foil into the grooves. The two long-tailed birds and a peony plant depicted in this tray are symbolic of longevity and prosperity in Chinese culture, since the Chinese word for "long life" (shou) sounds similar to the words for long-tailed birds (dai shou).
In his book Han Civilization (1982, New Haven: Yale University Press), Wang Zhongshu would firmly disagree with the Freer and Sackler Gallery Museum description about the date of the oldest lacquerware luxury goods using the incising and gold foil technique, which he says was called pingtuo. From an ancient Han Dynasty (202 BC – 220 AD) tomb at Guanghua in Hubei province, archaeologists discovered lacquerwares having "incised tiger, hare, bird, and other animal and cloud-scroll designs were filled in with gold so that they resemble the gold- and silver-inlaid decorations on bronzes...Individual motifs were cut out from thin sheets of gold or silver and attached to the lacquered surface of the vessel, resembling what was later known as pingtuo" (Page 82).
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File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 07:48, 3 January 2017 | | 2,060 × 1,952 (2.2 MB) | 127.0.0.1 (talk) | <p>A Chinese red lacquer tray over wood with engraved golden foil, from the Song Dynasty (960–1279 AD), dated 12th to early 13th century. As the Freer and Sackler Galleries museum description states, in China the gold-engraving technique is called <i>qiangjin</i>. The museum caption states that this method has existed since roughly the 3rd century AD, although it was not until the Song Dynasty era that gold engravings were found on luxury lacquerwares. After a wooden tray was covered with multiple layers of cinnabar-colored lacquer, fine lines were then incised into the new surface. These incisions were then filled with an adhesive of clear lacquer, followed by the pressing of gold foil into the grooves. The two long-tailed birds and a peony plant depicted in this tray are symbolic of longevity and prosperity in Chinese culture, since the Chinese word for "long life" (<i>shou</i>) sounds similar to the words for long-tailed birds (<i>dai shou</i>). </p> <p>In his book <i>Han Civilization</i> (1982, New Haven: Yale University Press), Wang Zhongshu would firmly disagree with the Freer and Sackler Gallery Museum description about the date of the oldest lacquerware luxury goods using the incising and gold foil technique, which he says was called <i>pingtuo</i>. From an ancient Han Dynasty (202 BC – 220 AD) tomb at Guanghua in Hubei province, archaeologists discovered lacquerwares having "incised tiger, hare, bird, and other animal and cloud-scroll designs were filled in with gold so that they resemble the gold- and silver-inlaid decorations on bronzes...Individual motifs were cut out from thin sheets of gold or silver and attached to the lacquered surface of the vessel, resembling what was later known as <i>pingtuo</i>" (Page 82). </p> |
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