Four Olds

From Infogalactic: the planetary knowledge core
Jump to: navigation, search
A 1968 map of Beijing showing streets and landmarks renamed during the Cultural Revolution. Andingmen Inner Street became "Great Leap Forward Road", Taijichang Street became the "Road for Eternal Revolution", Dongjiaominxiang was renamed "Anti-Imperialist Road", Beihai Park was renamed "Worker-Peasant-Soldier Park" and Jingshan Park became "Red Guard Park." Most of the Cultural Revolution-era name changes were later reversed.

The Four Olds or the Four Old Things (simplified Chinese: 四旧; traditional Chinese: 四舊; pinyin: sì jiù) were Old Customs, Old Culture, Old Habits, and Old Ideas. One of the stated goals of the Cultural Revolution in the People's Republic of China was to bring an end to the Four Olds.[1] The campaign to destroy the Four Olds began in Beijing on August 19, 1966, shortly after the launch of the Cultural Revolution.[2]

Terminology

The term "four olds" first appeared on June 1, 1966, in Chen Boda's People's Daily editorial, "Sweep Away All Monsters and Demons", where the Old Things were described as anti-proletarian, "fostered by the exploiting classes, [and to] have poisoned the minds of the people for thousands of years".[3] However, which customs, cultures, habits, and ideas specifically constituted the "Four Olds" were never clearly defined.[4]

On August 8, the Central Committee used the term at its 8th National Congress. The term was endorsed on August 18 by Lin Biao at a mass rally, and from there it spread to Red Flag magazine, as well as to Red Guard publications.[4]

Calls to destroy the "Four Olds" usually did not appear in isolation, but were contrasted with the hope of building the "Four News" (new customs, new culture, new habits, new ideas).[4] The idea that Chinese culture was responsible for China's economic backwardness and needed to be reformed had some precedent in the May Fourth Movement (1919), and was also encouraged by colonial authorities during the Japanese occupation of China.[5]

Campaign

The remains of Ming Dynasty Wanli Emperor at the Ming tombs. Red Guards dragged the remains of the Wanli Emperor and Empresses to the front of the tomb, where they were posthumously "denounced" and burned.[6]

The campaign to Destroy the Four Olds and Cultivate the Four News (Chinese: 破四旧立四新; pinyin: Pò Sìjiù Lì Sìxīn) began in Beijing on August 19.[3] The first things to change were the names of streets and stores: "Blue Sky Clothes Store" to "Defending Mao Zedong Clothes Store", "Cai E Road" to "Red Guard Road", and so forth. Many people also changed their given names to revolutionary slogans, such as Zhihong (志红, "Determined Red") or Jige (继革, "Following the Revolution").[4]

Other manifestations of the Red Guard campaign included giving speeches, posting big-character posters, and harassment of people, such as intellectuals,[7] who defiantly demonstrated the Four Olds.[3] In later stages of the campaign, examples of Chinese architecture were destroyed, classical literature and Chinese paintings were torn apart, and Chinese temples were desecrated.[4]

The Cemetery of Confucius was attacked in November 1966, during the Cultural Revolution, when it was visited and vandalized by a team of Red Guards from Beijing Normal University, led by Tan Houlan.[8][9] The corpse of the 76th-generation Duke Yansheng was removed from its grave and hung naked from a tree in front of the palace during the desecration of the cemetery in the Cultural Revolution.[10]

Red Guards broke into the homes of the bourgeois and destroyed paintings, books, and furniture; all were items that they viewed as part of the Four Olds.[11] Many families' long-kept genealogy books were burned to ashes.[citation needed] The Chinese government stopped short of endorsing the physical destruction of products. In fact, the government protected significant archaeological discoveries made during the Cultural Revolution, such as the Mawangdui Tombs and the Terracotta Army.[5]

Many artists and other cultural professionals were persecuted by vigilantes, although some cultural advances came about because of the period, including the integration of "new" western instruments and ballet into Peking opera. Traditional Chinese medicine also advanced despite the Four Olds campaign, most significantly by the derivation of the anti-malarial drug artemisinin from the qinghao plant.[5]

Upon learning that Red Guards were approaching the Forbidden City, Premier Zhou Enlai ordered the gates shut and deployed the People's Liberation Army against the Red Guards. After this incident, Zhou attempted to create a more peaceful code of conduct for the Red Guards, with the support of cadres Tao Zhu, Li Fuchuan, and Chen Yi. This plan was foiled by the ultra-leftists Kang Sheng, Jiang Qing, and Zhang Chunqiao. Although many of Zhou's other initiatives to stem the destruction failed because of their or Mao's own opposition, he did succeed in preventing Beijing from being renamed "East Is Red City" and the Chinese guardian lions in front of Tian'anmen Square from being replaced with statues of Mao.[12]

  • This statue of the Yongle Emperor was originally carved in stone, and was destroyed in the Cultural Revolution. A metal replica is in its place.

  • The remains of the 8th century Buddhist monk Huineng were attacked during the Cultural Revolution.

  • The Cemetery of Confucius was attacked by Red Guards in November 1966.

  • A frieze damaged during the Cultural Revolution, originally from a garden house of a rich imperial official in Suzhou.

Appraisal of damage

No official statistics have ever been produced by the Communist party in terms of reporting the actual cost of damage. By 1978, many stories of death and destruction caused by the Cultural Revolution had leaked out of China and became known worldwide.[13]

Restoration

Starting in the 1990s and continuing into the 21st century, there has been a massive rebuilding effort under way to restore and rebuild cultural sites that were destroyed or damaged during the Cultural Revolution. This has coincided with a resurgence in interest in, and demand for, Chinese cultural artifacts. Some have exploited this increased demand, producing counterfeit artifacts.

See also

References

  1. ↑ Spence, Jonathan. The Search for Modern China. 2nd ed. New York: W.W. Norton & Co., 1999. p575
  2. ↑ Law, Kam-yee. [2003] (2003). The Chinese Cultural Revolution Reconsidered: beyond purge and Holocaust. ISBN 0-333-73835-7
  3. ↑ 3.0 3.1 3.2 Lua error in package.lua at line 80: module 'strict' not found.
  4. ↑ 4.0 4.1 4.2 4.3 4.4 Lua error in package.lua at line 80: module 'strict' not found.
  5. ↑ 5.0 5.1 5.2 Lua error in package.lua at line 80: module 'strict' not found.
  6. ↑ "China's reluctant Emperor", The New York Times, Sheila Melvin, Sept. 7, 2011.
  7. ↑ Wen, Chihua. Madsen, Richard P. [1995] (1995). The Red Mirror: Children of China's Cultural Revolution. Westview Press. ISBN 0-8133-2488-2
  8. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  9. ↑ Asiaweek, Volume 10
  10. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  11. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  13. ↑ Roberts, Richard H. [1995] (1995). Religion and the Transformations of Capitalism. Routledge publishing. ISBN 0-415-11917-0
Retrieved from "https://infogalactic.com/w/index.php?title=Four_Olds&oldid=716657094"