Frank Brannon

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Frank Brannon
File:Frank Brannon.jpg
Frank Brannon, book & print artist, sorting Cherokee syllabary type.
Born John F. Brannon, Jr.
1965
Maryville, Tennessee
Education MFA, University of Alabama
Notable work Cherokee Phoenix: Advent of a Newspaper (2005)
Cathleen A. Baker's The Paste Papers of Louise Lawrence Foster (2011)
Awards Mary B. Reagan Artist in Residency, 2014
Website www.speakeasypress.com

Frank Brannon (born 1965) is a book and paper artist living near Dillsboro in North Carolina. He is the proprietor of Speakeasy Press, located in Dillsboro, North Carolina.

Background

John F. Brannon, Jr. (Frank), a native of Tennessee, was born in Maryville, Tennessee in 1965. He is a graduate of the M.F.A. in the Book Arts Program at the University of Alabama. He previously studied Atmospheric Sciences (ABD, State University of New York at Stony Brook, 1991–1994) and Physics (M.S., 1991 and B.S., Phi Beta Kappa, 1987) at the University of Tennessee. Brannon has been a member of the Southern Highland Craft Guild since 2013.[1]

The limited edition, letterpress books that Brannon produces are held in several special collections libraries in the United States and England, as well as with private collectors. His 2005 letterpress monograph focuses upon research into the Cherokee Phoenix newspaper of northern Georgia, 1828-1834. Brannon continues research on the origins of this historical newspaper as well as an exploration of the character-forms of the original Sequoyan syllabary.

Awards

Brannon became the first recipient of the North Carolina Arts Council's Mary B. Reagan Artist Residency Grant in 2014 to continue his work with the revitalization of Cherokee Language printing.[2]

Brannon was selected as the artist in residency at Ashantilly Center for 2015.[3] William G Haynes, founder of the Ashantilly Center and an artists and printer, helped the Georgia Department of Natural Resources set up the reconstructed print shop at New Echota in 1978.[4]

Work

Brannon is primarily a book and paper artist, and has created several hand-bound, hand-printed editions. His work includes a focus on exploring the book form,[5] experimental paper-making, and the Cherokee syllabary (including printing in the language). Brannon also engages in other art forms, as well as collaborating with other artists in a variety of capacities. He has participated in creating site-specific installations as well as costumes that Incorporated handmade paper.

In October 2013, Brannon collaborated with Cherokee artist Jeff Marley to print using Cherokee syllabary type at New Echota. This marked the first time in 178 years that monotype was used to print in the Cherokee language at New Echota.[6] Brannon has also worked with choreographer AMy Dowling and costumer Susan Brown-Strauss to create hand made paper costumes used in the performance art piece, Absolute Relativity at {Re}happening in 2014.[7]

Academic work

File:Cherokee Type - 36 pt.jpg
A close up view of the 36 pt Cherokee syllabary printing type. Syllabary mixed with standard numbers.

In addition to offering instruction in his own studio, Brannon is an adjunct instructor at several institutions including Southwestern Community College and Western Carolina University. Brannon also teaches letterpress, book binding, and paper-making workshops at art centers around the region, including Asheville Bookworks, Penland School of Crafts, and John C. Campbell Folk School. He has presented papers and lectures on the subject of Cherokee language printing at a number of conferences and venues.[8][9][10]

Cherokee syllabary printing type

Brannon's work with the Oconaluftee Institute for Cultural Arts (later Southwestern Community College) resulted in revitalizing letterpress printing in Cherokee syllabary.[11] The project began in late 2009 and culminated in 2014 with the arrival of the final set of 36 point type. This work has helped facilitate the production of limited edition, one-of-a-kind books and prints in the Cherokee language.[12]

The Cherokee language in a written form (known as the Cherokee syllabary) was developed by Sequoyah in the early 19th century. This resulted in the Cherokee quickly becoming literate in their own language and then printing the first newspaper in an indigenous language, the Cherokee Phoenix, in 1828.[13] In the events leading up the Trail of Tears, the printing press was seized by the Georgia Guard and the type disappeared.[14] The revitalization of Cherokee syllabary printing type marks the first time in 175 years that the Cherokee language was available for use in letterpress printing in the eastern United States.[12]

Books

Cherokee Phoenix: Advent of a Newspaper

The Print Shop of the Cherokee Nation 1828-1834, with a Chronology; 4 x 6.5 inches, 105 pages, 2005. Edition of 74.

Hand-bound, letterpress printed on handmade cotton paper using 11-point Garamond types, including muslin spine with handmade paper covered boards. Brannon modeled the binding style after three circa 1830 books. The regular edition includes full size reproductions of the hand impressions of excavated New Echota type. Six deluxe copies of the edition, specially bound in red quarter-leather, contained hand impressions of type found at New Echota. Both version contains Notes, Chronology, and Bibliography.

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Letterpress, limited edition book describing the advent of the Cherokee Phoenix newspaper in New Echota; last capital of the Cherokee Nation in the eastern United States. New information reveals the exact type of printing press used, and an initial exploration of metal type that was excavated in 1954 at New Echota. The likely location of the paper mill in Knoxville, Tennessee, which produced paper for the first issue of the Phoenix, is also described. Hand bound and printed on handmade cotton paper.[15]

Cathleen A. Baker's The Paste Papers of Louise Lawrence Foster

9.125x.25x6.0 inches, 54 pages, 2011. Edition of 82.

Limited edition letterpress sample book presenting and describing 14 examples of the paste papers of artist L.L. Foster. Printed on handmade cotton paper with quarter-cloth and paste paper covers.[16] 10 deluxe copies of the edition feature a quarter leather spine.

References

  1. ↑ John F. Brannon, Jr. (Frank), Southern Highland Craft Guild (retrieved 9 June 2014)
  2. ↑ Dillsboro Artist Frank Brannon Named Regan Residency Grant Recipient, NC Arts Council (retrieved 17 February 2015)
  3. ↑ Reception for Artist in Residence, Frank Brannon, Connect Savannah (retrieved 28 July 2015)
  4. ↑ Book artist Frank Brannon uses syllabary to print books in the Cherokee language, Jacksonville.com, Florida Times-Union (retrieved 28 July 2015)
  5. ↑ Exploring Book Forms, Huffington Post (retrieved 25 March 2015)
  6. ↑ Cherokee language printed at historic site for first time in 178 years, Macon County News (retrieved 5 June 2014)
  7. ↑ Absolute Relativity, {Re}happening (retrieved 9 June 2014)
  8. ↑ SECAC 2006 Conference Program, Southeastern College Art Conference, (retrieved 24 March 2015)
  9. ↑ {http://www.tnvacation.com/events/9304/ Frank Brannon-Lecture on Cherokee Printing}, Sequoyah Birthplace Museum, (retrieved 24 March 2015)
  10. ↑ SECAC 2013 Conference Program, Southeastern College Art Conference, (retrieved 24 March 2015)
  11. ↑ Historic Cherokee letterpress carries exciting potential for new art , Smoky Mountain News (retrieved 4 June 2014)
  12. ↑ 12.0 12.1 New Letterpress arrives at OICA, Cherokee One Feather (retrieved 4 June 2014)
  13. ↑ Woods, Thomas E. Exploring American History: Penn, William - Serra, Junípero Cavendish. Tarrytown, NY: 2008. p829.
  14. ↑ Langguth, p. 224.
  15. ↑ Cherokee Phoenix, Advent of a Newspaper: The Print Shop of the Cherokee Nation 1828-1834, with a Chronology, Google Books (retrieved 6 June 2014)
  16. ↑ Paste Papers of Louise Lawrence Foster, WorldCat (retrieved 9 June 2014)

Further reading

External links

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