Georges Lebacq
| Georges Émile Lebacq | |
|---|---|
| File:Autoportrait par Georges-Émile Lebacq (1914).jpg
Georges Émile Lebacq, Autoportrait, 1914
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| Born | Georges Émile Lebacq 26 September 1876 Jemappes, Belgium |
| Died | Script error: The function "death_date_and_age" does not exist. Bruges, Belgium |
| Nationality | Belgium |
| Known for | Painter |
| Notable work | Poème d'Automne dans le Parc du Château d'Ognon, Abandon,... |
| Movement | Impressionism, Post-Impressionism |
| Awards | Prix du Jury du Salon des Artistes Français 1927 |
Georges-Émile Lebacq (26 September 1876 – 4 August 1950) was a Belgian painter.[1]
Biography
A Post-Impressionist and Impressionist painter, Lebacq was alternately a watercolourist, pastellist and portrait, landscape and still life painter. He also painted church interiors (stained-glass windows and paintings). Certain works as "Lumière d'été à Vaux-le-Pénil" or "Le Repos en Terrasse" are impressionist. Initially self-taught, he first exhibited while a soldier during World War I. After the war he enrolled as a student at the Académie Julian at Paris in 1920, and thereafter worked mainly in France.[2]
Work
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Most of the paintings of Lebacq are in private collections. Until recently, paintings of this artist were rather rare on the Art market. Emma Lebacq, wife of the painter, was a wealthy person. So she granted him for devoting body and soul to the painting but not to trade it.
Gallery
- Georges Lebacq's works
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CrosdeCagnes.JPG
Cros de Cagnes
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Cougnac-1945.JPG
Cougnac
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Nature-Morte à La Serviette-1921.JPG
Nature-Morte à La Serviette 1921
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Cagnes-1910.JPG
Cagnes 1910
References
- ↑ Couleurs au front, 1914-1918: les peintres au front belge - Page 102 Joost de Geest, Galerie du Crédit Communal (Brussels, Belgium) - 1999 "Georges LEBACQ. Jemappes, 1876 -Bruges, 1950 Cet autodidacte, volontaire de guerre, entre à la Section Artistique en mars 1917. La même année, il participe à l'Exposition des peintres du front belge en Suisse, où il présente dix œuvres ..."
- ↑ Le Correspondant - Volume 288 - Page 1081 1922 "Point tant d'adjectifs et plus de raisons. Ainsi le bon peintre Georges Lebacq, duquel l'œuvre, au Salon, rappelait, cette année, à M. Denys Puech, « l'honnêteté d'un Chardin », a fort bien jugé ses compatriotes, MM. Krains et Stiernet, lorsque,.."
External links
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