Glenn Kaino

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Glenn Akira Kaino (born in 1972 in Los Angeles, California) is an American conceptual artist based in Los Angeles.

Early life, education and artistic training

He grew up in Cerritos and East Los Angeles; he is fourth-generation Japanese-American. He attended UC Irvine and received a BA in 1993 after which he attended UC San Diego where he completed an MFA in 1997.

Trained as a sculptor, Kaino came of age in the late 1980s – early 1990s, at the height of the culture wars. Working closely with teachers and mentors who at the time were engaged in a critically important reevaluation about the role of identity and politics in contemporary art, Kaino emerged as a member of the first generation of artists of color in the US to begin to consider the ways through which contemporary art could be responsive to the conceptual turn while remaining faithful to the political project of artists and activists of prior decades.[1]

Early career

Developing his practice at the height of the Internet boom, Kaino began to explore ideas of systems as a way to bring distinct wisdoms and knowledge forms into the language of contemporary art. Informed by the process of kit-bashing, akin to a model-maker’s process of reassembling standard models and structures into new and innovative forms, Kaino began to approach his sculptural process as a form of conceptual kit-bashing—appropriating the languages, logics, production processes, and value systems of various fields of study to apply them to his artistic process as a way to consolidate improbable materials.[2]

Artwork

Kaino’s work ranges across a wide range of media including drawing, painting, sculpture, video, and performance.

Kaino's most well-known works include Desktop Operations, a large-scale sand castle structure he debuted at the 2004 Whitney Biennial;[3] In Revolution, a kinetic sculptural illusion encompassing a rapidly spinning Aeron chair that unveils the image of a chalice as it rotates inside its incubator;[4] Untitled (Reverse Inverse Ninja Law), a large-scale levitating hammer sculpture made from thousands of small Zapatista dolls made through a collaboration with Zapatista activists in Chiapas;[5] The Burning Boards, a sculptural moment first shown at the Whitney Museum at Altria that encompasses a chess tournament played with burning candles; Safe, a sculpture made from amassed secrets[clarification needed] that visualizes secrecy in material form;[6] Arch, a large-scale sculpture commissioned by the City of Pittsburgh and the Heinz Endowment;[7] and In Every Grain, a sculptural environment in which he used air and sand to construct an ephemeral and temporary city-like sculpture for the US Pavilion at the 13th International Cairo Biennale in 2013, where he represented the US.[8]

Kaino’s work has been exhibited internationally and is included in the collections of the Los Angeles County Museum of Art (LACMA); the Hammer Museum, Los Angeles, CA;[9] the Museum of Contemporary Art San Diego;[10] the Orange County Museum of Art (OCMA), Newport Beach, California; the Museum Folkwang Essen; and the Studio Museum in Harlem, New York City.

Influences and collaborations

In addition to his studio practice, Kaino has collaborated with a wide range of organizations and companies on creative projects. An expansion of his ongoing interest in finding platforms in which art and creativity expand beyond the boundaries of the cultural institution, Kaino has worked with Universal Music Group on Farmclub.com and Napster 2.0.[11]

Kaino has also helped create various experimental venues to support the work of other artists. Working with collaborators Daniel Joseph Martinez and Rolo Castillo, Kaino co-founded the seminal artist-run gallery Deep River in Los Angeles in 1997.[12] Throughout its five years of existence, it was a beacon for artists and experimental practices in Los Angeles. Kaino was also a founding board member of LA><ART[13] and more recently he created the performance art duo A.Bandit with magician Derek DelGaudio.[14]

Exhibitions

Awards and nominations

Personal life

Glenn Kaino is married to fashion designer Corey Lynn Calter. They live in Los Feliz with their two daughters and dog Gilbert.[18]

References

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  3. Plagens, Peter (21 March 2004). "Art's Star Search." Newsweek.
  4. Stacy, Greg (14 February 2008). "Karen Finley, Glenn Kaino, Daniel Joseph Martinez, Martin Kersels at OCMA's 'Disorderly Conduct'." Orange County Weekly
  5. Firstenberg, Lauri (2006). "Ninjas and Pirates, Revolution and Romanticism: Lauri Firstenberg in Conversation with Glenn Kaino" Art Papers, November/December 2006 issue. Retrieved 25 February 2013
  6. Finkel, Jori (23 September 2010). "Glenn Kaino turns magic into art." Los Angeles Times.
  7. Thomas, Mary (16 July 2008). "L.A. artist's work transforms at Warhol Museum". Pittsburgh Post-Gazette. Retrieved 25 February 2013.
  8. UC Irvine Studio Art Department (15 May 2012) Glenn Kaino to Represent the US at the Cairo Biennale
  9. Hammer Museum. Glenn Kaino
  10. Museum of Contemporary Art, San Diego. Glenn Kaino: (Untitled) Reverse Inverse Ninja Law
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  12. Yun, Michelle (2011). "Kaino, Glenn Akira" in The Grove Encyclopedia of American Art, Vol. 1, pp. 8-9. Oxford University Press
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  14. Calendar, The Kitchen. A.Bandit: Experiments from The (Space) Between featuring Glenn Kaino and Derek DelGaudio
  15. California Community Foundation. About The Fellowships for Visual Artists
  16. Newsdesk, Smithsonian Institution (6 August 2012). "Smithsonian American Art Museum Announces Artists Nominated for its Contemporary Artist Award"
  17. PR Newswire (28 February 2012). "Glenn Kaino to Represent the U.S. at the 13th International Cairo Biennale Slated for December 2012". Retrieved 26 February 2013.
  18. Price, Nina. "2013 Looks Bright for LA-Based Power Duo". Los Angeles Confidential

External links