Goudy Old Style

From Infogalactic: the planetary knowledge core
Jump to: navigation, search
Goudy Old Style
File:GoudyOSPecimen.svg
Category Serif
Classification Old-style
Designer(s) Frederic W. Goudy
Foundry American Type Founders
Date released 1915
Re-issuing foundries Lanston Monotype
Intertype
Ludlow

Goudy Old Style (also known as just Goudy) is a classic old-style serif typeface originally created by Frederic W. Goudy for American Type Founders (ATF) in 1915.

Suitable for both text and display applications, Goudy Old Style is a graceful, balanced design with a few eccentricities, including the upward-curved ear on the g and the diamond shape of the dots of the i, j, and the points found in the period, colon and exclamation point, and the sharply canted hyphen. The uppercase italic Q has a strong calligraphic quality. Generally classified as a Garalde (sometimes called Aldine) face, certain of its attributes—most notably the gently curved, rounded serifs of certain glyphs—suggest a Venetian influence.

Goudy Old Style is considered to be among the most legible and readable serif typefaces for use in print (offline) applications.[1]

Distinctive features

Characteristics of this typeface are:

lower case: lozenge shape dot over the letter i. double storey a.

upper case: the capital Q's tail is centered under the figure, the uppercase J has a slight hook, and there are two versions of uppercase R, one with a straight tail and one with a curved tail.

figures:

History

The set of fonts in the Goudy 'family' in ATF's 1923 specimen book: the Goudy Old Style, Goudy Catalogue and Goudy Handtooled subfamilies. Goudy Cursive is effectively Goudy Old Style with swashes.

Several variants, designed by several designers, were released in the ensuing years (all faces ATF unless otherwise specified).[2] By Goudy:

  • Goudy Old Style (1915)
  • Goudy Old Style Italic, inspired by Aldine designs.
  • Goudy Cursive, a "loose italic" adding swashes and more calligraphic alternate characters. Missing from most digitisations but included on the LTC release.[3]

By Morris Fuller Benton:

  • Goudy Bold (1916)
  • Goudy Title (1918), a full size variation on Goudy’s small capitals from the Goudy Old Style roman.
  • Goudy Bold Italic (1919) The Lanston Monotype version of the italic includes cursive capitals by Sol Hess.
  • Goudy Catalog (1919) and Goudy Catalog Italic (1921), designed as medium weight companions.
  • Goudy Extra Bold + Italic (1927)

By others:

  • Goudy Children, which features single-story variants of the letters a and g in italic, bold, and bold italic styles and is used in children's books but is not available commercially.

The face was an instant best seller, prompting ATF to issue a special 124-page specimen book of the series in 1927. Goudy had sold the design to ATF for fifteen-hundred dollars and received no royalty on the type, causing his relationship with the foundry to deteriorate.

Over time, because graphic designers came to see the face as more suitable for display, the bold became the most enduringly popular of the family.[4]

In his 1946 autobiography, Goudy wrote that:

I had at some time or other copied a few letters of classic form from a portrait painting - I have always said "by Hans Holbein" but later search has never brought these particular pattern letters to light. [Goudy does not say which.] Anyway, I decided that I would attempt to complete an alphabet of capitals along the lines of the letters I had copied. Then came the difficult task of designing a lower-case in perfect harmony.

Regarding the italic, Goudy wrote:

I studied many of the older italics and came to the conclusion that...some of the outstanding italics of the sixteenth century had little or no inclination and yet preserved their italic character... Taking the Aldine italic as a starting point [I] succeeded in producing an original letter which, I believe, constituted the first distinctive italic in modern times.[5]

Hot metal copies

Goudy ATF specimen.jpg

The face was immediately licensed to Lanston Monotype and some of the weights were issued by Intertype as well. Ludlow called its 1924 knock-off the Number Eleven series.[6] Monotype's designer F.H. Pierpont, better known for Rockwell and Monotype Grotesque, designed a similar face named Horley Old Style, adding a distinct influence of Caslon designs.[7]

Cold type copies

As the face was a "classic" almost from the day of its issue, producers of cold type offered their own versions of Goudy Old Style under the following names:[8]

Digital copies

Commercial releases have been made by Monotype, Fontsite, DTP Types, Electric Typographer, Lanston Type, Bitstream, URW++ (bundled with Microsoft Office), Adobe, and Linotype. As many early digitisations were sublicensed, several of these may represent the same digitisation marketed by different rights-holders, possibly upgraded with modern features such as contextual ligature substitution and small caps. LTC's digitisation includes the calligraphic and swash alternate characters, as well as small caps.[9] Goudy Catalog has been copied by Scangraphic, Bitstream, URW++, and Elsner+Flake. A version called Goudy Schoolbook also exists, with single-story versions of the letters a and g, but it is not for sale to the general public. (The digitisation bundled with Microsoft Office lacks all these features; it does include ligatures, but they must be inserted manually.)

'Sorts Mill Goudy' is an open-source revival created by Barry Schwartz as part of the League of Movable Type project, which contains small capitals and other OpenType features.[10] Bhikkhu Pesala expanded this under the name 'Sukhumala', adding bold, bold italic and handtooled styles.[11]

ATF's other related fonts, Goudy Handtooled and Goudy Catalog, have also been digitised, again with a variety of companies holding some rights although only LTC's release includes Handtooled Italic.[12][13][14] Goudy Title has not been digitised under that name.

Usage

Goudy Old Style is the text typeface used in Harper's Magazine. It is the official typeface of Emory University in Atlanta, Georgia, Lewis & Clark College in Portland, Oregon, Moravian College in Bethlehem, Pennsylvania, Northwestern University in Evanston, Illinois, and Clemson University in Clemson, South Carolina. It is also used by the National University of Colombia.[15] It is also the standard body text font for Key Club publications. The bold italic weight is used for the wordmark of Whittard's.

Other Goudy typefaces

Goudy Old Style in an ad for stockings, c. 1920.

<templatestyles src="Module:Hatnote/styles.css"></templatestyles>

Frederic Goudy's name is associated with many other typefaces designed by Goudy, but not related to Goudy Oldstyle, including:[16]

References

  • Friedl, Frederich, Nicholas Ott and Bernard Stein. Typography: An Encyclopedic Survey of Type Design and Techniques Through History. Black Dog & Leventhal: 1998. ISBN 1-57912-023-7.
  • Lawson, Alexander S., Anatomy of a Typeface. Godine: 1990. ISBN 978-0-87923-333-4.
  • Meggs, Philip B. and McKelvey, Roy.Revival of the Fittest: Digital Versions of Classic Typefaces. RC Publications: 2000. ISBN 1-883915-08-2.
  1. About.com review of Classic Serif Typefaces
  2. MacGrew, Mac, "American Metal Typefaces of the Twentieth Century," Oak Knoll Books, New Castle Delaware, 1993, pp. 160-161, ISBN 0-938768-34-4.
  3. Lua error in package.lua at line 80: module 'strict' not found.
  4. Lawson, Alexander, Anatomy of a Typeface,David R. Godine, Publisher, Boston, 1990, ISBN 0-87923-332-X, pp. 110-119.
  5. Lua error in package.lua at line 80: module 'strict' not found.
  6. MacGrew, "American Metal Typefaces of the Twentieth Century," pp. 160-161.
  7. Lua error in package.lua at line 80: module 'strict' not found.
  8. Lawson, Alexander, Archie Provan, and Frank Romano, "Primer Metal Typeface Identification," National Composition Association, Arlington, Virginia, 1976, pp. 34 - 35.
  9. Lua error in package.lua at line 80: module 'strict' not found.
  10. Lua error in package.lua at line 80: module 'strict' not found.
  11. Lua error in package.lua at line 80: module 'strict' not found.
  12. Lua error in package.lua at line 80: module 'strict' not found.
  13. Lua error in package.lua at line 80: module 'strict' not found.
  14. Lua error in package.lua at line 80: module 'strict' not found.
  15. Resolución No. 001008, Agosto 14 de 2003, Universidad Nacional de Colombia, 14 August 2003
  16. MacGrew, "American Metal Typefaces of the Twentieth Century," pp. 160-169.

External links