A longcase clock, also tall-case clock, floor clock, or grandfather clock, is a tall, freestanding, weight-driven pendulum clock with the pendulum held inside the tower, or waist of the case. Clocks of this style are commonly 1.8–2.4 metres (6–8 feet) tall. The case often features elaborately carved ornamentation on the hood (or bonnet), which surrounds and frames the dial, or clock face. The English clockmaker William Clement is credited with the development of this form in 1670. Until the early 20th century, pendulum clocks were the world's most accurate timekeeping technology, and longcase clocks, due to their superior accuracy, served as time standards for households and businesses. Today they are kept mainly for their decorative and antique value.
The advent of the longcase clock is due to the invention of the anchor escapement mechanism by Robert Hooke around 1670. Prior to that, pendulum clock movements used an older verge escapement mechanism, which required very wide pendulum swings of about 80-100°. Long pendulums with such wide swings could not be fitted within a case, so most freestanding clocks had short pendulums.
The anchor mechanism reduced the pendulum's swing to around 4° to 6°, allowing clockmakers to use longer pendulums, which had slower "beats". These consumed less power allowing clocks to run longer between windings, caused less friction and wear in the movement, and were more accurate. Almost all longcase clocks use a seconds pendulum (also called a "Royal" pendulum) meaning that each swing (or half-period) takes one second. These are about a metre (39 inches) long (to the centre of the bob), requiring a long narrow case. The long narrow case actually predated the anchor clock by a few decades, appearing in clocks in 1660 to allow a long drop for the powering weights. However, once the seconds pendulum began to be used, this long weight case proved perfect to house it as well. British clockmaker William Clement, who disputed credit for the anchor escapement with Robert Hook, produced the first longcase clocks around 1680. Within the year Thomas Tompion, the most prominent British clockmaker, was making them too.
Modern longcase clocks use a more accurate variation of the anchor escapement called the deadbeat escapement.
Traditionally, longcase clocks were made with two types of movement: eight-day and one-day (30-hour) movements. A clock with an eight-day movement required winding only once a week, while generally less expensive 30-hour clocks had to be wound every day. Eight-day clocks are often driven by two weights – one driving the pendulum and the other the striking mechanism, which usually consisted of a bell or chimes. Such movements usually have two keyholes on either side of the dial to wind each one (as can be seen in the Thomas Ross clock above). By contrast, 30-hour clocks often had a single weight to drive both the timekeeping and striking mechanisms. Some 30-hour clocks were made with false keyholes, for customers who wished that guests to their home would think that the household was able to afford the more expensive eight-day clock. All modern striking longcase clocks have eight-day movements. Most longcase clocks are cable-driven, meaning that the weights are suspended by cables. If the cable was attached directly to the weight, the load would cause rotation and untwist the cable strands, so the cable wraps around a pulley mounted to the top of each weight. The mechanical advantage of this arrangement also doubles the running time allowed by a given weight drop.
Cable clocks are wound by inserting a special crank (called a "key") into holes in the clock's face and turning it. Others, however, are chain-driven, meaning that the weights are suspended by chains that wrap around gears in the clock's mechanism, with the other end of the chain hanging down next to the weight. To wind a chain-driven longcase clock, one pulls on the end of each chain, lifting the weights until the weights come up to just under the clock's face.
Elaborate striking sequences
In the early 20th century, quarter-hour chime sequences were added to longcase clocks. At the top of each hour, the full chime sequence sounds, immediately followed by the hour strike. At 15 minutes after each hour, 1/4 of the chime sequence plays, at the bottom of each hour, 1/2 of the chime sequence plays, and at 15 minutes before each hour, 3/4 of the chime sequence plays. The chime tune used in almost all longcase clocks is Westminster Quarters. Many also offer the option of Whittington chimes or St. Michael's chimes, selectable by a switch mounted on the right side of the dial, which also allows one to silence the chimes if desired. As a result of adding chime sequences, all modern mechanical longcase clocks have three weights instead of just two. The left weight provides power for the hour strike, the middle weight provides power for the clock's pendulum and general timekeeping functions, while the right weight provides power for the quarter-hour chime sequences.
Origin of the term "grandfather clock"
Henry Zecher describes the story of the naming of the grandfather clock (2005):
I will note that this may well be a fable that's popularity has made it become folklore turned "fact." Even this lore is related to the history of grandfather clocks, and an important part of the grandfather clock's history. He tells us that grandfather clocks were originally known as "long case clocks". In 1875 Henry Clay Work wrote the song “My Grandfather’s Clock.” This renaming caught on and today we refer to these clocks as grandfather clocks. Originally these floor clocks did not keep accurate time. The particular clock in the song was found in Piercebridge in County Durham in England, at the George Hotel, where it still stands today. It was known to be exceptional. It kept accurate time. As the story goes the hotel owners were a pair of bachelors, the Jenkins brothers. One of the brothers died and the clock curiously began losing time. Attempts to repair the clock failed, and the story culminates when at the remaining brother’s death, the clock ceased running altogether. Work was the son of an abolitionist who helped thousands of slaves flee to freedom in the north, he was later sentenced and imprisoned in 1841 and released in 1845, leaving the family penniless. Work later began writing songs, Work was a guest at The George Hotel in 1875 wherein seeing the clock, he later produced the song “My Grandfather’s Clock.”
Types of longcase clock
Comtoise clocks, also known as Morbier clocks or Morez clocks, are a style of longcase clock made in the French region Franche-Comté (whence their name). Features distinguishing this style are a curving "potbellied" case and a greater use of curved lines. Often a heavy, elongated, highly ornamented pendulum bob extends up the case (see photo).
Production of these clocks began in 1680 and continued for a period of about 230 years. During the peak production years (1850–1890) over 60,000 clocks were made each year. These clocks were very popular across the generations; they kept the time on farms throughout France. Many Comtoise clocks can be found in France but they are also frequently found in Spain, Germany, and other parts of Europe, less in the USA. Many Comtoise clocks were also exported to other countries in Europe and even further, to the Ottoman Empire and as far as Thailand. The metal mechanism was usually protected by a wooden sheath.
Bornholm clocks and Mora clocks
Bornholm clock-making began in the 1740s when an English ship, which had longcase clocks in its hold, was stranded. They were sent for repair to a turner named Poul Ottesen Arboe in Rønne and as a result of his repair of them he learned enough about clocks to begin to make his own.
Clockmakers in Britain
- John Alker or Alker of Wigan, Lancashire
- Allam & Clements
- John Clement & Son (Tring, Hertfordshire)
- William Barrow, London
- Thomas Birchall Nantwich, Cheshire
- Joseph Bowles, Winbourne (i.e.: Wimbourne), Dorset. Active 1791
- Samuel Bowles, Wimbourne, Dorset
- Robert Bryson, Edinburgh
- Thomas Bullock, Bath
- John Calver, Woodbridge, Suffolk
- Thomas Cartwright
- Richard Donisthorp (fl. 1797), of Loughborough
- Matthew & Thomas Dutton
- Peter Fearnley, Wigan
- John Fernhill, Wrexham
- Thomas Hackney, London, c. 1700–1750
- Edward Harrison[disambiguation needed], Warrington
- John Harrison, Wakefield/Barrow-in-Furness/London
- Nathaniel Hedge, Colchester
- James Howden, Edinburgh
- Thomas Husband, Hull
- Thomas Johnson
- William Lassell (1758–1790), Toxteth Park, Liverpool
- Timothy Mason (clockmaker) Gainsborough, Lincolnshire
- Alexander Miller, Montrose
- Peddie Stirling, Scotland
- Daniel Quare
- Thomas Ross, Hull
- John Snelling, Alton
- James Woolley Codnor
- Thomas Worswick, Lancaster
- Thomas Wright
- Henry Young, Swaffham
- John Wyld, Nottingham
Clockmakers in Ireland
Clockmakers in Finland
- Masters of Könni Könnin mestarit (1757–1865), Ilmajoki
- Finnish Museum of Horology is master of Jaakko Könni manufactured table clocks and pocket watches
- Ilmajoki Museum is Masters of Könni manufactured horse vehicles, clocks, looms, locks, tools, machine of gear "keervärkki"
Clockmakers in the United States
- Aaron Miller ( -1778), Elizabeth Town, New Jersey
- Aaron Brokaw (1768-1853), Bridge Town, New Jersey
- Isaac Brokaw (1746-1826), Bridge Town, New Jersey
- Luman Watson (1790–1834), Cincinnati
- Simon Willard (1753–1848), Roxbury, Massachusetts
- Silas Merriman (1733-1805), New Haven, Connecticut
- Zachariah Grandfather Clocks (1975-1987), Chicago, Illinois
Clock case manufacturer in Australia
- Hermle Clocks
- Howard Miller Clock Company
- Seth Thomas Clock Company
- Ridgeway Clocks
- Bulova Watch Company
- Headrick, Michael (2002). "Origin and Evolution of the Anchor Clock Escapement". Control Systems magazine,. Vol. 22 no. 2. Inst. of Electrical and Electronic Engineers. Archived from the original on 2009-10-25. Retrieved 2007-06-06.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Nelthropp, H. Leonard (1873). A Treatise on Watch-Work, Past and Present. London: E.& F.N. Spon. p. 84.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Barnett, Jo Ellen (1999). Time's Pendulum: From Sundials to Atomic Clocks, the Fascinating History of Timekeeping and how Our Discoveries Changed the World. Houghton Mifflin Harcourt. pp. 91–92. ISBN 0-15-600649-9.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Chappell, Jessica (2000). "The Long Case Clock: The science and engineering that goes into a grandfather clock". Illumin. Viterbi School of Engineering, USC. 1 (0): 4. Retrieved 2008-06-19.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Moore, N. Hudson Moore (1903). The Old Furniture Book. New York: Frederick A. Stokes Company. p. 205.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- "Oxford English Dictionary" (available online to subscribers, also in print). Retrieved 2009-04-19.
Grandfather's clock [suggested by a song which was popular about 1880], a furniture-dealer's name for the kind of weight-and-pendulum eight-day clock in a tall case, formerly in common use; also grandfather clock (now the usual name): [1876 H. C. WORK Grandfather's Clock, My grandfather's clock was too large for the shelf, So it stood ninety years on the floor.]<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles>
- Zecher, Henry (October 2005). "How an old floor clock became a grandfather". The Pride of Olney. Lion's Club of Olney, Maryland. 30 (76). Retrieved August 12, 2013.<templatestyles src="Module:Citation/CS1/styles.css"></templatestyles> on Henry Zecher's personal website
- Media related to Longcase clocks at Wikimedia Commons