Grant Doyle (baritone)

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Grant Doyle
Birth name Grant William Doyle
Born (1971-05-21) 21 May 1971 (age 52)
Origin Adelaide, South Australia, Australia
Genres Classical
Opera
Vocal
Occupation(s) Baritone singer
Years active 1994–present

Grant Doyle is an Australian/British operatic baritone.

Biography

Born in Adelaide, Doyle studied voice at the Elder Conservatorium and then the Opera School at the Royal College of Music in London, subsequently winning a place on the Jette Parker Young Artists Programme at the Royal Opera House, Covent Garden.


His roles for the ROH include Ping Turandot (2014), El Dancairo Carmen, Apprentice Wozzeck, Tarquinius The Rape of Lucretia, Harlequin Ariadne auf Naxos, Schaunard La boheme, Demetrius A Midsummers Night's Dream, Marullo Rigoletto and Billy Wayne Smith in the world premiere of Mark Anthony Turnage's Anna Nicole.[1]


Credits include the Forester Cunning Little Vixen,[2] the title role in Don Giovanni[3] and Count Almaviva Le nozze di Figaro[4] for Garsington Opera; Zurga Les pêcheurs de perles,[5] Marcello La bohème[6] and Fantastic Mr Fox[7] for Opera Holland Park; Demetrius at the Teatro Real in Madrid[8] as well as Ned Keene Peter Grimes for Teatro Perez Galdos[9] in Gran Canaria. He has appeared with Opera North, starring as Robin Oakapple in their acclaimed Jo Davies production of Gilbert & Sullivan's Ruddigore[10] as well as Sasha Paradise Moscow.[11] He has sung Marcello La bohème for Raymond Gubbay at the Royal Albert Hall[12] and also Schaunard for Glyndebourne Touring Opera.[13] He has sung the title role in The Barber of Seville,[14] Marcello,[15] Hector King Priam,[16] Eduardo L'assedio di Calais,[17] Paolo Simon Boccanegra[18] and Emireno Ottone[19] for English Touring Opera, as well as creating the role of Abraham in James MacMillan's Clemency directed by Katie Mitchell for ROH2 and revived for Scottish Opera[20] at the 2012 Edinburgh Festival.


He is an ambassador for the community opera project Blackheath Halls Opera and has performed Marcello La bohème, Belcore L'elisir d'amore, Escamillo Carmen and in 2012, Pandolfe in their well received production of Massenet's Cendrillon.[21]


In his native Australia, Grant has sung Don Giovanni,[22] Zurga Les pêcheurs de perles,[23] the Count Le nozze di Figaro[24] and Starbuck in Jake Heggie's Moby-Dick for State Opera of South Australia for which he won a 2012 Helpmann Award for Best Male Performer in a Supporting Role.[25] He sang Orestes in Gluck's Iphigénie en Tauride for Pinchgut Opera[26] in Sydney and Phillip II in the premiere of Isaac Nathan's ballad opera Don John of Austria, recorded for ABC Classics with the Sydney Symphony Orchestra.[27]

He played the title role in the 2008 Channel 4/ABC film of Jonathan Mills' The Eternity Man, the story of Sydney's legendary Arthur Stace.[28] The film premiered at the Sydney Film Festival and had screenings on ABC TV, Channel 4, Barbican Cinema in London, Locarno Festival and won a Rose d'Or for best Performing Arts Programme in 2009.[29] He also recorded the Forester for the BBC animated film of The Cunning Little Vixen with the Deutsches Symphonie-Orchester Berlin conducted by Kent Nagano[30] as well as taking the role of Carlo in Judith Weir’s film opera Armida for Channel 4 TV.[31]

As a busy concert soloist, Grant has performed Carmina Burana with the Royal Philharmonic,[32] Crouch End Festival Chorus/Barbican,[33] as well as for Raymond Gubbay at the Royal Albert Hall.[34] Other performances include Elijah (Blackheath Halls),[35] Weill's Seven Deadly Sins (Hallé Orchestra,[36]), Janáček’s Glagolitic Mass (Philharmonia at the Brighton Festival),[37] Brahms' Ein Deutches Requiem with the Tasmanian Symphony Orchestra,[38] Britten War Requiem (Huddersfield Choral Society),[39] Tippett's A Child of Our Time[40] and Vaughan-Williams A Sea Symphony[41] (Crouch End Festival Chorus at the Barbican), and Messiah with the Nottingham Harmonic Choir[42] and also with the Royal Choral Society at the Royal Albert Hall.[43]


He holds dual citizenship of Australia and the UK and currently lives in south east London.

References

  1. Royal Opera House Website http://www.roh.org.uk/people/grant-doyle Retrieved 1 April 2015
  2. Gavin Dixon, "The Cunning Little Vixen in all its rustic glory at Garsington" http://bachtrack.com/review-vixen-garsington-booth-doyle-june-2014 26 June 2014
  3. William Hartston, Daily Express review http://www.express.co.uk/entertainment/theatre/326377/Review-Don-Giovanni-by-Mozart-L-Olimpiade-by-Vivaldi-Garsington-Opera Jun 13, 2012
  4. Igor Toronyi-Lalic "Le nozze di Figaro, Garsington Opera" http://www.theartsdesk.com/opera/le-nozze-di-figaro-garsington-opera 06 June 2010
  5. Rupert Christiansen "Les Pêcheurs de Perles, Opera Holland Park, review" http://www.telegraph.co.uk/culture/music/opera/10143222/Les-Pecheurs-de-Perles-Opera-Holland-Park-review.html 26 Jun 2013
  6. Delia Casadei "Puccini: La Bohème, Opera Holland Park" review http://www.musicalcriticism.com/opera/ohp-boheme-0609.shtml 28 June 2009
  7. Opera Holland Park Website http://www.rbkc.gov.uk/subsites/operahollandpark/2012season/fantasticmrfox.aspx#.VQromFXtmko retrieved 01 April 2015
  8. Teatro Real website http://www.madridteatro.eu/teatr/informacion/2006/informacion163.htm retrieved 1 April 2015
  9. Teatro Perez Galdos Website http://www.teatroperezgaldos.com/en/operapeterartistica.htm retrieved 1 April 2015
  10. By Rupert Christiansen "Opera North's Ruddigore, review" http://www.telegraph.co.uk/culture/7130347/Opera-Norths-Ruddigore-review.html 01 Feb 2010
  11. Opera North e-flier http://www.e-flier.co.uk/operanorth/spring2009/paradisemoscow/ retrieved 1 April 2015
  12. Tim Ashley, Guardian Review http://www.theguardian.com/music/2004/feb/28/classicalmusicandopera 26 June 2004
  13. Financial Times review http://www.ft.com/cms/s/0/430ba7e2-1802-11d9-9ac5-00000e2511c8.html#axzz3UqUHEi00 retrieved 1 April 2015
  14. John Allison, The Barber of Seville, ETO, Seven magazine review http://www.telegraph.co.uk/culture/music/opera/9153756/The-Barber-of-Seville-ETO-Seven-magazine-review.html 19 Mar 2012
  15. George Hall, "La Bohème review – sparse but beautifully sung production from ETO" http://www.theguardian.com/music/2015/mar/15/la-boheme-hackney-empire-opera-review 15 March 2015
  16. Richard Fairman, King Priam, Linbury Studio Theatre, Royal Opera House, London – review http://www.ft.com/cms/s/2/16d66190-9880-11e3-8503-00144feab7de.html#axzz3UqUHEi00 February 18, 2014
  17. Mark Valencia, The Siege of Calais (English Touring Opera - Tour) http://www.whatsonstage.com/london-theatre/reviews/the-siege-of-calais-english-touring-opera-tour_37324.html 9 Mar 2015
  18. Peter Reed, Simon Boccanegra, English Touring Opera, at Hackney Empire http://www.telegraph.co.uk/culture/music/opera/9928422/English-Touring-Operas-Simon-Boccanegra.html 13 Mar 2013
  19. Rupert Christiansen, Ottone, English Touring Opera, review: 'a rare delight for Handel lovers' http://www.telegraph.co.uk/culture/music/opera/11187679/Ottone-Handel-English-Touring-opera-review.html 25 Oct 2014
  20. Scottish Opera Website http://www.scottishopera.org.uk/clemency-press-reviews retrieved 1 April 2015
  21. Blackheath Halls Website http://www.trinitylaban.ac.uk/blackheath-halls/community-engagement-programme/blackheath-halls-opera retrieved 1 April 2015
  22. http://www.adelaidenow.com.au/entertainment/arts/grant-doyle-shines-in-state-opera-sas-version-of-don-giovanni/story-fni6um8e-1227376870059
  23. Ewart Shaw, Opera - The Pearl Fishers http://www.adelaidenow.com.au/entertainment/arts/opera-the-pearl-fishers/story-fn503imo-1225922419166 SEPTEMBER 14, 2010
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  27. http://www.sydneysymphony.com/media/81979/PROG41_071018_DonJohnAustria_SSO.pdf
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  34. Concert program
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  38. http://tso.stage.mayday.ionata.com/wp-content/uploads/2012/12/Teddy-Sings-Brahms-and-Mahler.pdf p7
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