Helen FitzGerald

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Helen FitzGerald

Helen FitzGerald (born September 21, 1966 in Shepparton, Australia)[1] is a bestselling novelist and screenwriter. Her debut novel, Dead Lovely, was originally published by Allen & Unwin in September 2007[2] and her latest novel, The Exit, was published in February 2015 by Faber & Faber.[3] Viral, her next novel, is due to be released in February 2016.[4]

Background

She was raised in the country town of Kilmore, Victoria,[1] being the twelfth in a large family of thirteen children.[5] She studied English and History at the University of Melbourne, before later attending Glasgow University where she completed a Diploma and Masters in Social Work.[6] She began writing while working as a criminal justice social worker, where for a period she worked with serious sex offenders in Glasgow's Barlinnie Prison.[7] She quit this job for a time to focus solely on her writing career,[8] before returning to the field part-time. She cites her experience as a social worker an inspiration in the subject matter of her writing.[9]

Writing

FitzGerald began as a screenwriter, producing a series of educational children's dramas for BBC Scotland. However, she became frustrated with the industry when none of her subsequent screenplays were produced and turned to novel-writing. She states that the rules of screenwriting are very stringent, but that in having learned them she has improved as a writer.[10]

Her books are mostly thrillers, though she herself has described her genre as "Domestic Noir", a term coined by her fellow author Julia Crouch.[11]

Works

FitzGerald has written eleven novels to date, with a twelfth set to be released in 2016:

Critical Reaction

Some critics noted that FitzGerald's first book, while generally described as a crime novel, did not follow the traditional rules of the genre. They argued that it belonged to a different, more psychologically complex tradition, characterised by the dark humour and flawed anti-heroines of writers such as Tama Janowitz and Fay Weldon. Novelist Mark Abernethy wrote of FitzGerald: "She has managed to do what Fay Weldon did in The Life and Loves of a She-Devil, which is to find the joke in what appalls us." Australian critic Sally Murphy described the novel as compelling but hard to classify, with "elements of chick-lit mixed with ghastly scenes of murder and retribution", while Adelaide writer Cath Kenneally highlighted FitzGerald's technique of underpinning audacious and potentially shocking material - "working blue" - with "sociological acumen".

The Cry has received the widest critical acclaim of any of Helen's novels to date, with Doug Johnstone from The Independent on Sunday stating: "Astonishingly good. It is utterly harrowing, completely plausible, constantly nerve-shredding ... It plays on the deepest, darkest fears of all parents about their children, and embeds that everyday terror in a plot so up-to-the-minute that you'll swear it's been lifted from the pages of a newspaper ... The Cry is a remarkable novel - its devastating power all the stronger for its realistic rendering. Brilliant stuff."[12]

Nominations

Helen has been nominated for several awards, including:

References

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External links