I–V–vi–IV progression

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The I–V–vi–IV progression is a common chord progression popular across several genres of music. It involves the I, V, vi, and IV chords; for example, in the key of C major, this would be: C–G–Am–F.[1] Uses based on a different starting point but with the same order of chords, include:

  • I-V-vi-IV
  • V-vi-IV-I
  • vi-IV-I-V
  • IV-I-V-vi

The 50s progression uses the same chords but in a different order (I–vi–IV–V), no matter the starting point.

Variations

A common ordering of the progression, "vi–IV–I–V", was dubbed the sensitive female chord progression by Boston Globe Columnist Marc Hirsh.[2] In C major this would be Am–F–C–G. Hirsh first noticed the chord progression in the song "One of Us" by Joan Osborne,[3] and then other songs. He named the progression because he claimed it was used by many performers of the Lilith Fair in the late 1990s.[2]

Dan Bennett claims the progression is also called the "pop-punk progression" because of its frequent use in pop punk.[1]

The vi–IV–I–V progression has been associated with the heroic in many popular Hollywood movies and movie trailers, especially in films released since 2000.[4]

The chord progression is also used in the form IV–I–V–vi, as in songs such as "Umbrella" by Rihanna[5] and "Down" by Jay Sean.[6] Numerous bro-country songs followed the chord progression, as demonstrated by Greg Todd's mash-up of several bro-country songs in an early 2015 video.[7]

A 2009 song by the comedy group The Axis of Awesome, called "Four Chords", parodied the ubiquity of the progression in popular music. It was written in D major (thus using the chords D major, A major, B minor, and G major) and was subsequently published on YouTube.[8] As of August 2015, the most popular version has been viewed over 35 million times.[9]

Examples

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Examples of use of the I–V–vi–IV progression include:


Songs using the vi–IV–I–V progression:

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See also

References

  1. 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 Bennett, Dan (2008). The Total Rock Bassist, p. 63. ISBN 978-0739052693
  2. 2.0 2.1 2.2 Hirsh, Marc. "Striking a Chord", The Boston Globe, December 31, 2008.
  3. Rundown 3/4: "Sensitive Female Chord Progression", Here and Now, March 4, 2009, wbur.org.
  4. Murphy, Scott (2014). 'A Pop-Music Progression in Recent Popular Movies and Movie Trailers', Music, Sound, and the Moving Image 8.2 (Autumn): 141-162.
  5. Lua error in package.lua at line 80: module 'strict' not found.(subscription required) Gbmaj7, Db(add2)/Ab, Fm7, Bbm9.
  6. "Down", MusicNotes.com. (subscription required)
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  8. 8.0 8.1 Lua error in package.lua at line 80: module 'strict' not found.
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  10. "Someone Like You", MusicNotes.com. (subscription required)
  11. "Head Over Feet", MusicNotes.com. Chords marked. (subscription required)
  12. Lua error in package.lua at line 80: module 'strict' not found.
  13. [1] Let It Go], hooktheory.com
  14. "Don't You Wanna Stay", MusicNotes.com. (subscription required)
  15. "Happy Ending", MusicNotes.com. Chords marked. (subscription required)
  16. "Perfect", MusicNotes.com. (subscription required)
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  22. [2]
  23. "Save Tonight", MusicNotes.com. (subscription required)
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  31. "Stronger (What Doesn't Kill You)", MusicNotes.com. Chords marked. (subscription required)
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  34. http://www.musicnotes.com/sheetmusic/mtd.asp?ppn=MN0092240
  35. "Just a Dream", MusicNotes.com. (subscription required)
  36. "Marilyn Monroe", MusicNotes.com. (subscription required)
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Further reading

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External links