Jasia Reichardt
From Infogalactic: the planetary knowledge core
| Jasia Reichardt | |
|---|---|
| Born | 1933 Warsaw, Poland |
| Occupation | art critic, curator, writer |
| Nationality | British |
| Notable works | Cybernetic serendipity: the computer and the arts |
Jasia Reichardt (born 1933) is a British art critic, curator, and writer.
Career
Jasia Reichardt was born in Warsaw, Poland, in 1933. In the 1950s she was editor of Art News and Review, a weekly arts magazine.[citation needed] From 1963 to 1971 she was assistant director of the Institute of Contemporary Arts in London.[1] In 1968 she curated the Cybernetic Serendipity exhibition at the ICA,[2] and was editor of Cybernetic serendipity: the computer and the arts, a special edition of Studio International magazine, which was published at the same time.[3] From 1974 to 1976 Reichardt was a director of the Whitechapel Art Gallery.[1]
See also
- Algorithmic art
- Computer art
- Electronic Art
- Generative art
- New Media Art
- Virtual art
- Post-conceptual
References
- ↑ 1.0 1.1 Jasia Reichardt archive of concrete and sound poetry, 1959-1977. Getty Research Institute. Accessed January 2014.
- ↑ Charlie Gere, ‘Minicomputer Experimentalism in the United Kingdom from the 1950s to 1980’ in Hannah Higgins, & Douglas Kahn (Eds.), Mainframe experimentalism: Early digital computing in the experimental arts. Berkeley, CA: University of California Press (2012), p. 119
- ↑ Jasia Reichardt (ed) (November 1968). Cybernetic Serendipity, the computer and the arts. Studio International Special Issue 905.
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