José Parlá

From Infogalactic: the planetary knowledge core
Jump to: navigation, search

Lua error in package.lua at line 80: module 'strict' not found.

José Parlá
File:Jose wiki.jpg
José Parlá
Born 1973
Miami, Florida
Nationality American
Education Savannah College of Art & Design, Georgia / New World School of the Arts, Miami
Known for Art, Sculpture, Painting, Photography
Notable work ONE: Union of the Senses @ One World Trade Centre
Awards Grand Prize, Best Documentary Short, Best U.S. Premiere, Heartland Film Festival For Wrinkles of the City, Havana Cuba
Website www.joseparla.com
File:2013 Parla working at Barclays Center.jpg
Barclay's Center
File:2013 Work in progress Parla with Nature of Language 6.jpg
Nature of Language
File:2015 Jose Parla finishing his Havana Cuba sculpture.jpg
Havana Cuba Sculpture


José Parlá (1973), is a Brooklyn-based artist who is known for his paintings, architectural collaborations, sculpture and photography. His work has received critical acclaim and lies between the boundary of abstraction and calligraphy.[1]

While Parlá works at various scales and with different mediums, he is publicly known for his permanent installations of large-scale paintings. These paintings are found within numerous notable North American institutions from The One World Trade Center in NYC to the Hunt’s Library by Snøhetta in Raleigh’s North Carolina State University.

Within Parlá’s work; either large or small, through sculpture or painting, there are layers of hidden stories. Evoking the pace of a frenetic metropolis, he constructs his paintings improvisationally by layering materials- "I’m really interested in the way our lives are built up out of memory and history, and how we reflect that in our surroundings."[2]

Parlá has exhibited worldwide and collaborated with artists from various countries. In 2012, Jose worked with French artist JR on a piece titled "Wrinkles of the City: Havana", Cuba a project, which in the same year was selected to be in the 11th Havana Biennial. As part of the collaboration, Parlá and JR co-directed a documentary by the same title that was awarded the Grand Prize for Documentary Short and Best U.S. Premiere Documentary Short in 2013.

Early career

José Parlá started painting in the early 1980s, exhibiting his works in the streets of Miami, and studied at Miami Dade Community College, New World School of the Arts and Savannah College of Art & Design.

Works

Parlá’s heavily layered paintings can often resemble distressed city walls. Art historian and writer Greg Tate writes: "What José Parlá's paintings force us to realize, as good historical paintings always do, is that given enough time and entropy even the hurtling locomotive motion of the streets can be arrested, contemplated, symbolically apprehended, studied, replicated. The temptation to call Parlá a 'post-graffiti’ painter is great but I'd prefer we recognize him as a historical landscape painter even though his historical landscape is made of concrete, wood and wallboard and his 'histories' derive from personal memories and from events buried and embedded in the gorgeous erosions and ruination time and weather will deposit on your average urban walls." [3]

Parlá’s most well known works encompass his permanent large- scale paintings that can be found in various academic and cultural institutions all over North America:

In 2014, Parlá was commissioned to paint a piece for the One World Trade Centre in New York City. Visitors to the lobby of One World Trade Centre is greeted by Parlá's colorful 90 ft mural titled ONE: Union of the Senses which stands as a symbol of diversity. "The lively, jewel-toned mural will greet an estimated 20,000 visitors a day. I think that the role of the art is to create life within a building, said Mr. Edelman, It's not just about white marble walls, it's about spirit and life." Parla has said that "It was very important to me that this painting would reflect a massive respect to the situation and event and the families, and a massive respect for the site."

In 2013, Parlá completed a piece titled Nature of Language at the North Carolina State University’s Hunt Library designed by Snøhetta in Raleigh. The artist describes the piece here, "Although illegible at first sight, the juxtaposed characters, gestures, hieroglyphs, and words become readable through feeling, as it is my hope that the work evokes the language of your own inner voice of your own history. I found inspiration in the essence of words and their combined power, however abstract within a landscape of gestural forms and characters that serve as carriers of meaning. Within this meta-landscape, a viewer is welcomed to read into or feel the Nature of this universal language putting grammatical forms on hold." [4]

In 2012, Parlá collaborated with French artist JR on a huge mural installation in Havana. The project was undertaken for the Havana Biennale, for which JR and Parlá photographed and recorded 25 senior citizens who had lived through the Cuban revolution.

In 2014, Parlá exhibited two paintings at the High Museum. One painting which is 40 feet long titled "Night and Day in London Town" poetically evokes time passing over the course of a day in London and incorporates Parlá’s calligraphic mark-making. The second painting, titled Hackney Canal, Rio Don Diego 2008 is a large painting inspired by Wilfredo Lam’s masterpiece "La Jungla," 1943 (collection of the Museum of Modern Art, New York).

In 2012, Parlá completed his first large scale commissioned artwork titled Gesture Performing Dance, Dance Performing Gesture. According to Parlá, this 37 feet long by 7 feet tall mural located at The Brooklyn Academy Of Music serves as a "reminder that we are not passive bystanders; we are active participants in a world that our senses produce for us, from moment to moment."

In 2015, Parlá showcased his sculptural pieces titled Segmented Realities at the Havana Biennial.

In 2012, Parlá was commissioned to create a site specific-piece for the inside of the EmblemHealth Dean entrance at the Barclays Centre. The piece titled, Diary of Brooklyn is inspired by the book Brooklyn Is by James Agee and is visible from the street, creating an interaction with the public.

In 2011, Parlá was commissioned to paint two gigantic and highly detailed murals for the Parade1 building at Concord CityPlace in Toronto, Canada. The paintings titled The Names that Live But Sometimes Fade While Time Flies and The Bridge although abstract in nature- are filled with stories of different artists, which Parlá pays homage to through his calligraphic marks and gestures.

Exhibitions

In 2014, Parlá exhibited his first museum solo show by the title of Segmented Realities at the High Museum of Art Atlanta, followed by the 2015 group exhibition Imagining New Worlds at the High Museum of Art Atlanta alongside Cuban surrealist painter Wifredo Lam and Atlanta based contemporary artist Fahamu Pecou.

In the fall of 2015, Parlá held a concurrent solo exhibition at Mary Boone Gallery and Bryce Wolkowitz Gallery titled Surface Body/ Action Space. This exhibition showcased new paintings and sculptures never before seen.

Parlá’s work can also be found in the permanent collections of The British Museum, London; The Albright-Knox Art Gallery, Buffalo, New York, POLA Museum of Art, Hakone, Japan; and The Burger Collection in Hong Kong.

See below for a complete list of exhibitions

Lua error in package.lua at line 80: module 'strict' not found.

Solo Shows

  • 2015 Mary Boone Gallery, NYC, NY
  • 2015 Bryce Wolkowitz Gallery, NYC, NY
  • 2015 High Museum of Art, Atlanta, Georgia. Segmented Realities.
  • 2014 Bryce Wolkowitz Gallery, NYC, NY. In Medias Res.
  • 2013 Yuka Tsuruno Gallery, Tokyo, Japan. PROSE.
  • 2013 Haunch of Venison, London, England. Broken Language.
  • 2012 Brooklyn Academy of Music, Brooklyn, NY. Gesture Performing Dance, Dance Performing Gesture.
  • 2011 OHWOW Gallery, Los Angeles, CA. Character Gestures.
  • 2011 Bryce Wolkowitz Gallery, NYC, NY. Walls, Diaries and Paintings.
  • 2009 Ooi Botos Gallery, Hong Kong, China. Reading Through Seeing.
  • 2008 Cristina Grajales, NYC, NY. Layered Days.
  • 2007 Elms Lesters Painting Rooms, London, England. Adaptation/ Translation.
  • 2007 Autopsy Gallery, Melbourne, Australia. The Grand Tour.
  • 2007 Monster Children Gallery, Sydney, Australia. The Elsewhere Community.
  • 2006 Art Basel Miami Beach, Miami Beach, Florida. Cityscapes.
  • 2006 Koehler Gallery, Whitworth College, Spokane, Washington. The Mystic Writing Pad.

Group Shows

  • 2014 High Museum of Art, Atlanta, Georgia. Imagining New Worlds, Wilfredo Lam, José Parlá, Fahamu Pecou.
  • 2012 Havana, Cuba. 11th Havana Biennial. Havana, Cuba. Wrinkles of the City. (JR and José Parlá) Martha Otero Gallery, Los Angeles, California. *Legal Tender.
  • 2010 Art Basel Miami Beach, Miami Beach, Florida. It Ain’t Fair – OHWOW.
  • 2010 Bryce Wolkowitz Gallery, NYC, NY. The New Grand Tour.
  • 2009 Kidd Yellin Gallery, Brooklyn, New York. The Kings County Biennial.
  • 2009 Galerie Emmanuel Perrotin, Paris, France. Stages.
  • 2009 Deitch Projects, NYC, NY. Stages.
  • 2009 OHWOW Gallery, Miami, Florida. Stages.
  • 2009 V1 Gallery, Copenhagen, Denmark. The New Yorkers.
  • 2008 DNA Space, Beijing, China. The New Grand Tour.
  • 2008 Kai Kai Ki Ki Gallery, Tokyo, Japan. Hi & Lo.
  • 2007 Elms Lesters Painting Rooms, London, England. Pirate Utopias – Futura and José Parlá.
  • 2004 Chelsea Art Museum, NYC, NY. Hollywood to the Street: Mimmo Rotella and José Parlá.
  • 2004 SECCA - Southeastern Center for Contemporary Art, Winston-Salem, North Carolina. The Barnstormers: Retrospective.
  • 2003 Agnès B. Galerie, Paris, France.

Bibliography

Lua error in package.lua at line 80: module 'strict' not found.

  • Munro, Cait, Is José Parlá’s Mural at One World Trade Center the World’s Largest Welcome Mat?, ARTNET.COM, 21 November 2014.
  • A.M.B., Art Fit for a Skyscraper, ECONOMIST.COM, 6 November 2014.
  • Boatright, Kristen, In the Studio with José Parlá, ARTINFO.COM, 1 October 2014.
  • Kinberger, Charlotte, José Parlá In the Midst of Things, WHITEWALL, 30 September 2014.
  • Baumgardner, Julie, Higher Ground, CULTURED MAGAZINE, September 2014.
  • Binlot, Ann, A Lesson in Cultural Diplomacy, FORBES.COM, 26 June 2014.
  • Boatright, Kristen, High-Profile Names Help Istanbul Celebrate Arts and Culture, ARTINFO.COM, 19 June 2014.
  • Staff, Artist José Parlá Opens Up on His Miami, ARTSY.COM, 29 November 2013.
  • Murphy, Tim, Layering it as it Plays, THE NEW YORK TIMES, 13 June 2013, p. E11.
  • Roffino, Sara, 29 Questions for Narrative Painter José Parlá, ARTINFO.COM, 13 May 2013.
  • Barrionuevo, Alexei, Is It Art, or Is It Just Real Estate?, THE NEW YORK TIMES, 11 April 2013, p. RE4.
  • Wee, Darryl Jingwen, José Parlá’s First Solo Show at Yuka Tsuruno, ARTINFO.COM, 5 April 2013.
  • Paginton, Fred, José Parlá’s Broken Language, WHITEWALL, 20 February 2013.
  • Aguilar, Andrea, El Rey Cubano de Brooklyn, EL PAIS, 416 January 2013.
  • Cashdan, Marina, Memo From Miami: The Cuban Connection, THE NEW YORK TIMES STYLE BLOG, 7 December 2012.
  • Cembalest, Robin, Cuban Interest Section, ART NEWS, 5 December 2012.
  • Cohen, Patricia, New Art for Brooklyn, THE NEW YORK TIMES ARTS BEAT, 20 September 2012.
  • Parlá, José, Work In Progress, V MAGAZINE, Fall 2012, p. 139.
  • Vogel, Carol, A Really Big Painting for BAM’s New Theater, THE NEW YORK TIMES, 3 August 2012.
  • Jaffe, Tali, José Parlá’s ‘Character Gestures’ Opens at OHWOW in LA, WMAGAZINE.COM, September 2011.
  • Schiller, Sara, and Jiae Kim, José Parlá’s Art Collection THEME MAGAZINE, Issue 23, August 2011.
  • Laster, Paul, Review: José Parlá, ‘Walls, Diaries & Paintings’, TIME OUT NEW YORK, 4 April 2011.
  • Binlot, Ann, Asked & Answered: José Parlá, THE NEW YORK TIMES MAGAZINE ONLINE, 18 March 2011.
  • Daquino, John Everett, The Urban Life Force, ARTSLANT.COM, 13 March 2011.
  • Balestin, Juliana, José Parlá at Bryce Wolkowitz, PURPLE DIARY (France), 12 March 2011.
  • Slenske, Michael, Bomb, Memory: Q+A With José Parlá, ART IN AMERICA, 7 March 2011.
  • Indrisek, Scott, The Writing on the Wall, MODERN PAINTERS, March 2011.
  • Rabinovitch, Simona, Calligraphic Coding, NUVO MAGAZINE, Spring 2011.
  • Rabinovitch, Simona, José Parlá Brings Massive Murals to Toronto, THE GLOBE AND MAIL, 17 January 2011.
  • Pelleteri, Carissa, Featured Artists: José Parlá & Rey Parlá, ARTCARDS.CC, 30 November 2010.
  • Dauriac, Romain, José Parlá, CLARK MAGAZINE (France), November–December 2010, pp. 28–29.
  • O’Byrne, Alix, José Parlá, L’OFFICIEL HOMMES (Paris), September 2010, p. 85.
  • Birchill-White, Alexandra, 2010’s Wisest Resolution was to Fly to New York to Meet José Parlá, AIE MAGAZINE (Paris), Summer 2010.
  • Gleadell, Colin, Arts Market News, TELEGRAPH.CO.UK, December 2009.
  • Garfield, Joey, José Parlá, JUXTAPOZ MAGAZINE, December 2009, pp. 64–77.
  • Havis, Richard James, Off the Wall, SOUTH CHINA MORNING POST (Hong Kong), 17 May 2009, p. 10 Arts.
  • Parlá, Rey, José Parlá and the Bizen Pottery Tradition, THE NEW ORDER, Issue 2, 2009, pp. 124–125.
  • Bryce, James, José Parlá, THE NEW ORDER, Issue One, 2009, pp. 124–128.
  • Waltemath, Joan, José Parlá: Layered Days,
  • THE BROOKLYN RAIL, December 2008.
  • Dauriac, Romain, José Parlá: Fragments de Memoires, CLARK MAGAZINE (France), November–December 2008, pp. 34–37.
  • Parlá, Rey, José Parlá Interview, THE NEW GRAND TOUR MONOGRAPH, 2008.
  • Gavin, Francesca, State of Decay: José Parlá, DAZED & CONFUSED, 2007, p. 158.

Notes

  1. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  2. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ http://www.joseparla.com/data/docs/Jose_Parla(Greg_Tate_final_copyedit).pdf
  4. ↑ Lua error in package.lua at line 80: module 'strict' not found.


External links

References

Retrieved from "https://infogalactic.com/w/index.php?title=José_Parlá&oldid=718422140"