Ju-On: The Curse

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Ju-on: The Curse
Ju-on VHS cover.jpg
VHS cover
Directed by Takashi Shimizu
Produced by Takashige Ichise
Kazuo Katō
Masaaki Takashima
Written by Takashi Shimizu
Starring Yūrei Yanagi
Chiaki Kuriyama
Hitomi Miwa
Takako Fuji
Takashi Matsuyama
Music by Geirî Ashiya
Cinematography Nobuhito Kisuki
Production
company
Release dates
11 February 2000
Running time
70 minutes
Country Japan
Language Japanese

Ju-on: The Curse (呪怨 Juon?), also known as simply Ju-on, is a 2000 Japanese V-Cinema Supernatural horror film and the first installment in the Ju-on franchise, following two short films, The film was written and directed by Takashi Shimizu and is divided in six parts, chronicling the experiences of tenants of a cursed house where a man, Takeo Saeki (Takashi Matsuyama) killed his wife, Kayako (Takako Fuji), and his son, Toshio (Ryota Koyama), in a jealous rage. It was followed by Ju-on: The Curse 2 in the same year.

Plot

The film is told in anachronistic order through six segments, each titled after a character central to each segment. They are, in order: Toshio (俊雄), Yuki (由紀), Mizuho (瑞穂), Kanna (柑菜), Kayako (伽椰子), and Kyoko (響子).

Illustrator Takeo Saeki murdered his wife, Kayako, after discovering from her journal that she had held a deep crush with her college friend, Shunsuke Kobayashi. He also killed his son, Toshio Saeki, and the family cat, Mar, before deserting his house. The anger and sorrow surrounding the murder created a curse that turned its inhabitants into Onryō. Whoever enters the house in Nerima, Tokyo, or even those associating themselves with someone who has entered the house will be affected and claimed by the curse, spreading its influence at the place they die and claiming more victims. Kobayashi, who happens to be Toshio's elementary school teacher, visits the Saeki house concerning Toshio's repeated absence from school, leaving his pregnant wife, Manami, in their apartment. He only finds Toshio, who refuses to speak with him, forcing him to wait for Toshio's parents to come home. Kobayashi grows weary of the strangeness that surrounds the house, and after accidentally stumbling upon Kayako's room, he learns of her unrequited love for him as well as her bloody corpse, hidden in the attic. Panicking, Kobayashi tries to escape with Toshio until he receives a call from Takeo, who has gone to his apartment and forcefully aborted Manami's unborn fetus, killing her. In shock, he is unable to act properly as Kayako's corpse suddenly moves and kills him. Meanwhile, Takeo walks limply while carrying the dead fetus and is killed in the street by Kayako who resurfaces from a dumpster nearby.

An unknown amount of time later, the Saeki house is occupied by the Murakami family. Daughter Kanna is taught by her tutor, Yuki, until she remembers that she has to go to school to feed the school rabbits. Yuki, who has a phobia of cats, backs up towards Kanna's closet when a black cat suddenly appears in the house. Hearing strange sounds from the attic, she goes to investigate and is pulled by Kayako. Kanna's brother, Tsuyoshi, however, is unaware of the incident and goes to school to meet his girlfriend, Mizuho Tamura. Tsuyoshi never makes it to the school and Mizuho is forced to wait in the teacher's room while a teacher inspects the school once more. There, she is spooked by Toshio until she receives a call from "4444444444" (the Japanese word for 4 (四, shi) is pronounced similarly to the word for "death" (死, shi)), at which point Toshio appears directly beside her. Meanwhile, detective Yoshikawa and his aide, Kamio, investigates a mutilated body of a high school girl, Hisayo Yoshida, who is one of the two students scheduled to feed the school rabbits, and an unrelated human jaw nearby. Back at the Murakami house, mother Noriko has just returned home from shopping when she notices a seemingly beaten up Kanna entering her house. She screams when her daughter moves to face her, showing her without her jaw.

The Nerima house is taken over by the Suzuki Real Estate, owned by Tatsuya Suzuki, for sale. Tatsuya contacts his spiritually-aware sister, Kyoko, to visit the house. She immediately feels discomfort upon entering the house, sensing Kayako's presence. After taking a gulp of sake, Kyoko tells Tatsuya that anyone who want to purchase the house have to drink the sake; if they spit it out, they should not buy it. She immediately makes a hasty escape from the house, leaving her brother behind. Sometime later, Kyoko is informed that the house has been sold to the Kitada couple. She visits the house once more and is shocked upon seeing the wife, Yoshimi Kitada, realizing that she has been possessed by Kayako.

Cast

  • Yūrei Yanagi as Shunsuke Kobayashi, the protagonist of the first and fifth segments, and an elementary school teacher.
  • Yue as Manami Kobayashi, Shunshuke's wife who is pregnant with his child.
  • Ryōta Koyama as Toshio Saeki, son of Kayako and Takeo Saeki and the secondary antagonist of the film.
  • Hitomi Miwa as Yuki, Kanna's friend and tutor and the protagonist of the second segment. She has a phobia of cats.
  • Asumi Miwa as Kanna Murakami, the daughter of the Murakami family.
  • Yumi Yoshiyuki as Noriko Murakami, the mother of Kanna and Tsuyoshi.
  • Kazushi Andō as Tsuyoshi Murakami, the son of the Murakami family and Kanna's brother.
  • Chiaki Kuriyama as Mizuho Tamura, Tsuyoshi Murakami's girlfriend and the protagonist of the third segment.
  • Takako Fuji as Kayako Saeki, wife of Takeo and mother of Toshio, and the antagonist of the film.
  • Takashi Matsuyama as Takeo Saeki, Kayako's husband who murdered her and their son Toshio prior to the film's events.
  • Yūko Daike as Kyoko Suzuki, a psychic and the protagonist of the sixth segment.
  • Makoto Ashikawa as Tatsuya Suzuki, Kyoko's brother who owns the Suzuki Real Estate.
  • Kaori Fujii as Yoshimi Kitada, the wife of the Kitada couple. She becomes possessed at the end of the film.

Critical reception

Lua error in package.lua at line 80: module 'strict' not found.AllMovie called it a "surprisingly effective low-budget horror video from Japan", writing, "while the plot never quite comes together—it's haphazard and confusing—the movie succeeds because of its unnervingly creepy atmosphere and consistently mournful and unsettling tone."[1]

References

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External links