Lighting or illumination is the deliberate use of light to achieve a practical or aesthetic effect. Lighting includes the use of both artificial light sources like lamps and light fixtures, as well as natural illumination by capturing daylight. Daylighting (using windows, skylights, or light shelves) is sometimes used as the main source of light during daytime in buildings. This can save energy in place of using artificial lighting, which represents a major component of energy consumption in buildings. Proper lighting can enhance task performance, improve the appearance of an area, or have positive psychological effects on occupants.
- 1 History
- 2 Fixtures
- 3 Vehicle use
- 4 Lamps
- 5 Design and architecture
- 6 On stage and set
- 7 Measurement
- 8 Energy consumption
- 9 Health effects
- 10 Environmental issues
- 11 Military use
- 12 Professional organizations
- 13 See also
- 14 References
- 15 Sources
- 16 External links
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With the discovery of fire, the earliest form of artificial lighting used to illuminate an area were campfires or torches. As early as 400,000 BCE, fire was kindled in the caves of Peking Man. Prehistoric people used primitive lamps to illuminate surroundings. These lamps were made from naturally occurring materials such as rocks, shells, horns and stones, were filled with grease, and had a fiber wick. Lamps typically used animal or vegetable fats as fuel. Hundreds of these lamps (hollow worked stones) have been found in the Lascaux caves in modern-day France, dating to about 15,000 years ago. Oily animals (birds and fish) were also used as lamps after being threaded with a wick. Fireflies have been used as lighting sources. Candles and glass and pottery lamps were also invented. Chandeliers were an early form of "light fixture".
Major reductions in the cost of lighting occurred with the discovery of whale oil and kerosene. Gas lighting was economical enough to power street lights in major cities starting in the early 1800s, and was also used in some commercial buildings and in the homes of wealthy people. The gas mantle boosted the luminosity of utility lighting and of kerosene lanterns. The next major drop in price came about with the incandescent light bulb powered by electricity.
Over time, electric lighting became ubiquitous in developed countries. Segmented sleep patterns disappeared, improved nighttime lighting made more activities possible at night, and more street lights reduced urban crime.
Lighting fixtures come in a wide variety of styles for various functions. The most important functions are as a holder for the light source, to provide directed light and to avoid visual glare. Some are very plain and functional, while some are pieces of art in themselves. Nearly any material can be used, so long as it can tolerate the excess heat and is in keeping with safety codes.
An important property of light fixtures is the luminous efficacy or wall-plug efficiency, meaning the amount of usable light emanating from the fixture per used energy, usually measured in lumen per watt. A fixture using replaceable light sources can also have its efficiency quoted as the percentage of light passed from the "bulb" to the surroundings. The more transparent the lighting fixture is, the higher efficacy. Shading the light will normally decrease efficacy but increase the directionality and the visual comfort probability.
Color temperature for white light sources also affects their use for certain applications. The color temperature of a white light source is the temperature in Kelvin of a theoretical black body emitter that most closely matches the spectral characteristics of the lamp. An incandescent bulb has a color temperature around 2800 to 3000 Kelvin; daylight is around 6400 Kelvin. Lower color temperature lamps have relatively more energy in the yellow and red part of the visible spectrum, while high color temperatures correspond to lamps with more of a blue-white appearance. For critical inspection or color matching tasks, or for retail displays of food and clothing, the color temperature of the lamps will be selected for the best overall lighting effect.
Lighting is classified by intended use as general, accent, or task lighting, depending largely on the distribution of the light produced by the fixture.
- Task lighting is mainly functional and is usually the most concentrated, for purposes such as reading or inspection of materials. For example, reading poor-quality reproductions may require task lighting levels up to 1500 lux (150 footcandles), and some inspection tasks or surgical procedures require even higher levels.
- Accent lighting is mainly decorative, intended to highlight pictures, plants, or other elements of interior design or landscaping.
- General lighting (sometimes referred to as ambient light) fills in between the two and is intended for general illumination of an area. Indoors, this would be a basic lamp on a table or floor, or a fixture on the ceiling. Outdoors, general lighting for a parking lot may be as low as 10-20 lux (1-2 footcandles) since pedestrians and motorists already used to the dark will need little light for crossing the area.
- Downlighting is most common, with fixtures on or recessed in the ceiling casting light downward. This tends to be the most used method, used in both offices and homes. Although it is easy to design it has dramatic problems with glare and excess energy consumption due to large number of fittings. The introduction of LED lighting has greatly improved this by approx. 90% when compared to a halogen downlight or spotlight. LED lamps or bulbs are now available to retro fit in place of high energy consumption lamps.
- Uplighting is less common, often used to bounce indirect light off the ceiling and back down. It is commonly used in lighting applications that require minimal glare and uniform general illuminance levels. Uplighting (indirect) uses a diffuse surface to reflect light in a space and can minimize disabling glare on computer displays and other dark glossy surfaces. It gives a more uniform presentation of the light output in operation. However indirect lighting is completely reliant upon the reflectance value of the surface. While indirect lighting can create a diffused and shadow free light effect it can be regarded as an uneconomical lighting principle.
- Front lighting is also quite common, but tends to make the subject look flat as its casts almost no visible shadows. Lighting from the side is the less common, as it tends to produce glare near eye level. Backlighting either around or through an object is mainly for accent.
Forms of lighting
Forms of lighting include alcove lighting, which like most other uplighting is indirect. This is often done with fluorescent lighting (first available at the 1939 World's Fair) or rope light, occasionally with neon lighting, and recently with LED strip lighting. It is a form of backlighting.
Soffit or close to wall lighting can be general or a decorative wall-wash, sometimes used to bring out texture (like stucco or plaster) on a wall, though this may also show its defects as well. The effect depends heavily on the exact type of lighting source used.
Recessed lighting (often called "pot lights" in Canada, "can lights" or 'high hats" in the US) is popular, with fixtures mounted into the ceiling structure so as to appear flush with it. These downlights can use narrow beam spotlights, or wider-angle floodlights, both of which are bulbs having their own reflectors. There are also downlights with internal reflectors designed to accept common 'A' lamps (light bulbs) which are generally less costly than reflector lamps. Downlights can be incandescent, fluorescent, HID (high intensity discharge) or LED.
Track lighting, invented by Lightolier, was popular at one period of time because it was much easier to install than recessed lighting, and individual fixtures are decorative and can be easily aimed at a wall. It has regained some popularity recently in low-voltage tracks, which often look nothing like their predecessors because they do not have the safety issues that line-voltage systems have, and are therefore less bulky and more ornamental in themselves. A master transformer feeds all of the fixtures on the track or rod with 12 or 24 volts, instead of each light fixture having its own line-to-low voltage transformer. There are traditional spots and floods, as well as other small hanging fixtures. A modified version of this is cable lighting, where lights are hung from or clipped to bare metal cables under tension.
A sconce is a wall-mounted fixture, particularly one that shines up and sometimes down as well. A torchiere is an uplight intended for ambient lighting. It is typically a floor lamp but may be wall-mounted like a sconce.
The portable or table lamp is probably the most common fixture, found in many homes and offices. The standard lamp and shade that sits on a table is general lighting, while the desk lamp is considered task lighting. Magnifier lamps are also task lighting.
The illuminated ceiling was once popular in the 1960s and 1970s but fell out of favor after the 1980s. This uses diffuser panels hung like a suspended ceiling below fluorescent lights, and is considered general lighting. Other forms include neon, which is not usually intended to illuminate anything else, but to actually be an artwork in itself. This would probably fall under accent lighting, though in a dark nightclub it could be considered general lighting.
In a movie theater, steps in the aisles are usually marked with a row of small lights for convenience and safety, when the film has started and the other lights are off. Traditionally made up of small low wattage, low voltage lamps in a track or translucent tube, these are rapidly being replaced with LED based versions.
Street Lights are used to light roadways and walkways at night. Some manufacturers are designing LED and photovoltaic luminaires to provide an energy-efficient alternative to traditional street light fixtures.
Floodlights can be used to illuminate outdoor playing fields or work zones during nighttime hours. The most common type of floodlights are metal halide and high pressure sodium lights.
Beacon lights are positioned at the intersection of two roads to aid in navigation.
Sometimes security lighting can be used along roadways in urban areas, or behind homes or commercial facilities. These are extremely bright lights used to deter crime. Security lights may include floodlights.
Entry lights can be used outside to illuminate and signal the entrance to a property. These lights are installed for safety, security, and for decoration.
Underwater accent lighting is also used for koi ponds, fountains, swimming pools and the like.
Vehicles typically include headlamps and tail lights. Headlamps are white or selective yellow lights placed in the front of the vehicle, designed to illuminate the upcoming road and to make the vehicle more visible. Many manufactures are turning to LED headlights as an energy-efficient alternative to traditional headlamps. Tail and brake lights are red and emit light to the rear so as to reveal the vehicle's direction of travel to following drivers. White rear-facing reversing lamps indicate that the vehicle's transmission has been placed in the reverse gear, warning anyone behind the vehicle that it is moving backwards, or about to do so. Flashing turn signals on the front, side, and rear of the vehicle indicate an intended change of position or direction. In the late 1950s, some automakers began to use electroluminescent technology to backlight their cars' speedometers and other gauges or to draw attention to logos or other decorative elements.
Commonly called 'light bulbs', lamps are the removable and replaceable part of a light fixture, which converts electrical energy into electromagnetic radiation. While lamps have traditionally been rated and marketed primarily in terms of their power consumption, expressed in watts, proliferation of lighting technology beyond the incandescent light bulb has eliminated the correspondence of wattage to the amount of light produced. For example, a 60 W incandescent light bulb produces about the same amount of light as a 13 W compact fluorescent lamp. Each of these technologies has a different efficacy in converting electrical energy to visible light. Visible light output is typically measured in lumens. This unit only quantifies the visible radiation, and excludes invisible infrared and ultraviolet light. A wax candle produces on the close order of 13 lumens, a 60 watt incandescent lamp makes around 700 lumens, and a 15-watt compact fluorescent lamp produces about 800 lumens, but actual output varies by specific design. Rating and marketing emphasis is shifting away from wattage and towards lumen output, to give the purchaser a directly applicable basis upon which to select a lamp.
Lamp types include:
- Ballast: A ballast is an auxiliary piece of equipment designed to start and properly control the flow of power to discharge light sources such as fluorescent and high intensity discharge (HID) lamps. Some lamps require the ballast to have thermal protection.
- fluorescent light: A tube coated with phosphor containing low pressure mercury vapor that produces white light.
- Halogen: Incandescent lamps containing halogen gases such as iodine or bromine, increasing the efficacy of the lamp versus a plain incandescent lamp.
- Neon: A low pressure gas contained within a glass tube; the color emitted depends on the gas.
- Light emitting diodes: Light emitting diodes (LED) are solid state devices that emit light by dint of the movement of electrons in a semiconductor material.
- Compact fluorescent lamps: CFLs are designed to replace incandescent lamps in existing and new installations.
Design and architecture
Architectural lighting design
Lighting design as it applies to the built environment is known as 'architectural lighting design'. Lighting of structures considers aesthetic elements as well as practical considerations of quantity of light required, occupants of the structure, energy efficiency and cost. Artificial lighting takes into account the amount of daylight received in an internal space by using Daylight factor calculation. For simple installations, hand-calculations based on tabular data are used to provide an acceptable lighting design. More critical or optimized designs now routinely use mathematical modeling on a computer using software such as Radiance which can allow an Architect to quickly undertake complex calculations to review the benefit of a particular design.
In some design instances, materials used on walls and furniture play a key role in the lighting effect< for example dark paint tends to absorb light, making the room appear smaller and more dim than it is, whereas light paint does the opposite. In addition to paint, reflective surfaces also have an effect on lighting design.
Photometric studies (also sometimes referred to as "layouts" or "point by points") are often used to simulate lighting designs for projects before they are built or renovated. This enables architects, lighting designers, and engineers to determine whether a proposed lighting setup will deliver the amount of light intended. They will also be able to determine the contrast ratio between light and dark areas. In many cases these studies are referenced against IESNA or CIBSE recommended lighting practices for the type of application. Depending on the type of area, different design aspects may be emphasized for safety or practicality (i.e. such as maintaining uniform light levels, avoiding glare or highlighting certain areas). Specialized software is often used to create these, which typically combine the use of two-dimensional digital CAD drawings and lighting calculation software (i.e. AGi32or Dialux).
On stage and set
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Lighting illuminates the performers and artists in a live theatre, dance, or musical performance, and is selected and arranged to create dramatic effects. Stage lighting uses general illumination technology in devices configured for easy adjustment of their output characteristics. The setup of stage lighting is tailored for each scene of each production. Dimmers, colored filters, reflectors, lenses, motorized or manually aimed lamps, and different kinds of flood and spot lights are among the tools used by a stage lighting designer to produce the desired effects. A set of lighting cues are prepared so that the lighting operator can control the lights in step with the performance; complex theatre lighting systems use computer control of lighting instruments.
Motion picture and television production use many of the same tools and methods of stage lighting. Especially in the early days of these industries, very high light levels were required and heat produced by lighting equipment presented substantial challenges. Modern cameras require less light, and modern light sources emit less heat.
Measurement of light or photometry is generally concerned with the amount of useful light falling on a surface and the amount of light emerging from a lamp or other source, along with the colors that can be rendered by this light. The human eye responds differently to light from different parts of the visible spectrum, therefore photometric measurements must take the luminosity function into account when measuring the amount of useful light. The basic SI unit of measurement is the candela (cd), which describes the luminous intensity, all other photometric units are derived from the candela. Luminance for instance is a measure of the density of luminous intensity in a given direction. It describes the amount of light that passes through or is emitted from a particular area, and falls within a given solid angle. The SI unit for luminance is candela per square metre (cd/m2). The CGS unit of luminance is the stilb, which is equal to one candela per square centimetre or 10 kcd/m2. The amount of useful light emitted from a source or the luminous flux is measured in lumen (lm).
The SI unit of illuminance and luminous emittance, being the luminous power per area, is measured in Lux. It is used in photometry as a measure of the intensity, as perceived by the human eye, of light that hits or passes through a surface. It is analogous to the radiometric unit watts per square metre, but with the power at each wavelength weighted according to the luminosity function, a standardized model of human visual brightness perception. In English, "lux" is used in both singular and plural.
Several measurement methods have been developed to control glare resulting from indoor lighting design. The Unified Glare Rating (UGR), the Visual Comfort Probability, and the Daylight Glare Index are some of the most well-known methods of measurement. In addition to these new methods, four main factors influence the degree of discomfort glare; the luminance of the glare source, the solid angle of the glare source, the background luminance, and the position of the glare source in the field of view must all be taken into account.
To define light source color properties, the lighting industry predominantly relies on two metrics, correlated color temperature (CCT), commonly used as an indication of the apparent "warmth" or "coolness" of the light emitted by a source, and color rendering index (CRI), an indication of the light source’s ability to make objects appear natural.
However, these two metrics, developed in the last century, are facing increased challenges and criticisms as new types of light sources, particularly light emitting diodes (LEDs), become more prevalent in the market.
For example, in order to meet the expectations for good color rendering in retail applications, research suggests using the well-established CRI along with another metric called gamut area index (GAI). GAI represents the relative separation of object colors illuminated by a light source; the greater the GAI, the greater the apparent saturation or vividness of the object colors. As a result, light sources which balance both CRI and GAI are generally preferred over ones that have only high CRI or only high GAI.
Typical measurements of light have used a Dosimeter. Dosimeters measure an individual's or an object's exposure to something in the environment, such as light dosimeters and ultraviolet dosimeters.
In order to specifically measure the amount of light entering the eye, personal circadian light meter called the Daysimeter has been developed. This is the first device created to accurately measure and characterize light (intensity, spectrum, timing, and duration) entering the eye that affects the human body's clock.
The small, head-mounted device measures an individual's daily rest and activity patterns, as well as exposure to short-wavelength light that stimulates the circadian system. The device measures activity and light together at regular time intervals and electronically stores and logs its operating temperature. The Daysimeter can gather data for up to 30 days for analysis.
Several strategies are available to minimize energy requirements for lighting a building:
- Specification of illumination requirements for each given use area.
- Analysis of lighting quality to ensure that adverse components of lighting (for example, glare or incorrect color spectrum) are not biasing the design.
- Integration of space planning and interior architecture (including choice of interior surfaces and room geometries) to lighting design.
- Design of time of day use that does not expend unnecessary energy.
- Selection of fixture and lamp types that reflect best available technology for energy conservation.
- Training of building occupants to use lighting equipment in most efficient manner.
- Maintenance of lighting systems to minimize energy wastage.
- Use of natural light
- Some big box stores were being built from 2006 on with numerous plastic bubble skylights, in many cases completely obviating the need for interior artificial lighting for many hours of the day.
- In countries where indoor lighting of simple dwellings is a significant cost, "Moser lamps", plastic water-filled transparent drink bottles fitted through the roof, provide the equivalent of a 40- to 60-watt incandescent bulb each during daylight.
- Load shedding can help reduce the power requested by individuals to the main power supply. Load shedding can be done on an individual level, at a building level, or even at a regional level.
Specification of illumination requirements is the basic concept of deciding how much illumination is required for a given task. Clearly, much less light is required to illuminate a hallway compared to that needed for a word processing work station. Generally speaking, the energy expended is proportional to the design illumination level. For example, a lighting level of 400 lux might be chosen for a work environment involving meeting rooms and conferences, whereas a level of 80 lux could be selected for building hallways. If the hallway standard simply emulates the conference room needs, then much more energy will be consumed than is needed. Unfortunately, most of the lighting standards even today have been specified by industrial groups who manufacture and sell lighting, so that a historical commercial bias exists in designing most building lighting, especially for office and industrial settings.
Lighting control systems
Lighting control systems reduce energy usage and cost by helping to provide light only when and where it is needed. Lighting control systems typically incorporate the use of time schedules, occupancy control, and photocell control (i.e.daylight harvesting). Some systems also support demand response and will automatically dim or turn off lights to take advantage of utility incentives. Lighting control systems are sometimes incorporated into larger building automation systems.
Many newer control systems are using wireless mesh open standards (such as ZigBee), which provides benefits including easier installation (no need to run control wires) and interoperability with other standards-based building control systems (e.g. security).
In response to daylighting technology, daylight harvesting systems have been developed to further reduce energy consumption. These technologies are helpful, but they do have their downfalls. Many times, rapid and frequent switching of the lights on and off can occur, particularly during unstable weather conditions or when daylight levels are changing around the switching illuminance. Not only does this disturb occupants, it can also reduce lamp life. A variation of this technology is the 'differential switching or dead-band' photoelectric control which has multiple illuminances it switches from so as not to disturb occupants as much.
Occupancy sensors to allow operation for whenever someone is within the area being scanned can control lighting. When motion can no longer be detected, the lights shut off. Passive infrared sensors react to changes in heat, such as the pattern created by a moving person. The control must have an unobstructed view of the building area being scanned. Doors, partitions, stairways, etc. will block motion detection and reduce its effectiveness. The best applications for passive infrared occupancy sensors are open spaces with a clear view of the area being scanned. Ultrasonic sensors transmit sound above the range of human hearing and monitor the time it takes for the sound waves to return. A break in the pattern caused by any motion in the area triggers the control. Ultrasonic sensors can see around obstructions and are best for areas with cabinets and shelving, restrooms, and open areas requiring 360-degree coverage. Some occupancy sensors utilize both passive infrared and ultrasonic technology, but are usually more expensive. They can be used to control one lamp, one fixture or many fixtures.
Daylighting is the oldest method of interior lighting. Daylighting is simply designing a space to use as much natural light as possible. This decreases energy consumption and costs, and requires less heating and cooling from the building. Daylighting has also been proven to have positive effects on patients in hospitals as well as work and school performance. Due to a lack of information that indicate the likely energy savings, daylighting schemes are not yet popular among most buildings.
It is valuable to provide the correct light intensity and color spectrum for each task or environment. Otherwise, energy not only could be wasted but over-illumination can lead to adverse health and psychological effects.
Beyond the energy factors being considered, it is important not to over-design illumination, lest adverse health effects such as headache frequency, stress, and increased blood pressure be induced by the higher lighting levels. In addition, glare or excess light can decrease worker efficiency.
Analysis of lighting quality particularly emphasizes use of natural lighting, but also considers spectral content if artificial light is to be used. Not only will greater reliance on natural light reduce energy consumption, but will favorably impact human health and performance. New studies have shown that the performance of students is influenced by the time and duration of daylight in their regular schedules. Designing school facilities to incorporate the right types of light at the right time of day for the right duration may improve student performance and well-being. Similarly, designing lighting systems that maximize the right amount of light at the appropriate time of day for the elderly may help relieve symptoms of Alzheimer's Disease. The human circadian system is entrained to a 24-hour light-dark pattern that mimics the earth’s natural light/dark pattern. When those patterns are disrupted, they disrupt the natural circadian cycle. Circadian disruption may lead to numerous health problems including breast cancer, seasonal affective disorder, delayed sleep phase syndrome, and other ailments.
A study conducted in 1972 and 1981, documented by Robert Ulrich, surveyed 23 surgical patients assigned to rooms looking out on a natural scene. The study concluded that patients assigned to rooms with windows allowing lots of natural light had shorter postoperative hospital stays, received fewer negative evaluative comments in nurses’ notes, and took fewer potent analegesics than 23 matched patients in similar rooms with windows facing a brick wall. This study suggests that due to the nature of the scenery and daylight exposure was indeed healthier for patients as opposed to those exposed to little light from the brick wall. In addition to increased work performance, proper usage of windows and daylighting crosses the boundaries between pure aesthetics and overall health.
Alison Jing Xu, assistant professor of management at the University of Toronto Scarborough and Aparna Labroo of Northwestern University conducted a series of studies analyzing the correlation between lighting and human emotion. The researchers asked participants to rate a number of things such as: the spiciness of chicken-wing sauce, the aggressiveness of a fictional character, how attractive someone was, their feelings about specific words, and the taste of two juices–all under different lighting conditions. In their study, they found that both positive and negative human emotions are felt more intensely in bright light. Professor Xu stated, "we found that on sunny days depression-prone people actually become more depressed." They also found that dim light makes people make more rational decisions and settle negotiations easier. In the dark, emotions are slightly suppressed. However, emotions are intensified in the bright light.
Kerosene and whale-oil lamps
In 1849, Dr. Abraham Gesner, a Canadian geologist, devised a method where kerosene could be distilled from petroleum. Earlier coal-gas methods had been used for lighting since the 1820s, but they were expensive. Gesner's kerosene was cheap, easy to produce, could be burned in existing lamps, and did not produce an offensive odor as did most whale oil. It could be stored indefinitely, unlike whale oil, which would eventually spoil. The American petroleum boom began in the 1850s. By the end of the decade there were 30 kerosene plants operating in the United States. The cheaper, more efficient fuel began to drive whale oil out of the market. John D. Rockefeller was most responsible for the commercial success of kerosene. He set up a network of kerosene distilleries which would later become Standard Oil, thus completely abolishing the need for whale-oil lamps. These types of lamps may catch fire or emit carbon-monoxide and sometimes are odorous making them problematic for asthmatic people.
Compact fluorescent lamps
Compact fluorescent lamps (aka 'CFLs') use less power to supply the same amount of light as an incandescent lamp, however they contain mercury which is a dispose hazard. Due to the ability to reduce electric consumption, many organizations have undertaken measures to encourage the adoption of CFLs. Some electric utilities and local governments have subsidized CFLs or provided them free to customers as a means of reducing electric demand. For a given light output, CFLs use between one fifth and one quarter of the power of an equivalent incandescent lamp. One of the simplest and quickest ways for a household or business to become more energy efficient is to adopt CFLs as the main lamp source, as suggested by the Alliance for Climate Protection. Unlike incandescent lamps CFL's need a little time to 'warm up' and reach full brightness. Care should be taken when selecting CFL's because not all of them are suitable for dimming.
LED lamps have been advocated as the newest and best environmental lighting method. According to the Energy Saving Trust, LED lamps use only 10% power compared to a standard incandescent bulb, where compact fluorescent lamps use 20% and energy saving halogen lamps 70%. The lifetime is also much longer — up to 50,000 hours. A downside is still the initial cost, which is higher than that of compact fluorescent lamps.
Light pollution is a growing problem in reaction to excess light being given off by numerous signs, houses, and buildings. Polluting light is often wasted light involving unnecessary energy costs and carbon dioxide emissions. Light pollution is described as artificial light that is excessive or intrudes where it is not wanted. Well-designed lighting sends light only where it is needed without scattering it elsewhere. Poorly designed lighting can also compromise safety. For example, glare creates safety issues around buildings by causing very sharp shadows, temporarily blinding passersby making them vulnerable to would-be assailants.
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From a military standpoint, lighting is a critical part of the battlefield conditions. Shadows are good places to hide, while bright areas are more exposed. It is often beneficial to fight with the Sun or other light source behind you, giving your enemy disturbing visual glare and partially hiding your own movements in backlight. If natural light is not present searchlights and flares can be used. However the use of light may disclose your own hidden position and modern warfare have seen increased use of night vision through the use of infrared cameras and image intensifiers.
The International Commission on Illumination (CIE) is an international authority and standard defining organization on color and lighting. Publishing widely used standard metrics such as various CIE color spaces and the color rendering index.
The Illuminating Engineering Society of North America (IESNA), in conjunction with organizations like ANSI and ASHRAE, publishes guidelines, standards, and handbooks that allow categorization of the illumination needs of different built environments. Manufacturers of lighting equipment publish photometric data for their products, which defines the distribution of light released by a specific luminaire. This data is typically expressed in standardized form defined by the IESNA.
The International Association of Lighting Designers (IALD) is an organization which focuses on the advancement of lighting design education and the recognition of independent professional lighting designers. Those fully independent designers who meet the requirements for professional membership in the association typically append the abbreviation IALD to their name.
The Professional Lighting Designers Association (PLDA), formerly known as ELDA is an organisation focusing on the promotion of the profession of Architectural Lighting Design. They publish a monthly newsletter and organise different events throughout the world.
The National Council on Qualifications for the Lighting Professions (NCQLP) offers the Lighting Certification Examination which tests rudimentary lighting design principles. Individuals who pass this exam become ‘Lighting Certified’ and may append the abbreviation LC to their name. This certification process is one of three national (U.S.) examinations (the others are CLEP and CLMC) in the lighting industry and is open not only to designers, but to lighting equipment manufacturers, electric utility employees, etc.
The Professional Lighting And Sound Association (PLASA) is a UK-based trade organisation representing the 500+ individual and corporate members drawn from the technical services sector. Its members include manufacturers and distributors of stage and entertainment lighting, sound, rigging and similar products and services, and affiliated professionals in the area. They lobby for and represent the interests of the industry at various levels, interacting with government and regulating bodies and presenting the case for the entertainment industry. Example subjects of this representation include the ongoing review of radio frequencies (which may or may not affect the radio bands in which wireless microphones and other devices use) and engaging with the issues surrounding the introduction of the RoHS (Restriction of Hazardous Substances Directive) regulations.
- Association de Concepteurs Eclairage (ACE) in France.
- Illuminating Engineering Society (IES) in United States.
- American Lighting Association (ALA) in United States.
- Associazione Professionisti dell'Illuminazione (APIL) in Italy.
- Hellenic Illumination Committee (HIC) in Greece.
- Indian Society of Lighting Engineers (ISLE)
- Institution of Lighting Engineers (ILE) in United Kingdom.
- Schweizerische Licht Gesellschaft (SLG) in Switzerland.
- Society of Light and Lighting (SLL), part of the Chartered Institution of Building Services Engineers in United Kingdom.
- United Scenic Artists Local 829 (USA829), membership for Lighting Designers as a category, with Scenic Designers, Projection Designers, Costume Designers, and Sound Designers, in the United States
- 3D computer graphics
- Anglepoise lamp, successful and innovative desk lamp design
- Automotive lighting
- Banning of incandescent light bulbs
- Bug zapper
- Domotics, computer controlled home lighting
- Fishing light attractor, underwater lights to attract fish
- Light fixture
- Light in school buildings
- Light pollution
- Lighting designer
- Lighting control systems, for a buildings or residences
- Lighting for the elderly
- List of Lighting Design Software
- Luminous efficacy
- Seasonal affective disorder
- Sustainable lighting
- Three-point lighting, technique used in both still photography and in film
- Street lighting
- Joseph Swan, carbonized-thread filament incandescent lamp
- Alexander Nikolayevich Lodygin, carbon-rod filament incandescent lamp
- Thomas Edison, long-lasting incandescent lamp with high-resistance filament
- John Richardson Wigham, lighthouse engineer
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- Bernstein (2006). The New York Times Practical Guide to Practically Everything: The Essential Companion for Everyday Life. St. Martin's Press. p. 424. ISBN 031235388X.
- Field Test DELTA: Post-Top Photovoltaic Pathway Luminaire. Iss. 4. Lighting Research Center. Online at: http://www.lrc.rpi.edu/programs/DELTA/pdf/DELTA-Post-topPhotovoltaic.pdf [last accessed 13 April 2010]
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|Wikimedia Commons has media related to Lighting.|
|Look up Lighting in Wiktionary, the free dictionary.|
|Wikisource has the text of the 1922 Encyclopædia Britannica article Illuminating Engineering.|
- Illuminating Engineering Society of North America official website
- ENLIGHTER.ORG online Lighting Design magazine
- IESNA Advanced Lighting Guidelines
- Lighting Research Center @ Rensselaer Polytechnic Institute
- Shedding Light on Home Lighting Use by Lyle Tribwell (Home Energy magazine online)
- Lighting Research at the University of Sheffield
- Lighting Research and Technology; an international peered reviewed journal
- Society of Light and Lighting