List of photographs of Abraham Lincoln

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"Lincoln's features were the despair of every artist who undertook his portrait. The writer saw nearly a dozen, one after another, soon after the first nomination to the presidency, attempt the task. They put into their pictures the large, rugged features, and strong, prominent lines; they made measurements to obtain exact proportions; they "petrified" some single look, but the picture remained hard and cold. Even before these paintings were finished it was plain to see that they were unsatisfactory to the artists themselves, and much more so to the intimate friends of the man this was not he who smiled, spoke, laughed, charmed. The picture was to the man as the grain of sand to the mountain, as the dead to the living. Graphic art was powerless before a face that moved through a thousand delicate gradations of line and contour, light and shade, sparkle of the eye and curve of the lip, in the long gamut of expression from grave to gay, and back again from the rollicking jollity of laughter to that serious, far away look that with prophetic intuitions beheld the awful panorama of war, and heard the cry of oppression and suffering. There are many pictures of Lincoln; there is no portrait of him."

— John George Nicolay, Secretary to President Lincoln, [1]
Image Date Photographer Location Technique Owner Notes
Abraham Lincoln by Nicholas Shepherd, 1846-crop.jpg 1846 or 1847 Nicholas H. Shepherd Springfield, Illinois Daguerreotype, quarter plate[2] Library of Congress This daguerreotype is the earliest confirmed photographic image of Abraham Lincoln. It was reportedly made in 1846 by Nicholas H. Shepherd shortly after Lincoln was elected to the United States House of Representatives. Shepherd's Daguerreotype Miniature Gallery, which he advertised in the Sangamo Journal, was located in Springfield over the drug store of J. Brookie. Shepherd also studied law at the law office of Lincoln and Herndon.[3]
Abraham Lincoln by Von Schneidau, 1854.jpg October 27, 1854 Johan Carl Frederic Polycarpus Von Schneidau[4] Chicago, Illinois Gelatin silver print of a presumed lost daguerreotype[5] Library of Congress The second earliest known photograph of Lincoln. From a photograph owned originally by George Schneider, former editor of the Illinois Staats-Zeitung, the most influential anti-slavery German newspaper of the West. Mr. Schneider first met Mr. Lincoln in 1853, in Springfield. "He was already a man necessary to know," says Mr. Schneider. In 1854 Mr. Lincoln was in Chicago, and Isaac N. Arnold invited Mr. Schneider to dine with Mr. Lincoln. After dinner, as the gentlemen were going down town, they stopped at an itinerant photograph gallery, and Mr. Lincoln had this picture taken for Mr. Schneider.[6]
Abraham Lincoln by Hesler, 1857.jpg February 28, 1857 Alexander Hessler Chicago, Illinois[7] Gelatin silver print from the lost original negative Library of Congress

"I have a letter from Mr. Hesler stating that [Lincoln] came in and made arrangements for the sitting, so that the members of the bar could get prints. Lincoln said at the time that he did not know why the boys wanted such a homely face. Joseph Medill went with Mr. Lincoln to have the picture taken. He says that the photographer insisted on smoothing down Lincoln's hair, but Lincoln did not like the result, and ran his fingers through it before sitting."

— H. W. Fay of DeKalb, Illinois, original owner of the photo[8]
Lincoln immediately prior to his Senate nomination. The original negative was burned in the Great Chicago Fire.[8]
Abraham Lincoln O-3 by Joslin, 1857.jpg May 27, 1857 Amon T. Joslin Danville, Illinois Ambrotype[9] Lincoln Financial Foundation Collection, Allen County Public Library Although some historians have dated this photograph during the court session of November 13, 1859, and others have placed it as early as 1853, most authorities now believe it was taken on May 27, 1857. The photographer Amon T. Joslin owned "Joslin's Gallery" located on the second floor of a building adjoining the Woodbury Drug Store, in Danville, IL. This was one of Lincoln's favorite stopping places in Vermilion County, Illinois, while he was a traveling lawyer. Joslin photographed Abraham Lincoln twice at this sitting. Lincoln kept one copy and gave the other to his friend, Thomas J. Hilyard, deputy sheriff of Vermilion County. Today, one original resides in the Illinois State Historical Library.[10]
Lincoln O-14 by Roderick Cole, 1858.jpg 1858 Roderick M. Cole Peoria, Illinois Daguerreotype (?)[11] Benjamin Shapell Family Manuscript Foundation

"...the Photo you have of Abraham Lincoln is a copy of a Daguerreotype, that I made in my gallery in this city [Peoria] during the Lincoln and Douglas campaign. I invited him to my gallery to give me a sitting...and when I had my plate ready, he said to me, 'I cannot see why all you artists want a likeness of me unless it is because I am the homeliest man in the State of Illinois.'"

— R.M. Cole, July 3, 1905 letter to David McCulloch[12]

Lincoln liked this image and often signed photographic prints for admirers. In fact, in 1861, he even gave a copy to his stepmother. The image was extensively employed on campaign ribbons in the 1860 Presidential campaign, and Lincoln "often signed photographic prints for visitors."[12]

Lincoln O-12, 1858.png 1858 (?) (unknown) (unknown) Tintype[13] National Lincoln Museum (Old Ford's Theatre)[14] This is the only extant original tintype of Lincoln[14]
Lincoln O-13, c1858.png 1858 (?) (unknown) Ohio (?) Photographic copy of a lost daguerreotype[15] Anthony L. Maresh collection A Civil War soldier from Parma, Ohio, was the original owner of this portrait, published in the Cleveland Plain Dealer on February 12, 1942, from a print in the Anthony L. Maresh collection. Possibly it is a photographic copy of one of two daguerreotypes, both now lost, taken in Ohio.[15]
Abraham Lincoln by Byers, 1858 - crop.jpg May 7, 1858 Abraham M. Byers[16] Beardstown, Illinois[17] Ambrotype University of Nebraska Formerly in the Lincoln Monument collection at Springfield, Illinois. Mr. Lincoln wore a linen coat on the occasion. The picture is regarded as a good likeness of him as he appeared during the Lincoln Douglas campaign.[18]
Abraham Lincoln by Alschuler, 1858.png May 25, 1858 Samuel G. Alschuler Urbana, Illinois[19] Ambrotype Library of Congress

"At the time I was [a young] clerk of the circuit court, and was about as well acquainted with Mr. Lincoln as with most of the forty-odd lawyers who practiced law in the circuit... On the opening day of court, which was always an interesting occasion, largely because we were curious to see what attorneys from a distance were in attendance...I observed that Mr. Lincoln was among them; and as I looked in his direction, he arose from his seat, and came forward and gave me a cordial hand-shake, accompanying the action with words of congratulation on my election. I mention this fact because the conduct of Mr. Lincoln was so in contrast with that of the other members of the bar that it touched me deeply, and made me, ever afterwards, his steadfast friend."

— C. F. Gunther of Chicago, circa 1896 Letter[20]

"One morning I was in the gallery of Mr. Alschuler, when Mr. Lincoln came into the room and said he had been informed that he (Alschuler) wished him to sit for a picture. Alschuler said he had sent such a message to Mr. Lincoln, but he could not take the picture in that coat (referring to a linen duster in which Mr. Lincoln was clad), and asked if he had not a dark coat in which he could sit. Mr. Lincoln said he had not; that this was the only coat he had brought with him from his home. Alschuler said he could wear his coat, and gave it to Mr. Lincoln, who pulled off the duster and put on the artist's coat. Alschuler was a very short man, with short arms, but with a body nearly as large as the body of Mr. Lincoln. The arms of the latter extended through the sleeves of the coat of Alschuler a quarter of a yard, making him quite ludicrous, at which he (Lincoln) laughed immoderately, and sat down for the picture to be taken with an effort at being sober enough for the occasion. The lips in the picture show this."

— Mr. J. O. Cunningham, present when the picture was taken[20]
Abraham Lincoln O-7 by Butler, 1858.png July 18, 1858 Preston Butler[21] Springfield, Illinois Gelatin silver print of a lost carbon enlargement of the lost ambrotype Library of Congress This image was presumably taken by Preston Butler the day after Lincoln delivered a speech in Springfield in which Lincoln urges that slavery be placed on the course of "ultimate extinction." He attacks Stephen Douglas and defends himself by stating that he supports the principles of equality put forth in the Declaration of Independence. This speech preceded his debates with Douglas.[22]
Abraham Lincoln 1858.png August 26, 1858 T. P. Pearson[23] Macomb, Illinois Ambrotype Library of Congress

"Mr. Magie happened to remain over night at Macomb, at the same hotel with Mr. Lincoln, and the next morning took a walk about town, and upon Mr. Magie's invitation they stepped into Mr. Pierson's establishment, and the ambrotype of which this is a copy was the result. Mr. Lincoln, upon entering, looked at the camera as though he was unfamiliar with such an instrument, and then remarked: 'Well, do you want to take a shot at me with this thing?' He was shown to a glass, where he was told to 'fix up,' but declined, saying it would not be much of a likeness if he fixed up any. The old neighbors and acquaintances of Mr. Lincoln in Illinois, upon seeing this picture, are apt to exclaim: 'There! that's the best likeness of Mr. Lincoln that I ever saw!' The dress he wore in this picture is the same in which he made his famous canvass with Senator Douglas."

— J. C. Power, custodian of the Lincoln monument in Springfield[24]
Lincoln O-9, 1858.png September 26, 1858 (attributed to Christopher S. German)[25] Springfield, Illinois Daguerreotype (?) Chicago History Museum

"In 1858 Lincoln and Douglas had a series of joint debates in this State, and this city was one place of meeting. Mr. Lincoln's step-mother was making her home with my father and mother at that time. Mr. Lincoln stopped at our house, and as he was going away my mother said to him: "Uncle Abe, I want a picture of you." He replied, "Well, Harriet, when I get home I will have one taken for you and send it to you." Soon after, mother received the photograph, which she still has, already framed, from Springfield, Illinois, with a letter from Mr. Lincoln, in which he said, "This is not a very good-looking picture, but it's the best that could be produced from the poor subject." He also said that he had it taken solely for my mother."

— Mr. K. N. Chapman of Charleston, Illinois, great-grandson of Sarah Bush Lincoln[26]
Lincoln O-10 by Calvin Jackson, 1858.png October 1, 1858 Calvin Jackson[27] Pittsfield, Illinois Ambrotype Library of Congress On the afternoon of Friday, October 1, 1858, Lincoln had a luncheon at the home of his attorney friend, Daniel H. Gilmer in Pittsfield, Illinois. Lincoln then headed across the street to the town square, where he spoke for two hours. Following the address, Lincoln, at the request of Gilmer, went to the portable canvas photo gallery of Calvin Jackson on the northeast corner of the square and sat for two ambrotype poses. The photos were soon processed, but one was not finished, probably because it had been overexposed. Lincoln requested that copies of the other be delivered to two Pittsfield friends the following day.[28]
Abraham Lincoln, 1858-crop.png October 11, 1858 William Judkins Thomson[29] Monmouth, Illinois Ambrotype National Portrait Gallery, Smithsonian Institution This ambrotype was taken two days before the next to last debate with Douglas in Quincy, Illinois.[30]
Lincoln O-15, c1859.jpg 1859 (?) (unknown) Springfield, Illinois (unknown) (unknown) Photograph, of unknown origin, shows Abraham Lincoln in Springfield, Illinois, probably in 1859.[31]
Lincoln O-16 by Fassett , 1859, LC-USZ62-11492.png October 4, 1859 Samuel M. Fassett[32] Chicago, Illinois Photograph Negative destroyed in Great Chicago Fire[33] Lincoln sat for this portrait at the gallery of Cooke and Fassett in Chicago. Cooke wrote in 1865 "Mrs. Lincoln pronounced [it] the best likeness she had ever seen of her husband."[33]
Lincoln O-17 by Brady, 1860.png February 27, 1860 Mathew Brady[34] New York, New York Carte-de-visite printed by Brady's gallery from a lost copy negative of a retouched original print Library of Congress Mathew Brady's first photograph of Lincoln, on the day of the Cooper Union speech. Over the following weeks, newspapers and magazines gave full accounts of the event, noting the high spirits of the crowd and the stirring rhetoric of the speaker. Artists for Harper's Weekly converted Brady's photograph to a full-page woodcut portrait to illustrate their story of Lincoln's triumph, and in October 1860, Leslie's Weekly used the same image to illustrate a story about the election. Brady himself sold many carte-de-visite photographs of the Illinois politician who had captured the eye of the nation. Brady remembered that he drew Lincoln's collar up high to improve his appearance; subsequent versions of this famous portrait also show that artists smoothed Lincoln's hair, smoothed facial lines and straightened his subject's "roving" left eye. After Lincoln secured the Republican nomination and the presidency, he gave credit to his Cooper Union speech and this portrait, saying, "Brady and the Cooper Institute made me President."[35]
Lincoln O-18, 1860.jpg 1860 (Spring or Summer) (unknown) Illinois (?) (unknown) Library of Congress Contemporary albumen print believed to be the only surviving likeness printed from the lost original negative made by an unknown photographer, probably in Springfield or Chicago, during the spring or summer of 1860.[36]
Lincoln O-19 by Barnwell, 1860.jpg May 9, 1860 Edward A. Barnwell Decatur, Illinois Positive printed on glass from a lost original negative or ambrotype[37] Decatur Public Library Abraham Lincoln was in Decatur to attend the Illinois State Republican Convention. Local photographer Edward A. Barnwell wanted to take a picture of "the biggest man" at the convention and invited Lincoln to his People's Ambrotype Gallery at 24 North Water Street to pose for this portrait. The next day, after Richard Oglesby introduced the "Rail Splitter," convention delegates unanimously endorsed Lincoln for President. On May 18 the National Republican Convention meeting in Chicago nominated him as the party's candidate.[38]
Lincoln O-20 by Marsh, 1860.jpg May 20, 1860 William Marsh[39] Springfield, Illinois Gelatin silver print copy from the original ambrotype Library of Congress Presidential candidate Abraham Lincoln in Springfield, Illinois, two days after he won his party's nomination.[40]
Lincoln O-21 by Marsh, 1860.jpg May 20, 1860 William Marsh[41] Springfield, Illinois Salt print from glass negative[42] Metropolitan Museum of Art One of five photographs taken by William Marsh for Marcus Lawrence Ward. Although many in the East had read Lincoln's impassioned speeches, few had actually seen the Representative from Illinois.[40]
Abraham Lincoln O-26 by Hesler, 1860.jpg June 3, 1860 Alexander Hesler[43] Springfield, Illinois Photograph Library of Congress Hesler took a total of four portraits at this sitting. Lincoln's law partner William Herndon wrote of this picture: "There is the peculiar curve of the lower lip, the lone mole on the right cheek, and a pose of the head so essentially Lincolnian; no other artist has ever caught it."[44]
Abraham Lincoln O-27 by Hesler, 1860-crop.jpg June 3, 1860 Alexander Hesler[45] Springfield, Illinois Photograph Museum of Fine Arts, Boston When Lincoln saw this photograph, along with his side view portrait from the same sitting, he remarked "That looks better and expresses me better than any I have ever seen; if it pleases the people I am satisfied."[46]
Lincoln O-28 by Hesler, 1860.jpg June 3, 1860 Alexander Hesler[47] Springfield, Illinois Photograph Library of Congress Lincoln and a Chicago reporter were looking at what is believed to this photo at Lincoln's home shortly after his nomination for President, when he observed "That picture gives a very fair representation of my homely face."[48]
Lincoln O-32, 1860.png June 1860[49] (unknown) Springfield, Illinois Halftone print, from an albumen print from the lost original negative.[50] (unknown) In the summer of 1860 Mr. M. C. Tuttle, a photographer of St. Paul, wrote to Mr. Lincoln, requesting that he have a negative taken and sent to him for local use in the campaign. The request was granted, but the negative was broken in transit. On learning of the accident, Mr. Lincoln sat again, and with the second negative he sent a jocular note wherein he referred to the fact, disclosed by the picture, that in the interval he had "got a new coat." A few copies of the picture were made by Mr. Tuttle, and distributed among the Republican editors of the State.[51]
Abraham Lincoln O-30 by Seavey, 1860.JPG 1860 (summer) William Seavey[52] Springfield, Illinois Photograph (unknown) After this single print was made, the negative was lost when a fire destroyed the photographer's gallery.[53]
Lincoln O-31, 1860.jpg 1860 (spring or summer)[54] (unknown) Springfield, Illinois Contemporary albumen print believed to be the only surviving likeness printed from the lost original negative[55] Library of Congress A study of Lincoln's powerful physique, this full-length photograph as taken for use by sculptor Henry Kirke Brown, and was found among his effects in 1931.[56]
Lincoln O-33 by Shaw, 1860-crop.jpg 1860 (spring or summer)[57] William Shaw Chicago or Springfield, Illinois Albumen print from a lost contemporary negative Chicago Sun Times Archives This image has been heavily retouched at some point. Lincoln's neck, skin and cheek lines are smoothed out, and the bag under the right eye has been diminished.[58]
Abraham Lincoln O-35, 1860.jpg 1860 (summer)[59] (unknown) Springfield, Illinois (?) Halftone of an albumen print from a lost original negative Allegheny College A copy of this image turned up with the effects of artist John Henry Brown, whose watercolor miniature of Lincoln hangs in the National Portrait Gallery.[60]
Abraham Lincoln O-36 by Butler, 1860-crop.jpg August 13, 1860[61] Preston Butler Springfield, Illinois Ambrotype plate 5.75 x 4.5 inches Library of Congress The last beardless photograph of Lincoln.[62] John M. Read commissioned Philadelphia artist John Henry Brown to paint a good-looking miniature of Lincoln "whether or not the subject justified it". This ambrotype is one of six taken on Monday, August 13, 1860 in Butler's daguerreotype studio (of which only two survive), made for the portrait painter.[63]
1860 Abraham Lincoln O-40.png November 25, 1860[64] Samuel G. Altschuler Chicago, Illinois Gelatin silver print of a carte-de-visite print of what appears to have been a retouched contemporary albumen print supposedly from the lost original negative[65] Library of Congress An 11-year-old girl named Grace Bedell wrote to Lincoln, asking "let your whiskers grow... you would look a great deal better for your face is so thin. All the ladies like whiskers and they would tease their husbands to vote for you and then you would be President." and the president-elect responded "As to the whiskers have never worn any do you not think people would call it a silly affection if I were to begin it now?" Regardless, the next time he visited his barber William Florville, he announced "Billy, let's give them a chance to grow."[66] By the time he began his inaugural journey by train from Illinois to Washington, D.C., he had a full beard.
Lincoln O-43 by German, 1861.jpg February 9, 1861 Christopher S. German Springfield, Illinois Photograph[67] Library of Congress This photograph was taken two days before he left Springfield en route to Washington, DC, for his inauguration.[65]
Abraham Lincoln O-44, 1861.jpg February 9, 1861 Christopher S. German Springfield, Illinois Tintype from lost negative[68] Private collection Taken during the same sitting, this profile reveals the back of Lincoln's head more than perhaps any other portrait.[69]
Abraham Lincoln O-49 by Gardner, 1861.jpg February 24, 1861 Alexander Gardner[70] Washington, D.C. Albumen silver print [71] J. Paul Getty Museum Taken during President-elect Lincoln's first sitting in Washington, D.C., the day after his arrival by train.[72]
Abraham Lincoln O-55, 1861-crop.jpg March 1, 1861 and June 30, 1861 (between) (unknown) (unknown) Salt print from the lost original negative[73] Christie's The first photographic image of the new president. Remarkably, it is not known where or by whom this portrait was taken; the few known examples carry imprints of several different photographers: C.D Fredericks & Co. of New York; W.L. Germon and James E. McLees, both of Philadelphia. This example has been termed "the most valuable Lincoln photo in existence" and sold at auction in 2009 for $206,500.[74]
Abraham Lincoln O-57 by Brady, 1861-Meserve.jpg April 6, 1861[75] Mathew Brady[76] Washington, D.C. Giant imperial photograph from original collodion plate[77] Library of Congress Lincoln's drooping left eyelid is clearly visible in this image.
Abraham Lincoln O-59 by Gardner 1861.jpg May 16, 1861[78] Mathew Brady[79] Washington, D.C. Solio print of a lost contemporary albumen print from the lost defective original negative made by an unknown photographer at Mathew Brady's gallery, [80] Brown Digital Repository Abraham Lincoln, half-length portrait, seated[81]
Abraham Lincoln O-60 by Brady, 1862.jpg May 16, 1861[82] Mathew Brady[83] Washington, D.C. Carte-de-visite printed from one frame of the lost original multiple-image stereographic negative[84] Library of Congress President Abraham Lincoln, seated next to small table, in a reflective pose, May 16, 1861, with his hat visible on the table.[85]
Lincoln O-62 by Gardner, 1862-crop.jpg October 3, 1862 Alexander Gardner[86] Antietam, Maryland Cropped digital file from original wet collodion glass negative Library of Congress Lincoln decided to visit the front after General McClellan hesitated to attack Robert E. Lee. This picture of Lincoln with McClellan and his officers was taken the morning after the President arrived in Antietam.[87]
Abraham Lincoln and George B McClellan in the general's tent, Oct 1862.jpg October 3, 1862 Alexander Gardner Antietam, Maryland Digital file from original wet collodion glass negative Library of Congress Lincoln in McClellan's tent after the Battle of Antietam.
PinkertonLincolnMcClernand-Alternate-Crop.jpg October 3, 1862 Alexander Gardner[88] Antietam, Maryland Cropped digital file from original wet collodion glass negative Library of Congress Lincoln with Allan Pinkerton and Major General John A. McClernand at Antietam.[89] The photograph was taken in front of the headquarters tent of the U.S. Secret Service.[90]
PinkertonLincolnMcClernand.jpg October 3, 1862 Alexander Gardner[91] Antietam, Maryland Cropped digital file from original wet collodion glass negative Library of Congress Lincoln with Allan Pinkerton and Major General John A. McClernand at Antietam.[92]
Abraham Lincoln O-82 by Walker, 1863.png 1863 Lewis Emory Walker[93] Washington, D.C. Collodion glass negative Library of Congress Lincoln, seated, with an unbuttoned coat and wearing his standard gold watch chain, presented to him in 1863 by a California delegation.[94]
Abraham Lincoln O-74 by Gardner, 1863 bw.jpg August 9, 1863 Alexander Gardner[95] Washington, D.C. Mammoth-size albumen portrait from original negative Christie's Auction, Sale 2272, Lot 86 Lincoln's "Photographer's Face". Per Dr. James Miner, "His large bony face when in repose was unspeakably sad and as unreadable as that of a sphinx, his eyes were as expressionless as those of a dead fish; but when he smiled or laughed at one of his own stories or that of another then everything about him changed; his figure became alert, a lightning change came over his countenance, his eyes scintillated and I thought he had the most expressive features I had ever seen on the face of a man."[96]
Lincoln O-70 by Gardner, 1863.png August 9, 1863 Alexander Gardner[97] Washington, D.C. Gelatin Silver Print from glass negative Metropolitan Museum of Art This is one of a series of six pictures of the President taken by Alexander Gardner on the day before the official opening of his gallery. Lincoln had promised to be Gardner's first sitter and chose Sunday for his visit to avoid "curiosity seekers and other seekers" while on his way to the gallery.
Abraham Lincoln O-121 by Gardner, 1863.jpg August 9, 1863 Alexander Gardner Washington, D.C. Photograph on paper Skinner's Auction 2658B, Lot 35 This image from Lincoln's August 1863 sitting with Alexander Gardner in his new studio at 7th and D Street remained in the family of Lincoln's Secretary John Hay until being sold at auction in 2013.[98]
Abraham Lincoln O-77 matte collodion print.jpg November 8, 1863 Alexander Gardner[99] Washington, D.C. Matte collodion print Mead Art Museum This famous image of Lincoln was photographed by Alexander Gardner on November 8, 1863, just weeks before he would deliver the Gettysburg Address. It is sometimes referred to as the "Gettysburg portrait," although it was actually taken in Washington. As Lincoln had previously done in August 1863, he visited Gardner's studio on a Sunday afternoon. He posed for several additional portraits during this session.
200px November 8, 1863 Alexander Gardner Washington, D.C. Meserve-Kunhardt Foundation Profile image
Abraham Lincoln O-79 by Gardner, 1863 bw.jpg November 8, 1863 Alexander Gardner[100] Washington, D.C. Imperial albumen print Sotheby's, New York, 5 October 2011, N08775, Lot 43 This image emphasizes Lincoln's large, lanky legs.[101]
Abraham Lincoln O-84 by Brady, 1864.jpg January 8, 1864[102] Mathew Brady Washington, D.C. Reproduced from a positive printed on film from a contemporary negative[103] National Archives Lincoln visited Mathew Brady's studio in Washington, D.C. on at least three occasions in 1864. Several portraits survive from each session.
Abraham Lincoln, President, U.S - NARA - 527823 - overlay.gif January 8, 1864[104] Mathew Brady Washington, D.C. Overlay of three stereo images from a multiple image stereographic plate National Archives This image is an overlay of three views compiled from a multiple image stereographic plate taken by Brady.
200px February 9, 1864[105] Anthony Berger Washington, D.C. Photograph Library of Congress "The Penny Profile". Berger was the manager of Mathew Brady's Gallery when he took multiple photographs at this Tuesday sitting. In 1909 Victor David Brenner used this image and one other similar image from this sitting to model the Lincoln cent.[106]
Abraham Lincoln, President, U.S - NARA - 528388.jpg February 9, 1864[105] Anthony Berger Washington, D.C. Photograph National Archives An original cracked plate, just under the size known as "imperial".[107] The Lincoln portrait on the current United States five-dollar bill is based on this photograph.
Abraham Lincoln O-103 by Walker, 1865.png February 1865 Lewis Emory Walker[108] Washington, D.C.[109] Albumen silver print Library of Congress The short haircut was perhaps suggested by Lincoln's barber to facilitate the taking of his life mask by Clark Mills. Lincoln knew from experience how long hair could cling to plaster. From an 1865 stereograph long attributed to Mathew Brady, was actually taken by Lewis Emory Walker, a government photographer, about February 1865 and published for him by the E. & H. T. Anthony Co., of New York.[110]
Abraham Lincoln O-117 by Gardner, 1865.png February 5, 1865 Alexander Gardner[111] Washington, D.C. Gelatin silver print of a carte-de-visite printed from one frame of the lost original multiple-image stereographic negative.[112] Library of Congress See below.
Abraham Lincoln O-115 by Gardner, 1865.png February 5, 1865 Alexander Gardner[113] Washington, D.C. Carte-de-visite printed from one frame of the lost original multiple-image stereographic negative.[112] Library of Congress See below.
Abraham Lincoln O-116 by Gardner, 1865.png February 5, 1865 Alexander Gardner[114] Washington, D.C. Gelatin silver print of a lost period print of the multiple-image stereographic pose[115] Library of Congress This photograph of Lincoln was made when the burden of the presidency had taken its toll. President Lincoln visited Gardner's studio one Sunday in February 1865, the final year of the Civil War, accompanied by the American portraitist Matthew Wilson. Wilson had been commissioned to paint the president's portrait, but because Lincoln could spare so little time to pose, the artist needed recent photographs to work from. The pictures served their purpose, but the resulting painting- a traditional, formal, bust-length portrait in an oval format—is not particularly distinguished and hardly remembered today. Gardner's surprisingly candid photographs have proven more enduring, even though they were not originally intended to stand alone as works of art.[116]
Alexander Gardner - Abraham Lincoln - Google Art Project.jpg February 5, 1865 Alexander Gardner[117] Washington, D.C. Only surviving print from a glass negative that was accidentally cracked during processing and thrown away[118] National Portrait Gallery, Washington According to Frank Goodyear, the National Portrait Gallery's photo curator, "This is the last formal portrait of Abraham Lincoln before his assassination. I really like it because Lincoln has a hint of a smile. The inauguration is a couple of weeks away; he can understand that the war is coming to an end; and here he permits, for one of the first times during his presidency, a hint of better days tomorrow."[118]
Abraham Lincoln second inaugural address -crop.jpg March 4, 1865 Alexander Gardner Washington, D.C. 1 photographic print: albumen silver Library of Congress Cropped portion of Lincoln delivering his second inaugural address, which is the only known photograph of the event. Lincoln stands in the center, with papers in his hand, on the east front of the United States Capitol.

See also Wikipedia article on Tad Lincoln for the famous 1864 photograph of Abraham Lincoln with his son Tad, by Anthony Berger.


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  72. Ostendorf 1998, p77
  73. Sotos, image A61x1
  74. Christie's Sale 2265, Lot 19
  75. Library of Congress LC-USZ62-112729
  76. Sotos, image A61y1
  77. Ostendorf 1998, p93
  78. Library of Congress LC-USZ62-13429
  79. Sotos, image A61qq3
  80. Mellon 1979, p98
  81. Library of Congress LC-USZ62-13429
  82. Library of Congress LC-USZ62-15178
  83. Sotos, image A61y4
  84. Mellon 1979, p101
  85. Library of Congress LC-USZ62-15178
  86. Sotos, image A62jc1
  87. Ostendorf 1998, p106
  88. Sotos, image A62jc3
  89. Ostendorf 1998, p109,117
  90. Zeller 2005, page xvi
  91. Sotos, image A62jc2
  92. Ostendorf 1998, p108,117
  93. Sotos, image A63
  94. Ostendorf 1998, p160
  95. Sotos, image A63hi5
  96. Ostendorf 1998, p139
  97. Sotos, image A63h1
  98. Ostendorf 1998, p360
  99. Sotos, image A63kh2
  100. Sotos, image A63kh4
  101. Ostndorf 1998, p149
  102. Sotos, image A64ah2
  103. Mellon 1979, p156
  104. Sotos, image A64ah4
  105. 105.0 105.1 Sotos, image A64bi2
  106. Ostendorf 1998, p174
  107. Ostendorf 1998, p178
  108. Library of Congress LC-DIG-ppmsca-18958
  109. Sotos, image A64y1
  110. Ostendorf 1998 p198-9
  111. Sotos, image A65b4
  112. 112.0 112.1 Mellon 1979, p173
  113. Sotos, image A65b2
  114. Sotos, image A65b3
  115. Mellon 1979, p185
  116. Abraham Lincoln, Metropolitan Museum of Art, 2005
  117. Sotos, image A65b5
  118. 118.0 118.1 Norris 2011


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