Louis Silas Jr.

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Lua error in package.lua at line 80: module 'strict' not found. Louis Silas Jr. (April 17, 1956 – January 7, 2001) was an American record executive, musician, and record producer who is most known for founding and running an MCA Records imprint, Silas Records. After a prolific career as a remixer, Silas became a highly respected label executive responsible for bringing Chanté Moore, Jesse Powell, Keke Wyatt, London Jones, and Tricky Stewart to prominence as well as working with Aaron Hall.

Early life

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Early career

After attending California State University, Dominguez Hills, Silas, who had a musical gift, initially tried his hand as a singer, but found much more success as a D.J., remixing other records in the late 70s. By the ‘80s, he was in great demand as a remixer, adding club heavy or hip-hop electronic percussion sounds to a previously recorded song. At one point, his remixes were so in demand, other labels would contract him under the alias "ELLIS JAY". After working for MCA records in promotion, he quickly rose through the ranks, and is credited for much of the success of the black artists on that label. By the latter ‘80s, Silas had produced records with Babyface, Bobby Brown, Sheena Easton, Pebbles, Patti LaBelle, and worked for an MCA imprint, SOLAR Records, as a music executive, and after helping with their success, and executive producing Bell Biv Devoe’s debut album, got the green light to found his own imprint, which he named Silas Records.

Silas Records

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Main article: Silas Records

After starting his label, he had to find a roster of talent, being careful to select talent he could nurture into artists. Using Berry Gordy as a blueprint, he first signed Aaron Hall, then of Guy fame to a solo deal. While initially a model and beauty pageant contestant, Silas discovered Chanté Moore, and signed her. While music was moving in the direction of New Jack Swing, Silas kept Moore, a gospel and jazz trained singer, under then more “traditional R&B”. So determined was he to expose her under the right light, for the music video treatment for her debut single, Love’s Taken Over, Silas spent the money to have the shoot in Paris by movie director Antoine Fuqua. The video, showcasing a series of “modeling shoots” of Moore, including one of her in a designer gown along the famous Avenue des Champs-Élysées, helped establish Moore as a seductive, emotive vocalist, with exotic looks, a sultry voice and a range to recall Minnie Riperton (9). In fact, the trademark piccolo coloratura technique founded by Riperton in popular music has become a trademark in Moore’s vocal technique.

After Moore, Silas signed Jesse Powell, Keke Wyatt, and London Jones. After hearing his performance in Detroit, Silas attempted to sign Ruda Real and market him under the same career path as Aaron Hall, but Real refused the deal, and instead continued to try to start his own label, having also refused a potential contract by Boys II Men a few years earlier. After being introduced by his older brother Laney, Silas had Tricky Stewart write and produce for his artists.

In 1999, after Polygram and MCA records merged, Silas Records was “absorbed” by MCA. Artists signed to the label released either directly under MCA, or in the case of Keke Wyatt, Magic Johnson Music, another imprint of MCA.

Later career

He then accepted a position as Senior Vice President of LaFace Records West Coast division, or LaFace West. It is a position he would keep for the remainder of his life. Among his final actions was to help Tricky establish Blu Cantrell.

Death

Silas died of kidney failure on January 7, 2001 at his home in Los Angeles, after being in ill health for a time.

Legacy

Chante Moore was Silas's biggest success, the most famous expatriate of his label, and has the distinction of being both the first and last releases on the label. Although he is not as famous as Sean Combs, Brian “Birdman” Williams, or Babyface, Silas began the trend while a successful record producer would get an imprint (distinct from an independent label getting a distribution deal, or a subsidiary) and have a roster of talent of his own. This trend continued throughout the ‘90s.

Roster

References

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