Margarete Schön
| Margarete Schön | |
|---|---|
| 170px | |
| Born | Margarete Schippang 7 April 1895 Magdeburg, Germany |
| Died | Script error: The function "death_date_and_age" does not exist. Berlin, Germany |
| Occupation | Actor |
| Years active | 1912–1960 |
Margarete Schön (7 April 1895 – 26 December 1985)[1] was a German stage and film actress whose career spanned nearly fifty years. She is possibly best recalled internationally for her role as Kriemhild in director Fritz Lang's 1924 series of two silent fantasy films Die Nibelungen – Die Nibelungen: Siegfried and Nibelungen: Kriemhild's Revenge.
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Stage career
Born in Magdeburg, Germany as Margarete Schippang, she received private acting lessons with the theatre actor Hans Calm in Dessau. In 1912 she made her stage debut in Bad Freienwalde. Shortly thereafter, she received a commitment at the municipal theater of Bromberg (now, Bydgoszcz, in present-day Poland). From 1915 to 1918 she was part of the ensemble cast of the Deutsches Theater in Hannover, and from 1918 to 1945 she performed at the Staatstheater Berlin.
Film career
In 1919, Margarete Schön made her film debut in the Carl Wilhelm-directed Du meine Himmelskönigin. She would spend the next two years in several small roles for directors Carl Froelich, Hanna Henning, Alfred Halm, Walter Schmidthässler and her husband, director Robert Dinesen before earning a starring role in Urban Gad's 1922 drama Hanneles Himmelfahrt.
It was in the 1924 release of Fritz Lang's two-part fantasy serial Die Nibelungen that she would cement her popularity in Germany and achieve international recognition as an actress. Co-written by Lang's then-wife Thea von Harbou, the films were based the epic poem Nibelungenlied written around AD 1200. Schön had a starring role as the vengeful Kriemhild, opposite actor Paul Richter's role as the epic hero Siegfried.[2]
Schön made the transition to sound films with ease and her film career was prolific through the 1930s. During the Second World War she appeared in approximately ten films, but generally avoided roles in Nazi propaganda films and stayed decidedly apolitical. One exception was an uncredited bit part in Veit Harlan's 1945 nationalistic film Kolberg.[3] One of her most popular roles of the era was the character Frau Knauer in the Helmut Weiss-directed comedy Die Feuerzangenbowle in 1944 for Terra-Filmkunst studios.
After the Second World War Margarete Schön continued in West German films as a popular character actress, she also worked extensivley as a radio personality. From 1948 to 1950 she worked for Deutsche Film-Aktiengesellschaft (DEFA), the public-owned film studio of East Germany. She retired from acting in 1960.
Personal life
Schön was married to Danish director Robert Dineson. In 1968, she was awarded the Bundesfilmpreis for many years of outstanding achievements in German film. She died in West Berlin in 1985, aged 90.[4]
Selected filmography
- The Dancer (1919)
- Wallenstein (1925)
- Bismarck (1925)
- A Day of Roses in August (1927)
- The Youths (1929)
- The Flute Concert of Sans-Souci (1930)
- The Street Song (1931)
- Such Great Foolishness (1937)
- The Woman at the Crossroads (1938)
- The False Step (1939)
- The Dismissal (1942)
- Back Then (1943)
- Die Feuerzangenbowle (1944)
- Captain Wronski (1954)
