Mass No. 4 (Schubert)
| Mass No. 4 | |
|---|---|
| by Franz Schubert | |
|
|
| Key | C major |
| Catalogue | D 452 |
| Year | 1816 |
| Form | Missa solemnis |
| Movements | 6 |
| Vocal | SATB choir and soloists |
| Instrumental | <templatestyles src="Plainlist/styles.css"/>
|
Mass No. 4 in C major, D 452, is a mass composed by Franz Schubert in 1816. It was originally scored for soprano, alto, tenor and bass soloists, SATB choir, violin I and II, and basso continuo (cello, double bass and organ). It is classified as a missa solemnis.[1]
Background
The setting was composed in June–July 1816, and possibly received its first performance in late summer or early fall of the same year at the Lichtental Church.[2] As in his previous masses, the soprano solos were written with Therese Grob's voice in mind.[3]
The mass shows the influence of Mozart in Schubert's work, particularly in the original reduced orchestration (the "Salzburger Kirchentrio", "Salzburg church trio")[4] and the perceived "lightness of touch".[5] Schubert's contemporary diary entries confirm his interest in Mozart's missae breves, along with the music of Michael Haydn, another Salzburg composer.[3]
Schubert made considerable revisions to the mass for subsequent performances. He added parts for 2 oboes or clarinets, 2 trumpets and timpani, all ad libitum, for an 1825 performance in St. Ulrich, Vienna.[2] He revisited the mass in 1828, seven weeks before his death, with a purely choral setting of the "Benedictus" (D. 961) to replace the earlier soprano solo.[6][7] It is likely that this was in anticipation of a performance where a soloist of Grob's calibre was unavailable.
Schubert sold the score of Mass No. 4 and some shorter church works to Anton Diabelli for publishing in 1825.[8] It was the only mass published during the composer's lifetime.[9] Schubert dedicated the publication to Michael Holzer, the organist and choirmaster at the Lichtental church, and his teacher in organ, singing, figured bass and counterpoint.[10]
Structure
The mass consists of six movements. Performances require approximately 23 minutes. Commentary is for D 452, unless otherwise indicated.
- "Kyrie" Andante con moto, C major, common time
- "Gloria" Allegro vivace, C major, common time
- "Credo" Allegro, C major, 3/4
- "Et incarnatus est..." Adagio molto, D minor, cut common time
- While Schubert habitually omitted certain passages of the Creed, in this mass he makes the unusual exclusion of the words "ex Maria Virgine" ("of the Virgin Mary"). This may have arisen from simple forgetfulness.[3]
- "Et resurrexit..." Allegro, C major, 3/4
- "Et incarnatus est..." Adagio molto, D minor, cut common time
- "Sanctus" Adagio, C major, common time
- "Osanna in excelsis..." Allegro vivace, C major, common time
- "Benedictus" Andante, F major, 2/4; soprano solo
- "Benedictus qui venit..." A major
- "Osanna in excelsis..." Allegro vivace, C major, common time
- "Benedictus" (D 961) Moderato, A minor, cut common time; choir
- "Agnus Dei" Adagio, C major, common time
- "Dona nobis pacem..." Allegro vivace, C major, 3/4
Notes
- ↑ Shrock 2009, p. 383.
- ↑ 2.0 2.1 Howie 2008, p. 70.
- ↑ 3.0 3.1 3.2 Black 2003, p. 41.
- ↑ Gibbs 1997, p. 210.
- ↑ Newbould 1999, p. 137.
- ↑ Black 2003, p. 183.
- ↑ Newbould 1999, p. 138.
- ↑ Hall 2003, p. 81.
- ↑ Newbould 1999, p. 452.
- ↑ Newbould 1999, p. 20.
References
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External links
- Mass No.4, D.452: Scores at the International Music Score Library Project (includes soprano and choir settings of Benedictus; 1825 orchestration with wind, brass and timpani)
- Free scores of Mass No. 4 in C major, D452 in the Choral Public Domain Library (ChoralWiki) (choir setting of Benedictus only)
