Miguel Hernández

From Infogalactic: the planetary knowledge core
Jump to: navigation, search
Miguel Hernández
Miguel Hernández
Miguel Hernández in 1939
Born Miguel Hernández Gilabert
(1910-10-30)30 October 1910
Orihuela, Spain
Died 28 March 1942(1942-03-28) (aged 31)
Alicante, Spain
Occupation Poet
Language Spanish
Nationality Spain

Miguel Hernández Gilabert (30 October 1910 – 28 March 1942) was a 20th-century Spanish language poet and playwright associated with the Generation of '27 movement and the Generation of '36 movement.


Hernández was born in Orihuela, in the Valencian Community, to a poor family and received little formal education; he published his first book of poetry at 23, and gained considerable fame before his death. He spent his childhood as a goatherd and farmhand, and was, for the most part, self-taught, although he did receive basic education from state schools and the Jesuits.[1] He was introduced to literature by friend Ramon Sijé. As a youth, Hernández greatly admired the Spanish Baroque lyric poet Luis de Góngora, who was an influence in his early works.[1] Shaped by both Golden Age writers such as Francisco de Quevedo and, like many Spanish poets of his era, by European vanguard movements, notably by surrealism, he joined a generation of socially conscious Spanish authors concerned with workers rights.[2] Though Hernández employed novel images and concepts in his verses, he never abandoned classical, popular rhythms and rhymes. Member of the Communist Party of Spain, Hernández campaigned for the Republic during the Spanish Civil War, writing poetry and addressing troops deployed to the front.

During the Civil War, on the ninth of March in 1937, he married Josefina Manresa Marhuenda, whom he had met in 1933 in Orihuela. His wife inspired him to write most of his romantic work. Their first son, Manuel Ramon, was born on 19 December 1937 but died in infancy on 19 October 1938. Months later came their second son, Manuel Miguel (4 January 1939 – 1984).

Unlike others, he could not escape Spain after the Republican surrender and was arrested multiple times after the war for his anti-fascist sympathies, and was eventually sentenced to death. His death sentence, however, was commuted to a prison term of 30 years, leading to incarceration in multiple jails under extraordinarily harsh conditions until he eventually succumbed to tuberculosis in 1942.[3] Just before his death, Hernández scrawled his last verse on the wall of the hospital: Goodbye, brothers, comrades, friends: let me take my leave of the sun and the fields.[1] Some of his verses were kept by his jailers.

While in prison, Hernández produced an extraordinary amount of poetry, much of it in the form of simple songs, which the poet collected in his papers and sent to his wife and others. These poems are now known as his Cancionero y romancero de ausencia (Songs and Ballads of Absence). In these works, the poet writes not only of the tragedy of the Spanish Civil War and his own incarceration, but also of the death of an infant son and the struggle of his wife and another son to survive in poverty. The intensity and simplicity of the poems, combined with the extraordinary situation of the poet, give them remarkable power.

Perhaps Hernández's best known poem is "Nanas de cebolla" ("Onion Lullaby"), a reply in verse to a letter from his wife in which she informed him that she was surviving on bread and onions. In the poem, the poet envisions his son breastfeeding on his mother's onion blood (sangre de cebolla), and uses the child's laughter as a counterpoint to the mother's desperation. In this as in other poems, the poet turns his wife's body into a mythic symbol of desperation and hope, of regenerative power desperately needed in a broken Spain.

The poet's works include:


  • Perito en lunas (1933)
  • El rayo que no cesa (1936)
  • Viento del pueblo (1937)
  • El hombre acecha (1938–1939)
  • Cancionero y Romancero de Ausencias (incomplete, 1938–1942)


  • Quién te ha visto y quién te ve y sombra de lo que eras (If only they could see you now, and shadow of what you were) (1944), an auto sacramental that mimics Calderón ones.
  • El torero más valiente (The Bravest Bullfighter) (1934) dedicated to Ignacio Sánchez Mejías.
  • Hijos de la piedra (The sons of the stone)
  • El labrador de más aire (The peasant of more air)
  • Teatro en la guerra (War theatre)
  • Pastor de la muerte (Death's sepherd)

In July 2010 the poet's family filed a lawsuit in the Spanish Supreme Court in which they asked for his guilty verdict (for his supposed crime of left wing sympathies), to be annulled. In 1939 he had been condemned to death as " an extremely dangerous and despicable element to all good Spaniards." Franco later reduced the sentence so that he would not become an international martyr, as Lorca did. In March 2010 the family had a posthumous " declaration of reparation" from the Spanish government, but, his daughter-in-law Lucía Izquierdo said ; " We want something more, that they void the death sentence.. that they hand down a ruling of innocent." Lawyers for the poet's family had new evidence, a 1939 letter from a fascist military official, Juan Bellod, testifying to his innocence. "I have known Miguel Hernandez since he was a boy", the letter began. "He is a person with an impeccable past, generous sentiments and deep religious and humanist training, but whose excessive sensitivity and poetic temperament have led him to act in accordance with the passion of the moment rather than calm, firm will. I fully guarantee his behaviour and his patriotic and religious fervour. I do not believe that he is, at heart, an enemy of our Glorious Movement."[2]

See also


  1. 1.0 1.1 1.2 Poetry. adelphia.net
  2. 2.0 2.1 Anita Brooks (2010-07-10) Family of Spain's dead great poet Hernandez want name cleared, The Independent
  3. Beevor, Antony (2006). The Battle for Spain. The Spanish civil war, 1936–1939. Penguin Books. London. p. 406 ISBN 014303765X

External links