Minna Citron

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Minna Wright Citron (October 15, 1896 – December 23, 1991) was an American painter and printmaker. Her early prints focus on the role of women, sometimes in a satirical manner, in a style known as urban realism.

Early life and education

Minna Wright was born in Newark, New Jersey, the youngest of five children.

Career

As a young mother she attended the School of Applied Design for Women and Art Students League of New York (1928–35). She had her first solo exhibit in 1930, at the New School for Social Research.[1] In 1934 she moved to Union Square, New York where she associated with artists including Isabel Bishop, Reginald Marsh and Raphael Soyer. Like Isabel Bishop, Citron created genre scenes of Union Square and was part of the 14th Street School.[citation needed] Her work was also influenced by that of artist Honoré Daumier. This group of artists can best be described as urban realists.[citation needed]

She worked as an art teacher and mural artist as a part of the Federal Art Project. Her work includes the oil on canvas murals titled Horse Swapping in the Manchester, Tennessee post office and TVA Power in the Newport, Tennessee post office, commissioned by the Treasury Section of Fine Arts, and completed in the early 1940s.

Soon after World War II she travelled abroad to Paris. Her later work was more abstract; she developed methods for three-dimensional printmaking and assemblage. A 1960 solo exhibit in Zagreb was the first time an American artist had mounted such a show in Yugoslavia. In the 1970s (when she was in her seventies), she strongly identified with the women's movement because she believed that she had always been a feminist.[citation needed] She continued to work well into her nineties. In 1985 she received the Women's Caucus for Art Lifetime Achievement Award.[2]

Personal life and legacy

Minna Wright married Henry Citron, a businessman; they had two sons, Casper and Thomas, before their divorce in 1935. She had a longtime relationship with lawyer and philanthropist Arthur B. Brenner; their shared interest in psychoanalysis was an influence on Citron's work.[3]

Minna Citron died in December 1991, age 95, in New York City.[4] Her papers are at Syracuse University.[5]

A traveling exhibition of her work, titled "Minna Citron: The Uncharted Course From Realism to Abstraction," appeared at Georgia Museum of Art late in 2012, Texas A&M University in 2013, and at University of Richmond in late 2014.[6][7][8] It opened at Syracuse University in February 2015.[9]

References

  1. ↑ Roberta Smith, "Minna Citron, 95, Artist Whose Work Spanned 2 Schools," New York Times (December 24, 1991).
  2. ↑ National Women's Caucus for Art Conference, Los Angeles, February 12-16, 1985.
  3. ↑ National Women's Caucus for Art Conference, Los Angeles, February 12-16, 1985.
  4. ↑ Roberta Smith, "Minna Citron, 95, Artist Whose Work Spanned 2 Schools," New York Times (December 24, 1991).
  5. ↑ Syracuse University Libraries, Minna Citron Papers.
  6. ↑ "University of Richmond Museums opens 'Minna Citron: The Uncharted Course From Realism to Abstraction,'" artdaily.org.
  7. ↑ Texas A&M University Calendar, "Minna Citron: The Uncharted Course From Realism To Abstraction," May 7-August 25, 2013.
  8. ↑ Georgia Museum of Art, "Georgia Museum of Art to Exhibit Works by Minna Citron," press release (October 11, 2012).
  9. ↑ Syracuse University Art Galleries, "Minna Citron: The Uncharted Course From Realism to Abstraction," February 5-March 15, 2015.

External links

  • National Museum of Women in the Arts. Minna Citron
  • Sample of her work [1]


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