Nightclubbing (Grace Jones album)

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Nightclubbing
Grace Jones - Nightclubbing.jpg
Studio album by Grace Jones
Released May 11, 1981
Recorded 1981
Genre Art pop, new wave, reggae
Length 38:40
Label Island
Producer Chris Blackwell, Alex Sadkin
Grace Jones chronology
Warm Leatherette
(1980)Warm Leatherette1980		 Nightclubbing
(1981)		 Living My Life
(1982)Living My Life1982
Singles from Nightclubbing
  1. "Demolition Man"
    Released: March 1981
  2. "I've Seen That Face Before (Libertango)"
    Released: May 1981
  3. "Pull Up to the Bumper"
    Released: June 1981
  4. "Use Me"
    Released: June 1981
  5. "Feel Up"
    Released: July 1981
  6. "Walking in the Rain"
    Released: October 1981
Music sample
"Feel Up"

Nightclubbing is the fifth studio album by Jamaican singer Grace Jones, released on May 11, 1981 by Island Records. Recorded at Compass Point Studios with producers Alex Sadkin and Island Records' president Chris Blackwell, as well as a team of session musicians rooted by Sly & Robbie, the album further cemented Jones' movement towards reggae-tinged new wave music. Jones had released Warm Leatherette the year before, which was also recorded at Compass Point with Sadkin and Blackwell and had established her departure from disco music. She would record another album with them, Living My Life (1982), forming what is now considered a trilogy.

Musically, the album is a Reggae, electronic, disco, blues, salsa funk record that incorporates strong elements of new wave and pop music within its composition, making it a departure from her previous disco work. Additionally, it incorporates several genres and subgenres, including rock, funk, dub, dance-rock, post-disco, post-punk and tango. It mainly consists of cover versions from artists including David Bowie, Iggy Pop, Astor Piazzolla and Sting; it contains three original songs written by Jones.

The album received positive reviews upon its release and continues to be praised by critics, with reviewers commending the singer's unique sound and organic fusion of genres. The album entered in the top 10 in five countries, and became Jones' highest-ranking record on the US Billboard mainstream albums and R&B charts. Six singles were released from the album, including the hits "Pull Up to the Bumper" and "I've Seen That Face Before (Libertango)".

Critics and scholars have noted the album's influence on popular music, especially how its unique sound has been emulated by both pop and alternative acts, and how the persona Jones adopted —deeply influenced by art and fashion— has had an enduring influence in modern female pop singers. Around the time of the album's release, she adopted her characteristic androgynous look which would become popular in fashion. Nightclubbing is widely regarded as Jones' finest and most emblematic work, and what cemented her pop icon status.

Background

Grace Jones had transformed her musical and visual style on the turn of 1970s and 1980s, evolving from disco to rock and reggae-fueled new wave music with the release of Warm Leatherette in 1980. The record earned her critical acclaim, and the singer teamed up once again with producers Chris Blackwell and Alex Sadkin for the second album recorded at the Compass Point Studios in the Bahamas.

The album includes reggae-oriented re-interpretations of the songs by Flash and the Pan, Bill Withers, Iggy Pop, and Ástor Piazzolla, in addition to several new tracks, three of which were co-written by Jones. Three songs share contributions from Barry Reynolds, with whom Jones would go on to compose most of the material for the 1982 album Living My Life. One song, "Demolition Man", was written by Sting of The Police, who would later that year record it with the band and include on their album Ghost in the Machine. The strong rhythm section which features on most of the tracks was provided by Sly and Robbie, Wally Badarou, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson, aka the Compass Point Allstars.

Nightclubbing became Jones' chart breakthrough and remains one of the greatest commercial triumphs of her entire career. It entered top 5 in no less than four countries, and became the singer's highest-charting record on the U.S. Billboard mainstream albums and R&B charts. The album brought Jones from being a former disco diva with a loyal cult following but dropping sales figures to an international star with mainstream chart success. It later formed the basis of her groundbreaking concept tour A One Man Show. The album was released to critical acclaim, claiming the number one slot on NME's Album of the Year list.[1] Slant Magazine listed the album at #40 on its list of Best Albums of the 1980s.[2] Nightclubbing is now widely considered Jones' best studio album.[3]

Universal Music Group re-released the album on vinyl in 2009.[4]

Release of a two disc deluxe set, containing most of the 12" single versions of singles, plus two unreleased tracks from the "Nightclubbing" sessions, occurred on April 28, 2014, and Jones enjoyed a UK Top 50 chart placing the following week - her first since 2008.

Artwork

The Nightclubbing album cover, by Jean-Paul Goude presents Jones posing in masculine attire, wearing an Armani jacket and holding a cigarette in her mouth. The look is complete with her trademark flattop haircut. The image was created in New York in 1981 as 'oil paint on cut up photo'.[5]

Singles

The lead single from the album was "Demolition Man", written by Sting. The single was not a commercial success and did not chart, although would later become one of Jones' signature songs. "I've Seen That Face Before (Libertango)" was released as the second single and became one of the most commercially successful songs in Jones' repertoire. It secured top 20 positions in several European countries and became another signature song for Jones.

The R&B-dance track "Pull Up to the Bumper" was a quick follow-up to "Libertango". It met with a great success on the U.S. club market, but turned out a modest hit in Europe upon original release. The song would re-emerge in Europe in 1985 as a major success, especially in the UK, where backed with "La Vie en rose" it became one of Jones' highest-charting singles in that country.

"Use Me" and "Feel Up" were then released as singles, but were unsuccessful in charts. The final single off Nightclubbing, "Walking in the Rain", was a minor chart success.

Critical reception

Contemporary reviews
Review scores
Source Rating
Melody Maker very favorable[6]
NME favorable[7]
Robert Christgau (B−)[8]
Smash Hits 8/10[9]
Retrospective reviews
Review scores
Source Rating
Allmusic 4.5/5 stars[10]
Mojo 5/5 stars[11]
Pitchfork Media 9.0/10[12]
Q 4/5 stars[13]
Uncut 9/10[14]

In the UK Adrian Thrills of NME said, "I spent an otherwise-miserable weekend afternoon with the sound of Grace swirling around my little earphones, grooving on songs effortlessly sung but put together with a jeweller's eye for detail".[7] Melody Maker stated, "Now here's an album with something for everyone: reggae, electronics, disco, blues – even a snatch of salsa funk. The incredible thing is that it all gels together so well – the common denominator is the danceability, which lasts all the way through: changes in tempo and pace only help to sustain the energy level."[6]

Andy Kellman of Allmusic praised the album, stating: "Sly & Robbie provide ideal backdrops for Jones yet again, casting a brisk but not bristly sheen over buoyant structures. Never before and never since has a precisely chipped block of ore been so seductive."[10] Music reviewer Robert Christgau wrote, "For as long as 'Love Is the Drug' and 'Private Life' last, Jones makes you forget the Pretenders and Bryan Ferry by sheer weird force of personality, but Bill and Iggy never relinquish 'Use Me' and 'Nightclubbing'."[8]

In 2014 Andy Beta of Pitchfork Media labeled the album's reissue as "Best New Reissue", describing the album as "the record that further cemented her iconic status in pop culture". He also stated: "She treats each cover not as a singer tackling a song, but as an actor inhabiting the skin of a role".[12] Mojo called it "probably the greatest of Grace Jones' Compass Point trio".[11] Uncut called Nightclubbing "the album that came to define Jones as the complete performer, in her own way, as singer, muse, actress, alien and androgyne. Its sound, a sublime mix of reggae, funk, new wave and disco, was as arresting as its cover image... The indigo mood, cool gaze and cigarette suggested Marlene Dietrich, the gender-bending a touch of Bowie. No one had seen or heard anything quite like this, though."[14] Q stated, "The music on Nightclubbing is as stripped-down and full of space as Jones's froideur demanded. Then again, when it evokes more emotional qualities, it also triumphs." The review concluded, "The fact that this music was first released 33 years ago beggars belief: it showcases great minds alighting on the future, and points the way to Madonna, Björk, Lady Gaga, Gorillaz, M.I.A. and more."[13]

Track listing

Side one
No. Title Writer(s) Length
1. "Walking in the Rain"   Harry Vanda, George Young 4:18
2. "Pull Up to the Bumper"   Grace Jones, Koo Koo Baya, Dana Mano 4:41
3. "Use Me"   Bill Withers 5:04
4. "Nightclubbing"   David Bowie, Iggy Pop 5:06
Side two
No. Title Writer(s) Length
5. "Art Groupie"   Grace Jones, Barry Reynolds 2:39
6. "I've Seen That Face Before (Libertango)"   Astor Piazzolla, Barry Reynolds, Dennis Wilkey, Nathalie Delon 4:30
7. "Feel Up"   Grace Jones 4:03
8. "Demolition Man"   Sting 4:03
9. "I've Done It Again"   Barry Reynolds, Marianne Faithfull 3:51
  • The 2-Disc Deluxe Remastered Version states that the writer(s) of "If You Wanna Be My Lover" is unknown.

Personnel

Commercial reception

Release history

Region Date Format(s) Label
Worldwide May 11, 1981 LP, Cassette Island
Yugoslavia Jugoton
Europe 1989 CD Island Masters
Worldwide 1990 Island
April 28, 2014 2-CD deluxe edition, Blu-ray audio

References

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  2. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  3. ↑ Lua error in package.lua at line 80: module 'strict' not found.
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  6. ↑ 6.0 6.1 Lua error in package.lua at line 80: module 'strict' not found.
  7. ↑ 7.0 7.1 Lua error in package.lua at line 80: module 'strict' not found.
  8. ↑ 8.0 8.1 Lua error in package.lua at line 80: module 'strict' not found.
  9. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  10. ↑ 10.0 10.1 Kellman, Andy. Grace Jones – Nightclubbing > Review at AllMusic
  11. ↑ 11.0 11.1 Lua error in package.lua at line 80: module 'strict' not found.
  12. ↑ 12.0 12.1 Lua error in package.lua at line 80: module 'strict' not found.
  13. ↑ 13.0 13.1 Lua error in package.lua at line 80: module 'strict' not found.
  14. ↑ 14.0 14.1 Lua error in package.lua at line 80: module 'strict' not found.
  15. ↑ http://www.amazon.co.uk/Nightclubbing-Grace-Jones/dp/B00I480SCK/ref=sr_1_1?s=music&ie=UTF8&qid=1395309389&sr=1-1&keywords=Nightclubbing+%5BDeluxe+Edition%5D
  16. ↑ http://www.superdeluxeedition.com/news/grace-jones-nightclubbing-2cd-deluxe-blu-ray-audio-and-2lp/
  17. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  18. ↑ "Lescharts.com – Grace Jones – Nightclubbing". Hung Medien. Retrieved June 9, 2014.
  19. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  20. ↑ "Dutchcharts.nl – Grace Jones – Nightclubbing" (in Dutch). Hung Medien. Retrieved June 9, 2014.
  21. ↑ "Charts.org.nz – Grace Jones – Nightclubbing". Hung Medien. Retrieved June 9, 2014.
  22. ↑ "Norwegiancharts.com – Grace Jones – Nightclubbing". Hung Medien. Retrieved June 9, 2014.
  23. ↑ "Swedishcharts.com – Grace Jones – Nightclubbing". Hung Medien. Retrieved June 9, 2014.
  24. ↑ 24.0 24.1 "Grace Jones | Artist | Official Charts". UK Albums Chart Retrieved June 9, 2014. Cite error: Invalid <ref> tag; name "ac_UK__Grace_Jones" defined multiple times with different content
  25. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  26. ↑ Lua error in package.lua at line 80: module 'strict' not found.
  27. ↑ Lua error in package.lua at line 80: module 'strict' not found.

External links

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