Old Wives for New

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Old Wives for New
File:Old Wives for New (1918) 1.jpg
Gustav von Seyffertitz and Sylvia Ashton in Old Wives for New
Directed by Cecil B. DeMille
Produced by Cecil B. DeMille
Jesse L. Lasky
Written by Jeanie MacPherson
Based on Old Wives for New
by David Graham Phillips
Starring Elliott Dexter
Cinematography Alvin Wyckoff
Edited by Cecil B. DeMille
Production
company
Distributed by Paramount Pictures
Release dates
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  • May 19, 1918 (1918-05-19)
Running time
60 minutes
Country United States
Language Silent (English intertitles)

Old Wives for New is a 1918 American drama film directed by Cecil B. DeMille.[1][2] Prints of the film survive at the International Museum of Photography and Film at George Eastman House.[3]

Plot

As described in a film magazine,[4] disgusted by the unattractive, slovenly appearance of his wife Sophy (Ashton), Charles Murdock (Dexter) goes on a long hunting trip. He meets Juliet Raeburn (Vidor), falls in love with her, and while telling her of his love, he reveals that he is a married man. Upon his return his wife flies into a frenzy of jealousy. To forget, he goes out with his business partner Tom Berkeley (Roberts), meets Viola Hastings (Manon), who is being provided for by Berkeley, and another woman of the cafes. Viola shoots Berkeley when she finds him in another woman's bedroom and Juliet Raeburn's name is connected to the scandal by a false report. Murdock, to protect Juliet, goes abroad with another woman. After his wife obtains a divorce, Juliet and Murdock meet in Venice, renew their friendship, and marry.

Cast

Reception

Like many American films of the time, Old Wives for New was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors issued an Adults Only permit for the film and cut, in Reel 1, the intertitle "A shrewd sensualist" etc., Reel 3, the two intertitles "With a ribbon and a feather Berkeley pays his debts" and "Suppose he didn't get you the ermine?", the incident of Mrs. Murdock pointing to a place near her in bed, Reel 4, the intertitle "No, I can't forget, I'll take you only to your apartment", all scenes of young woman in man's arms on chair, Reel 5, all scenes of young woman in man's arms on chair, young woman shooting man and all scenes of her on floor after shooting, and the four intertitles "I killed him; he was a beast", "We've got to get him to his hotel", "Hushing it up", and "I won't turn you over to the police yet".[5]

References

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External links