Studio publicity portrait from the 1940s
|Born||Pauline Goddard Levy (or Marion Goddard Levy or Pauline Marion Levy or Marion Pauline Levy)
June 3, 1910
Whitestone Landing, Queens, New York (or Great Neck, Long Island or Manhattan, New York; disputed)
|Died||April 23, 1990
Ronco sopra Ascona, Ticino, Switzerland
|Cause of death||Heart failure and emphysema|
|Resting place||Ronco Village Cemetery, Ticino, Switzerland|
|Occupation||Actress, film producer, dancer, model|
(m. 1927; div. 1932)
(m. 1936; div. 1942)
(m. 1944; div. 1949)
Erich Maria Remarque
(m. 1958–1970; his death)
|Parent(s)||Joseph Russell Levy
Alta Mae Goddard
Paulette Goddard (June 3, 1910 – April 23, 1990) was an American actress. A child fashion model and a performer in several Broadway productions as a Ziegfeld Girl, she became a major star of the Paramount Studio in the 1940s. Her most notable films were her first major role, as Charles Chaplin's leading lady in Modern Times, and Chaplin's subsequent film The Great Dictator. She was nominated for an Academy Award for Best Supporting Actress for her performance in So Proudly We Hail! (1943). Her husbands included Chaplin, Burgess Meredith, and Erich Maria Remarque.
Goddard was the only child of Joseph Russell Levy (1881–1954), who was Jewish, and the son of a prosperous cigar manufacturer from Salt Lake City, and of Alta Mae Goddard (1887–1983), who was Episcopalian and of English heritage. They married in 1908 and separated while their daughter was very young, although the divorce did not become final until 1926. According to Goddard, her father left them, but according to J.R. Levy, Alta absconded with the child. Goddard was raised by her mother, and did not meet her father again until the late 1930s, after she had become famous.
In a 1938 interview published in Collier's, Goddard claimed Levy was not her biological father. In response, Levy filed a suit against his daughter, claiming that the interview had ruined his reputation and lost him his job, and demanded financial support from her. In a December 17, 1945, article written by Oliver Jensen in Life Magazine, Goddard admitted to having lost the case and being forced to pay her father $35 a week.
To avoid a custody battle, her mother and she moved often during her childhood, even relocating to Canada at one point. Goddard began modelling at an early age to support her mother and herself, working for Saks Fifth Avenue and Hattie Carnegie, among others. An important figure in her childhood was her great-uncle, Charles Goddard, the owner of the American Druggists Syndicate. He played a central role in Goddard's career, introducing her to Broadway impresario Florenz Ziegfeld.
In 1926, she made her stage debut as a dancer in Ziegfeld's summer review, No Foolin', which was also the first time that she used the stage name Paulette Goddard. Ziegfeld hired her for another musical, Rio Rita, which opened in February 1927, but she left the show after only three weeks to appear in the play The Unconquerable Male, produced by Archie Selwyn. It was, however, a flop and closed after only three days following its premiere in Atlantic City.
Soon after the play closed, Goddard was introduced to Edgar James, president of the Southern Lumber Company, located in Asheville, North Carolina, by Charles Goddard. Aged 17, considerably younger than James, they married on June 28, 1927, in Rye, New York. It was a short marriage, and Goddard was granted a divorce in Reno, Nevada, in 1929, receiving a divorce settlement of $375,000.
Goddard first visited Hollywood in 1929, when she appeared as an uncredited extra in two films, the Laurel and Hardy short film Berth Marks, and George Fitzmaurice's drama The Locked Door. Following her divorce, she briefly visited Europe before returning to Hollywood in late 1930 with her mother. Her second attempt at acting was no more successful than the first, as she landed work only as an extra. In 1932, she signed her first film contract with producer Samuel Goldwyn to appear as a Goldwyn Girl in The Kid from Spain. However, Goldwyn and she did not get along, and she began working for Hal Roach, appearing in a string of uncredited supporting roles for the next four years.
The year she signed with Goldwyn, Goddard began dating Charlie Chaplin, a relationship that received substantial attention from the press. It marked a turning point in Goddard's career when Chaplin cast her as his leading lady in his next box office hit, Modern Times, in 1936. Her role as "The Gamin", an orphan girl who runs away from the authorities and becomes The Tramp's companion, was her first credited film appearance and garnered her mainly positive reviews, Frank S. Nugent of The New York Times describing her as "the fitting recipient of the great Charlot's championship".
Following the success of Modern Times, Chaplin planned other projects with Goddard in mind as a co-star, but he worked slowly, and Goddard worried that the public might forget about her if she did not continue to make regular film appearances. She signed a contract with David O. Selznick and appeared with Janet Gaynor in the comedy The Young in Heart (1938) before Selznick loaned her to MGM to appear in two films. The first of these, Dramatic School (1938), co-starred Luise Rainer, but the film received mediocre reviews and failed to attract an audience. Her next film, The Women (1939), was a success. With an all-female cast headed by Norma Shearer, Joan Crawford, and Rosalind Russell, the film's supporting role of Miriam Aarons was played by Goddard. Pauline Kael would later comment of Goddard, "she is a stand-out. She's fun."
Selznick was pleased with Goddard's performances, particularly her work in The Young at Heart, and considered her for the role of Scarlett O'Hara. Initial screen tests convinced the director George Cukor and him that Goddard would require coaching to be effective in the role, but that she showed promise, and she was the first actress given a Technicolor screen test. Russell Birdwell, the head of Selznick's publicity department, had strong misgivings about Goddard. He warned Selznick of the "tremendous avalanche of criticism that will befall us and the picture should Paulette be given this part ... I have never known a woman, intent on a career dependent upon her popularity with the masses, to hold and live such an insane and absurd attitude towards the press and her fellow man as does Paulette Goddard ... Briefly, I think she is dynamite that will explode in our very faces if she is given the part." Selznick remained interested in Goddard and after he had been introduced to Vivien Leigh, he wrote to his wife that Leigh was a "dark horse" and that his choice had "narrowed down to Paulette, Jean Arthur, Joan Bennett, and Vivien Leigh".
After a series of tests with Leigh that pleased both Selznick and Cukor, Selznick cancelled the further tests that had been scheduled for Goddard, and the part was given to Leigh. It has been suggested that Goddard lost the part because Selznick feared that questions surrounding her marital status with Charlie Chaplin would result in scandal. However, Selznick was aware that Leigh and Laurence Olivier lived together, as their respective spouses had refused to divorce them, and in addition to offering Leigh a contract, he engaged Olivier as the leading man in his next production Rebecca (1940). Chaplin's biographer Joyce Milton wrote that Selznick was worried about legal issues by signing her to a contract that might conflict with her preexisting contracts with the Chaplin studio.
Goddard signed a contract with Paramount Pictures and her next film The Cat and the Canary (1939) with Bob Hope, was a turning point in the careers of both actors. She starred with Chaplin again in his 1940 film, The Great Dictator. The couple split amicably soon afterward, and Goddard allegedly obtained a divorce in Mexico in 1942, with Chaplin agreeing to a generous settlement. She was Fred Astaire's leading lady in Second Chorus (1940), where she met her third husband, actor Burgess Meredith. One of her best-remembered film appearances was in the variety musical Star Spangled Rhythm (1943), in which she sang a comic number, "A Sweater, a Sarong, and a Peekaboo Bang", with Dorothy Lamour and Veronica Lake.
She received one Oscar nomination for Best Supporting Actress, for the 1943 film So Proudly We Hail!, but did not win. Her most successful film was Kitty (1945), in which she played the title role. In The Diary of a Chambermaid (1946), she starred opposite Burgess Meredith, to whom she was married at the time. Cecil B. DeMille cast her in three blockbusters: North West Mounted Police (1940), Reap the Wild Wind (1942), and Unconquered (1947).
In 1947, she made An Ideal Husband in Britain for Alexander Korda, and was accompanied on a publicity trip to Brussels by Clarissa Spencer-Churchill, niece of Sir Winston Churchill and future wife of future Prime Minister Anthony Eden. In 1949, she formed Monterey Pictures with John Steinbeck. Her last starring roles were the English production A Stranger Came Home (known as The Unholy Four in the United States), and Charge of the Lancers in 1954. She also acted in summer stock and on television, including the 1955 television remake of The Women, this time playing the Sylvia Fowler role, however.
After her marriage to Erich Maria Remarque, Goddard largely retired from acting and moved to Ronco sopra Ascona, Switzerland. In 1964, she attempted a comeback in films with a supporting role in the Italian film Time of Indifference, which turned out to be her last feature film. After Remarque's death in 1970, she made one last attempt at acting, when she accepted a small role in an episode of The Snoop Sisters (1972) for television.
Upon Remarque's death, Goddard inherited much of his money and several important properties across Europe, including a wealth of contemporary art, which augmented her own long-standing collection. During this period, her talent at accumulating wealth became a byword among the old Hollywood élite. During the 1980s, she became a fairly well known (and highly visible) socialite in New York City society, appearing, covered with jewels, at many high-profile cultural functions with several well-known men, including Andy Warhol, with whom she sustained a friendship for many years until his death in 1987.
Goddard underwent invasive treatment for breast cancer in 1975, successfully by all accounts. On April 23, 1990, she died from heart failure while under respiratory support due to emphysema, aged 79, at her home in Switzerland. She is buried in Ronco Village Cemetery, next to Remarque and her mother.
In 1934, Goddard began a relationship with Charlie Chaplin. She later moved into his Beverly Hills home. They were reportedly married in secret in Canton, China, in June 1936. Aside from referring to Goddard as "my wife" at the October 1940 premiere of The Great Dictator, neither Goddard nor Chaplin publicly commented on their marital status. On June 4, 1942, Goddard was granted a Mexican divorce from Chaplin. In May 1944, she married Burgess Meredith at David O. Selznick's Beverly Hills home. They divorced in June 1949.
Goddard had no children. In October 1944, she suffered the miscarriage of a son with Burgess Meredith. She was the first stepmother to Chaplin's sons, Charles, Jr. and Sydney Chaplin, whose mother was Lita Grey. Grey was only two years older than Goddard.
Discrepancies regarding year of birth
Like many other actresses, Goddard tampered with her year of birth. According to one of Goddard's biographers, Julie Gilbert, the actress was born in either Whitestone Landing, Queens, New York or Great Neck, Long Island on June 3, 1910, and according to her birth certificate was named Marion Goddard Levy. However, various later documents mention different birth years and places, as well as names. Legal documents and a passport listed her birth year as 1905 and 1915, and when asked to clarify the confusion over her age in a 1945 interview with Life, Goddard claimed she was in fact born in 1915.
She later claimed in a magazine column to have been born in Manhattan, and according to her second husband, Charlie Chaplin, she was born in Brooklyn. Goddard's name has also been cited as Pauline Goddard Levy and Pauline Marion Levy.
However, according to the U.S. Census taken on January 5, 1920, Goddard (as Pauline G. Levy) and her parents (Joseph R. and Alta M. Levy) were living in Kansas City, Missouri. She is listed as having been born in New York, and her age is given as nine years, the age being the age of the individual as of his or her last birthday, which is the question asked by census enumerators (see Jackson County, Missouri enumeration District 236, p. 5-B, family 145.) Also, her gravestone in Switzerland clearly gives her year of birth as 1910. The 1910 Census confirms Pauline's self-report as her parents were living in Manhattan in April 1910, less than two months before her birth.
Arguably Goddard's foremost legacies remain her two feature films with Charles Chaplin, Modern Times and The Great Dictator, and a large donation to a prominent American educational institution. Goddard, whose own formal education did not go beyond high school, bequeathed US$20 million to New York University (NYU) in New York City. This contribution was also in recognition of her friendship with the Indiana-born politician and former New York University President John Brademas. Goddard Hall, a New York University freshman residence hall on New York City's Washington Square in Greenwich Village, is named in her honor. Efforts to raise CHF 6.2M ($7M) to purchase and save Remarque and Goddard's villa from demolition are underway, proposing to transform the Casa Monte Tabor into a museum and home to an artist-in-residence program, focused on creativity, freedom and peace.
Goddard was portrayed by Diane Lane in the 1992 film Chaplin, and by actress Natalie Wilder in the 2011 play Puma, written by Julie Gilbert, who also wrote Opposite Attraction: The Lives of Erich Maria Remarque and Paulette Goddard.
|1929||Berth Marks||Train passenger||Short subject|
|1929||Locked Door, TheThe Locked Door||Girl on rum boat||Uncredited|
|1931||City Streets||Dance extra||Uncredited|
|1931||Girl Habit, TheThe Girl Habit||Lingerie salesgirl|
|1931||Ladies of the Big House||Inmate in midst of crowd||Uncredited|
|1932||Mouthpiece, TheThe Mouthpiece||Blonde at party||Uncredited|
|1932||Show Business||Blonde train passenger||Uncredited
|1932||Young Ironsides||Herself, Miss Hollywood||Uncredited
|1932||Pack Up Your Troubles||Bridesmaid||Uncredited|
|1932||Kid From Spain, TheThe Kid From Spain||Goldwyn Girl||Uncredited|
|1933||Hollywood on Parade No. B-1||Herself||Short subject|
|1933||Bowery, TheThe Bowery||Blonde who announces Brodie's jump||Uncredited|
|1933||Hollywood on Parade No. B-5||Herself||Short subject|
|1933||Roman Scandals||Goldwyn Girl||Uncredited|
|1934||Kid Millions||Goldwyn Girl||Uncredited|
|1936||Modern Times||Ellen Peterson – A Gamine|
|1936||Bohemian Girl, TheThe Bohemian Girl||Gypsy vagabond||Uncredited|
|1938||Young in Heart, TheThe Young in Heart||Leslie Saunders|
|1939||Women, TheThe Women||Miriam Aarons|
|1939||Cat and the Canary, TheThe Cat and the Canary||Joyce Norman|
|1940||Ghost Breakers, TheThe Ghost Breakers||Mary Carter|
|1940||Great Dictator, TheThe Great Dictator||Hannah|
|1940||Screen Snapshots: Sports in Hollywood||Herself||Short subject|
|1940||North West Mounted Police||Louvette Corbeau||Alternative titles: Northwest Mounted Police
The Scarlet Riders
|1940||Second Chorus||Ellen Miller|
|1941||Pot o' Gold||Molly McCorkle||Alternative titles: The Golden Hour
Jimmy Steps Out
|1941||Hold Back the Dawn||Anita Dixon|
|1941||Nothing But the Truth||Gwen Saunders|
|1942||The Lady Has Plans||Sidney Royce|
|1942||Reap the Wild Wind||Loxi Claiborne||Alternative title: Cecil B. DeMille's Reap the Wild Wind|
|1942||Forest Rangers, TheThe Forest Rangers||Celia Huston Stuart|
|1942||Star Spangled Rhythm||Herself|
|1943||Crystal Ball, TheThe Crystal Ball||Toni Gerard|
|1943||So Proudly We Hail!||Lt. Joan O'Doul||Nominated—Academy Award for Best Supporting Actress|
|1944||Standing Room Only||Jane Rogers/Suzanne|
|1944||I Love a Soldier||Evelyn Connors|
|1946||Diary of a Chambermaid, TheThe Diary of a Chambermaid||Célestine||Producer (Uncredited)|
|1947||Suddenly, It's Spring||Mary Morely|
|1947||Unconquered||Abigail "Abby" Martha Hale|
|1947||Ideal Husband, AnAn Ideal Husband||Mrs. Laura Cheveley||Alternative title: Oscar Wilde's An Ideal Husband|
|1948||On Our Merry Way||Martha Pease|
|1948||Screen Snapshots: Smiles and Styles||Herself||Short subject|
|1949||Bride of Vengeance||Lucretia Borgia|
|1949||Anna Lucasta||Anna Lucasta|
|1949||Yank Comes Back, AA Yank Comes Back||Herself||Uncredited
|1950||The Torch||María Dolores Penafiel||Associate producer
Alternative title: Bandit General
|1952||Babes in Bagdad||Kyra|
|1953||Vice Squad||Mona Ross||Alternative title: The Girl in Room 17|
|1953||Sins of Jezebel||Jezebel|
|1953||Paris Model||Betty Barnes||Alternative title: Nude at Midnight|
|1954||Charge of the Lancers||Tanya|
|1954||A Stranger Came Home||Angie||Alternative title: The Unholy Four|
|1964||Time of Indifference||Mariagrazia||Alternative titles: Les Deux Rivales
|1951||Four Star Revue||Guest actress||Episode #1.41|
|1952||Ed Sullivan Show, TheThe Ed Sullivan Show||Herself||2 episodes|
|1953||Ford Theatre||Nancy Whiting||Episode: "The Doctor's Downfall"|
|1954||Sherlock Holmes||Lady Beryl||Episode: "The Case of Lady Beryl"|
|1955||Producers' Showcase||Sylvia Fowler||Episode: "The Women"|
|1957||Errol Flynn Theatre, TheThe Errol Flynn Theatre||Rachel||Episode: "Mademoiselle Fifi"|
|1957||The Joseph Cotten Show: On Trial||Dolly||Episode: "The Ghost of Devil's Island"|
|1957||Ford Theatre||Holly March||Episode: "Singapore"|
|1959||Adventures in Paradise||Mme. Victorine Reynard||Episode: "The Lady from South Chicago"|
|1959||What's My Line?||Guest panelist||November 29, 1959 episode|
|1961||Phantom, TheThe Phantom||Mrs. Harris||TV movie|
|1972||The Snoop Sisters||Norma Treet||TV movie
Alternative title: Female Instinct
(Source: unless otherwise noted.)
|1939||Lux Radio Theatre||Episode: "Front Page Woman"|
|1939||The Campbell Playhouse||Episode: "Algiers"|
|1940||The Gulf Screen Guild Theatre||Episode: "The Firebrand"|
|1941||The Gulf Screen Guild Theatre||Episode: "Destry Rides Again"|
|1941||Lux Radio Theatre||Episode: "Hold Back the Dawn"|
|1941||Cavalcade of America||Episode: "The Gorgeous Hussy"|
|1941||Screen Guild Players||Frenchy||Episode: "Destry Rides Again"|
|1942||Philip Morris Playhouse||Episode: "They All Kissed the Bride"|
|1942||Screen Guild Theatre||Episode: "Parent by Proxy"|
|1942||Screen Guild Players||The night club queen||Episode: "Ball of Fire"|
|1942||The Gulf Screen Guild Theatre||Episode: "Torrid Zone"|
|1942||Lux Radio Theatre||Episode: "North West Mounted Police"|
|1942||Lady Esther Screen Guild Theatre||Episode: "Ball Of Fire"|
|1943||Lux Radio Theatre||Episode: "Reap the Wild Wind"|
|1943||Lux Radio Theatre||Episode: "So Proudly We Hail!"|
|1944||Lady Esther Screen Guild Theatre||Episode: 'I Love You Again"|
|1944||Lux Radio Theatre||Episode: "Standing Room Only"|
|1944||Screen Guild Players||Episode: "You Belong to Me"|
|1945||Harold Lloyd Comedy Theatre||Episode: "Standing Room Only"|
|1945||Theatre Guild on the Air||Episode: "At Mrs. Beam's"|
|1947||Lux Radio Theatre||Episode: "Kitty"|
|1947||Hollywood Players||Episode: "5th Ave Girl"|
|1948||Screen Guild Players||Episode: "Suddenly It's Spring"|
|1952||Philip Morris Playhouse||Episode: "The Romantic Years"|
|1952||Broadway Playhouse||Standing Room Only|
- Gilbert, Julie (1995). Opposite Attraction – The Lives of Erich Maria Remarque and Paulette Goddard. Pantheon Books; ISBN 0-679-41535-1, pp. 37–41 for parents' names and backgrounds, as well as Alta's birth year; pp. 159–60 for Levy's death year and p. 477 for Alta's death year.
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- Gilbert, pp. 53–70.
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|Wikimedia Commons has media related to Paulette Goddard.|
- Paulette Goddard at the Internet Broadway Database
- Paulette Goddard at the TCM Movie Database
- Template:Amg name
- Photographs and literature
- Paulette Goddard portrait gallery NY Public Library (Billy Rose collection)
- Paulette Goddard's site (English)
- Photos of Paulette Goddard in 'Pot O Gold' by Ned Scott