The arts is a vast subdivision of culture, composed of many creative endeavors and disciplines. It is a broader term than "art", which, as a description of a field, usually means only the visual arts. The arts encompass the visual arts, the literary arts and the performing arts – music, theatre, dance and film, among others. This list is by no means comprehensive, but only meant to introduce the concept of the arts. For all intents and purposes, the history of the arts begins with the history of art. The arts might have origins in early human evolutionary prehistory.
Ancient Greek art saw the veneration of the animal form and the development of equivalent skills to show musculature, poise, beauty and anatomically correct proportions. Ancient Roman art depicted gods as idealized humans, shown with characteristic distinguishing features (e.g. Jupiter's thunderbolt). In Byzantine and Gothic art of the Middle Ages, the dominance of the church insisted on the expression of biblical and not material truths. Eastern art has generally worked in a style akin to Western medieval art, namely a concentration on surface patterning and local colour (meaning the plain colour of an object, such as basic red for a red robe, rather than the modulations of that colour brought about by light, shade and reflection). A characteristic of this style is that the local colour is often defined by an outline (a contemporary equivalent is the cartoon). This is evident in, for example, the art of India, Tibet and Japan. Religious Islamic art forbids iconography, and expresses religious ideas through geometry instead. The physical and rational certainties depicted by the 19th-century Enlightenment were shattered not only by new discoveries of relativity by Einstein and of unseen psychology by Freud, but also by unprecedented technological development. Paradoxically the expressions of new technologies were greatly influenced by the ancient tribal arts of Africa and Oceania, through the works of Paul Gauguin and the Post-Impressionists, Pablo Picasso and the Cubists, as well as the Futurists and others.
were built for the official worship of the gods
and commemoration of pharaohs
in ancient Egypt
. Within them the Egyptians performed the central functions of Egyptian religion
: giving offerings
to the gods, reenacting their mythological interactions through festivals, and warding off the forces of chaos. These rituals were seen as necessary for the gods to continue to uphold the divine order
of the universe. Most of the populace was forbidden from entering temples' most sacred areas, but temples were still important religious sites for all classes of Egyptians. Temples are among the largest and most enduring examples of Egyptian architecture
, with their elements arranged and decorated according to complex patterns of religious symbolism. A large temple owned sizable tracts of land and employed thousands of laymen to supply its needs. Some temples have become world-famous tourist
attractions that contribute significantly to the modern Egyptian economy
continue to study the surviving temples, as they are invaluable sources of information about ancient Egyptian society.
An illustration depicting an ancient Mexican calendar. The Maya and Aztec calendars are the most familiar of the Mexican calendars, but similar ones were used by other cultures. Common to all Mesoamerican cultures was the 260-day ritual calendar that had no confirmed correlation to astronomical or agricultural cycles. These were used in combination with a separate 365-day calendar to create a 52-year cycle known as a calendar round.
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(1830–1911) was an English architect
who designed about 500 buildings in Cheshire
, North Wales and northwest England, in particular in the estate of Eaton Hall
. Douglas' output included the creation, restoration and renovation of churches, church furnishings, houses and other buildings. His architectural styles were eclectic
and many of his works incorporate elements of the English Gothic
style. He was also influenced by architectural styles from the mainland of Europe and included elements of French, German and Netherlandish architecture into his works. He is remembered for his use of half-timbering
, tile-hanging, pargeting
, decorative brick in diapering
and the design of tall chimney stacks. Of particular importance is Douglas' use of joinery
and highly detailed wood carving. Throughout his career he attracted commissions from wealthy landowners and industrialists. Most of his works have survived. The city of Chester
contains a number of his structures, the most admired of which are his half-timbered black-and-white buildings and Eastgate Clock
. The highest concentration of his work is found in the Eaton Hall estate and the surrounding villages of Eccleston
- Parent project
- Descendant projects