Portal:Japan/Selected article
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Portal:Japan/Selected article/1
The 1995 Japanese Grand Prix was a Formula One motor race held on October 29, 1995, at the Suzuka Circuit, Suzuka. It was the sixteenth and penultimate round of the 1995 Formula One season. The race, contested over 53 laps, was won by Michael Schumacher for the Benetton team after he started from pole position. Mika Häkkinen finished second in a McLaren and Johnny Herbert third in the other Benetton car. Jean Alesi, driving for Ferrari, started second alongside Schumacher. However, Alesi was forced to serve a 10-second stop-and-go penalty because his car moved forward before the start. Alesi climbed back up to second before retiring on lap 25. Schumacher's rival in the Drivers' Championship, Damon Hill, started fourth amidst pressure from the British media after poor performances at previous races. Hill moved up to second because of Alesi's retirement, but he spun off the circuit on lap 40. Schumacher's win was his ninth of the season, matching Nigel Mansell's record for victories in a season that was set in 1992. Benetton were confirmed Constructors' Champions as Williams could not pass Benetton's points total in the one remaining race.
Portal:Japan/Selected article/2
The Actions along the Matanikau were the two most prominent engagements across the Matanikau River in Guadalcanal during World War II. In the first of these separate but related actions (23–27 September 1942), elements of three U.S. Marine battalions attacked Japanese troop concentrations around the river. The attack was intended to destroy any Japanese forces in the area and to disrupt their attempts to use Point Cruz peninsula, the village of Kokumbona, and a series of ridges and ravines stretching inland from the coast to stage attacks on the Marine's defenses at Lunga Point. The Japanese repulsed this attack. In the second action (6–9 October), a larger force of Marines crossed the river and inflicted heavy casualties on an infantry regiment. This forced the Japanese to retreat from their positions east of the Matanikau and hindered their preparations for a planned major offensive on the U.S. Lunga defenses set for later in October.
Portal:Japan/Selected article/3
The Boshin War was a civil war in Japan, fought from 1868 to 1869 between forces of the ruling Tokugawa shogunate and those seeking to return political power to the imperial court. The war found its origins in dissatisfaction among many nobles and young samurai with the shogunate's handling of foreigners following the opening of Japan the prior decade. An alliance of southern samurai and court officials secured the cooperation of the young Emperor Meiji, who declared the abolition of the two and a half century old shogunate. Military movements by imperial forces and partisan violence in Edo led Tokugawa Yoshinobu, the sitting shogun, to launch a military campaign to seize the emperor's court at Kyoto. The military tide rapidly turned in favor of the smaller but relatively modernized imperial faction, and after a series of battles culminating in the surrender of Edo, Yoshinobu personally surrendered. The Tokugawa remnant retreated to northern Honshū and later to Hokkaidō, where they founded the Ezo republic. Defeat at the Battle of Hakodate broke this last holdout and left the imperial rule supreme throughout the whole of Japan, completing the military phase of the Meiji Restoration. Around 120,000 men were mobilized during the conflict, and of these about 3,500 were killed. In the end, the victorious imperial faction abandoned its objective to expel foreigners from Japan and instead adopted a policy of continued modernization with an eye to eventual renegotiation of the Unequal Treaties with the Western powers.
Portal:Japan/Selected article/4
Comet Hyakutake is a comet discovered on January 30, 1996, which passed very close to Earth in March of that year. It was dubbed The Great Comet of 1996; its passage near the Earth was one of the closest cometary approaches of the previous 200 years. Hyakutake appeared very bright in the night sky and was widely seen around the world. The comet temporarily upstaged the much anticipated Comet Hale-Bopp, which was approaching the inner solar system at the time. Scientific observations of the comet led to several discoveries. Most surprising to cometary scientists was the first discovery of X-ray emission from a comet, believed to have been caused by ionised solar wind particles interacting with neutral atoms in the coma of the comet. The Ulysses spacecraft unexpectedly crossed the comet's tail at a distance of more than 500 million km from the nucleus, showing that Hyakutake had the longest tail known for a comet. Hyakutake is a long-period comet. Before its most recent passage through the solar system, its orbital period was about 17,000 years, but the gravitational influence of the giant planets has increased this period to 100,000 years. The comet was discovered on January 30, 1996, by Yuji Hyakutake an amateur astronomer from southern Japan. He had been searching for comets for years and had moved to Kagoshima Prefecture partly for the dark skies in nearby rural areas. He was using a powerful set of binoculars with six-inch (152 mm) objective lenses to scan the skies on the night of the discovery.
Portal:Japan/Selected article/5
The Battle of Arawe was fought between Allied and Japanese forces during the New Britain Campaign of World War II. The battle was initiated by the Allies to divert Japanese attention away from the Cape Gloucester area of New Britain ahead of a major offensive there in late December 1943. A force built around the U.S. Army's 112th Cavalry Regimental Combat Team landed at Arawe on 15 December 1943 and rapidly overcame the area's small garrison. Japanese air units made large-scale raids against the Arawe area in the following days, and in late December elements of two Imperial Japanese Army battalions unsuccessfully counter-attacked the larger American force. In mid-January 1944 the 112th Cavalry Regimental Combat Team was reinforced with additional infantry and U.S. Marine Corps tanks, and launched a brief offensive that pushed the Japanese back. The Japanese units withdrew from the area towards the end of February as part of a general retreat from western New Britain. There is no consensus among historians on whether the Allied landing at Arawe was needed, with some arguing that it provided a useful diversion while others judge that it formed part of an unnecessary campaign.
Portal:Japan/Selected article/6
The Heian Palace was the original imperial palace of Heian-kyō, the capital of Japan from 794 to 1227. In Japan, this palace is called Daidairi. The palace, which served as the imperial residence and the administrative centre of Japan for most of the Heian Period, was located at the north-central location of the city in accordance with the Chinese models used for the design of the capital. The palace consisted of a large rectangular walled enclosure, which contained several ceremonial and administrative buildings including the government ministries. Inside this enclosure was the separately walled residential compound of the emperor or the Inner Palace. In addition to the emperor's living quarters, the Inner Palace contained the residences of the imperial consorts, as well as certain official and ceremonial buildings more closely linked to the person of the emperor. The original role of the palace was to manifest the centralised government model adopted by Japan from China in the 7th century—the Daijō-kan and its subsidiary Eight Ministries. The palace was designed to provide an appropriate setting for the emperor's residence, the conduct of great affairs of state, and the accompanying ceremonies. While the residential function of the palace continued until the 12th century, the facilities built for grand state ceremonies began to fall into disuse by the 9th century. This was due to both the abandonment of several statutory ceremonies and procedures and the transfer of several remaining ceremonies into the smaller-scale setting of the Inner Palace.
Portal:Japan/Selected article/7
The Ehime Maru and USS Greeneville collision was a ship collision between the United States Navy submarine USS Greeneville (SSN-772) and the Japanese fishing training ship Ehime Maru on February 9, 2001, about 9 nautical miles (17 km) off the south coast of Oahu, Hawaii, USA. In a demonstration for some civilian visitors, Greeneville performed an emergency surfacing maneuver. As the submarine surfaced, it struck Ehime Maru, a high-school fishing training ship from Ehime Prefecture, Japan. Within minutes of the collision, Ehime Maru sank. Nine of its crewmembers were killed, including four high school students. Many Japanese, including government officials, were concerned over news that civilians were present in Greeneville's control room at the time of the accident. Some expressed anger because of a perception that the submarine did not try to assist Ehime Maru's survivors and that the submarine's captain, Scott Waddle, did not apologize immediately afterwards. The United States Navy (USN) conducted a public court of inquiry, placed blame on Waddle and other members of Greeneville's crew, and dealt nonjudicial punishment or administrative disciplinary action to the captain and some crew members. In response to requests from the families of Ehime Maru's victims and the government of Japan, the USN raised Ehime Maru from the ocean floor in October 2001 and moved it to shallow water near Oahu. Once there, Navy and Japanese divers located and retrieved the remains of eight of the nine victims from the wreck.
Portal:Japan/Selected article/8
Manzanar is most widely known as the site of one of ten camps where over 110,000 Japanese Americans were imprisoned during World War II. Located at the foot of the Sierra Nevada in California's Owens Valley between the towns of Lone Pine to the south and Independence to the north, it is approximately 230 miles (370 km) northeast of Los Angeles. Manzanar (which means “apple orchard” in Spanish) was identified by the United States National Park Service as the best-preserved of the former camp sites, and was designated the Manzanar National Historic Site. Long before the first prisoners arrived in March 1942, Manzanar was home to Native Americans, who mostly lived in villages near several creeks in the area. Ranchers and miners formally established the town of Manzanar in 1910, but abandoned the town by 1929 after the City of Los Angeles purchased the water rights to virtually the entire area. As different as these groups might seem, they are tied together by the common thread of forced relocation. Since the last prisoners left in 1945, former prisoners and others have worked to protect Manzanar and to establish it as a National Historic Site that preserves and interprets the site for current and future generations. The primary focus is the Japanese American Internment era, as specified in the legislation that created the Manzanar National Historic Site. The site also interprets the town of Manzanar, the ranch days, the settlement by the Owens Valley Paiute, and the role that water played in shaping the history of the Owens Valley.
Portal:Japan/Selected article/9
The invasion of Tulagi, on May 3 and May 4, 1942, was part of Operation Mo, the Empire of Japan's strategy in the South Pacific and South West Pacific Area in 1942. The plan called for Imperial Japanese Navy troops to capture Tulagi and nearby islands in the Solomon Islands Protectorate. The occupation of Tulagi by the Japanese was intended to cover the flank of Japanese forces that were advancing on Port Moresby in New Guinea as well as to provide a base for Japanese forces to threaten and interdict the supply and communication routes between the United States and Australia and New Zealand. Without the means to capably resist the Japanese offensive in the Solomons, the British Resident Commissioner of the Solomon Islands protectorate and the few Australian troops assigned to defend Tulagi evacuated the island just before the Japanese forces arrived on May 3. The next day, however, a U.S. aircraft carrier task force en route to resist the Japanese forces advancing on Port Moresby (that resulted in the Battle of the Coral Sea) struck the Japanese Tulagi landing force in an air attack, destroying or damaging several of the Japanese ships and aircraft involved in the landing operation. Nevertheless, the Japanese troops successfully occupied Tulagi and began the construction of a small naval base. Over the next several months, the Japanese established a naval refueling, communications, and seaplane base on Tulagi and the nearby islets of Gavutu and Tanambogo and, in July 1942, began to build a large airfield on nearby Guadalcanal. The Japanese activities on Tulagi and Guadalcanal were observed by Allied reconnaissance aircraft, as well as by Australian coastwatcher personnel stationed in the area.
Portal:Japan/Selected article/10
The Shimabara Rebellion was an uprising largely involving Japanese peasants, most of them Christians, in 1637–1638 during the Edo period. It was also one of only a handful of instances of serious unrest during the relatively peaceful period of the Tokugawa shogunate's rule. In the wake of the Matsukura clan's construction of a new castle at Shimabara, taxes were drastically raised, which provoked anger from local peasants and lordless samurai. In addition, religious persecution against the local Christians exacerbated the discontent, which turned into open revolt in 1637. The Tokugawa Shogunate sent a force of over 125,000 troops to suppress the rebellion, and after a lengthy siege against the rebels at Hara Castle, defeated them. In the wake of the rebellion, the rebel leader Amakusa Shiro was beheaded, and persecution of Christianity strictly enforced. Japan's national seclusion policy was tightened, and formal persecution of Christianity continued until the 1850s. In the mid-1630s, the peasants of the Shimabara Peninsula and the Amakusa Islands, dissatisfied with overtaxation and suffering from the effects of famine, revolted against their lords. This was specifically in territory ruled by two lords: Matsukura Katsuie of the Shimabara Domain, and Terasawa Katataka of the Karatsu Domain. Though the rebellion is cast by many historians as a religious uprising, this does not address the issues of the discontent from the famine and overtaxation.
Portal:Japan/Selected article/11 Shunga is a Japanese term for erotic art. Most shunga are a type of ukiyo-e, usually executed in woodblock print format. While rare, there are extant erotic painted handscrolls which predate the Ukiyo-e movement. Translated literally, the Japanese word shunga means picture of spring; "spring" is a common euphemism for sex. The ukiyo-e movement as a whole sought to express an idealisation of contemporary urban life. Following the aesthetics of everyday life, Edo period shunga sought to express the sexual mores of the chonin in the widest variety of forms possible, and therefore depicted heterosexual and homosexual, old and young alike, as well as a wide range of fetishes. In the Edo period it was enjoyed by rich and poor, men and women, and despite being out of favour with the shogunate, carried very little stigma. Almost all ukiyo-e artists made shunga at some point in their careers, and it did not detract from their prestige as artists. Classifying shunga as a kind of medieval pornography can be misleading in this respect. Shunga has its origins in China. It is thought that shunga were initially inspired by illustrations in Chinese medical manuals, a process which had its origins in the Muromachi era (1336 to 1573). Zhou Fang, the great T'ang Dynasty Chinese erotic painter, is thought to also have been influential. He, like many erotic artists of his time and place, tended to exaggerate the size of the genital organs, a common shunga topos. While the literal meaning of the word, 'shunga,' is significant, it is in fact a contraction of, 'shunkyu-higa,' the Japanese name for Chinese sets of twelve scrolls depicting the twelve sexual acts that the crown prince had to carry out as an expression of yin-yang.
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Operation Ten-Go was the last major Japanese naval operation in the Pacific Theater of World War II. Other renderings of this operation's title in English include Operation Heaven One and Ten-ichi-gō. In April 1945, the Japanese battleship Yamato, the largest battleship in the world, along with nine other Japanese warships, embarked from Japan on a deliberate suicide attack upon Allied forces engaged in the Battle of Okinawa. The Japanese force was attacked, stopped, and almost completely destroyed by United States (U.S.) carrier-borne aircraft before reaching Okinawa. Yamato and five other Japanese warships were sunk. The battle demonstrated U.S. air supremacy in the Pacific theater by this stage in the war and the vulnerability of surface ships without air cover to aerial attack. The battle also exhibited Japan's willingness to sacrifice large numbers of its people in desperate attempts (see kamikaze) to slow the Allied advance on the Japanese home islands. By early 1945, following the Solomon Islands campaign, the Battle of the Philippine Sea and the Battle of Leyte Gulf, the once formidable Imperial Japanese Navy's Combined Fleet was reduced to just a handful of operational warships and a few remaining aircraft and aircrew. Most of the remaining Japanese warships in the Combined Fleet were stationed at ports in Japan, with most of the large ships at Kure, Hiroshima. With the invasions of Saipan and Iwo Jima, Allied forces began their campaign against the Japanese homeland. As the next step before a planned invasion of the Japanese mainland, Allied forces invaded Okinawa on April 1, 1945.
Portal:Japan/Selected article/13
Sakurajima is an active volcano and a former island (now connected to the mainland) of the same name in Kagoshima Prefecture in Kyūshū, Japan. It is a stratovolcano with the summit split into three peaks, Kitadake (northern peak), Nakadake (central peak) and Minamidake (southern peak) which is active now. The surface of the island is about 77 km². Its North Peak is Sakurajima's highest peak, rising to 1,117 metres above sea level. The mountain is located in a part of Kagoshima Bay known as Kinkō Bay. The former island is part of the city of Kagoshima. In 1914, a great eruption occurred, burying the straits with lava, thus connecting the former island to the Osumi Peninsula, so that Sakurajima is no longer an island. The volcanic activity still continues, dropping large amounts of volcanic ash on the surroundings. Earlier eruptions built the white sands highlands in the region. Sakurajima is located in the Aira caldera, formed in an enormous eruption 22,000 years ago. Several hundred cubic kilometres of ash and pumice were ejected, causing the magma chamber underneath the erupting vents to collapse. The resulting caldera is over 20 kilometers across. Tephra fell as far as 1000 km from the volcano. Sakurajima was formed by later activity within the caldera, beginning about 13,000 years ago. It lies about 8 kilometers south of the centre of the caldera. Its first eruption in recorded history occurred in 963 AD. Most of its eruptions are strombolian, affecting only the summit areas, but larger plinian eruptions have occurred in 1471-1476, 1779-1782 and 1914.
Portal:Japan/Selected article/14
The Michael Brown Okinawa assault incident was an attempted indecent assault by U.S. Marine Corps Major Michael Brown on a Filipina bartender, V. N., in Okinawa, Japan on November 2, 2002. The case received extensive attention in the Japanese media, especially on Okinawa, and the crime sparked a public debate over the U.S. military presence in Japan, the fairness of the Japanese legal system, and the practices of the Japanese police. The case involved the Treaty of Mutual Cooperation and Security between the United States and Japan and the U.S.-Japan Status of Forces Agreement, the Status of Forces Agreement (SOFA) between Japan and the United States. On July 8, 2004, after a 19-month trial, Brown was convicted by a Japanese court of attempted indecent assault and destruction of private property and received a one-year suspended prison sentence. Based on this incident and others involving crimes committed by U.S. military personnel in Japan, both countries entered into negotiations aimed at modifying the SOFA in July 2003; however, as of 2007, no changes had been made. Early in the morning of November 2, 2002, a female employee of the Camp Courtney officers' club on Okinawa drove up to the Courtney main gate and reported to base security personnel that a Marine Corps major had just attempted to sexually assault her in her car on a deserted road near the back gate of the base. She stated that during the assault the major threw her mobile phone into the nearby Tengan River.
Portal:Japan/Selected article/15
Kitsune is the Japanese word for fox. Foxes are a common subject of Japanese folklore. Stories depict them as intelligent beings and as possessing magical abilities that increase with their age and wisdom. Foremost among these is the ability to assume human form. While some folktales speak of kitsune employing this ability to trick others—as foxes in folklore often do—others portray them as faithful guardians, friends, lovers, and wives. Foxes and human beings lived in close proximity in ancient Japan; this companionship gave rise to legends about the creatures. Kitsune have become closely associated with Inari, a Shinto kami or spirit, and serve as his messengers. This role has reinforced the fox's supernatural significance. The more tails a kitsune has—they may have as many as nine—the older, wiser, and more powerful it is. Because of their potential power and influence, some people make offerings to them as to a deity. It is widely agreed that many fox myths in Japan can be traced to China, Korea, or India. Chinese folk tales tell of fox spirits that may have up to nine tails. Many of the earliest surviving stories are recorded in the Konjaku Monogatari, an 11th-century collection of Chinese, Indian, and Japanese narratives. There is debate whether the kitsune myths originated entirely from foreign sources or are in part an indigenous Japanese concept dating as far back as the fifth century BC.
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Carlson's patrol, also known as The Long Patrol or Carlson's long patrol, was an operation by the 2nd Marine Raider Battalion under the command of Evans Carlson during the Guadalcanal Campaign against the Imperial Japanese Army from November 6 to December 4, 1942. In the operation, the 2nd Raiders attacked forces under the command of Toshinari Shōji, which were escaping from an attempted encirclement in the Koli Point area on Guadalcanal and attempting to rejoin other Japanese army units on the opposite side of the U.S. Lunga perimeter. In a series of small unit engagements over 29 days, the 2nd Raiders killed almost 500 Japanese soldiers while suffering only 16 killed. The raiders also captured a Japanese artillery cannon that was delivering harassing gunfire on Henderson Field, the Allied airfield at Lunga Point on Guadalcanal. On August 7, 1942, Allied forces (primarily US Marines) landed on Guadalcanal, Tulagi, and Florida Islands in the Solomon Islands. Their mission was to deny the Japanese use of the islands as bases for threatening the supply routes between the U.S. and Australia, and to secure the islands as starting points for a campaign to isolate the major Japanese base at Rabaul while also supporting the Allied New Guinea campaign. The landings initiated the six-month-long Guadalcanal Campaign. The Japanese were taken by surprise, and by nightfall on August 8 the 11,000 Allied troops, under the command of Lieutenant General Alexander Vandegrift, secured Tulagi and nearby small islands as well as an airfield under construction at Lunga Point on Guadalcanal.
Portal:Japan/Selected article/17
Kimigayo, often translated as "May your reign last forever" is Japan's National Anthem, and is also one of the world's shortest national anthems in current use. The lyrics are based on a Waka poem written in the Heian Period, sung to a melody written in the later Meiji Era. The current melody was chosen in 1880, replacing an unpopular melody composed eleven years earlier. Although Kimigayo has long been Japan's de facto national anthem, it was only legally recognized as such in 1999 with the passing of the Law Regarding the National Flag and National Anthem. After its adoption, there was controversy over the performance of the anthem at public school ceremonies. Along with the national flag, Kimigayo was considered to be a symbol of imperialism and militarism in wartime. The lyrics first appeared in a poem anthology, Kokin Wakashū, as an anonymous poem. While anonymous poems were not uncommon at that time, and the author may have been in fact known, the anonymity might be because the author belonged to one of the lower classes. The poem was also included in a lot of anthologies, and in a later period used as a celebration song by people of all walks of life. Unlike the current anthem, the poem began with "Wa ga Kimi wa" ('you, my lord') instead of "Kimigayo wa" ('your reign'). The change of the lyrics occurred during the Kamakura period.
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The posting system is a baseball player transfer system currently in effect between Japan's Nippon Professional Baseball (NPB) and the United States' Major League Baseball (MLB). NPB players have never been eligible to be obtained through the traditional means of the Rule 4 Draft, and since there were no set legal rules in place to govern the process, problems arose. The system was implemented for two reasons. First, the NPB players Hideo Nomo and Alfonso Soriano used loopholes to void contracts and leave for the MLB - possibly taking fans with them. Second, NPB player Hideki Irabu had very little negotiating power when it came to his trade deal between NPB and MLB teams. By creating a system that requires MLB teams to pay NPB teams transfer fees while allowing players the power to negotiate their own trade deals, the posting system presumably was meant to solve both problems. As of 2008, twelve Japanese players have been "posted" using the system. Of these, seven were immediately signed to Major League contracts, three were signed to minor league contracts and two were unsuccessful in drawing any MLB interest. The two highest-profile players that have been acquired through the posting system are Ichiro Suzuki and Daisuke Matsuzaka. Respectively, they attracted high bids of $13.125 million and $51.1 million and have enjoyed highly successful careers in the MLB.
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Ikata is a small town located in Nishiuwa District, Ehime, Japan. Following a recent merger with the neighboring towns of Misaki and Seto, the town now spans the mountainous Sadamisaki Peninsula, the narrowest peninsula in Japan and the westernmost point on the island of Shikoku. This unique geography has greatly influenced Ikata's growth. On the one hand, it has presented significant challenges to urban development that were not overcome until recently in the town's long history. On the other, the peninsula is what gives the town its beautiful mountain and ocean scenery which, bolstered by significant investments in infrastructure and tourist facilities, has formed the basis for a burgeoning tourism industry. In addition to the beauty of its rugged, natural landscape, Ikata has long been known for fishing and mikan orange farming. In recent years Ikata has also become a hotspot of modern energy production—the Ikata Nuclear Power Plant produces much of Shikoku's electricity, and the town's windy mountains are dotted by dozens of windmills.The Sadamisaki Peninsula area has been inhabited since at least the Jōmon Period (10,000–300 BC), as evidenced by the discovery of stone tools and earthenware pots in the Misaki and Kushi neighborhoods. In 1963 a local man discovered a stone ax dating back to the mid-Yayoi Period (300 BC–250 AD) in his farm plot in the Kawachi neighborhood. Upon further investigation by the Japan Archaeological Society in 1986, the area was recognized as containing the remains of a highland settlement.
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The Imperial Japanese Navy, also known as the Japanese Navy was the navy of the Empire of Japan from 1869 until 1947, when it was dissolved following Japan's constitutional renunciation of the use of force as a means of settling international disputes. It was the third largest navy in the world by 1920 behind the United States Navy and Royal Navy. It was supported by the Imperial Japanese Navy Air Service for aircraft and airstrike operation from the fleet. It was a major force in the Pacific War. The origins of the Imperial Japanese Navy trace back to early interactions with nations on the Asian continent, beginning in the early medieval period and reaching a peak of activity during the 16th and 17th centuries at a time of cultural exchange with European powers during the Age of Discovery. After two centuries of stagnation during the country's ensuing seclusion policy under the shoguns of the Edo period, Japan's navy was comparatively backward when the country was forced open to trade by American intervention in 1854. This eventually led to the Meiji Restoration. Accompanying the re-ascendance of the Emperor came a period of frantic modernization and industrialization. The navy's history of successes, sometimes against much more powerful foes as in the 1895 Sino-Japanese war and the 1905 Russo-Japanese War, ended in almost complete annihilation during the concluding days of World War II. The IJN was officially dissolved in 1947.
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Aikido is a Japanese martial art developed by Morihei Ueshiba as a synthesis of his martial studies, philosophy, and religious beliefs. Aikido is often translated as "the Way of unifying (with) life energy" or as "the Way of harmonious spirit." Ueshiba's goal was to create an art that practitioners could use to defend themselves while also protecting their attacker from injury. Aikido is performed by blending with the motion of the attacker and redirecting the force of the attack rather than opposing it head-on. The aikidōka (aikido practitioner) "leads" the attacker's momentum using entering and turning movements. The techniques are completed with various throws or joint locks. Aikido can be categorized under the general umbrella of grappling arts. Aikido derives mainly from the martial art of Daitō-ryū Aiki-jūjutsu, but began to diverge from it in the late 1920s, partly due to Ueshiba's involvement with the Ōmoto-kyō religion. Ueshiba's early students' documents bear the term aiki-jūjutsu. Many of Ueshiba's senior students have different approaches to aikido, depending on when they studied with him. Today aikido is found all over the world in a number of styles, with broad ranges of interpretation and emphasis. However, they all share techniques learned from Ueshiba and most have concern for the well-being of the attacker. This attitude has been at the core of criticisms of aikido and related arts.
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In the mid-6th century, the introduction of Buddhism from Baekje to Japan resulted in a revival of Japanese sculpture. Buddhist monks, artisans and scholars settled around the capital in Yamato Province (present day Nara Prefecture) and passed their techniques to native craftsmen. Consequently, early Japanese sculptures from the Asuka and Hakuhō periods show strong influences of continental art, which initially were characterized by almond-shaped eyes, upward-turned crescent-shaped lips and symmetrically arranged folds in the clothing. The workshop of the Japanese sculptor Tori Busshi, who was strongly influenced by the Northern Wei style, produced works which exemplify such characteristics. The Shakyamuni triad and the Guze Kannon at Hōryū-ji are prime examples. By the late 7th century, wood replaced bronze and copper. By the early Tang Dynasty, greater realism was expressed by fuller forms, long narrow slit eyes, softer facial features, flowing garments and embellishments with ornaments such as bracelets and jewels. Two prominent examples of sculptures of this period are the Shō Kannon at Yakushi-ji and the Yumechigai Kannon at Hōryū-ji. During the Nara period, from 710 to 794, the government established and supported workshops called zōbussho, the most prominent of which was located in the capital Nara at Tōdai-ji, which produced Buddhist statuary. Clay, lacquer and wood, in addition to bronze, were used. Stylistically, the sculptures were influenced by the high Tang style, showing fuller body modelling, more natural drapery and a greater sense of movement. Representative examples of Nara period sculpture include the Great Buddha and the Four Heavenly Kings at Tōdai-ji, or the Eight Legions at Kōfuku-ji.
Portal:Japan/Selected article/23 Curse of the Colonel refers to an urban legend regarding a reputed curse placed on the Japanese Kansai-based Hanshin Tigers baseball team by deceased KFC founder and mascot Colonel Harland Sanders. The curse was said to be placed on the team because of the Colonel's anger over treatment of one of his store-front statues. As is common with sports-related curses, the Curse of the Colonel is used to explain the Japan Championship Series drought that the Hanshin Tigers have had to endure since their first and only victory in the 1985 Japan Championship. The curse is a classic example of a scapegoat. The Hanshin Tigers are located in Kansai, the second largest metropolitan area in Japan. They are considered the eternal underdogs of Nippon Professional Baseball, in opposition to the Yomiuri Giants of Tokyo, who are considered the kings of Japanese baseball. The devoted fans flock to the stadium no matter how badly the Tigers play in the league. Comparisons are often made between the Hanshin Tigers and the Boston Red Sox, who were also said to be under a curse, the Curse of the Bambino, until they won the World Series in 2004. In 1985, much to Japanese people's surprise, the Hanshin Tigers faced the Seibu Lions and took their first and only victory in the Japan Series, largely due to star slugger Randy Bass, a gaijin (foreigner) player for the team.
Portal:Japan/Selected article/24 The Asama-Sansō incident was a hostage crisis and police siege in a mountain lodge near Karuizawa, Nagano prefecture, Japan that lasted from February 19, 1972 to February 28, 1972. The police rescue operation on the final day of the standoff was the first marathon live broadcast in Japan, lasting 10 hours and 40 minutes. The incident began when five members of the United Red Army (URA), following a bloody purge that left 14 members of the group plus one bystander dead, broke into a holiday lodge below Mount Asama, taking the wife of the lodge-keeper as a hostage. A standoff between police and the URA radicals took place, lasting ten days. The lodge was a natural fortress, solidly constructed of thick concrete on a steep hillside with only one entrance, which, along with their guns, enabled the hostage-takers to keep police at a distance. On February 28, the police stormed the lodge. Two police officers were killed in the assault, but the hostage was rescued and the URA radicals were taken into custody. The incident contributed to a decline in popularity of leftist movements in Japan. Japan's leftist student movement in the 1960s pervaded Japan's universities, and, by late in the decade, had become very factionalized, competitive, and violent. After a series of incidents in which leftist student groups attacked and injured or killed law enforcement officials and the general public, Japan's national police agency cracked down on the student groups, raiding their hideouts and arresting dozens in 1971 and 1972. Attempting to escape from the police, a core group of radicals from the URA retreated to a compound in Gunma Prefecture during the winter of 1972.
Portal:Japan/Selected article/25 The Warped Ones (aka Season of Heat, Wild Love-Makers and The Weird Lovemakers) is a 1960 Japanese Sun Tribe film directed by Koreyoshi Kurahara and starring Tamio Kawachi, Eiji Go, Yuko Chishiro and Noriko Matsumoto. It was produced and distributed by the Nikkatsu Company. The story concerns the young hoodlum Akira, his friends, their transgressions and specifically their revenge on the couple that got him sent to jail, a reporter and his fiancée, by means of assault, vehicular and sexual. When the fiancée finds herself pregnant by Akira she enlists his help with her finance who has become distant since the attack. The film was a return to a subset of the youth film genre that had been shut down at the behest of moral outrage several years earlier. Often compared by critics to Breathless (1960) and Rebel Without a Cause (1955), it is a stylistic departure from studio norms, driven by its jazz score and employing filmic techniques described as being as energetic and frantic as its characters. It achieved success in Japan and was followed by Black Sun (1964), featuring many of the same cast, crew and characters, with the addition of acclaimed drummer Max Roach to the soundtrack. Audubon Films released The Warped Ones in the United States in 1963 where it was marketed as a sexploitation film.
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The Charter Oath was promulgated at the enthronement of Emperor Meiji of Japan on April 7, 1868. The Oath outlined the main aims and the course of action to be followed during Emperor Meiji's reign, setting the legal stage for Japan's modernization. It remained influential, if less for governing than inspiring, throughout the Meiji period and into the twentieth century, and can be considered the first constitution of modern Japan. The first draft of the Oath was written by junior councilor Yuri Kimimasa in January 1868, containing progressive language that spoke to the frustrations that the radical but modestly born Meiji leaders had experienced in "service to hereditary incompetents." Yuri's language was moderated by his colleague Fukuoka Takachika in February to be "less alarming," and Kido Takayoshi prepared the final form of the Oath, employing "language broad enough to embrace both readings." The Oath was read aloud by Sanjo Sanetomi in the main ceremonial hall of the Kyoto Imperial Palace in the presence of the Emperor and more than 400 officials. After the reading, the nobles and daimyo present signed their names to a document praising the Oath, and swearing to do their utmost to uphold and implement it. Those not able to attend the formal reading afterward visited the palace to sign their names, bringing the total number of signatures to 767.
Portal:Japan/Selected article/27 Japan has submitted films for the Academy Award for Best Foreign Language Film since the inception of the award. The award is handed out annually by the United States Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. The Academy Award for Best Foreign Language Film was not created until 1956; however, between 1947 and 1955, the Academy presented Honorary Awards to the best foreign language films released in the United States. These awards were not competitive, as there were no nominees but simply a winner every year that was voted on by the Board of Governors of the Academy. Three Japanese films were recipients of Honorary Awards during this period. For the 1956 Academy Awards, a competitive Academy Award of Merit, known as the Best Foreign Language Film Award, was created for non-English speaking films, and has been given annually since. As of 2009, twelve Japanese films have been nominees for Academy Award for Best Foreign Language Film, and one film, Departures, has won the award. The only Japanese directors to have multiple films be nominated for the award are Akira Kurosawa and Noboru Nakamura. Kurosawa received an Honorary Award prior to the conception of the formal award for his work on Rashomon and the actual Academy Award for Dersu Uzala (submitted for the former Soviet Union), and had four other films submitted, with two of them accepted as nominees. Notably, Kurosawa's 1985 film Ran was deliberately not nominated by the Japanese film industry for the Academy Award for Best Foreign Film due to the poor perception he had among Japanese filmmakers at the time.
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Lolicon, also romanized as rorikon, is a Japanese portmanteau of the phrase "Lolita complex". In Japan, the term describes an attraction to young girls, or an individual with such an attraction. Outside Japan, the term is less common and most often refers to a genre of manga and anime wherein underaged or childlike female characters are depicted in an erotic manner. The phrase is a reference to Vladimir Nabokov's book, Lolita, in which a middle-aged man becomes sexually obsessed with a 12-year-old girl. The equivalent term for attraction to (or art pertaining to erotic portrayal of) young boys is shotacon. Some critics claim that the lolicon genre contributes to actual sexual abuse of children, while others claim that there is no evidence for this, or that there is evidence to the contrary. Although several countries have attempted to criminalize lolicon's sexually explicit forms as a type of child pornography, Canada, Australia, New Zealand, Sweden, the Philippines and Ireland are among the few to have actually done so. Generally, lolicon is a term used to describe a sexual attraction to younger girls, or girls with youthful characteristics. In other words, it can refer to actual or perceived pedophilia and ephebophilia. Strictly speaking, Lolita complex in Japanese refers only to the paraphilia itself, but the abbreviation lolicon can refer to an individual that has the paraphilia as well. Lolicon is a widespread phenomenon in Japan, where it is a frequent subject of scholarly articles and criticism. Many general bookstores and newsstands openly offer illustrated lolicon material, but there has also been police action against lolicon manga.
Portal:Japan/Selected article/29 X Japan is a popular Japanese band founded in 1982 by Toshimitsu "Toshi" Deyama and Yoshiki Hayashi. Originally named X, the group achieved its breakthrough success in 1989 with the release of their second album Blue Blood. They started out as a power/speed metal band and later gravitated towards a progressive sound, at all times retaining an emphasis on ballads. After three more albums, X Japan disbanded in 1997. Besides being one of the first Japanese acts to achieve mainstream success while on an independent label, the group is widely credited for pioneering the visual kei movement, though most of the group's members toned down their on-stage attire in later years. As of 2007, the band has sold over twenty million records and over two million home videos. On June 4, 2007, it was announced the band would reunite with a new song released via digital download in January 2008 and live performances scheduled for March and May. X was founded in 1982 while vocalist Toshi and drummer Yoshiki were attending high school together. The band began to actively perform live in the Tokyo area in 1985, its lineup at that time being completed by a number of changing support musicians. A first single, titled "I'll Kill You" was released on Dada Records in June and in November of the same year, the group contributed the song "Break the Darkness" to the samplers Heavy Metal Force III. To ensure a continuous outlet for the band's publications, Yoshiki founded the independent label Extasy Records in the following year on which a second single, "Orgasm", was released.
Portal:Japan/Selected article/30 Ōkami is an action-adventure video game developed by Clover Studio and published by Capcom. It was released for Sony's PlayStation 2 video game console in 2006 in Japan and North America, and 2007 in Europe and Australia. Despite the closure of Clover Studio a few months after the game's initial release, a version for Nintendo's Wii console was developed and produced by Ready at Dawn and Capcom, which was released in North America on 15 April 2008, in Europe in June 2008, and will be released in Japan on 15 October 2009. Set sometime in classical Japanese history, Ōkami combines several Japanese myths, legends and folklore to tell the story of how the land was saved from darkness by the Shinto sun goddess, named Amaterasu, who took the form of a white wolf. It features a distinct sumi-e-inspired cel-shaded visual style and the Celestial Brush, a gesture-system to perform miracles. Ōkami was one of the last PlayStation 2 games selected for release prior to the release of the PlayStation 3. Although it suffered from poor sales, Ōkami earned high acclaim from reviewers and earned, among other awards, the title of IGN's 2006 Game of the Year. The Wii version has earned similar praise though the motion control scheme has received mixed reviews from both critics and gamers. A sequel, Ōkamiden: Chīsaki Taiyō, has been announced by Capcom for release in 2010 on the Nintendo DS.
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Gifu is a city located in the south-central portion of Gifu Prefecture, Japan, and serves as the prefectural capital. The city has played an important role in Japan's history because of its location in the middle of the country. During the Sengoku period, various warlords, including Oda Nobunaga, used the area as a base in an attempt to unify and control Japan. Gifu continued to flourish even after Japan's unification as both an important shukuba along the Edo period Nakasendō and, later, as one of Japan's fashion centers. Before becoming a modern city, it was part of the former Atsumi District, but it has since been designated a core city by the national government. Located on the alluvial plain of the Nagara River, Gifu has taken advantage of the surrounding natural resources to create both traditional industries (including Mino washi and agriculture) and tourism opportunities like cormorant fishing. Mount Kinka, one of the city's major symbols, is home to a nationally designated forest and Gifu Castle, a replica of Nobunaga's former castle. Gifu also hosts many festivals and events throughout the year. Two major rail lines connect Gifu to Japan's national and international transportation infrastructure. JR Central's Tōkaidō Main Line runs through the city, connecting it with Nagoya, one of Japan's largest cities, and the surrounding area. The city has a direct train route to Chūbu Centrair International Airport and facilities capable of hosting international events. Gifu has active relationships with six sister cities.
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The national flag of Japan is a white flag with a large red disc (representing the rising sun) in the center. The flag's official name in Japanese is Nisshōki but the flag is more commonly known as Hinomaru. The Hinomaru was widely used on military banners in the Sengoku (Warring States) period of the 15th and 16th centuries. During the Meiji Restoration the flag was officially adopted for use as the civil ensign by Proclamation No. 57 on February 27, 1870 (27 January, Meiji 3 in the Japanese calendar). However, the flag was not adopted nationally until August 13, 1999, by the Law Regarding the National Flag and National Anthem. Along with the national anthem Kimi ga Yo, the Hinomaru is considered a controversial symbol of the militaristic past of the country. Use of the Hinomaru was also severely restricted during the early years of the American occupation of the country after World War II, although restrictions were later relaxed. Japanese law did not designate any particular flag as the national flag from 1885 until 1999, although the Hinomaru was legally the national flag for the brief period from 1870 until 1885. Despite this, several military banners of Japan are based on the design of the Hinomaru, including the sun-rayed Naval Ensign. The Hinomaru was used as a template to design other Japanese flags for public and private use. The exact origin of the Hinomaru is unknown. However, historically, the sun has had a religious connotation in Japan, and the rising sun has had an important symbolic meaning.
Portal:Japan/Selected article/33 Branded to Kill is a 1967 Japanese yakuza film directed by Seijun Suzuki and starring Joe Shishido, Koji Nanbara, Annu Mari and Mariko Ogawa. It was a low budget, production line number for the Nikkatsu Company. The story follows Goro Hanada in his life as a contract killer. He falls in love with a woman named Misako, who recruits him for a seemingly impossible mission. When the mission fails, he becomes hunted by the phantom Number One Killer, whose methods threaten his sanity as much as his life. The studio was unhappy with the original script and called in Suzuki to rewrite and direct it at the last minute. Suzuki came up with many of his ideas the night before or on the set while filming, and welcomed ideas from his collaborators. He gave the film a satirical, anarchic and visually eclectic bent which the studio had previously warned him away from. After its release Suzuki was fired for making "movies that make no sense and no money". Suzuki successfully sued Nikkatsu with support from student groups, like-minded filmmakers and the general public and caused a major controversy through the Japanese film industry. Suzuki was blacklisted and did not make another feature film for 10 years but became a counterculture hero. The film drew a strong following which expanded overseas in the 1980s and has established itself as a cult classic. Film critics and enthusiasts now regard it as an absurdist masterpiece. It has been cited as an influence by filmmakers such as Jim Jarmusch, John Woo, Chan-wook Park and Quentin Tarantino. Thirty-four years after Branded to Kill, Suzuki filmed Pistol Opera (2001) with Nikkatsu, a loose sequel to the former. The company has also hosted two major retrospectives spotlighting his career.
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There are two styles of toilets commonly found in Japan. The oldest type is a simple squat toilet, which is still common in public conveniences. After World War II, modern Western-type flush toilets and urinals became common. The current state of the art for Western-style toilets are the bidet toilets, which, as of 2004, are installed in more than half of Japanese households. In Japan, these bidets are commonly called Washlets, a brand name of Toto Ltd., and include many advanced features rarely seen outside of Asia. Depending on the exact model, these bidets are designed to open the lid when they sense a user nearby, wash the anus or vulva of the user (including a number of pulsating and massaging functions), dry afterwards with warm air, flush automatically and close the lid after use. During the Jōmon period, settlements were built in a horseshoe shape, with a central plaza in the middle and garbage heaps around the settlement. In these garbage heaps, calcified fecal remains of humans or dogs, so called coprolites, were found, indicating that these garbage dumps were also used as toilets. The earliest sewer systems are from the Yayoi period (300 BC to A.D. 250). These systems were used in larger settlements, probably in combination with toilets. A possible ritual site, that may also have been a toilet using flowing water, dating back to the early 3rd century was found in Sakurai, Nara. Another cesspit analyzed by archaeologists in detail was found at the site of the Fujiwara Palace in Kashihara, Nara, the first location of the imperial city from 694 to 710. This toilet was constructed over an open pit similar to an outhouse.
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The National Diet of Japan is Japan's bicameral legislature. It is composed of a lower house, called the House of Representatives, and an upper house, called the House of Councillors. Both houses of the Diet are directly elected under a parallel voting system. In addition to passing laws, the Diet is formally responsible for selecting the Prime Minister. The Diet was first convened as the Imperial Diet in 1889 as a result of adopting the Meiji constitution. The Diet took its current form in 1947 upon the adoption of the postwar constitution and is considered by the Constitution to be the highest organ of state power. The National Diet Building is located in Nagatachō, Chiyoda, Tokyo. The houses of the Diet are elected under a parallel voting system. This means that the seats to be filled in any given election are divided into two groups, each elected by a different method; the main difference between the houses is in the sizes of the two groups and how they are elected. Voters are also asked to cast two votes: one for an individual candidate in a constituency, and one for a party list. Any citizen of Japan at least twenty years of age (the age of majority in Japan) may vote in these elections. Japan's parallel voting system is not to be confused with the Additional Member System used in many other nations. The Constitution of Japan does not specify the number of members of each house of the Diet, the voting system, or the necessary qualifications of those who may vote or be returned in parliamentary elections, thus allowing all of these things to be determined by law. However it does guarantee universal adult suffrage and a secret ballot. It also insists that the electoral law must not discriminate in terms of "race, creed, sex, social status, family origin, education, property or income".
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Tokyo is the most populated of Japan's 47 sub-national prefectures. In Tokyo, there are 45 buildings and structures that stand taller than 180 metres (591 ft). The tallest structure in the prefecture is Tokyo Skytree, a broadcasting, restaurant, and observation tower that rises 634 metres (2,080 ft), which was completed in 2012. It also stands as the tallest structure in Japan and the tallest tower in the world. The tallest building and second-tallest overall structure in Tokyo is the 248-metre-tall (814 ft) Midtown Tower, which was completed in 2007. The prefecture's second tallest building is the Tokyo Metropolitan Government Building, which rises 48 stories and 243 metres (797 ft) in height. Overall, of the 25 tallest buildings and structures in Japan, 18 are in Tokyo. Skyscrapers are a relatively recent phenomenon in Japan. Due to aesthetic and engineering concerns, Japan's Building Standard Law set an absolute height limit of 31 metres until 1963, when the limit was abolished in favor of a Floor Area Ratio limit. Following these changes in building regulations, the Kasumigaseki Building was constructed and completed in 1968. Double the height of Japan's previous tallest building—the 17-story Hotel New Otani Tokyo—the Kasumigaseki Building is regarded as Japan's first modern high-rise building, rising 36 stories and 156 metres (512 ft) in height. A booming post-war Japanese economy and the hosting of the 1964 Summer Olympics helped lead to a building boom in Tokyo during the 1960s and 70s. Construction continued through the 1980s and 90s as the Japanese asset price bubble rose and fell. Tokyo is divided into two sections: Western Tokyo and the special wards of Tokyo. All of the prefecture's tallest buildings are within the 23 special wards, which comprise the area formerly incorporated as Tokyo City.
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Tokyo Tower is a communications and observation tower located in Shiba Park, Minato, Tokyo, Japan. At 333 meters (1,091 ft), it is the tallest self-supporting steel structure in the world and the tallest artificial structure in Japan. The structure is an Eiffel Tower-inspired lattice tower that is painted white and international orange to comply with air safety regulations. Built in 1958, the tower's main sources of revenue are tourism and antenna leasing. Over 150 million people have visited the tower since its opening. FootTown, a 4-story building located directly under the tower, houses museums, restaurants and shops. Departing from here, guests can visit two observation decks. The 2-story Main Observatory is located at 150 meters (490 ft), while the smaller Special Observatory reaches a height of 250 meters (820 ft). The tower acts as a support structure for an antenna. Originally intended for television broadcasting, radio antennas were installed in 1961 and the tower is now used to broadcast both signals for Japanese media outlets such as NHK, TBS and Fuji TV. Japan's planned switch from analog to digital for all television broadcasting by July 2011 is problematic, however. Tokyo Tower's current height is not high enough to adequately support complete terrestrial digital broadcasting to the area. A taller digital broadcasting tower known as Tokyo Sky Tree is currently planned to open in 2011. A large broadcasting tower was needed in the Kantō region after NHK, Japan's public broadcasting station, began television broadcasting in 1953.
Portal:Japan/Selected article/38 The highest-selling albums and mini-albums in Japan are ranked in the Oricon Weekly Chart, published by Oricon Style magazine. The data are compiled by Oricon based on each album's weekly physical sales. Thirty-seven albums reached the peak of the chart in 2008. R&B singer Namie Amuro's Best Fiction had the longest chart run of 2008. The album remained at the top of the charts from its issue date of August 11 to September 15. Amuro became the first solo female artist in 28 years to have an album chart number one for six consecutive weeks after Saki Kubota, who had an album at number one for seven consecutive weeks in 1980. Pop singer Mariya Takeuchi's greatest hits album Expressions stayed atop the charts for three consecutive weeks, making her the first artist over 50 years of age to accomplish this. Other artists who had extended runs on the chart include Kobukuro, Kumi Koda, Exile, Madonna, Superfly, Greeeen, and Mr. Children; each spent two straight weeks on the chart. Korean pop singer BoA's Japanese album The Face debuted at number one, making her the second artist after Ayumi Hamasaki to have six consecutive number-one studio albums since her debut. American pop singer Madonna's Hard Candy became the singer's first album in 18 years to debut at number one on the Oricon chart. With the release of their second album, Game, girl group Perfume became the second technopop group (after Yellow Magic Orchestra) to have a number-one album on the charts.
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The Tosa-class battleships were two dreadnoughts ordered by the Imperial Japanese Navy during the early 1920s. The ships were larger versions of the preceding Nagato class, and carried an additional 41-centimeter (16.1 in) twin-gun turret; their design served as a basis for the Amagi-class battlecruisers. The first ship, Tosa, was canceled according to the terms of the Washington Naval Treaty before it could be completed, and was used in experiments testing the effectiveness of its armor scheme before being scuttled in the Bungo Channel. The hull of the second ship, Kaga, was converted into an aircraft carrier of the same name. The carrier supported Japanese troops in China during the Second Sino-Japanese War of the late 1930s, and took part in the attack on Pearl Harbor on 7 December 1941 and the invasion of Rabaul in the Southwest Pacific in January 1942. The following month her aircraft participated in a combined carrier airstrike on Darwin, Australia, during the Dutch East Indies campaign. She was sunk during the Battle of Midway in 1942.
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There was considerable Axis naval activity in Australian waters during World War II. A total of 54 German and Japanese warships and submarines entered Australian waters between 1940 and 1945 and attacked ships, ports and other targets. Among the best-known attacks are the sinking of HMAS Sydney by a German raider in November 1941, the bombing of Darwin by Japanese naval aircraft in February 1942, and the Japanese midget submarine attack on Sydney Harbour in May 1942. In addition, many Allied merchant ships were damaged or sunk off the Australian coast by submarines and mines. The level of Axis naval activity peaked in the first half of 1942 when Japanese submarines conducted anti-shipping patrols off Australia's coast and Japanese naval aviation attacked several towns in northern Australia. The Japanese submarine offensive against Australia was renewed in the first half of 1943 but was broken off as the Allies pushed the Japanese onto the defensive. Few Axis naval vessels operated in Australian waters in 1944 and 1945 and those that did had only a limited impact. Due to the episodic nature of the Axis attacks and the relatively small number of ships and submarines committed, Germany and Japan were not successful in disrupting Australian shipping.
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Taiko drums, a broad range of Japanese percussion instruments, were introduced to Japan through Korean and Chinese cultural influence as early as the 6th century, and a mythological origin is mentioned in the Nihon Shoki, the second oldest book of Japanese classical history. They have seen use in Japan for communication, theatre, religious ceremonies, and festival and concert performances. In feudal warfare, taiko drums were used to summon troops, call out orders and set a marching pace. In modern times, they have played a role in social movements for minorities within and outside Japan. Taiko performances can vary in their rhythms, forms, stick grips, clothing, and instrumentation. Ensembles typically use different types of barrel-shaped nagadō-daiko drums, as well as the smaller shime-daiko. Many groups accompany their drums with vocals, strings, and woodwind instruments. The popular ensemble style called kumi-daiko was developed in 1951 through the work of Daihachi Oguchi, and has continued with groups such as Kodo. Kumi-daiko performance groups are active in Japan, the U.S., Australia, Canada, and Brazil.
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Departures is a Japanese drama film directed by Yōjirō Takita and starring Masahiro Motoki, Ryōko Hirosue, and Tsutomu Yamazaki. Loosely based on Shinmon Aoki's memoir Coffinman, the film follows a young man who becomes a nōkanshi—a traditional Japanese ritual mortician—and overcomes the prejudices of those around him. The story was conceived after Motoki, affected by a funeral ceremony he had seen along the Ganges, read Coffinman and felt that the story would adapt well to film. Departures took a decade to complete, and distributors only released it after the film won the grand prize at the Montreal World Film Festival in August 2008. Departures became Japan's highest-grossing domestic film that year and won numerous awards, including the first Academy Award for Best Foreign Language Film for Japan. It was praised for its humour and the beauty of the encoffining ceremony, but critics took issue with the film's predictability and overt sentimentality. The film's success spurred the development of tourist attractions at its shooting sites, increased interest in encoffining ceremonies, and the adaptation of the story for various media.
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Sōryū was an aircraft carrier built for the Imperial Japanese Navy during the mid-1930s. The ship's aircraft were employed during the Second Sino-Japanese War in the late 1930s and supported the Japanese invasion of French Indochina in mid-1940. During the first months of the Pacific War, she took part in the attack on Pearl Harbor, the Battle of Wake Island, the conquest of the Dutch East Indies, and the bombing of Darwin, Australia. In the Battle of Midway in June 1942, Sōryū and three other carriers of the First Air Fleet bombarded American forces on Midway Atoll, and were attacked by aircraft from the island and the carriers Enterprise, Hornet, and Yorktown. Dive bombers from Yorktown crippled Sōryū and set her afire. Japanese destroyers rescued the survivors, but she could not be salvaged and was ordered to be scuttled to allow her attendant destroyers to be released for further operations. She sank along with the bodies of 711 out of 1,103 officers and enlisted men. The loss of Sōryū and three other carriers at Midway was a crucial strategic defeat for Japan, leading to the Allies' ultimate victory in the Pacific.
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The 2008 Japanese Grand Prix was a Formula One motor race held on October 12, 2008, at the Fuji Speedway, Oyama, Japan. It was the 16th race of the 2008 Formula One season. The race, contested over 67 laps, was won by Fernando Alonso for the Renault team from fourth position on the starting grid. Robert Kubica finished second in a BMW Sauber, and Kimi Räikkönen third in a Ferrari. Lewis Hamilton, the eventual Drivers' Champion, led the Championship going into the race, and started from pole position alongside Räikkönen. Hamilton's McLaren teammate Heikki Kovalainen began from third, next to Alonso. At the first corner Hamilton braked late, forcing Räikkönen wide. Hamilton was later given a penalty, and was criticised by the British racing press for overly aggressive driving. Ferrari driver Felipe Massa, Hamilton's principal Championship rival, was penalised after an incident on lap two in which he touched Hamilton's car and spun it around. The incident dropped Hamilton to the back of the field, from where he was unable to regain a pointscoring position. Massa later collided with Sébastien Bourdais of Toro Rosso. Bourdais was penalised after the race, and demoted from sixth to tenth position. The penalty prompted widespread criticism from the racing media and ex-drivers. The victory was Alonso's second consecutive win, after he started from 15th on the grid to win the Singapore Grand Prix.
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Bonshō are large bells found in Buddhist temples throughout Japan, used to summon the monks to prayer and to demarcate periods of time. Rather than containing a clapper, bonshō are struck from the outside, using either a hand-held mallet or a beam suspended on ropes. The bells are usually made from bronze, typically augmented and ornamented with bosses, raised bands, and inscriptions. The earliest appearance of these bells in Japan dates to around 600 CE, although the general design is of much earlier Chinese origin. Their penetrating and pervasive tone carries over considerable distances, which led to their use as signals, timekeepers, and alarms. The sound is thought to have supernatural properties; it is believed, for example, that it can be heard in the underworld. Their spiritual significance means that they play an important role in Buddhist ceremonies, particularly the New Year and Bon festivals. Throughout Japanese history a number of these bells have become associated with stories and legends, both fictional, such as the Benkei Bell of Mii-dera, and historical, such as the bell of Hōkō-ji. In modern times, bonshō have become symbols of world peace.
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Three Beauties of the Present Day is a nishiki-e colour woodblock print of c. 1792–93 by Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753–1806). The triangular composition depicts the busts of three celebrity beauties of the time: geisha Tomimoto Toyohina, and teahouse waitresses Takashima Hisa and Naniwa Kita, each adorned with an identifying family crest. Subtle differences can be detected in the faces of the subjects—a level of individualized realism at the time unusual in ukiyo-e, and a contrast with the stereotyped beauties in earlier masters such as Harunobu and Kiyonaga. The triangular positioning became a vogue in the 1790s. Utamaro produced several other pictures with this arrangement of the same three beauties, and each appeared in numerous other portraits by Utamaro and other artists. Utamaro was the leading ukiyo-e artist in the 1790s in the bijin-ga genre of pictures of female beauties, and was known in particular for his ōkubi-e, which focus on the heads. The luxurious print was published by Tsutaya Jūzaburō and made with multiple woodblocks—one for each colour—and the background was dusted with muscovite to produce a glimmering effect.
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The Admiralty Islands campaign was a series of battles in the New Guinea campaign of World War II in which the United States Army's 1st Cavalry Division occupied the Japanese-held Admiralty Islands. Acting on reports from airmen that there were no signs of enemy activity and the islands may have been evacuated, General Douglas MacArthur accelerated his timetable for capturing the islands and ordered an immediate reconnaissance in force. The campaign began on 29 February 1944 when a force landed on Los Negros, the third largest island in the group. By using a small, isolated beach where the Japanese had not anticipated an assault, the force achieved tactical surprise, but the islands proved to be far from unoccupied. A furious battle developed for control of the Admiralties. In the end, air superiority and command of the sea allowed the Allies to heavily reinforce their position on Los Negros. The 1st Cavalry Division could then overrun the islands. The campaign officially ended on 18 May 1944. The Allied victory completed the isolation of the major Japanese base at Rabaul that was the ultimate objective of the Allied campaigns of 1942 and 1943. A major air and naval base was developed in the Admiralty Islands that became an important launching point for the campaigns of 1944 in the Pacific.
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The Akutan Zero was a type 0 model 21 Mitsubishi A6M Zero Japanese fighter plane which crash-landed on Akutan Island during World War II. It was captured intact by the Americans in July 1942 and became the first flyable Zero acquired by the United States during the war. Following its capture, it was repaired and flown by American test pilots. As a result of information gained during these tests, American strategists were able to devise tactics to defeat the Zero, which was the Imperial Japanese Navy's primary fighter plane throughout the war. The Akutan Zero was "a prize almost beyond value to the United States", and "probably one of the greatest prizes of the Pacific war". Japanese historian Masatake Okumiya noted that the acquisition of the Akutan Zero "was no less serious" than the Japanese defeat at the Battle of Midway, and that it "did much to hasten [Japan's] final defeat". The Akutan Zero was destroyed in a training accident in 1945. Pieces of it are preserved in several museums in the United States.
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The Battle of Cape Esperance took place on 11–12 October 1942 between the Imperial Japanese Navy and U.S. Navy in the Pacific campaign of World War II. The second major surface engagement of the Guadalcanal Campaign, it took place at the entrance to the strait between Savo Island and Guadalcanal in the Solomon Islands. The Japanese sent a major supply and reinforcement convoy to their forces on Guadalcanal. At the same time, five warships (under the command of Rear Admiral Aritomo Gotō) were to bombard the Allied airfield on Guadalcanal. Shortly before midnight on 11 October, the Americans surprised Gotō's force, sinking two warships and heavily damaging another. Gotō was mortally wounded and his other warships were forced to retreat. Meanwhile, the Japanese supply convoy unloaded and began its return journey without being discovered; four of its destroyers turned back to assist Gotō's retreating warships, but U.S. aircraft sank two of them. The battle did not give either navy operational control of the waters around Guadalcanal, but it provided a significant morale boost to the U.S. Navy after its heavy losses at the earlier Battle of Savo Island.
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Air raids on Japan by the Allies in World War II caused extensive destruction and casualties; the most commonly cited estimates are 333,000 killed and 473,000 wounded. During the first years of the Pacific War, these attacks were limited to the Doolittle Raid in April 1942 and small-scale raids on military positions in the Kuril Islands starting in mid-1943. Strategic bombing raids began in June 1944 and were greatly expanded in November. The raids initially attempted to target industrial facilities, but from March 1945 onwards were generally directed against urban areas. Aircraft flying from aircraft carriers and the Ryukyu Islands also frequently struck targets in Japan during 1945 in preparation for an Allied invasion planned for October. In early August, the cities of Hiroshima and Nagasaki were struck and mostly destroyed by atomic bombs. Japan's military and civil defenses were not capable of protecting the country, and the Allied forces generally suffered few losses. The bombing campaign was one of the main factors in the Japanese government's decision to surrender in mid-August 1945. Nevertheless, there has been a long-running debate over the attacks on Japanese cities, and the decision to use atomic weapons has been particularly controversial.
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Haruna was a warship of the Imperial Japanese Navy during World War I and World War II. Designed by the British naval engineer George Thurston, she was a battlecruiser of the Kongō class, among the most heavily armed ships in any navy when built. Named after Mount Haruna, she was laid down in 1912 and commissioned in 1915. Beginning in 1926, she was rebuilt as a battleship, strengthening her armor and improving her speed and power. In 1933, her superstructure was completely rebuilt, her speed was increased, and she was equipped with launch catapults for floatplanes. Now fast enough to accompany Japan's growing carrier fleet, Haruna was reclassified as a fast battleship. During the Second Sino-Japanese War, Haruna transported Japanese troops to mainland China. On the eve of the Japanese attack on Pearl Harbor, she sailed as part of the Southern Force in preparation for the Battle of Singapore. Haruna fought in almost every major naval action of the Pacific Theater, including the Battle of Midway, the Guadalcanal Campaign, the Battle of the Philippine Sea and the Battle of Leyte Gulf. In 1945, Haruna was transferred to Kure Naval Base, where she was sunk by aircraft of Task Force 38.
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Akagi was the second aircraft carrier of the Imperial Japanese Navy (IJN) to enter service, and the first large or "fleet" carrier. She was converted to an aircraft carrier while still under construction to comply with the Washington Naval Treaty of 1922, and figured prominently in the development of the IJN's revolutionary doctrine that grouped carriers together, concentrating their air power. The ship and her aircraft first saw combat during the Second Sino-Japanese War in the late 1930s. During the Pacific War, she took part in the Attack on Pearl Harbor on 7 December 1941 and the invasion of Rabaul in the Southwest Pacific in January 1942 as flagship of the First Air Fleet. Over the next several months her aircraft bombed Darwin, Australia, assisted in the conquest of the Dutch East Indies, and helped sink a British heavy cruiser and an Australian destroyer in the Indian Ocean Raid. After bombarding American forces on Midway Atoll during the Battle of Midway in June, Akagi and the other carriers were attacked by aircraft from Midway and three American carriers. Akagi was severely damaged, and she was scuttled by Japanese destroyers to prevent her from falling into enemy hands.
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The 1995 Pacific Grand Prix was a Formula One motor race held on October 22, 1995 at the TI Circuit, Aida, Japan. It was the 15th race of the 1995 Formula One season. The race, contested over 83 laps, was won by Michael Schumacher for the Benetton team after starting from third position. David Coulthard, who started the Grand Prix from pole position, finished second in a Williams car, with Damon Hill third in the other Williams. Schumacher's win confirmed him as 1995 Drivers' Champion as Hill could not pass Schumacher's points total with only two races remaining. Hill started the race alongside Coulthard on the front row, amidst pressure from the British media for not being "forceful" enough in battles. Schumacher attempted to drive around the outside of Hill at the first corner, but Hill held Schumacher off as Jean Alesi, driving for Ferrari, got past both on the inside line to take second position. As a result, Hill dropped down to third and Schumacher dropped down to fifth behind Gerhard Berger. Schumacher managed to get past Alesi and Hill during the first of three pit stops. This allowed him, on a new set of slick tyres, to close on Coulthard who was on a two-stop strategy. Schumacher opened up a gap of 21 seconds by lapping two seconds faster per lap than Coulthard, so that when his third stop came, he still led the race.
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