Portal:Korea

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Korea, called Hanguk (Korean: 한국; Hanja: 韓國) in South Korea and Chosŏn (Korean: 조선; Hanja: 朝鮮) in North Korea, is a civilization and geographical area situated on the Korean Peninsula in East Asia, bordering China to the northwest and Russia to the northeast, with Japan situated to the southeast across the Korea Strait. It is often called the "Land of the Morning Calm", a term first used during the Joseon dynasty.

One of the oldest civilizations in the world, Korea's history began with the founding of Gojoseon, dating back to approximately 2,333 B.C. After the Three Kingdoms period, Korea enjoyed long periods of peace during which its culture, science and technology flourished. Despite this relative tranquility, Korea was often a target for invasion and had to defend itself in many wars. As a result, starting in the 17th century, Korea's leaders cut off almost all interaction with the outside world. Because of this, Korea was annexed in 1910 and became divided after the Korean War into two political entities, North Korea and South Korea.

North Korea declares itself to be a self-reliant socialist state that is often described by international outlets as Stalinist and isolationist. It is currently ruled by the Kim dynasty, under which the country has become the world's most militarized society with a total of 9,495,000 active, reserve, and paramilitary personnel. North Korea has often emerged as a subject of controversy due to alleged human rights abuses and its unsanctioned nuclear weapons program, the latter of which makes it a threat to regional security.

South Korea on the other hand is a capitalist liberal democracy, and by 1995, became the world's 11th largest economy. It is also currently the world's fifth largest exporter and seventh largest importer, all feats achieved during South Korea's miraculous economic growth after the Korean War. South Korea also maintains a large military due to strained relations with the North, with 650,000 active troops and 3.2 million reserve troops. Due to both its economic and military prowess, South Korea is a regional power, also enjoying membership in the United Nations, G-20 major economies and the OECD.

Korea is populated by a relatively homogeneous ethnic group, the Koreans, who speak Korean, a distinct language not known to be related to any other language, and which uses a unique script, known as Hangul in South Korea, and as Chosongul in North Korea.

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US forces prepare to retreat from Taejon, July 1950

The Battle of Taejon was an early battle between United States and North Korean forces during the Korean War. Forces of the United States Army, attempting to defend the headquarters of the 24th Infantry Division were overwhelmed by numerically superior forces of the Korean People's Army at the major city and transportation hub of Taejon. Hampered by lack of communications equipment and shortages of heavy weapons to match North Korean firepower, the American forces, outnumbered, ill-equipped and untrained, were pushed back from the river bank after several days, before fighting an intense urban battle to defend the city The delay imposed at Taejon probably prevented an American rout during the subsequent Battle of the Pusan Perimeter. Also significant, the North Koreans captured Major General William F. Dean, the commander of the 24th Infantry Division, and highest ranking American prisoner during the Korean War.

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Taepyeongmu
Credit: Ddol-mang

Taepyeongmu (태평무), a Korean dance wishing a great peace for Korea. Its origin is unknown but the late Han Seungjun (한성준 韓成俊 1875-1941), a known dancer and drummer, rearranged it in the early 20th century. It is assumed to have been a court dance occasionally performed by kings during the Joseon dynasty of Korea. Therefore, the costumes used for dancers are almost similar to a king and queen's gwanbok (관복, official clothing). Taepyeongmu is designated as one of the Important Intangible Cultural Properties of South Korea.

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Kim Ki-young (October 1, 1922 – February 5, 1998) was a South Korean film director, known for his intensely psychosexual and melodramatic horror films, often focusing on the psychology of their female characters. Kim was born in Seoul during the Japanese occupation, raised in Pyongyang and spent time in Japan, where he became interested in theater and cinema. In Korea after the end of World War II, he studied dentistry while becoming involved in the theater. During the Korean War, he made propaganda films for the United States Information Service. In 1955, he used discarded American equipment to produce his first two films. With the success of these two films Kim formed his own production company and produced popular melodramas for the rest of the decade. Kim Ki-young's first expression of his mature style was in his The Housemaid (1960), which featured a powerful femme fatale character. It is widely considered to be one of the best Korean films of all time. After a "Golden Age" during the 1960s, the 1970s were a low-point in the history of Korean cinema because of governmental censorship and a decrease in audience attendance. Nevertheless, working independently, Kim produced some of his most eccentric cinematic creations in this era. Films such as Insect Woman (1972) and Iodo (1977) were successful at the time and highly influential on the younger generations of South Korean filmmakers both at their time of release, and with their rediscovery years later. By the 1980s, Kim's popularity had gone into decline, and his output decreased in the second half of the decade. Neglected by the mainstream during much of the 1990s, Kim became a cult figure in South Korean film Internet forums in the early 1990s. Widespread international interest in his work was stimulated by a career retrospective at the 1997 Pusan International Film Festival. Kim's films, previously little-known or totally unknown outside South Korea, were shown and gained enthusiastic new audiences in Japan, the United States, Germany, France and elsewhere. He was preparing a come-back film when he and his wife were killed in a house fire in 1998. The Berlin International Film Festival gave Kim a posthumous retrospective in 1998, and the French Cinémathèque screened 18 of Kim's films, some newly rediscovered and restored, in 2006. Through the efforts of the Korean Film Council (KOFIC), previously lost films by Kim Ki-young continue to be rediscovered and restored. Many current prominent South Korean filmmakers, including directors Im Sang-soo, Kim Ki-duk, Bong Joon-ho and Park Chan-wook, claim Kim Ki-young as an influence on their careers.

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